Dark Ambient and Cinema: Anthology Resource Vol. I and Everywhere, an empty bliss
Dark ambient could not exist without movie soundtracks. The quiet moments of dread in a horror film sparked something in musicians and listeners alike - who craved more of these soundscapes of dread before the monster appeared. In this episode we look at two albums that are clearly linked to cinematic masterpieces of fear. They are also some of the high water points of the genre, reaching slightly more mainstream audiences than most dark ambient albums ever get.
Night Clerk Radio: Haunted Music Reviews · Birk MacBirkinson, Ross Payton
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Show Notes
Dark ambient could not exist without movie soundtracks. The quiet moments of dread in a horror film sparked something in musicians and listeners alike - who craved more of these soundscapes of dread before the monster appeared. In this episode we look at two albums that are clearly linked to cinematic masterpieces of fear. They are also some of the high water points of the genre, reaching slightly more mainstream audiences than most dark ambient albums ever get.
Albums Discussed
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Anthology Resource Vol. I by Dean Hurley
Everywhere, an empty bliss by The Caretaker
Related Links
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Revisiting Eraserhead’s haunting, industrial soundtrack
In Heaven: Celebrating the surreal sounds of David Lynch
Soundtrack from Twin Peaks by Angelo Badalamenti
WhoSampled for Everywhere, an empty bliss
Example of Numbers Stations
Leyland James Kirby On The Caretaker, Alzheimer's Disease And His Show At Unsound Festival
My Father's Brain: What Alzheimer's Takes Away by Jonathan Franzen
Credits
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Music by: 2Mello
Artwork by: Patsy McDowell
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Birk on Twitter
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