Obsessed: The Podcast

Lauren Lapkus grew up with one goal in mind: someday joining the cast of ‘Saturday Night Live.’ Now, nearly 20 years into a comedy career that has included scene-stealing roles in everything from ‘Orange Is the New Black’ to ‘Jurassic World,’ she has finally been able to “let go” of the way she thought things would go and fully embrace her unique place in the comedy world. It helps, Lapkus explains in this episode, that she has now landed lead roles in both broad comedies like 2020’s ‘The Wrong Missy’ (opposite David Spade on Netflix) and her latest, the darkly comedic postpartum depression dramedy ‘Another Happy Day.’ Lapkus also discusses how the Comedy Bang! Bang! podcast opened new doors for her and what it was like to go up against Kate McKinnon for that coveted spot on SNL. Rent or buy ‘Another Happy Day’ Follow Lauren Lapkus on Instagram @laurenlapkus Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Last Laugh listeners, please enjoy the first episode of The Daily Beast's new podcast! The Daily Beast Podcast is as wildly exciting, energizing, and entertaining as the topics it covers. Bringing their sharp wit and insights to each episode, co-hosts Joanna Coles (Chief Creative & Content Officer of The Daily Beast) and celebrated comedian and political commentator Samantha Bee will navigate the latest in politics, pop culture, and everything in between. Subscribe now to The Daily Beast Podcast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Comedian Samantha Bee is back for the third time on The Last Laugh podcast—and this time it is as host of her very own Daily Beast podcast! Along with the Daily Beast’s Joanna Coles, Bee is bringing her always sharp and hilarious political insights to The Daily Beast Podcast. And before their first episode premieres this Thursday, Bee is here to share her unfiltered thoughts about interviewing Kamala Harris, being exhausted by Donald Trump, and those pesky “undecided voters” who seem to get so much attention this time of year. The former ‘Full Frontal’ host also reveals how she would have approached stories like JD Vance’s “childless cat ladies” if she—or really, any other woman—was still on late-night TV and reacts to Jon Stewart’s triumphant return to ‘The Daily Show’ and the backlash he received (including from the host of this podcast) for “both sides-ing” Trump and Joe Biden. Subscribe now to The Daily Beast Podcast Follow Samantha Bee on Twitter @iamsambee and Instagram @realsambee Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Last Laugh listeners please enjoy! The Daily Beast Podcast is as wildly exciting, energizing, and entertaining as the topics it covers. Bringing their sharp wit and insights to each episode, co-hosts Joanna Coles (Chief Creative & Content Officer of The Daily Beast) and celebrated comedian and political commentator Samantha Bee will navigate the latest in politics, pop culture, and everything in between. Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

“Oh god, you’re crying in front of Carol Burnett, fantastic,” Alex Edelman said at the top of his acceptance speech for Outstanding Writing for a Variety Special at the 76th Emmy Awards. It was just the latest unexpected milestone in the life of his widely celebrated solo show ‘Just for Us,’ which premiered on HBO and also won a special Tony Award earlier this year. In this episode, the 35-year-old Jewish comic shares the unique challenges of bringing his story about attending a white supremacist meeting in Queens to the stage and screen, including the sudden death of his director just before opening on Broadway and how performing a show about antisemitism changed after October 7th. Edelman also discusses the surreal experience of getting notes from comedy heroes like Steve Martin, Jerry Seinfeld and Billy Crystal, tells a story about the time he baffled Mel Brooks by calling him “woke” to his face, and teases his next stand-up hour, which will take on the Israel-Gaza war. This episode was originally published on April 10, 2024. Follow Alex Edelman on Twitter @alexedelman and Instagram @alexedelman Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Michael Ian Black began his career performing deeply absurdist comedy with his legendary sketch group The State and the besuited comedy trio Stella. Now, among other things, he’s a weekly columnist covering the 2024 election for the Daily Beast. But Black does not consider himself to be a political commentator “in any way, shape or form, even though I often comment on politics,” he says in this week’s episode of The Last Laugh podcast. During our wide-ranging conversation, Black shares his thoughts on where the 2024 race stands right now, how Donald Trump became America’s worst crowd work comedian, why he’s cautiously optimistic about the prospect of a Kamala Harris presidency, and what viewers can expect from his new satirical CNN game show ‘Have I Got News for You’ with Roy Wood Jr. and Amber Ruffin. Plus, what he remembers about filming his explicit sex scene with Bradley Cooper in ‘Wet Hot American Summer’ and why, after two reboots on Netflix, the cult classic finally “feels like it’s done” to him. Follow Michael Ian Black on Twitter @michaelianblack and Instagram @michaelianblack Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Susie Essman made a name for herself cursing out Larry David as her alter-ego Susie Greene on ‘Curb Your Enthusiasm.’ But as she reveals in this episode, in the 24 years since the show premiered—and nearly four decades since she met David in the New York comedy clubs—they have never once gotten into an actual fight. Essman opens up about David’s unique “genius” as a comedian, how ‘Curb’ gets away with being so politically incorrect, the unconscious inspiration for her character and the bizarro world in which she could have played Elaine on ‘Seinfeld.’ Plus, stories about roasting Donald Trump to his face at the Friar’s Club, her “horrible” late-night debut with Johnny Carson, and getting to portray Ilana Glazer’s mother on ‘Broad City.’ This episode was originally published on November 30, 2021. Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Before Langston Kerman was one of the most exciting stand-up comedians working right now, he taught poetry to high school students. As he tells the audience in his debut Netflix special ‘Bad Poetry,’ he was desperate to find another path for his life. In this episode, Kerman talks about getting his big break writing for Oscars host Chris Rock (even if he didn’t get a single joke on the broadcast), convincing his favorite comedian John Mulaney to direct his special, trying not to alienate Larry David during his very first Hollywood gig, and why he fears that fans of HBO’s ‘Insecure’ will never, ever let him “be free.” He also shares some behind-the-scenes stories from his time writing on the year’s most brilliantly weird talk show, ‘Everybody’s in LA,’ including the one pitch that was deemed too weird by Mulaney. Listen to My Momma Told Me with Langston Kerman and David Gborie Follow Langston Kerman on Instagram @langstonkerman Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

There are few Americans who have had a crazier past month than Kamala Harris—but comedian Allison Reese is among them. Reese’s impression of the vice president was already a hit on social media before Harris picked up the baton from President Joe Biden, but it has blown up in a much bigger way since. In this episode, Reese talks about the wild ride she has been on as millions of followers eat up her deliciously spot-on take on the candidate’s cadence—especially her signature laugh—and the efforts she is taking not to inadvertently become a right-wing caricature. She also reveals why she wanted to impersonate Harris in her first audition for ‘Saturday Night Live’ in 2019, what she made of former cast member Maya Rudolph’s very different approach to the impression, and why she believes her videos might have an even bigger political impact on TikTok than she would have had if she had been cast as Harris on SNL. Listen to N’Kay with Allison Reese Follow Allison Reese on TikTok @alienreese, Twitter @alienreese, Instagram @alienreese Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hannah Einbinder had never really acted before she was cast as Ava Daniels opposite Jean Smart’s Deborah Vance on ‘Hacks.’ Now, she’s a three-time Emmy nominee. In this episode, Einbinder opens up about the overconfidence she brings to that role as well the onstage persona she displays in her excellent debut stand-up special ‘Everything Must Go’ on Max. She also talks about overcoming the intimidation of acting with Jean Smart, compares the generational gap between their characters to her relationship with her own mother (original SNL cast member Laraine Newman), and teases what fans can expect from a more “badass” Ava in Season 4. And later, Einbinder shares her unfiltered thoughts about the “old fucking guys” in comedy who complain that political correctness is stifling their craft. Follow Hannah Einbinder on Instagram @hannaheinbinder Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

When a special arrives on Netflix in its finished form, viewers don’t typically get to see all of the excruciating work that went into making it a polished piece. But for anyone who has been listening to Birbiglia’s Working It Out podcast over the past couple of years, it’s all there. “I was doing it privately,” he says on this week’s episode of The Last Laugh podcast. “I feel like it’s something that’s kind of unspoken about stand-up, that for the most part, we are in communities of comedians who kick around joke tags: ‘Hey, what if you did this with it?’ And ‘I have a similar story about this, and you know you could use that if you want to,’ or whatever it is. And we kind of just put it out there with audio rolling.” In his second appearance on The Last Laugh, Birbiglia talks about how this process helped shape his latest Broadway show-turned-Netflix special ‘The Old Man and the Pool’ (now Emmy-nominated for Outstanding Writing for a Variety Special), shares his thoughtful response to the “emotional truth” controversy that came for his friend and fellow comic Hasan Minhaj, breaks down how he handles criticism of his own work, and a lot more. This episode was originally published on November 22, 2023. Follow Mike Birbiglia on Twitter @birbigs and Instagram @birbigs Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Carmen Christopher is one of those comedians who you’ve definitely seen before but can’t totally be sure how you know his face. Over the past several years, he’s popped up in bit parts on show’s like ‘Shrill,’ ‘I Think You Should Leave,’ and most notably—given his born and bred Chicago roots—all three seasons of ‘The Bear.’ In this episode, Christopher talks about putting together his breakthrough, Chicago-themed stand-up special ‘Live From the Windy City,’ which arrives on the Veeps streaming platform August 1st. He also shares stories about collaborating with alt-comedy icons including Joe Pera and Tim Robinson, why he’s no longer interested in pursuing SNL after two unsuccessful auditions, that time he almost killed David Letterman, serving as a writer on Nathan Fielder and Benny Safdie’s ‘The Curse’ and more. Follow Carmen Christopher on Twitter @CarmChristopher and Instagram @carmenyescarmen Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the weeks between President Joe Biden’s disastrous debate performance and his decision to step aside, no one in political media was making the case against his candidacy louder than the former Obama staffers and co-hosts of Pod Save America. In his third appearance on The Last Laugh, Crooked Media co-founder Jon Lovett returns to talk about his unexpectedly prominent role in the Democratic Party’s existential crisis and how he’s feeling now that Vice President Kamala Harris has emerged as the presumptive nominee who will take on Donald Trump in the fall. We also discuss how the political comedy world handled Biden’s decline and Trump’s assassination attempt, how he navigates writing jokes for his own podcast Lovett or Leave It, and how on earth he ended up as a contestant on the upcoming season of ‘Survivor.’ Buy Crooked Media’s new book ‘Democracy or Else: How to Save America in 10 Easy Steps’ Follow Jon Lovett on Twitter @jonlovett and Instagram @jonlovett Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In an age of comedy that aims to shock, Reggie Watts is arguably the most unpredictable comedian working today. That’s not to say he’s particularly controversial. And in fact, he decided to “set” his latest stand-up special ‘Never Mind’ in the mid-’90s precisely so he wouldn’t feel any pressure to talk about what is happening in America right now. In this 250th episode of The Last Laugh, Watts breaks down how he uses his completely improvised comedic approach to “disorient” audiences and even make them question their reality. He also reveals the real reason he gave up his gig as one-man band leader on the ‘Comedy Bang! Bang!’ TV show (hint: It wasn’t because James Corden hired him away) and why he was so “stoked” when ‘The Late Late Show’ ended after a longer-than-expected eight-year run. Follow Reggie Watts on Instagram @reggiewatts Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jack Quaid has taken great pains to carve out a unique path for himself in Hollywood. Determined not to follow too closely in the footsteps of his very famous parents (Dennis Quaid and Meg Ryan), the 32-year-old actor has fully embraced “genre” storytelling, from his very first blink-and-you’ll-miss-it role in the first ‘Hunger Games’ film to his break-out performance as the endlessly relatable Hughie Campbell in Amazon Prime Video’s wildly popular comic book adaptation ‘The Boys,’ currently streaming its fourth season. In this episode, Quaid breaks down his character’s evolution, shares his view on the show’s satirical politics and teases just how “insane” the fifth and final season could get. He also shares stories from working with Christopher Nolan on ‘Oppenheimer’ and openly admits that he is definitely a “nepo baby” no matter what his mother, the “undisputed queen of rom-coms” has to say about it. Follow Jack Quaid on Twitter @JackQuaid92 and Instagram @jack_quaid Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The first time Jordan Klepper and Roy Wood Jr. worked together was for a 2015 ‘Daily Show’ field piece that asked the question, “Are all cops racist?” In 2024, they joined forces once again for a series of “comedic town halls” across the country. In this episode, Klepper and Wood return to the podcast (for their fourth and third appearances, respectively) to share their thoughts about the inevitable Joe Biden vs. Donald Trump rematch nobody seems to want. The pair of ‘Daily Show’ correspondents also speak openly about that show’s very public search for a host to replace Trevor Noah, including why Wood decided to step down when it seemed like it wasn’t going to be him, whether Klepper is still gunning for the big seat and what they both thought about everything that went down with their old colleague Hasan Minhaj. This episode was originally published on January 3rd, 2024. Follow Jordan Klepper on Twitter @jordanklepper and Instagram @jordanklepper Follow Roy Wood Jr. on Twitter @roywoodjr and Instagram @roywoodjr Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mo Welch spent years trying to make jokes about the father who abused her mother and abandoned her family funny without totally bumming out her audience. Now, she has perfected the art of the extremely dark “dad joke” in her new stand-up special-slash-documentary ‘Dad Jokes.’ In this episode, Welch talks about how terrifying it was to come face-to-face with her father for the first time in 20 years after he went to prison for stealing TVs and how she managed to thread the needle of turning that trauma into comedy on stage. She also reveals what she has learned about comedy from collaborators (and previous Last Laugh guests) Anthony Jeselnik and Beth Stelling and tells the story of how she dropped her microphone in a toilet seconds before her late-night stand-up debut on ‘Conan.’ But first, Allegra Frank joins Matt for her final appearance on the podcast to wrap up their discussion about the big comedy categories at this year’s Emmy Awards, including what to expect from ‘The Bear,’ ‘Hacks,’ ‘Curb Your Enthusiasm’ and more. Stream Mo Welch’s ‘Dad Jokes’ on YouTube Follow Mo Welch on Instagram @momowelch Follow Matt Wilstein on Threads @mattwilstein Follow Allegra Frank on Twitter @LegsFrank Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

As a mainstay at New York’s prestigious Comedy Cellar for many years, Keith Robinson has long been the definition of a comedian’s comedian. But it wasn’t until he suffered two debilitating strokes over the course of four years that he finally landed his first hour-long special on Netflix. In this episode, Robinson talks about how managed to get back on stage so quickly after his first stroke (against medical advice) and how he was able to find so many cathartic laughs in what has otherwise been a truly terrifying experience. He also discusses how he felt about the standing ovation that opens his special ‘Different Strokes’—especially with so many comedian friends in the room—and looks back at the chaotic early days of his career, including stories about working with Wanda Sykes, Amy Schumer, Chris Rock and more. But first, Matt and Allegra break down the Variety Talk Series category at the Emmys, including new entrants ‘Hot Ones’ and ‘John Mulaney Presents: Everybody’s in LA.’ Follow Keith Robinson on Twitter @1keithrobinson and Instagram @keithrobinson438 Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

It’s been nearly a year since John Early released his first stand-up special, Max’s ‘Now More Than Ever.’ But it’s only now that he’s gotten the chance to talk about the go-for-broke special in-depth, with any chance at promotion waylaid by last summer and fall’s back-to-back strikes. And the comedian, best known for his work on ‘Search Party,’ ‘30 Rock,’ and with collaborator Kate Berlant, is relishing his overdue moment in the spotlight. In this episode of The Last Laugh podcast—Early’s second appearance on the show, following his 2022 visit with Berlant—he opens up about the genesis of his Emmys category-breaking special, including how he sees himself as less in step with his fellow campaigning comics and more in the mold of performers like Bette Midler. Plus, Matt and Allegra take a look at John Early’s Emmy competition in the Outstanding Variety Special (Pre-recorded) category and share their thoughts on who else deserves some love over the same old contenders. Follow John Early on Twitter @bejohnce and Instagram @bejohnce Follow Matt Wilstein on Threads @mattwilstein Follow Allegra Frank on Twitter @LegsFrank Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

It’s been more than three decades since Wanda Sykes first stepped onto the stand-up stage. And sometimes, it feels like she’s just now getting her due. This past year, the legendary comedian received her first-ever Grammy nomination for her latest Netflix special ‘I’m an Entertainer,’ which also landed nods at the Emmys and Golden Globes. The hard-hitting hour takes on many of the most divisive topics of the year without pandering to either side or ever punching down. “It’s just noise. And I like to try to cut through that,” she says of the way her comedy reacts to the broader political conversation. In this episode, Sykes takes on everything from the problem with Dave Chappelle’s anti-trans jokes to why she was shocked Will Smith didn’t get dragged out of the Oscars for slapping her friend Chris Rock to what Joe Biden has to do to win back Black men in 2024 to how she thinks about her place in the comedy pantheon and a lot more. This episode was originally published on December 20th, 2023. Follow Wanda Sykes on Twitter @iamwandasykes and Instagram @iamwandasykes Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Since first getting what she thought was her big break on ‘Last Comic Standing’ almost 15 years ago, comedian Rachel Feinstein has been waiting for something to come along and help her achieve the next level of success. “By the time this comes, I’m going to be a star,” Feinstein says. “Hopefully after this interview, I’ll at least get a Clorox commercial or something.” In this episode, recorded just after she taped her latest ‘Tonight Show’ appearance and right before her debut Netflix special ‘Big Guy’ premiered, Feinstein reveals that she may never have gotten this breakthrough moment in her career had she not done the one thing that “scared” her the most: getting married to the New York firefighter husband she spends much of her special mocking and then having a daughter. She also shares stories about mentoring Lil Jon in stand-up comedy on Donald Trump’s ‘The Apprentice,’ roasting Gilbert Gottfried’s Hitler as Anne Frank on Netflix’s ‘Historical Roasts,’ and more. Plus, Matt and Allegra break down what makes ‘Hacks’ the only funny comedy series on TV right now—and why Shane Gillis’ ‘Tires’ on Netflix is the exact opposite. Follow Rachel Feinstein on Twitter @RachelFeinstein and Instagram @rachelfeinstein_ Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

With his delightfully silly roles on shows like ‘The League,’ ‘Veep,’ ‘The Good Place’ and many others, comedian Paul Scheer has always projected a sense of unencumbered fun. That’s partly why, as he explains in both his new memoir ‘Joyful Recollections of Trauma’ and on this episode, he was so hesitant to reveal the very real pain that dominated much of his childhood. Scheer talks about how comedy helped rescue him from the violently abusive household in which he was raised and has continued to be an essential part of his life as he raises children of his own. He also tells some unbelievable stories about his bizarre run-ins with celebrities like Christopher Walken and Bill Cosby, describes the unique experience of improvising opposite Larry David on ‘Curb Your Enthusiasm’ and explains how he was able to emotionally move past a whopping four unsuccessful auditions for ‘Saturday Night Live.’ Buy ‘Joyful Recollections of Trauma’ by Paul Scheer on Amazon Follow Paul Scheer on Twitter @paulscheer and Instagram @paulscheer Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Live from Netflix Is a Joke Fest in Los Angeles this past week, comedian Mae Martin returns to the podcast to share stories about making out with ‘Ted Lasso’s’ Brett Goldstein on stage, making Jon Stewart laugh on ‘John Mulaney Presents: ‘Everybody’s in LA’ and the exhilarating feeling when a new stand-up bit that kills for the first time. Martin also looks back on the surreal experience of watching their autobiographical show ‘Feel Good’ take off on Netflix at the very start of the pandemic and teases their new narrative series for which they are strongly considering becoming a brunette. And make sure to stick around until the end of the show to hear a very special acoustic performance by Claud. Plus, ‘John Mulaney Presents: ‘Everybody’s in LA’ wildly exceeded our expectations, leading Matt and Allegra to wonder whether we deserve more or should just be happy with the perfect six episodes that streamed during the festival. Follow Mae Martin on Instagram @hooraymae Follow Claud on Instagram @claud.mp3 Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The last time Nikki Glaser was on The Last Laugh podcast, our conversation ended up producing material for her stand-up act. Now, in her return to the show, she apologizes for throwing me “under the bus” before sharing even more unfiltered thoughts about her objections to motherhood, struggles with suicidal thoughts and the very tricky balance between self-censorship and saying something she knows could get her “canceled”—all of which are integral to her latest HBO special ‘Someday You’ll Die.’ The comedian also reveals her approach to roasting Tom Brady at Netflix’s epic live event, explains why she decided to leave it all on the table with her jokes about Ted Cruz, Majorie Taylor Greene and other political figures while guest-hosting ‘Jimmy Kimmel Live’ and shares how she’s feeling about turning 40 next month. Come to a live taping of The Last Laugh podcast with special guest Mae Martin at Netflix Is a Joke Fest on May 8. Follow Nikki Glaser on Instagram @nikkiglaser Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The massive, sprawling Netflix Is a Joke Festival kicks off in Los Angeles today and host Matt Wilstein is joined by The Daily Beast’s Allegra Frank and Sean L. McCarthy to preview what comedy fans can expect—including a starry roast of Tom Brady, a live Katt Williams stand-up special, a John Mulaney-hosted late-night show and a lot more. They also delve into how Netflix came to dominate the streaming comedy world—for better and, occasionally, for worse. Come to a live taping of The Last Laugh podcast with special guest Mae Martin at Netflix Is a Joke Fest on May 8. Follow Matt Wilstein on Threads @mattwilstein Follow Allegra Frank on Twitter @LegsFrank Follow Sean L. McCarthy on Instagram @thecomicscomic Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Laura Benanti has been nominated for five Tony Awards (with one win) and appeared in dozens of TV shows and movies since making her Broadway debut at 19 years old as Maria in ‘The Sound of Music.’ But as the title of her new solo stage show attests, she still reminds herself on a daily basis that ‘Nobody Cares’ about her many accomplishments. In this episode, Benanti talks about mining her most embarrassing life stories for musical comedy in her new show, which returns to the New York stage and premieres on Audible next month. She also reveals how playing Melania Trump on ‘The Late Show with Stephen Colbert’ finally made people take her “seriously” as a comedic actress and what she thinks is going through the former first lady’s head as her husband stands trial for paying hush money to porn star Stormy Daniels. But first, Matt and Allegra break down Conan O’Brien’s triumphant (or is it?) streaming premiere after his decades-long run on late-night TV with the new travel series ‘Conan O’Brien Must Go’ on Max. Come to a live taping of The Last Laugh podcast with special guest Mae Martin at Netflix Is a Joke Fest on May 8. Get tickets for Laura Benanti: Nobody Cares at Audible.com Follow Laura Benanti on Instagram @laurabenanti Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Demetri Martin just put out his first new stand-up hour in six years. But when he sits down for this interview with The Last Laugh podcast, he’s about to tape the second of what will be a trilogy of specials for Netflix. It’s quite a comeback moment for the (shockingly) 50-year-old comedian, who has remained mostly out of the spotlight in recent years as provocative, autobiographical stand-up comedy has overtaken the one-liner “joke machine” style that he has been honing for more than half of his life. In this episode, Martin breaks down the meta-concept behind his new ‘Demetri Deconstructed’ special, reveals why he started bringing drawings on stage, shares his take on some of the more concerning comedy trends and a lot more. Plus, Matt and Allegra take on the state of ‘Saturday Night Live’ and why this past weekend’s Ryan Gosling-hosted episode was the show at its very best. Follow Demetri Martin on Twitter @DemetriMartin and Instagram @demetrimartinofficial Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Alex Edelman was having a hectic week before an unexpected earthquake briefly knocked out the internet in his New York apartment just before our podcast taping. “I feel crazy every day,” Edelman admits on the eve of his solo show, ‘Just for Us,’ premiering on HBO. “But also, this is what a comedian wants for his work. I’m very verklempt.” In this episode, the 35-year-old Jewish comic shares the unique challenges of bringing his story about attending a white supremacist meeting in Queens to the stage and screen, including the sudden death of his director just before opening on Broadway and how performing a show about antisemitism changed after October 7th. Edelman also discusses the surreal experience of getting notes from comedy heroes like Steve Martin, Jerry Seinfeld and Billy Crystal, tells a story about the time he baffled Mel Brooks by calling him “woke” to his face, and teases his next stand-up hour on the Israel-Gaza war. But first, Matt and Allegra break down the series finale of ‘Curb Your Enthusiasm,’ including an unsentimental goodbye to Richard Lewis and a surprising twist on the infamous ‘Seinfeld’ ending. Follow Alex Edelman on Twitter @alexedelman and Instagram @alexedelman Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

It’s been six years since W. Kamau Bell’s last special ‘Private School Negro’ premiered on Netflix. And after hosting CNN’s ‘United Shades of America’ for seven seasons and directing two hit documentaries, he’s not totally sure that he should still be considered a stand-up comedian. In his third appearance on the podcast—taped in-studio in his native Oakland—Bell speaks frankly about his ambivalence around pursuing the life of a comic right now and why he keeps finding himself on stage, especially as the 2024 election heats up. Bell discusses comedy’s role in the Biden vs. Trump rematch, why comedians like Joe Rogan have embraced third-party spoiler RFK Jr., the fallout from his ‘We Need to Talk About Cosby’ docuseries and a lot more. But first, The Daily Beast’s Allegra Frank joins host Matt Wilstein to answer some burning questions about the first episode of ‘Jerrod Carmichael Reality Show.’ How real is it? Is the identity of the anonymous masked man supposed to be so obvious? And why do we find this deeply sad show so funny? Follow W. Kamau Bell on Twitter @wkamaubell and Instagram @wkamaubell Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

It’s been more than a decade since Tig Notaro broke through in a big way by walking onto the stand-up stage in Los Angeles and telling her audience, “Hello, I have cancer.” And for better or worse, she has even more medical scares to joke about in her latest special ‘Hello Again,’ streaming now on Amazon Prime Video. In this episode, which marks the five year anniversary of The Last Laugh, Notaro returns to the podcast to discuss how she manages to keep finding humor in these terrifying life experiences. The comedian also opens up about collaborating with her wife Stephanie Allyne, who directed the new special, getting heckled by her twin boys at a charity event, mining her awkward interactions with celebrity friends for comedy and a lot more. Stream Tig Notaro’s ‘Hello Again’ on Amazon Prime Video Pre-order David E. Low’s ‘Transgressive Humor in Classrooms’ (20% off with code EFLY01) Follow Tig Notaro on Twitter @TigNotaro and Instagram @therealfluffnotaro Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

It’s genuinely disorienting to see Kyle Kinane without the signature beard that has become his comedy brand over the past 15 years or so when his clean-shaved face pops up on Zoom. “God, I hate brands so much,” he says. “I love nothing more than exploding personal brands.” In this episode, Kinane opens up about his decision to leave Los Angeles for Portland after losing his coveted gig as the official voice of Comedy Central and why he no longer feels like he needs the corporate structure that has kept so many of his fellow comedians tethered to the center of the entertainment industry. He also discusses why his comedy seems to appeal to both sides of the political aisle—for better or worse—and why he has no respect for any comedian who embellishes the truth on stage in an effort to “garner sympathy.” Stream/download Kyle Kinane’s new special ‘Dirt Nap’ Follow Kyle Kinane on Twitter @kylekinane and Instagram @kylekinane Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Despite never really doing comedy before ‘Girls5eva,’ Renée Elise Goldsberry has managed to steal nearly every scene she’s been in over the two seasons of that show’s initial run on Peacock and third, which arrives with a splash on Netflix this week. In this episode, the Tony and Grammy Award winning actor reveals what it was like to find her comedic voice as the self-obsessed diva Wickie Roy, including how the character has inspired her to become more ambitious in her own career and the parallels between mastering Tina Fey’s brand of rapid-fire jokes and learning to rap for her role as Angelica Schyuler in Lin-Manuel Miranda’s ‘Hamilton.’ Goldsberry talks about getting cut out of Fey and Amy Poehler’s movie ‘Sisters,’ meeting co-star Paula Pell in their musical episode ‘Documentary Now’ and why she would be “shocked” if there wasn’t a fourth season of ‘Girls5eva’ coming to Netflix in the near future. Follow Renée Elise Goldsberry on Twitter @reneegoldsberry and Instagram @reneeelisegoldsberry Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Comedian Bassem Youssef has been widely known as “The Egyptian Jon Stewart” ever since he gave up being a heart surgeon and made himself into the premier political satirist of the Arab Spring. Now, more than a decade after that career transformation took place, Youssef has been back in the news thanks to his mega-viral with Piers Morgan and subsequent outspoken commentary against both Israel and President Joe Biden. In this episode, Youssef breaks down how he has employed the darkest of humor to draw attention to the fate of the Palestinian people, shares his strong reaction to Stewart’s recent take on the Israel-Gaza War, and reveals why he thinks it might be “too late” for Biden to win back the Arab-American support he may well need to beat Donald Trump. Get tickets to see Bassem Youssef on ‘The Middle Beast Tour’ Follow Bassem Youssef on Twitter @Byoussef and Instagram @bassem Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Before Donnell Rawlings was a professional comedian, he was an amateur heckler. He would go to comedy clubs and yell back at the stage, sometimes getting even bigger laughs than the guy with the mic. So even with his Dave Chappelle-produced stand-up special ‘A New Day’ dropping on Netflix this week it’s perhaps no surprise that he recently came full circle, getting caught on camera heckling fellow comic Corey Holcomb at The Laugh Factory in L.A. for going after both him and his famous friend of more than 20 years. In this episode, Rawlings breaks down that viral incident and talks about the long and “humbling” road he took to finally get his own Netflix moment. He also reflects on making a huge mark on “Chappelle’s Show” with relatively little screen time, how he felt about Chappelle walking away from that show without telling him and why he has no time for anyone who might be offended by their comedy. Follow Donnell Rawlings on Twitter @donnellrawlings and Instagram @donnellrawlings Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Comedian Rory Scovel has never really known what he was going to say when he walked onto the stand-up stage. But that all changed when he decided—20 years into his career—to finally do the “homework” of actually writing a complete and cohesive hour. The result is his new special, ‘Religion, Sex and a Few Things in Between,’ which Scovel describes as the “tightest” set of material he’s ever produced (and is streaming now on Max). In his return to the podcast for this bonus episode, Scovel discusses how this new approach changed his experience on stage, how he still strives to stay ultra-present in his work and why he has decided to lean into politics (with an eye on George Carlin) for his next act. Follow Rory Scovel on Instagram @roryscovel Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jenny Slate has never been a traditional stand-up comic. And after a lengthy hiatus that followed her 2019 Netflix special ‘Stage Fright’ and included both a global pandemic and the birth of her daughter, she wasn’t sure she’d ever get up in front of an audience again. “I didn’t have a system in place for how to get back up on stage. I didn’t know how to do that,” she says in this episode. But now, with her new hour ‘Seasoned Professional’ set to premiere this Friday, Feb. 23 on Amazon Prime Video, Slate breaks down how she made her way back in front of the mic and why she decided to get so intimately personal in the special. Slate reflects on how her one unfortunate season as a ‘Saturday Night Live’ cast member has informed the rest of her career, from finding the right kind of community on projects like ‘Kroll Show’ and ‘Bob’s Burgers’ to learning how to make her own unlikely success as ‘Marcel the Shell With Shoes On.’ And she discusses what it was like to pass the torch of her mixed race character on ‘Big Mouth’ to Ayo Edebiri, why she’s not sure ‘Obvious Child,’ her comedy film about abortion, would hit viewers in the same way 10 years later, and a lot more. Follow Jenny Slate on Instagram @jennyslate Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Laurie Kilmartin knew that naming her new stand-up special ‘Cis Woke Grief Slut’ might be a little provocative. “I'm open to hate watches!” the comedian and longtime ‘Conan’ writer jokes in this episode. No stranger to controversy, Kilmartin also breaks down why she decided to tweet an incredibly dark series of jokes as her mother was dying of COVID in 2020, opens up about the experience of receiving death threats from right-wingers after making an abortion joke on MSNBC and why she prefers reluctant, involuntary laughter to the type of agenda-affirming applause that currently dominates late-night television. Stream Laurie Kilmartin’s new special ‘Cis Woke Grief Slut’ Follow Laurie Kilmartin on Twitter @anylaurie16 and Instagram @anylaurie16 Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Before Moshe Kasher became a stand-up comedian, his life was defined by his intimate connections to Alcoholics Anonymous, the deaf community, rave culture, Burning Man and Judaism. Each of these distinct communities serve as chapters in his excellent new book, ‘Subculture Vulture: A Memoir in Six Scenes.’ In this episode, Kasher breaks down how these various identities helped make him the person he is both on and off stage today, from early jokes about growing up with two deaf parents to the Emmy-winning documentary about antisemitism that hits very differently in the wake of the October 7th attacks and Israel’s response. He also reads a passage from the book about how he overcame his inherent skepticism about Burning Man, explains why he feels at home on both sides of the comedy world’s woke vs. anti-woke divide and shares his reaction to all of the recent attention his wife, fellow comedian Natasha Leggero, received when she went topless on stage at the Hollywood Improv. But Moshe Kasher’s new book ‘Subculture Vulture: A Memoir in Six Scenes’ Follow Moshe Kasher on Twitter @moshekasher and Instagram @moshekasher Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jacqueline Novak spent six long years developing her “90 minute meditation on the blow job.” Now that “Get on Your Knees” is streaming on Netflix—and garnering rave reviews—the comedian sits down with The Last Laugh podcast to talk about what it’s like to give up control as viewers around the world are welcomed into her most intimate thoughts and ideas. In this episode, Novak breaks down how she decided to take her career into her own hands and create something that felt worthy of her talents after years of five-minute sets on pizza and french fries, opens up about the double-edged sword of being a female comic who talks about sex on stage and shares what she wants to do next now that her star-making project is finally finished. Follow Jacqueline Novak on Instagram @jacnov Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

When Zach Woods was first cast as Gabe on Season 6 of ‘The Office,’ he found a comment online where someone described his face as a “combination of sadness and food poisoning.” And that was before he had even appeared in an episode. “I was like, buckle up, here we go!” he recalls thinking at the time. In this episode, Woods breaks down how he went from the “abject terror” of joining one of his favorite comedy shows to channeling some of the tech world’s biggest weirdos as Jared on HBO’s ‘Silicon Valley’ to co-creating and starring as the deeply awkward fictional NPR host Lauren Caspian in his new stop-motion animated Peacock show ‘In the Know’ opposite live-action celebrities like Mike Tyson, Hugh Laurie, Nicole Byer and others. Follow Zach Woods on TikTok @zachwoods and Instagram @mrzachwoods Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Paul F. Tompkins is widely considered to be among the best comedy podcast guests of all time. But as he tells me in this episode, he doesn’t let that pressure get to him, because he offers up humbly, “I don’t believe it.” Tompkins has done it all in his nearly four decades of comedy, from sketch to stand-up to voicing animated characters on shows like ‘Bojack Horseman’ and ‘Bob’s Burgers.’ But among his greatest comedic achievements are the hundreds of hours he’s spent improvising in character with Scott Aukerman and others on the ‘Comedy Bang! Bang!’ podcast. In this episode, Tompkins discusses how that experience has helped to shape his comic sensibility and bring him the ideal level of fame and respect within the comedy world. He also opens up about starting his career alongside alleged insurrectionist Jake Johnston, why he never wants to work with Bill Maher again and the problem with comedians who believe their only job is to offend. Stream ‘Varietopia with Paul F. Tompkins’ on February 2nd Follow Paul F. Tompkins on Threads @pftompkins and Instagram @pftompkins Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Is Joe Pera for real? That’s the inevitable question you start asking yourself after seeing him perform soft-spoken stand-up jokes, listening to his deliberately sleep-inducing podcast or watching his exquisitely serene Adult Swim series ‘Joe Pera Talks With You.’ In this episode, Pera goes deep on how he developed his very unique comedy style and responds directly to those who think his entire comic persona might be some sort of elaborate ruse. He also reflects on the end of his beloved and deeply personal show, reveals how Taylor Swift helped inspire his upcoming stand-up tour and tells the full story behind securing the rights to The Who’s “Baba O’Riley.” Get tickets for The Peras Tour at joepera.com Follow Joe Pera on Twitter @JosephPera and Instagram @joepera Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The first time Jordan Klepper and Roy Wood Jr. worked together was for a 2015 ‘Daily Show’ field piece that asked the question, “Are all cops racist?” Now, they are kicking off 2024 by joining forces once again for a series of “comedic town halls” across the country. In this episode, Klepper and Wood return to the podcast (for their fourth and third appearances, respectively) to let fans know what they can expect from their ‘America: For the Last Time’ tour and share their thoughts about the inevitable Joe Biden vs. Donald Trump rematch nobody seems to want. The pair of ‘Daily Show’ correspondents also speak openly about that show’s very public search for a host to replace Trevor Noah, including why Wood decided to step down when it seemed like it wasn’t going to be him, whether Klepper is still gunning for the big seat and what they both thought about everything that went down with their old colleague Hasan Minhaj. Get tickets for the ‘America: For the Last Time’ tour Follow Jordan Klepper on Twitter @jordanklepper and Instagram @jordanklepper Follow Roy Wood Jr. on Twitter @roywoodjr and Instagram @roywoodjr Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

If there’s anyone in Hollywood who might be immune to criticism, it’s 11-time Emmy-winner and Mark Twain Prize for American Humor recipient Julia Louis-Dreyfus. But as the comedy legend admits in this episode, the rare negative comment about her work still “stings.” That feeling is at the heart of Louis-Dreyfus’ latest film ‘You Hurt My Feelings,’ in which she delivers the most emotionally raw performance of her career. During our conversation, the actress reflects on her early struggles as a cast member on ‘Saturday Night Live’ and the catharsis of returning as host. She also reveals what she really thought about the divisive ‘Seinfeld’ finale 25 years later, breaks down the difference between ‘Veep’s’ Selina Meyer and her own “narcissistic” father and a lot more. This episode was originally published on May 16th, 2023. Follow Julia Louis-Dreyfus on Twitter @OfficialJLD and Instagram @officialjld Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

It’s time again for our annual, year-end crossover episode in which Matt Wilstein joins The New Abnormal host Andy Levy to talk about everything from how the Hasan Minhaj “emotional truth” debacle upended the search for a new ‘Daily Show’ host to the disturbing rise of TikTok comedian Matt Rife to why they are both so obsessed with Nate Bargatze and more. Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

It’s been more than three decades since Wanda Sykes first stepped onto the stand-up stage. And sometimes, it feels like she’s just now getting her due. The legendary comedian just received her first-ever Grammy nomination for her latest Netflix special ‘I’m an Entertainer,’ which also landed nods at the Emmys and Golden Globes. The hard-hitting hour takes on many of the most divisive topics of the year without pandering to either side or ever punching down. “It’s just noise. And I like to try to cut through that,” she says of the way her comedy reacts to the broader political conversation. In this episode, Sykes takes on everything from the problem with Dave Chappelle’s anti-trans jokes to why she was shocked Will Smith didn’t get dragged out of the Oscars for slapping her friend Chris Rock to hitting the road for her Please & Thank You tour during an election year to how she thinks about her place in the comedy pantheon and a lot more. Follow Wanda Sykes on Twitter @iamwandasykes and Instagram @iamwandasykes Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Judd Apatow is known for making long movies, from comedies like ‘Funny People’ or ‘This Is 40’ that balloon past two hours to documentaries on his comedy heroes like the two-part, four-hour films about Garry Shandling and George Carlin. So it was somewhat of a shock when he dropped a 20-minute short last month about the lifelong friendship between Don Rickles and Bob Newhart. “I’ve changed,” he jokes. “All my movies are going to be shorts now, no matter the genre.” In this bonus episode—his third appearance on the show—Apatow breaks down what made those two stylistically opposed icons a perfect off-stage pair. He also weighs in on how the art of roasting has evolved over the years, shares memories about his friend and mentor Norman Lear and explains why he thinks Lena Dunham’s ‘Girls’ is finally being fully appreciated more than a decade after its premiere. Watch ‘Bob and Don: A Love Story’ at newyorker.com Follow Judd Apatow on Twitter @juddapatow and Instagram @juddapatow Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Before Leo Reich takes the stage at the top of his new HBO special ‘Literally, Who Cares?!’ we hear him introduce himself as the “youngest comedian ever.” As he explains in this episode, “I try to really lean into a kind of self-appointed voice-of-a-generation or young genius vibe,” before making sure to add, “in an ironic way.” That upending of expectations around the attitudes of a queer Gen Z comedian—or “rug-pulling,” as he puts it—are at the heart of Reich’s excellent new show, which first ran at the Edinburgh Fringe Festival in 2022 and premieres on HBO and Max this Saturday, December 16th. Reich talks about writing the show while he was still living at home with his parents during the pandemic, why he prefers the connection of a live audience to being a slave to the TikTok algorithm and the ultimate laziness of railing against “cancel culture.” Follow Leo Reich on Twitter @leoistired and Instagram @leo_reich Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

10 years ago, Cord Jefferson was blogging for Gawker. Now, his directorial debut ‘American Fiction’ is almost guaranteed a Best Picture nomination at the Oscars and he’s a frontrunner for Best Adapted Screenplay. In this episode, Jefferson traces his path from online journalist to full-fledged filmmaker, with stops along the way writing for ‘Master of None,’ ‘The Good Place’ and HBO’s ‘Watchmen,’ for which he won an Emmy Award in 2020. He talks about nailing the darkly satirical tone of his new movie that interrogates the expectations of Black artists, how his own experience in Hollywood influenced the script and the “emotional breaking point” he hit before doing the hard work he had to do on himself to get where he is today. Follow Cord Jefferson on Twitter @cordjefferson and Instagram @cordjefferson Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Even if you don’t know Larry Charles’ name, his work is inescapable. He spent years as a writer on ‘Seinfeld’ before starting his career as a director on shows like ‘Curb Your Enthusiasm’ and movies like Sacha Baron Cohen’s ‘Borat’ and ‘Brüno.’ Now, after swearing off Hollywood, he’s back with what might be his most “transgressive” movie yet, ‘Dicks: The Musical,’ a truly deranged comedy about two “straight” twins who were separated at birth and ultimately fall in love. In this episode, Charles reveals why this was the project that got him to narrative filmmaking and shares stories from the sets of ‘Seinfeld,’ ‘Curb,’ ‘Borat’ and more. Plus, the director opens up more than ever before about the major falling out he had with longtime collaborator Larry David after HBO pulled their documentary project at the very last minute. Watch ‘Dicks: The Musical’ at home Follow Larry Charles on Twitter @larrycharles and Instagram @larrycharles Follow Matt Wilstein on Threads @mattwilstein Follow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpod Highlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit podcastchoices.com/adchoices