NIGHTMARE MAGAZINE - Horror and Dark Fantasy Story Podcast (Audiobook | Short Stories)

Welcome to Introduction to the Horror Story. This is an upper level course with extensive reading and writing assignments as well as a practical component. It has no prerequisites other than existence and consciousness, which I believe all of you possess, though I may be wrong. | Copyright 2020 by Kurt Fawver. Narrated by Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices

Every day after school, Emmy feeds the tiger with her sin. Deep in the park’s brush, past poison ivy and a rotting lawn chair and dented beer cans, the tiger dens under a dead tree. No matter what time Emmy arrives at the park, it’s always late afternoon in the tiger’s grove, tired light decaying to dusk. Under the tree gapes a great black mouth riddled with grubs. Yellow eyes gleam in the darkness. They would gobble Emmy up if she let them. | Copyright 2020 by KT Bryski. Narrated by Kate Orsini. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amber needed a book. It was The Estates of Sarah Holliday, a delicate comedy of manners following a young woman’s trials and tribulations in 1870s New England, and it was the most obscure novel by one Charlotte Winsborough, a fussy and now almost completely forgotten nineteenth-century author Amber had chosen for her dissertation. Winsborough had enjoyed three decades of critical and commercial success in her own time, and was by about 1900 lionized as a female Twain. | Copyright 2020 by Adam-Troy Castro. Narrated by Pandora Liane Kew. Learn more about your ad choices. Visit megaphone.fm/adchoices

When he comes home that evening, he wants to talk. He tells her about his day, about an argument with his boss, about the new contract. He relates a funny story narrated by a colleague. He wants her to react. She has difficulty feigning the correct demeanour, or even recalling what it should be. What does sympathetic annoyance look like on her face? How do her features register amused interest? | Copyright 2020 by David Tallerman. Narrated by Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the first week, she thought he belonged to the power plant; after that she knew better. She had read the obituaries. She saw him first as a silhouette, one more line of the industrial geometries overhanging the boardwalk of Broad Canal. It had been a wet, dispiriting winter full of gusts and mists, but with January the water had finally hardened into a thick pane of cormorant-black ice. | Copyright 2020 by Sonya Taaffe. Narrated by Justine Eyre. Learn more about your ad choices. Visit megaphone.fm/adchoices

You would have hated your funeral reception. Potato-nosed husbands clomping around our parlor in their cheap suits, stinking of naphtha and condolences. Wives with sweat-streaked powder caked in the creases of their necks, like flour-sacks brought to life by a pair of magic dentures. That’s what I kept staring at: dentures, bridges loose over gray gums, gold-mottled molars gleaming in the wells of mouths. | Copyright 2020 by Ray Nayler. Narrated by Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices

I chew the leaf and spit out my red days. They splatter. You chew the leaf and spit out your hours of mad redder. They splatter. They chew the leaf and spit out the reddest moments they have ever seen. They splatter. This is a scene of crime, chalk me, morn me, eve me. My red life drying on my chin. Your red history a bitter powder crust. Their thin red lines, their spun red webs, their red praxis and deceit. | Copyright 2020 by Vajra Chandrasekera. Narrated by Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our bones are cold. It is the type of cold that comes only after death, and it will never leave us now. We mourn what must have come before: hands holding ours. Sunlight warming the tops of our heads. Cats on our laps and nightclubs where we danced out of our minds and Pop-Tarts straight from the toaster. Life, pulsing hot and fat beneath our fingers. Mother keeps us in a chest freezer. | Copyright 2020 by Claire Wrenwood. Narrated by Kate Orsini. Learn more about your ad choices. Visit megaphone.fm/adchoices

On Saturday afternoon we piled into Ben’s old Civic, the five of us and two dogs, and as we drove out to the edge of the state forest to hunt mushrooms, we all kept a hand on each other, in case someone vanished. Ben was driving as usual, and instead of me up front sat Hunter, his new girlfriend. They’d been together almost a year, but as a far as I was concerned, Hunter would always be Ben’s new girlfriend. It was me, Mara, and Andre in the backseat, holding each other’s hands. Narrated by Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices

The house is haunted, of course. That’s why the rent is so cheap. It doesn’t matter that it’s only April, that ghosts dream quietly when the world is in full bloom. Nearly any haunting will be small: flickering lights, a mysterious lullaby, an intrusive thought chasing the living from room to room. Fatalities are incredibly rare, though most people, even the disbelievers, fail to find that reassuring. December is not most people, not when it comes to the dead, but she promised herself twenty years ago: when I’m grown up, when I can choose, I’ll never live with a ghost again. | Copyright 2020 by Carlie St. George. Narrated by Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices

You are a spore, barely more than a twinkle in your many parents’ breeding-breathing air. They are your family, among other things, living as a colony in the dim light beneath an abandoned office building. They fill the already-damp air with the encouraging words of hopes and aspirations for you and your siblings. And though you are nothing more than a speck in the air, the sentiment is warm, just as the earthy mulch you settle into that embraces you like a blanket. | Copyright 2020 by Ashley Deng. Narrated by Janina Edwards. Learn more about your ad choices. Visit megaphone.fm/adchoices

The maypole dancers are restricted by what’s left of the ribbons. I watch them squeeze past each other with shining faces flushed pink from the heat. Too pink to be skin. More like meat. To my right, John’s wickerwork bath chair crunches as he shifts. “Raymond tells me you’re writing again,” he says. I swallow a scowl and nod. Raymond---Ray---John’s doctor. That man can’t smell gas without striking a match. | Copyright 2020 by G.V. Anderson. Narrated by Justine Eyre. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello. Thanks for coming. I know I was a bit mysterious on the phone. This is my house. I live here because a house should be an expression of the individual, and nothing in my life has defined me as an individual more than my hatred for Luke. Yes, the same Luke. You were married to Luke for a while, weren’t you? Yes, I know you endured a couple of years of that. I know how he sucked you in and made you his, and then, once he had you under his roof, revealed for the first time who he really was. | Copyright 2020 by Adam-Troy Castro. Narrated by Gabrielle de Cuir. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Amada first sees the hotel, she feels her luck has changed at last. One moment she is trudging beneath the palm trees and café umbrellas of Miami’s Ocean Drive and the next it is upon her: an imposing three-story building in the old art deco style, its white façade gleaming in the late-afternoon sun. Amada stops in the middle of the busy sidewalk, shifting from one sore foot to the other, and stares up at the hotel. | Copyright 2020 by Yohanca Delgado and Claire Wrenwood. Narrated by Pandora Kew. Learn more about your ad choices. Visit megaphone.fm/adchoices

My eyes snap open at night. I float out of the tunnel under the concrete wall and settle on the roof of the abandoned hostel. The starry chaos of Yaowarat stretches before me like rows of crowded teeth. It’s tourist season, and my belly aches with hunger at the sight of all the farangs: slurping shark fin soup in restaurants, being measured for crocodile skin suits in tailor shops, ducking into tuk-tuks with their sunburnt arms around a local girl or two. | Copyright 2020 by Millie Ho. Narrated by Justine Eyre. Learn more about your ad choices. Visit megaphone.fm/adchoices

W--- went to the vampire club a couple of nights after E---’s death. It was on M--- Street, in an oddly-shaped bar. When W--- gazed at it from the outside, when he stared through the dirty windows and advertisements, the old stools and tables looked like the rotten teeth in a giant’s mouth. The bar was struggling. W--- hadn’t seen more than two or three people in it for months. In an attempt to bring people in, the owner had begun to organise events. | Copyright 2020 by Ben Peek. Narrated by Paul Boehmer. Learn more about your ad choices. Visit megaphone.fm/adchoices

The legend of Flashlight Man began in the upper Midwestern United States, grounded in rural areas. A variation on mirror summoning, it went like this: you lie on your back in bed, your face turned toward the nearest wall, then shut your eyes and whisper, “Flashlight Man, Flashlight Man, comes with a click, see me if you can.” Repeat three times. Then you fall asleep. The tricky part in verifying who encounters Flashlight Man is that it happens during dream cycles, so you’re on your honor to accurately report how long you last. | Copyright 2020 by Merc Fenn Wolfmoor. Narrated by Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of Dr. Harrow’s survey groups included a church known as The Dawn Triumphant. The congregation believes we are living in a time of punishing darkness. Half of them were told to sit in a bright room for an hour and speak to their gods. The other half were told to sit in a dark room and do the same. After a month, every single member of the latter group reported hearing a voice. They called out to Him and received His word in return. | Copyright 2020 by Benjamin Percy. Narrated by Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices

The first man stands at the bedside of his sweating wife. He is watching their baby emerge from inside her. What he does not know is that he is watching their son destroy her insides, shredding, making sure there will be no others to follow. This man’s wife is screaming and screaming and the sound gives the man a headache, an electric thing like lightning, striking the middle of his forehead. He reaches to hold her hand, to remind her of his presence. | Copyright 2020 by ’Pemi Aguda. Narrated by Judy Young. Learn more about your ad choices. Visit megaphone.fm/adchoices

For today’s question, we visited this small town of about 1700 people. As per our practice of the last six decades, they perceived us as a television news crew, and were compelled to speak truthfully, without artifice, self-consciousness, or concern for the regard of their friends and family. All the interviews took place at the same instant, and all were immediately wiped from memory an instant later, returning the participants to their daily routines. | Copyright 2020 by Adam-Troy Castro. Narrated by Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices

It is good of you to write, and I thank you for it: I am glad at last to hear from another of my kind---and, above all, to have another of my kind acknowledge me. I have indeed, since my return, heard many voices, seen many faces, but the individuals to whom they belong neither hear nor see me in return. I shake them, shout in their ears, but they do not respond. It is as if, for them, I do not exist. But why then, I wonder, would I exist for you? What is different about you? To put it bluntly, what is wrong with you? | Copyright 2020 by Brian Evenson. Narrated by Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices

Your camera thinks it spotted a familiar face. “Cameras don’t think,” Annie said, looking down at her phone. “Who taught this thing to identify specific faces? Who thought that was a good idea?” “Ok, neuromantic,” Jonah scoffed at her, looking over. “Not everything is a part of the panopticon. Calm your tits.” “It’s just weird that it thinks,” Annie continued, loading more Diet Cokes into the communal fridge. “And why does that make me a new romantic?” | Copyright 2020 by Meg Elison. Narrated by Justine Eyre. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Milo got to the river’s edge, where the log fern gave way to a rough bank, Buck was already there. Shirt tied around his waist, his lean thirteen-year-old’s torso glossed with sweat, bent over with his hands on his knees. There was something in his face Milo didn’t like. “Drop something?” Buck startled and turned. “Nothing important. What took you so long?” Milo swatted away flies that had found a perch on his glasses. | Copyright 2019 by Joanna Parypinski. Narrated by Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices

It wasn’t unusual for my brother to send me strange videos he found on the internet. If I’d had enough to drink, sometimes I’d even watch. They were all about pain, in one way or another, and often made me feel as though someone had poured concrete down my throat. There are afterimages burned into my memory that cannot be removed; grainy flashes of a woman swallowed up by an escalator, handing her child to a stranger before being pulled under; black and white street fight footage that ends with a neck snapped back. | Copyright 2019 by Dan Stintzi. Narrated by Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices

The teeth in the neck gambit obviously starts all of this. Don’t think I’ll forget that. Don’t expect for one moment you’re going to get off too easily. You might not be the only one to blame, but you’re still mostly to blame. For how you come to me when I’m by myself, a lonely girl in a goblin market where some treasures are best left undiscovered. Tonight, my mother’s hosting another soirée, all in my honor, a way to find me the perfect husband. She doesn’t care what I have to say about it. | Copyright 2019 by Gwendolyn Kiste. Narrated by Kate Orsini. Learn more about your ad choices. Visit megaphone.fm/adchoices

There is a man locked in the dollhouse. He is not a doll-sized man. He is a full-sized man. The structure is designed for miniatures, and he is trapped inside it, knees up against his chest, head scraping the ceiling. He only fits because the architects of the little house equipped it with a palatial foyer, the kind that, in real houses, is designed to make visitors gape at the sheer magnificence of the space. The effect is lost on the full-sized man. To him, it’s more like a cabinet. | Copyright 2019 by Adam-Troy Castro. Narrated by Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices

After half a barrel of foaming sour pulque, Ignacio and Hector start the long stumble home. The night is cold but they’re still warm, still cocooned, and they talk in circles about the business, the vermiculture that will turn Oaxaca’s gardens into jungles and fill their pockets besides. Their families’ futures in a tub of worms. If the shadows on the street are deeper than usual, if the barking of the dogs is more desperate, if the waning moon is unnaturally sharp, a shard of bone from a desecrated grave, they do not notice. | Copyright 2019 by Rich Larson. Narrated by Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices

Here’s the thing about surviving a slumber party massacre: no one really wants you around anymore. All your friends are dead, and your mom is dead, and you get shuffled off to live with your miserable Aunt Katherine, who blames you for getting her sister killed because she’s an awful human being like that. And you try to move on, but you don’t know how because your nightmares are constant and therapy is hard, especially when a new killer arrives and murders your therapist with his own pencil. | Copyright 2019 by Carlie St. George. Narrated by Judy Young. Learn more about your ad choices. Visit megaphone.fm/adchoices

The girl has no name. As often as internet forums try to dub one for her, nothing ever sticks. One week there will be a consensus for a name befitting a drowned girl, an agglomeration of classic and cult horror tropes of long-haired, white-dressed dead women, and soon after there is no trace of what it was. No one remembered. Any posts or recordings mentioning the postulated name will have blank spaces where that name should have been. | Copyright 2019 by Merc Fenn Wolfmoor. Narrated by Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices

A note to the reader: I purchased these letters at the bazaar outside the gates of the Bagram Air Base in Afghanistan in 2006. I was working that winter for a humanitarian organization in Kabul. The bazaar was a row of shipping containers and battered tarpaulins along the road to the base’s fortified gates. Military vehicles rumbled past, splattering sleet and mud. Inside the containers, merchants warmed their chapped hands before makeshift propane heaters and haggled over cold piles of misappropriated objects. | Copyright 2019 by Ray Nayler. Narrated by Kate Orsini & Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices

Parveen isn’t there when Benny falls off the roof. But everyone knows the story. Benny and his dumb demon cult. It happens at one of their houses, a place built like a modern-day cathedral. The kind of hovel that has a saltwater pool with a vanishing edge and a wine cellar with someone’s entire life savings down there and red-glazed tiles cutting swoops into the Los Pueblos skyline. Six-day-old moon, a wide goblin grin from above. The hot strobe of synth-pop booming everywhere. The hazy, electrostatic currents of teenage bodies thrilling with vodka and happiness hormones. | Copyright 2019 by Senaa Ahmad. Narrated by 40:50. Learn more about your ad choices. Visit megaphone.fm/adchoices

I want to tell you about the bleeding maze at the center of our town. People who aren’t from around here don’t know anything about it. It’s not referenced on any website or in any travel book, and most of us like it that way. We don’t share the knowledge of its existence with just anyone because it’s a very personal thing, the maze. We all have longstanding relationships with it that began at a young age. See, when kids in our town turn eighteen, we force them to enter it, like our parents did to us and their parents did to them. Inside the maze we have unique experiences, formative experiences. | Copyright 2019 by Kurt Fawver. Narrated by Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices

Cities like her make men leave their hearts on their shores. “Seeing you,” the men say, “I want no other life.” Each night, as the diadem of the Bosporus drifts into slumber, violet shadows drape the narrow streets of Eminönü. I watch the window, thinking of you moving through the sleeping city, your footfall silent as the breathing of dreamers. I imagine you slipping velvet mist over your shoulders, sweeping past mosque and meyhane, sleeping beasts and sleeping houses. Full houses. Empty houses. I was born in this city, raised on a tongue of land embraced by swift straits and glittering seas. | Copyright 2019 by Isabel Cañas. Narrated by Roxanne Hernandez. Learn more about your ad choices. Visit megaphone.fm/adchoices

There are four of us left huddled in the cabin: me, Jerry, Carina, and Kyle. And we’re terrified the door won’t hold. Carina shivers so uncontrollably, her teeth sound like stones rattling down a metal chute. Kyle begs her to quiet down. But her teeth aren’t making enough noise to matter. Not compared to the howling storm. It comes in gusts that build in slow waves, rhythmically increasing in both volume and strength until a gale overtakes the cabin, pelting the windows with hard rain. A cold draught pushes past us while we tremble on the floor, wishing we were anyplace else. | Copyright 2019 by Simon Strantzas. Narrated by Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices

I wanted to tell you the truth, before the end. I’m sorry it took this long, and I’m sorry I’m too cowardly to tell you to your face, but I don’t think I could ever get it right, saying it all out loud. I hope you don’t hate me, but you might. I hope you can at least understand, even if you can’t feel the same about me after. It’s okay if you can’t. It had been three weeks and Ray still hadn’t come back. He was never an audacious man. His inflexibility, his aversion to risk or conflict of any sort, was the raw spot at the center of our relationship. But I liked him for that reason, too. He felt like a home. Solid. | Copyright 2019 by Alanna J. Faelan. Narrated by Judy Young. Learn more about your ad choices. Visit megaphone.fm/adchoices

“I’m going to tell you a story,” she says. “And when the story is finished, this will all be over.” There are four of them huddled on the floor of her living room: Francisco, like the saint; Michael, like the angel; Jerome, like the translator; and her, Batul, like the queen of heaven. The apartment---a second-story walkup above a music shop, low-ceilinged, smelling faintly of clove and lemon---looks very much like what it is, the home of a twenty-four-year-old woman who makes a fair wage at a pottery factory. A number of brightly glazed mugs, sunbursts and peonies and beetles and birds, dangle from a rod above her stove. | Copyright 2019 by Megan Arkenberg. Narrated by Gabrielle de Cuir. Learn more about your ad choices. Visit megaphone.fm/adchoices

“There are few tales as tragic as that of the denizens of Ratnabar Island. When a British expedition made landfall on its shores in 1891, they did so armed to the teeth, braced for the same hostile reception other indigenous peoples of the Andamans had given them. What they found, instead, was a primitive hunter-gatherer community composed almost entirely of women and children. [ . . . ] The savage cultural clash that followed would transmute the natives’ offer of a welcoming meal into direst offense, triggering a massacre at the hands of the repulsed British . . .” | Copyright 2019 by Nibedita Sen. Narrated by Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices

I cannot understand why, but the young men of this generation have developed a new sport---to go and spend a night in a haunted house. Every three months or four, I receive a group of guests. It goes the same way each time. They arrive after sundown, bringing hurricane lamps, candles, sleeping mats, snacks and bottles of water lovingly packed from home. They come in groups of four or five, almost always the atheist, sceptical students of the Presidency College who remind me of my own youth. They sweep aside dirt and rabble from the floor, unfurl their mats, light a hurricane lamp at the centre of their circle, and settle down to tell ghost stories. | Copyright 2019 by Mimi Mondal. Narrated by Pooja Batra. Learn more about your ad choices. Visit megaphone.fm/adchoices

There’s an old Indian saying.And I’m an Indian woman who’s worked at an Indian casino as a waitress for almost ten years. My first and only job, right after I turned eighteen. I’ve flirted with old Indian men to get tips and I’ve put on my most tactful, phone operator voice with old Indian women. The old men couldn’t resist hitting on me or smacking my ass and the old women called me a slut for it. So I don’t give a fuck what old Indians have to say. | Copyright 2019 by Dennis E. Staples. Narrated by Roxanne Hernandez. Learn more about your ad choices. Visit megaphone.fm/adchoices

She is a girl, coming to a house. Not just any house: a large, sprawling mansion, built up from the remains of a ruined abbey, or a shattered castle. One that stands on the edge of a cliff, overlooking the seas, or lost in fog-swept moors, or deep within a rugged forest. A house of secrets, a house of ghosts and haunts. She is alone, or nearly alone, or thinks she is alone. This is not quite as strange as it might sound. In her world, parents die young. Most of her remaining relatives are indifferent, or poor. | Copyright 2019 by Mari Ness. Narrated by Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hector Ortiz sat on the edge of his cot, smoking a cigarette, because why not. For as long as he cared to remember, “why not?” had been the chief consideration on any of the few life decisions permitted to him, which did not extend much beyond personal habits like smoking. On Death Row, even if you’re not constitutionally partial to smoking, you almost certainly smoke anyway, in part because you have no reason not to, and in part because it is something to do with your hands. | Copyright 2019 by Adam-Troy Castro. Narrated by Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Can we stop?” asked Nikki, panting, her face tingling from the assault of the cold. Her fingers were numb, her nose running. Her lungs burned. “When we reach the trees,” her father said. He was a few feet in front of her, walking steadily against the wind. Ahead of them was an island of snow-capped pine trees. After hours of walking, the island---once just a small patch of green and white in the middle of the frozen lake---now loomed as an expanse of dense wilderness. The lake stretched behind them in every direction. | 2019 by Cadwell Turnbull. Narrated by Janina Edwards. Learn more about your ad choices. Visit megaphone.fm/adchoices

(23) No man jokes with food. Does your husband like a kind of food? Try to change your cooking. Rumour has it that in the early mornings, the expressways of Abuja are littered with dead bodies. Iman’s Toyota cut through the dusty fog of the early morning, the dark outside her windscreen occasionally broken by the few working streetlights. Never passing the forty km speed limit, Iman drove down Nnamdi Azikiwe Expressway till it became Shehu Yar’Adua Way. | Copyright 2019 by Rafeeat Aliyu. Narrated by Janina Edwards. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stray spirits stirred in the dark. They lay like oil slicks across the asphalt, pulled their misty bodies in and out of the doors of Swine Hill’s pork processing plant, and drifted storm-like in Kay’s wake. Her every hot breath was full of the dead. The man had crossed her. Had shouldered into her on the crowded butchery floor where she leaned over a workstation and hacked through bone and bleeding pig meat. Had stolen knives and gloves from the locker that everyone knew was hers. | Copyright 2019 by Micah Dean Hicks. Narrated by Gabrielle de Cuir. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the tower where the tax collectors go, I am taken blindfolded up steps and through passages and through interminable pauses in open spaces, myself stumbling and held upright through a firm grip on my upper arm. In those pauses, and sometimes in passing while we move, the master of that grip speaks to others, their fellow bailiffs. The content of these exchanges is indistinct to me, a mumbling burr that I can only distinguish from other noises as the recognizably unnatural rhythm of human speech. My other senses have muffled themselves in solidarity with my vision. | Copyright 2019 by Vajra Chandrasekera. Narrated by Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s Uncle Pete’s funeral today, so he puts on his good brown suit with the brass buttons, and we all set out for the cemetery before the sun is up, because we don’t want to get too hot in our good clothes on our way there. Uncle Pete and Pa walk in front, me and Ma follow. When we get there, Uncle Pete’s grave is waiting, shallow and open, and the plaque has already been engraved with his name. Under it, there’s his date of birth and today’s date, even though we don’t know how long it’ll take him to really die. | Copyright 2019 by Natalia Theodoridou. Narrated by Judy Young. Learn more about your ad choices. Visit megaphone.fm/adchoices

She was a bundle on the bottom of the skiff, tossed in with her skirt and petticoat tangled around her legs, hands bound behind her with a thin chain that also wrapped around her neck. She didn’t struggle; the silver in the chain burned her skin. The more she moved the more she burned, so she lay still because the only way to stop this would be to make them kill her. They wanted to kill her. So why didn’t they? Why go through the trouble of rowing this wave-rocked skiff out to this hideous island just to throw her to her likely death? | Copyright 2018 by Carrie Vaughn. Narrated by Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices

Her name was Robyn Howlett, and she was twenty-two years old. Robyn was an alien creature to me, product of conditions wholly at odds with those that produced my kind. She spoke in a language I had never heard. Nevertheless, I understood everything she said. It is the nature of my kind to understand everything that is spoken in our presence, a necessary adaptation given that we are often summoned by creatures as alien to us as we are to them, creatures who often cannot expand their minds enough to even perceive us. | Copyright 2018 by Adam-Troy Castro. Narrated by Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is how Hakim Shafi gave away his life: First, he closed his shop. Next, he sold his house. “What in the name of God are you doing?” I said. Shafi grinned. That grin raised the hackles on my neck, sahib. “Burning bridges,” he said. I looked at him closely. In the four weeks since I’d told him about the qawwals, he had shaved his thick mustache and lost ten kilos. He was always thin, but now he looked like a needler at the end of his days. His temples were wasted, the flesh of his face pulled taut across the blades of his bones. | Copyright 2018 by Usman Malik. Narrated by Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jee Inspector Sahib, he came looking for a missing girl in Lahore Park one evening in the summer of 2013, this man known as Hakim Shafi. It was a summer to blanch the marrow of all summers. Heat rose coiling like a snake from the ground. Gusts of evil loo winds swept across Lahore from the west, shrinking the hides of man and beast alike, and Hakim Shafi went from bench to bench, stepping over needles rusting in bleached June grass, and showed the heroinchies a picture. | Copyright 2018 by Usman Malik. Narrated by Stefan Rudnicki. Learn more about your ad choices. Visit megaphone.fm/adchoices