New Books in Women's History

In Strangers in the Family: Gender, Patriliny, and the Chinese in Colonial Indonesia (SAPP, 2023), Guo-Quan Seng provides a gendered history of settler Chinese community formation in Indonesia during the Dutch colonial period (1816–1942). At the heart of this story lies the creolization of patrilineal Confucian marital and familial norms to the colonial legal, moral, and sexual conditions of urban Java. Departing from male-centered narratives of overseas Chinese communities, Strangers in the Family tells the history of community- formation from the perspective of women who were subordinate to, and alienated from, full Chinese selfhood. From native concubines and mothers, creole Chinese daughters, and wives and matriarchs, to the first generation of colonial-educated feminists, Seng showcases women's moral agency as they negotiated, manipulated, and debated men in positions of authority over their rights in marriage formation and dissolution. In dialogue with critical studies of colonial Eurasian intimacies, this book explores Asian-centered inter-ethnic patterns of intimate encounters. It shows how contestations over women's place in marriage and in society were formative of a Chinese racial identity in colonial Indonesia. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bad Christians and Hanging Toads: Witch Crafting in Northern Spain, 1525–1675 (Cornell University Press, 2025) by Dr. Rochelle Rojas tells riveting stories of witchcraft in everyday life in early modern Navarra. Belief in witchcraft not only emerged in moments of mass panic but was woven into the fabric of village life. Some villagers believed witches sickened crops and cows with poisonous powders, others thought they engaged in diabolism and perverted sex, and still others believed they lovingly raised toads used to commit evil deeds. Most villagers, however, simply saw witches as those with reputations of being mala cristianas—bad Christians. Dr. Rojas illuminates the social webs of accusations and the pathways of village gossip that created the conditions for the witch beliefs and trials of the period. While studies of witchcraft in Spain tend to focus on the inquisitorial trials and witch panic of 1609–14, Bad Christians and Hanging Toads turns to witch trials conducted by the region's secular judiciary, Navarra's royal tribunals, tracing the prosecution of accused witches over 150 years. Using detailed evidence from trial records and neighbors' testimonies, Dr. Rojas vividly brings to life the women and men crafted as witches by their neighbors and the authorities and guides readers through the judicial process, from accusations and the examination of the evidence to sentencing and punishment. By privileging the voices of villagers throughout, Bad Christians and Hanging Toads demonstrates that the inner logic of early modern European witchcraft trials can be understood only by examining of the local, everyday aspects of witch belief. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Covering her life and sixty-year career from Sonny & Cher to show-stopping solo performer, award-winning actress, fashion icon, and beyond, this is a glorious retrospective of one of the world's most enduring entertainers, Cher. Featuring a foreword by Cyndi Lauper! Commemorating six decades since her first #1 hit in 1965, I Got You Babe (Running Press, 2025) captures Cher's one-of-a-kind life. Written by award-winning writer and editor Annie Zaleski, this celebration of the fearless, down-to-earth "Goddess of Pop" explores key moments in her life and career in words and photos. Amid these moments are photo after photo of some of the most eye-popping outfits ever worn in life and on stage. As an avid clothes horse who wasn't afraid to wear a see-through dress to the Met Gala in 1974, Cher's many looks will be given their due in this engaging, career-spanning retrospective. Annie Zaleski is an award-winning writer and editor who's contributed to NPR Music, Salon, Rolling Stone, and The Guardian. She's also the author of multiple books, including an extensive look at Duran Duran's Rio for Bloomsbury's prestigious 33 1/3 series, and biographies of pop stars Lady Gaga and P!nk. She interviewed Cher ahead of her 2016 Las Vegas residency and praised the icon in a career-spanning 2021 Salon piece; additionally, she wrote about the intriguing backstory of Sonny & Cher's "I Got You Babe" in Running Press's forthcoming book We Found Love, Song by Song. Annie Zaleski on Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices

This timely and telling analysis identifies the formal and thematic innovations pioneered by millennial feminists between 2012 and 2020 that have shaped the trajectory of our favorite shows today. Author Vincent L. Stephens offers close readings of nine pivotal series, including Girls, Orange Is the New Black, Broad City, Jane the Virgin, Crazy Ex-Girlfriend, Fleabag, Insecure, Shrill, and I May Destroy You. Across these series, women-led creative teams translated techniques from indie films, inverted gendered television tropes, and engaged in innovative temporal storytelling. These series, often including showrunners who also act, write, and direct, are the product of a new ecology of television driven by the rise of streaming platforms and a demand for more inclusive narratives. Broads, Sisters, Exes: Feminist Millennial Television (Wayne State UP, 2025) optimistically contends with women as aesthetic innovators and maps their influence on entertainment industry reforms that are slowly but surely increasing accessibility for creatives from groups historically underrepresented across media. Through elegant prose deeply rooted in an intersectional feminist perspective, Stephens expands the aesthetic and narrative grammars of contemporary television. Learn more about your ad choices. Visit megaphone.fm/adchoices

Widow City: Gender, Emotion, and Community in Renaissance Italy (University of Delaware Press, 2025) investigates the ever-evolving role of the widow in medieval and early modern Italian literature, from canonical authors such as Dante, Petrarch, and Boccaccio, to the numerous widowed writers who rose to prominence in the sixteenth century—including Vittoria Colonna, Veronica Gambara, and Francesca Turina—and radically changed the conversation on public mourning. Engaging with broader intellectual discussions around gender, the history of emotions, the politics of mourning, and the construction of community, Widow City argues that widows served as key models demonstrating to readers not just how to mourn, but how to live well after devastating loss. At the same time, widows were figures of great anxiety: their status as unattached women, and the public performance of their grief, were viewed as very real threats to the stability of the social order. They are thus key to broader intellectual understandings of community and civic life in the Italian Middle Ages and Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices

Edinburgh's Unruly Women: Gender, Discipline, and Power, 1560-1660 (Routledge, 2024) examines experiences of church discipline across parish communities through Edinburgh and its environs. The book argues that experiences of discipline were not universal, varying according to any number of factors such as age, gender, marital status, and social rank. Adopting a case study approach, the book illuminates the voices of ordinary women as they appeared before their local kirk session (church court) where they navigated the church court system to settle neighbourly disputes, negotiate marriage contracts, or free their husbands from allegations of adultery. Edinburgh's Unruly Women argues that in the context of a deeply patriarchal society, experiences of discipline could not have been universal, but that in creating this strict culture of self-monitoring, the Church created opportunities for women to express power over one another, and indeed, over their male contemporaries. By placing female parishioners at the heart of the book, filled with individual case studies, Edinburgh's Unruly Women appeals to students and scholars of early modern women, religion, and gender more broadly, and to those with more specialist interest in both ecclesiastical discipline and the history of early modern Scotland in the localities. Learn more about your ad choices. Visit megaphone.fm/adchoices

As they compete in leagues around the world, elite women’s basketball players continually adjust to new cultures, rules, and contracts. Courtney M. Cox follows athletes, coaches, journalists, and advocates of women’s basketball as they pursue careers within the sport. Despite all attempts to contain them or prevent forward momentum, they circumvent expectations and open new possibilities within and outside of the game. Throughout the book, Cox explores the intersection of race and gender against the backdrop of the WNBA, NCAA, and other leagues within the United States and around the world. Blending interviews and participant observation with content analysis, she charts how athletes and advocates of women’s basketball illuminate new forms of navigating the global sports-media complex. Timely and original, Double Crossover: Gender, Media, and Politics in Global Basketball (U Illinois Press, 2025) takes readers into the lived world of women’s basketball to shed light on the struggles, triumphs, and contributions of today’s players and those around them. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices

They were crop dusters and debutantes, college girls and performers in flying circuses-all of them trained as pilots. Because they were women, they were denied the opportunity to fly for their country when the United States entered the Second World War. But Great Britain, desperately fighting for survival, would let anyone-even Americans, even women-transport warplanes. Thus, twenty-five daring young aviators bolted for England in 1942, becoming the first American women to command military aircraft. In a faraway land, these "spitfires" lived like women decades ahead of their time. Risking their lives in one of the deadliest jobs of the war, they ferried new, barely tested fighters and bombers to air bases and returned shot-up wrecks for repair, never knowing what might go wrong until they were high in the sky. Many ferry pilots died in crashes or made spectacular saves. It was exciting, often terrifying work. The pilots broke new ground off duty as well, shocking their hosts with thoroughly modern behavior. With cinematic sweep, in Spitfires: The American Women Who Flew in the Face of Danger during World War II (Bloomsbury, 2025) Becky Aikman follows the stories of nine of the women who served, drawing on unpublished diaries, letters, and records, along with her own interviews, to bring these forgotten heroines fully to life. Spitfires is a vivid, richly detailed account of war, ambition, and a group of remarkable women whose lives were as unconventional as their dreams. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rosie was always told her red hair was a curse, but she never believed it. She often dreamed what it would look like under a white veil with the man of her dreams by her side. However, her life takes a harrowing turn in 1944 when she is forced out of her home and sent to the most gruesome of places: Auschwitz. Upon arrival, Rosie's head is shaved and along with the loss of her beautiful hair, she loses the life she once cherished. Among the chaos and surrounded by hopelessness, Rosie realizes the only thing the Nazis cannot take away from her is the fierce redhead resilience in her spirit. When all of her friends conclude they are going to heaven from Auschwitz, she remains determined to get home. She summons all of her courage, through death camps and death marches to do just that. The Redhead of Auschwitz: A True Story (Amsterdam Publishers, 2021), written by Nechama Birnbaum in honor of her grandmother, is as full of life as it is of death. It is about the intricacies of Jewish culture that still exist today and the tender experiences that are universal to all humanity. It is a story about what happens when we choose hate over love. Learn more about your ad choices. Visit megaphone.fm/adchoices

Women's wars are not men's wars. This is the first lesson of Cynthias Enloe’s Twelve Feminist Lessons of War (U California Press, 2023): the lack of attention paid to women during war not only obscures their experiences but also prevents a full understanding of war and its effects. Wartime shapes women's lives and also the gendered politics of issues such as domestic relationships and childcare, labor and economic mobility, political rights and participation, violence, and much more. By paying attention to the lives of women during war, Enloe shows what women can teach us about war. And in Twelve Feminists Lessons of War it's not just the lessons about war themselves are feminist. This book also tells lessons from feminist activists and how they have responded to war, whether it is being fought in their backyard or by their state's military tens of thousands of miles away. Drawn from insights gained during her long career researching and writing about women during war and the gendered politics of war, Enloe presents a dozen lessons to be learned about women's lives during war and how we can shorten or even prevent wars by paying attention to women's experiences. Cynthia Enloe is Research Professor in the Department of International Development, Community and Environment at Clark University where she also has affiliations in the Women's and Gender Studies and Political Science departments. Professor Enloe researches, writes, and teaches about the politics of gender in the US and globally. Resources mentioned during the episode: Brown University's “Costs of War” Project No Job for a Woman: The Women Who Fought to Cover WWII Sudanese Feminist Reading List Learn more about your ad choices. Visit megaphone.fm/adchoices

At the height of the Holocaust twenty-five young inmates of the infamous Auschwitz-Birkenau concentration camp—mainly Jewish women and girls—were selected to design, cut, and sew beautiful fashions for elite Nazi women in a dedicated salon. It was work that they hoped would spare them from the gas chambers. This fashion workshop—called the Upper Tailoring Studio—was established by Hedwig Höss, the camp commandant’s wife, and patronized by the wives of SS guards and officers. Here, the dressmakers produced high-quality garments for SS social functions in Auschwitz, and for ladies from Nazi Berlin’s upper crust. Drawing on diverse sources—including interviews with the last surviving seamstress—The Dressmakers of Auschwitz (Harper Collins, 2021) follows the fates of these brave women. Their bonds of family and friendship not only helped them endure persecution, but also to play their part in camp resistance. Weaving the dressmakers’ remarkable experiences within the context of Nazi policies for plunder and exploitation, historian Lucy Adlington exposes the greed, cruelty, and hypocrisy of the Third Reich and offers a fresh look at a little-known chapter of World War II and the Holocaust. Learn more about your ad choices. Visit megaphone.fm/adchoices

Linking histories of women, relationships to the natural environment, material culture and art, in Embroidering the Landscape: Women, Art and the Environment in British North America, 1740–1770 (Lund Humphries, 2023) Dr. Andrea Pappas presents a new, multi-dimensional view of eighteenth-century American culture from a unique perspective. This book investigates how and why women pictured the landscape in their needlework. It explores the ways their embroidered landscapes address the tumultuous environmental history of the period; how their depictions of nature differ from those made by men; and what women’s choices of motifs can tell us about their lives and their relationships to nature. Embroidering the Landscape situates these pastoral and georgic needleworks (c. 1740-1775) at the intersection of environmental and social histories, interpreting them through ecocritical and social lenses. Dr. Pappas’ investigation draws out connections between women’s depicted landscapes and environmental and cultural history at a time when nature itself was a charged arena for changes in agriculture, husbandry, gardening, and the emerging discourses of botany and natural history. Her insights change our understanding of the relationship between culture and the environment in this period and raise new questions about the unrecognized extent of women’s engagement with nature and natural science. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Emilie Diouf of Brandeis English, whose monograph on genocide and trauma is forthcoming, joins John to speak with the celebrated French journalist and activist Rokahya Diallo. Diouf places Diallo within a transnational black intellectual tradition, founded in the interwar period in the Negritude movement; it was then that Paulette, Jeanne, and Anne Nardal’s literary salon became a meeting ground for African, Antillean, and African-American intellectuals, in the Parisian suburb of Clamart. The three discuss the slowly changing racial climate in France and globally; how to counter ethnonationalism; as well as the currents of dissent or disdain that threaten to disrupt even leftwing political solidarity. Mentioned in the Episode Diallo has directed 8 documentaries among which her 2013 award winning film, Les Marches de la Liberté (Steps to Freedom) . She is also the author of many books, including most recently, La France tu l’aimes ou tu la fermes or France, Love it or Shut it, a collection of her major articles on the “struggle against oppression in France and globally.” Ne reste pas à ta place, or Don’t try to fit in, (2016) and forthcoming book Le dictionnaire amoureux du féminisme or A Feminist Lover’s Dictionary (Editions Plon, March 2025) Les Indivisibles: humor watchdog organization. Parody ceremony Y’a Bon Awards given to the “most racist sentences” every year. Rokahya Diallo Coordination des Femmes Noir Awa Thiam, La Parole aux Négresses Afrofeminism 2005 Clichy-sous-bois, a Paris banlieue, was the site of major unrest. Zyed Benna, 17, of Tunisian descent, and Bouna Traoré, 15, of Mauritanian descent, died tragically in a substation while trying to avoid detention. The leading French TV station, TF1, made waves (and history) by hiring Harry Roselmack in 2016 Diallo’s own strong X/Twitter presence allows her to talk about being harassed—on Twitter/X itself!--and she has a podcast with Grace Ly, Kiffe Ta Race Diallo’s film Les Marches de la Liberté 2013 From Paris to Ferguson ( De Paris à Ferguson : coupables d'être noirs) 2016 African Americans in Paris: James Baldwin and Josephine Baker in the 1930s, but also Angela Davis in the 1960s being perceived as an Algerian Faiza Guene Just Like Tomorrow (Kif kif demain) Read and Listen to the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the U.S., many of the most significant social justice victories of our time have been spearheaded by women of color leaders. From the streets, to the ballot box, to elected office, no other demographic group stands up more consistently and unequivocally for human rights, democracy, and the planet. Remarkably, they’ve accomplished this despite conditions—in their fields and organizations—that make leadership uniquely treacherous for them. For women of color leaders, the game is rigged. How much more could humanity be winning if we unrigged it? What might be possible, in this clutch moment of history, with so much on the line, if movements stopped benching our best in ways that negatively impact the scoreboard for everybody?Unrig the Game: What Women of Color Can Teach Everyone About Winning (Random House, 2025) equips us to support effective women of color leaders so we can all win. A former community and union organizer who started one of the largest foundations to resource women of color-led organizing, Vanessa Priya Daniel draws on candid interviews with forty-five prominent women of color movement leaders, along with her own experience at the helm of an organization, to offer an on-the-ground perspective of the obstacles leaders face, how they navigate them, and how allies can show up. Daniel highlights the unique strengths and “superpowers” these leaders bring to the fight for social change, while debunking the myth that identity alone makes a transformative leader.For women of color leaders, this book is a balm, a sister circle, and a master class. For everyone, it is an essential tool to realize the world we all deserve. Learn more about your ad choices. Visit megaphone.fm/adchoices

In today's post-Roe v. Wade world, U.S. maternal mortality is on the rise and laws regarding contraception, involuntary sterilization, access to reproductive health services, and criminalization of people who are gestating are changing by the minute. Today I’m joined by Dr. Caitlin Killian, the editor of and one of the contributors to a new book from Bloomsbury Academic, Understanding Reproduction in Social Contexts: A Reader. I’m also pleased to host two of the chapter authors, Drs. Nancy Hiemstra and Jaya Keaney. Using a reproductive justice framework, Understanding Reproduction in Social Contexts walks students through the social landscape around reproduction through the life course. Chapters by cutting-edge reproductive scholars, practitioners, and advocates address the social control of fertility and pregnancy, the promises and perils of assisted reproductive technologies, experiences of pregnancy, miscarriage, abortion, and birth, and how individuals make sense of and respond to the cultural, social, and political forces that condition their reproductive lives. The book takes an intersectional approach and considers how gender, sexuality, fatness, disability, class, race, and immigration status impact both an individual's health and the healthcare they receive. The reader includes timely topics such as increased legal limitations on abortion, transpeople and reproduction, and new developments in assisted reproduction and family formation. The book can support undergraduate and graduate courses on families, gender, public health, reproduction, and sexuality – and I’m pleased to have contributed a chapter. Dr. Caitlin Killian is a Professor of Sociology at Drew University specializing in gender, families, reproduction, and immigration. We featured her book, Failing Moms: Social Condemnation and Criminalization of Mothers (Polity 2023) previously on New Books Network. Her articles have appeared in Contexts magazine and The Conversation, as well as numerous academic journals, and she has done work for the United Nations on sexual and reproductive health and rights and on Syrian refugee women Dr. Nancy Hiemstra is a political, cultural, and feminist geographer and Associate Professor in the Department of Women's, Gender, and Sexuality Studies at Stony Brook University. Her scholarship focuses on how border and immigration policies shape patterns and consequences of human mobility. Her 2019 book Detain and Deport: The Chaotic U.S. Immigration Enforcement Regime examined the U.S. detention and deportation system, and her forthcoming book (with Deirdre Conlon) Immigration Detention Inc: The Big Business of Locking Up Migrants scrutinizes how profit making goals drive the expanding use of detention. Dr Jaya Keaney is Lecturer in Gender Studies in the School of Social and Political Sciences at the University of Melbourne. She writes, researches, and teaches in the fields of feminist technoscience, queer and feminist theory, and cultural studies. Her research across these fields explores reproduction, racism, and queer feminist practices of embodiment and inheritance. Jaya is the author of Making Gaybies: Queer Reproduction and Multiracial Feeling (Duke University Press, 2023), which was a finalist for the 2024 Rachel Carson Prize. Her writing has also appeared in journals such as Body and Society, Science Technology & Human Values, and the Duke University Press edited collection Long Term: Essays on Queer Commitment (2021). Mentioned: Susan’s interview with Caitlin on Failing Moms: The Social Condemnation and Criminalization of Mothers (Polity, 2024). Learn more about your ad choices. Visit megaphone.fm/adchoices

How has the rise of digital platforms changed domestic labour? In The Return of the Housewife: Why Women Are Still Cleaning Up (Manchester UP, 2025), Emma Casey, a Reader in Sociology at the University of York, explores the rise of the ‘cleanfluencer’. Situating the way specific online discourses now valorise and glamourise housework, the book gets under the false promise of happiness that hides the reality of gendered labour inequalities. Linking housework, digital and platform society, self-help, and feminist theory, the book is a wide-ranging critical blueprint for a new domestic revolution. It is essential reading across the humanities and social sciences, as well as for anyone interested in understanding the gendered and racialised division of labour in contemporary society. Learn more about your ad choices. Visit megaphone.fm/adchoices

The history of queer politics in the United States since 1968 is commonly narrated as either a progressive campaign for state recognition or as a subcultural rejection of prevailing gender norms. But these accounts miss the true scale of queer politics in the post-war era. By centering transnational relations, practices, and infrastructures in the history of sexual rebellion, Eros and Empire: The Transnational Struggle for Sexual Freedom in the United States (Stanford University Press, 2025) provides an alternative view of US-based struggles for sexual freedom. Dr. Alexander Stoffel analyzes three prominent US-based social movements—gay liberationism, Black lesbian feminism, and AIDS activism—to argue that they were fundamentally shaped by their transnational entanglements. Departing from popular domestic framings of these movements, Dr. Stoffel recasts the history of radical queer thought and action as a project of erotic worldmaking. This project mobilized queer affects of pleasure, desire, and eroticism in the fight for revolutionary transformation on a world scale. The transnational perceptions, activities, and consciousness of queer radicals, Dr. Stoffel argues, not only conditioned the trajectory of queer history, but also radicalized wider anti-imperialist, socialist, and abolitionist struggles past and present. In this ambitious and interdisciplinary work, Dr. Stoffel reconsiders the United States' revolutionary sexual past and creates new opportunities for the study of sexual formations in relation to questions of capital accumulation, empire, and resistance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Geographies of Gender: Family and Law in Imperial Japan and Colonial Taiwan (Cambridge University Press, 2024) Dr. Tadashi Ishikawa traces perceptions and practices of gender in the Japanese empire on the occasion of Japan's colonisation of Taiwan from 1895. In the 1910s, metropolitan and colonial authorities attempted social reform in ways which particularly impacted on family traditions and, therefore, gender relations, paving the way for the politics of comparison within and beyond the empire. In Geographies of Gender, Dr. Ishikawa delves into a variety of diplomatic issues, colonial and anticolonial discourses, and judicial cases, finding marriage gifts, daughter adoption, and premarital sexual relationships to be sites of tension between norms and ideals among both elite and ordinary men and women. He explores how the Japanese empire became a gendered space from the 1910s through the outbreak of the Second Sino-Japanese War in 1937, arguing that gender norms were both unsettled and reinforced in ways which highlight the instability of metropole-colony relations. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter. 150 million lifetime downloads. Advertise on the New Books Network. Watch our promotional video. Learn how to make the most of our library. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mothers Against War: Gender, Motherhood, and Peace Activism in Cold War Japan (U Hawaii Press, 2025) examines the shifting relationships among motherhood, peace activism, and women's rights in the decades following Japan's defeat in 1945. With a focus on the concept of bosei, generally understood to be the "motherly" qualities that are supposedly inherent to women, the book illuminates how popular perceptions of the mother, the child, and the mother-child relationship gradually evolved to create the image that mothers, more than anyone else, protect children from war. This image did not result simply from a mothers' desire to keep their children safe, nor was it the outcome of the Japanese experience of the Asia-Pacific War in which many mothers became widowed or lost their children. Through the examination of five instances of peace activism that took place between 1945 and 1980, Akiko Takenaka argues that the maternal focus of Japanese women's peace activism emerged from a convergence of various interests, including the security alliance between Japan and the United States, Japan's Cold War-era political strategies, and Japanese women's fight for increased rights. Mothers Against War demonstrates how Japanese women's attempts to activate the concept of bosei to gain more rights also worked to confine them into domesticity. This is the first scholarly monograph to make this connection between Japan's matricentric peace activism and the fight for women's rights. Learn more about your ad choices. Visit megaphone.fm/adchoices

A haunting image of an unnamed Native child and a recovered story of the American West In 1868, celebrated Civil War photographer Alexander Gardner traveled to Fort Laramie to document the federal government’s treaty negotiations with the Lakota and other tribes of the northern plains. Gardner, known for his iconic portrait of Abraham Lincoln and his visceral pictures of the Confederate dead at Antietam, posed six federal peace commissioners with a young Native girl wrapped in a blanket. The hand-labeled prints carefully name each of the men, but the girl is never identified. As The Girl in the Middle: A Recovered History of the American West (Princeton University Press, 2025) goes in search of her, it draws readers into the entangled lives of the photographer and his subjects. Martha A. Sandweiss paints a riveting portrait of the turbulent age of Reconstruction and westward expansion. She follows Gardner from his birthplace in Scotland to the American frontier, as his dreams of a utopian future across the Atlantic fall to pieces. She recounts the lives of William S. Harney, a slave-owning Union general who earned the Lakota name “Woman Killer,” and Samuel F. Tappan, an abolitionist who led the investigation into the Sand Creek massacre. And she identifies Sophie Mousseau, the girl in Gardner’s photograph, whose life swerved in unexpected directions as American settlers pushed into Indian Country and the federal government confined Native peoples to reservations. Spinning a spellbinding historical tale from a single enigmatic image, The Girl in the Middle reveals how the American nation grappled with what kind of country it would be as it expanded westward in the aftermath of the Civil War. Martha A. Sandweiss is professor emerita of history at Princeton University, where she is founding director of the Princeton & Slavery Project. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eufrasia Burlamacchi (Getty Publications, 2025) by Dr. Loretta Vandi is a timely exploration of the skilful illuminated manuscripts of Sister Eufrasia Burlamacchi (1478–1548) demonstrates her artistry within this sometime neglected artistic medium. Within the convent walls of San Domenico in Lucca where she lived and worked, Burlamacchi attained high levels of artistic proficiency through her knowledge of drawing and colour technique, composition, treatment of space and proportions. This book highlights that Sister Eufrasia was aware of the progress illumination underwent in contact with the artists we now include in the High Renaissance. She quickly established a style which she then passed on to younger sisters to establish a convent workshop where mutual exchange was the norm. Here, for the first time, Eufrasia Burlamacchi is recognized and discussed as an influential and gifted artist in her own right. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Menstrual Myth Busting: The Case of the Hormonal Female (Policy Press, 2025), Dr. Sally King interrogates the diagnostic label of premenstrual syndrome (PMS) to expose and challenge sexist assumptions within medical research and practice. She powerfully demonstrates how the concept of the ‘hormonal’ premenstrual woman is merely the latest iteration of the ‘hysterical’ female myth. By blaming the healthy reproductive body (first our wombs, now our hormones) for the female-prevalence of emotional distress and physical pain, gender myths appear to have trumped all empirical evidence to the contrary. The book also provides a primer on menstrual physiology beyond hormones, and a short history of how hormonal metaphors came to dominate medical and popular discourses. The author calls for clinicians, researchers, educators and activists to help improve women’s health without unintentionally reproducing damaging stereotypes. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

NBN host Hollay Ghadery chats with author D. D. Miller about the fascinating sport of roller derby. As the Derby Nerd, Miller covered roller derby since 2009, travelling to games across Canada and the United States, including two world championships, reporting back to an ever-growing audience the details of the sport. In this entertaining and thorough book he explains roller derby to newcomers and charts the sport’s rise from small groups of women looking for people to skate with over the Internet to the world presence it has become. Along the way he considers roller derby’s roots in Riot Grrrl and DIY culture, and the importance of the LGBTQ community both inside and outside of the sport. Eight-wheeled Freedom: The Derby Nerd's Short History of Flat Track Roller Derby (Wolsak and Wynn, 2016) is a warm, thoughtful look at a sport that Miller understands intimately, which takes us beyond the costumes and showmanship, into the heart of what he feels may be the first truly feminist sport. About D.D. Miller D. D. Miller is originally from Nova Scotia but has lived, worked and studied all across the country. His work has appeared in a number of journals and anthologies including the Malahat Review, the Fiddlehead, Eleven Eleven: Journal of Literature and Art and Dinosaur Porn. As the Derby Nerd, Miller is known around North America for his writing and commentary on roller derby, one of the world’s fastest growing sports. A graduate of Mount Allison University, the University of Victoria and the University of Guelph (where he completed his MFA), Miller currently lives in Toronto where he works as a college English instructor. He also announced at both the 2011 and 2014 Roller Derby World Cups and was part of the ESPN's broadcast crew for the 2015 WFTDA Championships. About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League’s BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Murder in a cathedral, horrific illnesses and deformities, narrow escapes from injury and death, a vengeful dragon, a wandering eyeball, a bawdy monk and other sinners redeemed—the accounts of miracles performed by the Virgin Mary gathered and translated in The Miracles of Mary in Twelfth-Century France (Cornell UP, 2024) provide vivid glimpses into medieval life and beliefs. Bruce L. Venarde provides fluent translations of the first five collections of Marian miracle narratives from France, written in the second quarter of the twelfth century and never before available in English. The stories recorded in these collections—by Herman of Tournai; Hugh Farsit; Haimo of Saint-Pierre-sur-Dives; John, son of Peter; and Gautier of Compiègne—offer descriptions of travel, living conditions, medical knowledge, conflict between and among lay and religious authorities, and the burgeoning cult of the Virgin Mary, which had only recently become important in Western Europe. Including notes, tables, and maps that orient and illuminate the texts, The Miracles of Mary in Twelfth-Century France makes these riveting tales available to readers seeking a view into the medieval past. Learn more about your ad choices. Visit megaphone.fm/adchoices

The New York Times bestselling author of The Dressmakers of Auschwitz tells the stories of four Jewish girls during the Holocaust, strangers whose lives were unknowingly linked by everyday garments, revealing how the ordinary can connect us in extraordinary ways. Jock Heidenstein, Anita Lasker, Chana Zumerkorn, and Regina Feldman all faced the Holocaust in different ways. While they did not know each other—in fact had never met—each had a red sweater that would play a major part in their lives. In this absorbing and deeply moving account, award-winning clothes historian Lucy Adlington documents their stories, knitting together the experiences that fragmented their families and their lives. Adlington immortalizes these young women whose resilience, skills, strength, and kindness accompanied them through the darkest events in human history. A powerful reminder of the suffering they endured and a celebration of courage, love, and tenacity, this moving and original work illuminates moments long lost to history, now pieced back together by a simple garment. Four Red Sweaters is illustrated with more than two dozen black-and-white images throughout. Learn more about your ad choices. Visit megaphone.fm/adchoices

Period Matters is a groundbreaking anthology edited by Farah Ahamed that explores the cultural, social, and political dimensions of menstruation in South Asia. Through a diverse collection of essays, personal narratives, poetry, and artwork, the book sheds light on the stigma, myths, and challenges surrounding periods. Featuring contributions from writers, activists, academics, and artists, it examines issues such as menstrual health, period poverty, gender inequality, and sustainable solutions. By amplifying voices that are oft excluded mainstream discussions, Period Matters challenges taboos and calls for greater awareness, education, and policy change in the region. Farah Ahamed is the editor of Period Matters: Menstruation in South Asia, published by Pan Macmillan India in 2022 (periodmattersbook.com). The book has been described as ‘an essential book about the female body that dispels misconceptions,’ by Book Riot. In 2022, Farah was selected as the Financial Times's Woman of the Year for her work in breaking the stigma around menstruation. Farah and her sisters run a charity in Kenya called Panties with Purpose, which is helping to raise awareness of period poverty, menstrual health, and also supports underprivileged schoolgirls. Since 2011 they have distributed over 70,000 pairs of underpants to more than 16,000 girls across Kenya. Farah is a Kenyan lawyer with a background in human rights. She lives in London. This interview was hosted by Zana Mody, an English DPhil student at the University of Oxford, who works on postcolonial Indian literature and art. X: @mody_zana Learn more about your ad choices. Visit megaphone.fm/adchoices

In the decades preceding World War II, professional architecture schools enrolled increasing numbers of women, but career success did not come easily. Women Architects at Work: Making American Modernism (Princeton University Press, 2025) by Dr. Mary Anne Hunting and Dr. Kevin D. Murphy tells the stories of the resilient and resourceful women who surmounted barriers of sexism, racism, and classism to take on crucial roles in the establishment and growth of Modernism across the United States. Dr. Hunting and Dr. Murphy describe how the Cambridge School of Architecture and Landscape Architecture in Massachusetts evolved for the professional education of women between 1916 and 1942. While alumnae such as Eleanor Agnes Raymond, Victorine du Pont Homsey, and Sarah Pillsbury Harkness achieved some notoriety, others like Elizabeth-Ann Campbell Knapp and Louisa Vaughan Conrad have been largely absent from histories of Modernism. Dr. Hunting and Dr. Murphy describe how these innovative practitioners capitalized on social, educational, and professional ties to achieve success and used architecture to address social concerns, including how modernist ideas could engage with community and the environment. Some joined women-led architectural firms while others partnered with men or contributed to Modernism as retailers of household furnishings, writers and educators, photographers and designers, or fine artists. With stunning illustrations, Women Architects at Work offers new histories of recognized figures while recovering the stories of previously unsung women, all of whom contributed to the modernization of American architecture and design. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Afterthought: A Family Story (Indiana University Bloomington Libraries Publishing, 2025) by Dr. Heather Akou focuses on the life of her grandmother, Lila Slaback, who grew up in a dysfunctional, working-class family in La Crosse, Wisconsin, in the 1930s. In her short adult life, she gave birth to seven children with at least four different men and died in 1958 at age thirty-six. She was a real person, but her family was not proud of her story. This book is my best attempt to recover it. This work of historical fiction can be read like a memoir. With extensive notes and resources, it can also be read as inspiration for researching and writing historical fiction, especially in the United States. As an educational text, it would be appropriate for courses on fashion history, American history, gender roles, family, poverty, healthcare, and generational trauma. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the late 1940s to the mid 1960s, Peru’s rapid industrialization and anti-communist authoritarianism coincided with the rise of mass-produced cookbooks, the first televised cooking shows, glossy lifestyle magazines, and imported domestic appliances and foodstuffs. Amy Cox Hall’s The Taste of Nostalgia (U Texas Press, 2025) uses taste as a thematic and analytic thread to examine the ways that women, race, and the kitchen were foundational to Peruvian longings for modernity, both during the Cold War and today. Drawing on interviews, personal stories, media images, and archival and ethnographic research, Cox Hall considers how elite, European-descended women and the urban home were central to Peru’s modernizing project and finds that all women who labored within the deeply racialized and gendered world of food helped set the stage for a Peruvian food nationalism that is now global in the twenty-first century. Cox Hall skillfully connects how the sometimes-unsavory tastes of the past are served again in today’s profitable and pervasive gastronostalgia that helps sell Peru and its cuisine both at home and abroad. Dr. Amy Cox Hall is Associate Dean of the Bard Prison Initiative at Bard College, and a writer and cultural anthropologist who specializes in Peru and the U.S. with research focused on science, race, photography, national heritage, and most recently, food. She is the author of Framing a Lost City: Science, Photography and the Making of Machu Picchu (published by University of Texas Press in 2017),editor of The Camera as Actor: Photography and the Embodiment of Technology (published by Routledge in 2020), and A Taste of Nostalgia: Women, Race, and Culinary Longing in Peru (published by UT Press in 2024). Dr. Scott Catey is CEO of The Catey Group, LLC. and Executive Publisher of Rising Justice Publishing, a full-service multimedia publishing enterprise. Visit https://scottcatey.com/ for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Questions about the meaning of womanhood and femininity loomed large in late nineteenth- and early twentieth-century French culture. In Playing Cleopatra: Inventing the Female Celebrity in Third Republic France (LSU Press, 2024), Dr. Holly Grout uses the theater—specifically, Parisian stage performances of the Egyptian queen Cleopatra by Sarah Bernhardt, Colette, and Josephine Baker—to explore these cultural and political debates. How and why did portrayals of Cleopatra influence French attitudes regarding race, sexuality, and gender? To what extent did Bernhardt, Colette, and Baker manipulate the image of Cleopatra to challenge social norms and to generate new models of womanhood? Why was Cleopatra—an ancient, mythologized queen—the chosen vehicle for these spectacular expressions of modern womanhood? In the context of late nineteenth-century Egyptomania, Cleopatra’s eroticized image—as well as her controversial legacy of female empowerment—resonated in new ways with a French public engaged in reassessing feminine sexuality, racialized beauty, and national identity. By playing Cleopatra, Bernhardt, Colette, and Baker did more than personify a character; they embodied the myriad ways in which celebrity was racialized, gendered, and commoditized, and they generated a model of female stardom that set the stage for twentieth-century celebrity long before the Hollywood machine’s mass manufacture of “stars.” At the same time, these women engaged with broader debates regarding the meaning of womanhood, celebrity, and Frenchness in the tumultuous decades before World War II. Drawing on plays, periodicals, autobiographies, personal letters, memoirs, novels, works of art, and legislation, Playing Cleopatra contributes to a growing body of literature that examines how individuals subverted the prevailing gender norms that governed relations between the sexes in liberal democratic regimes. By offering employment, visibility, and notoriety, the theater provided an especially empowering world for women, in which the roles they played both reflected and challenged contemporary cultural currents. Through the various iterations in which Bernhardt, Colette, and Baker played Cleopatra, they not only resurrected an ancient queen but also appropriated her mystique to construct new narratives of womanhood. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Enlightenment's Most Dangerous Woman: Émilie du Châtelet and the Making of Modern Philosophy (Oxford UP, 2024) introduces the work and legacy of philosopher Émilie Du Châtelet. As the Enlightenment gained momentum throughout Europe, Châtelet broke through the many barriers facing women at the time and published a major philosophical treatise in French. Due to her proclamation that a true philosopher must remain an independent thinker rather than a disciple of some supposedly great man like Isaac Newton or René Descartes, Châtelet posed a threat to an emerging consensus in the Enlightenment. The Enlightenment's Most Dangerous Woman highlights the exclusion of women from colleges and academies in Europe and the fear of rupturing the gender-based order. Andrew Janiak is Professor of Philosophy and Bass Fellow at Duke University. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Exploring twentieth- and twenty-first century texts that wrestle with the Irish domestic interior as a sexualized and commodified space, Body Politics in Contemporary Irish Women’s Fiction: The Literary Legacy of 'Mother Ireland' (Bloomsbury, 2025) provides readings of the power and authority of the feminized body in Ireland. Scheible dissects the ways that 'the woman-as-symbol' remains consistent in Irish literary representations of national experience in Irish fiction and shows how this problematizes the role of women in Ireland by underscoring the oppression of sexuality and gender that characterized Irish culture during the twentieth century. Examining works by Elizabeth Bowen, Pamela Hinkson, Emma Donoghue, Tana French, Sally Rooney and James Joyce, this book demonstrates that the definition of Irish nationhood in our contemporary experience of capitalism and biopolitics is dependent on the intertwining and paradoxical tropes of a traditional, yet equally sexual, feminine identity which has been quelled by violence and reproduction. Learn more about your ad choices. Visit megaphone.fm/adchoices

English Women’s Spiritual Utopias, 1400-1700: New Kingdoms of Womanhood (Palgrave Macmillan, 2022) uncovers a tradition of women’s utopianism that extends back to medieval women’s monasticism, overturning accounts of utopia that trace its origins solely to Thomas More. As enclosed spaces in which women wielded authority that was unavailable to them in the outside world, medieval and early modern convents were self-consciously engaged in reworking pre-existing cultural heritage to project desired proto-feminist futures. The utopianism developed within the English convent percolated outwards to unenclosed women's spiritual communities such as Mary Ward's Institute of the Blessed Virgin and the Ferrar family at Little Gidding. Convent-based utopianism further acted as an unrecognized influence on the first English women’s literary utopias by authors such as Margaret Cavendish and Mary Astell. Collectively, these female communities forged a mode of utopia that drew on the past to imagine new possibilities for themselves as well as for their larger religious and political communities. Tracking utopianism from the convent to the literary page over a period of 300 years, New Kingdoms writes a new history of medieval and early modern women’s intellectual work and expands the concept of utopia itself. Learn more about your ad choices. Visit megaphone.fm/adchoices

Becoming couture: The Italian fashion industry after the Second World War (Manchester University Press, 2024) by Dr. Chiara Faggella is the first book to examine the history of the Italian fashion industry during the global transition brought about by the Second World War. It draws on a wide range of primary sources, some of them newly unearthed, to demonstrate that the Italian fashion industry in the Republican era continued to rely on business practices and professionals established during Fascism. Analysing changes in promotional discourses and press coverage, the book traces the shift that occurred when manufacturers were encouraged to expand their exports of accessories to include sportswear, knitwear and moda boutique. This ultimately led to the legitimisation of Italian dressmaking as creatively independent of French influences and therefore worthy of the label 'couture'. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why have dynamic and shifting hairstyles, from Katniss Everdeen’s Power Plait to JoJo Siwa’s outsize bows, become such a significant part of how girlhood is articulated in contemporary visual cultures? What do they tell us about how girlhood combines the qualities of resilience and sparkle needed to survive and thrive in turbulent post-recessionary times? Drawing together analysis of popular film franchises, Disney animation, ground-breaking TV shows, music videos, girl celebrity personas and global art cinema, Girls' Hairstories: Sparkle and Resilience in Contemporary Screen Cultures (Edinburgh University Press, 2025) by Dr. Fiona Handyside shows how across different cultural levels and aimed at different audiences, girls’ hairstyles provide a complex dynamic site of interpretation and interaction. It documents the careful craft of hair-dressers and software engineers working in the screen industries to style and animate hair, bringing their work to a new visibility. It is in the very everydayness of hairstyling that we come to understand girls as the most resilient and the most sparkly of citizens. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Mother of the Sri Aurobindo Ashram: Co-Creator of the Integral Yoga (Lexington Books, 2024) analyzes the contributions of the Mother (née Mirra Alfassa, 1878-1973) to the Integral Yoga that she and Sri Aurobindo (né Aurobindo Ghose, 1872-1950) co-created for his ashram. Scholars have ignored Mirra for Aurobindo, which prevents a full understanding of their spiritual practice. Scholars have also avoided examining work Aurobindo produced after they began their partnership in 1920 until his death in 1950, and privilege the written output in his journal Arya from 1914 to 1921. In this initial fertile period, he put forth his innovative teaching about what he called the “Supermind,” an emergent human faculty that he said would manifest a new humanity and a new earth through Mirra’s body. Mirra claimed that after his death in 1956 this manifestation happened as he foretold. Mirra’s work in the ashram from his death until hers in 1973 reveals important ways that she both fulfilled and changed Aurobindo’s initial vision. These developments are chiefly based on her experiences of mental dissolution while her body gained a new supramental form and consciousness. Learn more about your ad choices. Visit megaphone.fm/adchoices

Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston's two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain't I an Anthropologist (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston's place in American cultural and intellectual life. Learn more about your ad choices. Visit megaphone.fm/adchoices

Trauma, Memory and Silence of the Irish Woman in Contemporary Literature (Routledge, 2023) studies the manifestations of female trauma through the exploration of multiple wounds, inflicted on both body and mind and the soul of Irish women from Northern Ireland and the Republic within a contemporary context, and in literary works written at the turn of the twenty-first century and beyond. These artistic manifestations connect tradition and modernity, debunk myths, break the silence with the exposure of uncomfortable realities, dismantle stereotypes and reflect reality with precision. Women’s issues and female experiences depicted in contemporary fiction may provide an explanation for past and present gender dynamics, revealing a pathway for further renegotiation of gender roles and the achievement of equilibrium and equality between sexes. These works might help to seal and heal wounds both old and new and offer solutions to the quandaries of tomorrow. Learn more about your ad choices. Visit megaphone.fm/adchoices

The first birth control clinic in El Paso, Texas, opened in 1937. Since then, Mexican-origin women living in the border cities of El Paso and Ciudad Juárez have confronted various interest groups determined to control their reproductive lives, including a heavily funded international population control campaign led by Planned Parenthood Federation of America as well as the Catholic Church and Mexican American activists. Uncovering nearly one hundred years of struggle, Lina-Maria Murillo reveals how Mexican-origin women on both sides of the border fought to reclaim autonomy and care for themselves and their communities. Faced with a family planning movement steeped in eugenic ideology, working-class Mexican-origin women strategically demanded additional health services and then formed their own clinics to provide care on their own terms. Along the way, they developed what Murillo calls reproductive care— quotidian acts of community solidarity—as activists organized for better housing, education, wages, as well as access to birth control, abortion, and more. In Fighting for Control: Power, Reproductive Care, and Race in the US-Mexico Borderlands (UNC Press, 2025), Murillo lays bare Mexican-origin women's long battle for human dignity and power in the borderlands as reproductive freedom in Texas once again hangs in the balance. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sinéad O'Connor, renowned for her angelic voice and activism, overcame a tumultuous upbringing to become a global protest singer and advocate for social justice. O'Connor achieved worldwide success as an angel-voiced, shaven-headed Irish singer of heartfelt songs, but she was far more than just a pop star - she was also an activist and a survivor. Reeling from a troubled childhood at the hands of her violent mother, she spent 18 months living in a former Magdalene Laundry due to her truancy and shoplifting, and suffered her mother's death in a car crash - all by the age of 18. Her pain, anger and compassion would turn her into one of the world's greatest protest singers and activists. She would release ten studio albums during her 36-year music career - the second of which (I Do Not Want What I Haven't Got) would reach number 1 across the world and earn her ten million pounds, half of which she gave to charity. During this time, she would also advocate for survivors of child abuse and racism, and stand up for the LGBT community and women's reproductive rights. Most notably, she would tear up a picture of Pope John Paul II during an episode of Saturday Night Live in order to protest at child sex abuse within the Catholic church, creating headlines around the world and derailing her career. The Real Sinéad O'Connor (White Owl, 2024) features six exclusive interviews with friends and peers who knew her, this is the true story of her extraordinary and courageous journey. Ariane Sherine’s website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Gemini Books, Fall 2025). Bradley on Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices

Everyone knows Judy Blume. Her books have garnered her fans of all ages for decades and sold tens of millions of copies. But why were people so drawn to them? And why are we still talking about them now in the 21st century? In The Genius of Judy: How Judy Blume Rewrote Childhood for All of Us (Atria, 2024), her remarkable story is revealed as never before, beginning with her as a mother of two searching for purpose outside of her home in 1960s suburban New Jersey. The books she wrote starred regular children with genuine thoughts and problems. But behind those deceptively simple tales, Blume explored the pillars of the growing women’s rights movement, in which girls and women were entitled to careers, bodily autonomy, fulfilling relationships, and even sexual pleasure. Blume wasn’t trying to be a revolutionary—she just wanted to tell honest stories—but in doing so, she created a cohesive, culture-altering vision of modern adolescence. Blume’s bravery provoked backlash, making her the country’s most-banned author in the mid-1980s. Thankfully, her works withstood those culture wars and it’s no coincidence that Blume has resurfaced as a cultural touchstone now. Young girls are still cat-called, sex education curricula are getting dismissed as pornography, and entire shelves of libraries are being banned. As we face these challenges, it’s only natural we look to Blume, the grand dame of so-called dirty books. This is the story of how a housewife became a groundbreaking artist, and how generations of empowered fans are her legacy, today more than ever. Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at [email protected]. Blusky and IG: @robbyref Learn more about your ad choices. Visit megaphone.fm/adchoices

Studies show that students who have a positive outlook on their lives outperform students who don’t. Is positive thinking a skill? Can it be taught? Our article is: “Teaching Positive Psychology Skills at school may be one way to help student mental health and happiness,” by Dr. Kai Zhuang Shum, published in The Conversation, which explores how the components of happiness and connection can be applied to classroom settings around the world. Amid the reduced access to mental health services for many students, and the rising rates of student stress and depression, researchers are finding that positive psychology interventions make a real difference. “Students who’ve been introduced to science-based ideas about happiness,” Dr. Shum writes, “feel more satisfied with life.” She joins us for this episode to explain more. Our guest is: Dr. Kai Zhuang Shum, who is a Nationally Certified School Psychologist (NCSP) and a Licensed Psychologist. She serves as an assistant professor at the University of Tennessee Knoxville School Psychology Program. She specializes in positive psychology, motivation, anxiety (including OCD), attention, time management, and well-being (happiness). Our host is: Dr. Christina Gessler, who is the creator, producer and show host of the Academic Life podcast. Listeners may enjoy this playlist: Mindfulness The Well-Gardened Mind Inside Look at Campus Mental Wellness Services You Will Get Through This Belonging: The Science of Creating Connection Managing Your Mental Health During Your PhD Make a Meaningful Life Meditation Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 240+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices

This book tells the remarkable life of Balthild of Francia (c. 633-80), a seventh-century Anglo-Saxon slave who became a queen of France. Described in contemporary sources as beautiful and intelligent, she rose to power through her marriage to the short-lived King Clovis II. As regent for her young son, she promoted social and political reforms in Francia that included the rescue and rehousing of Christian slaves who, like Balthild herself, had been caught up in the human-trafficking practices of the mid-seventh century. Implicated in the violent politics of the era, Balthild spent the remainder of her life in the convent of Chelles where a unique cache of surviving relics and personal items, including her hair, were protected and dispersed as relics over the following centuries. In the nineteenth century, Balthild's anti-slave trade policies were recalled for new audiences when she was adopted as an icon for the cause of the abolition of the slave trade and installed as one of the twenty illustrious women whose statues are situated in the Luxembourg Gardens in Paris. Although critical to her age, because of the remote time period and the specialized nature of the sources, Balthild is little known today. Balthild of Francia: Anglo-Saxon Slave, Merovingian Queen, and Abolitionist Saint (Oxford UP, 2024) will correct this oversight by shining a light on a fascinating and courageous figure whose legacy long outlived the era to which she belonged. New Books in Late Antiquity is Presented by Ancient Jew Review Isabel Moreira is Distinguished Professor in the Department of History at the University of Utah Michael Motia teaches in the classics and religious studies department at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices

Ancient Sculpture and Twentieth-Century American Womanhood: Venus Envy (Bloomsbury, 2025) by Dr. Hallie Franks examines the reception of Graeco-Roman sculptures of Venus and their role in the construction of the body aesthetics of the “fit” American woman in the decades around the turn of the 20th century. In this historical moment, 19th-century anthropometric methods, the anti-corset dress reform movement and early fitness culture were united in their goal of identifying and producing healthy, procreative female bodies. These discourses presented ancient statues of Venus – most frequently, the Venus de Milo – as the supreme visual model of a superior, fit, feminine physique. An America of such Venuses would herald the future prosperity of the “American race” by reviving the robust health and moral righteousness of the ancient Greeks. Venuses had long been symbols of beauty, but the new situation of Venus statues as an aesthetic and moral destination for women set up a slippage between ideal sculpture and living bodies: what did it mean for a woman to embody – or to try to embody – the perfect health and beauty of an ancient statue? How were women expected to translate this model into flesh? What were the political stakes to which this vision of a nation of American Venuses was bound? Who was believed to conform to this ideal, and who was excluded from it? In taking on these questions, Dr. Franks engages with physical culture and dress-reform media, modern artwork that adapts Graeco-Roman traditions, anthropological texts, art histories of ancient Greece, film, advertising and medical reporting on women's health. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Caroline Dunn joins Jana Byars to talk about her new book, Ladies-in-Waiting in Medieval England (Cambridge UP, 2025), which examines female attendants who served queens and aristocratic women during the late medieval period. Using a unique set of primary source–based statistics, Caroline Dunn reveals that the lady-in-waiting was far more than a pretty girl sewing in the queen’s chamber while seeking to catch the eye of an eligible bachelor. Ladies-in-waiting witnessed major historical events of the era and were sophisticated players who earned significant rewards. They had both family and personal interests to advance – through employment they linked kin and court, and through marriage they built bridges between families. Whether royal or aristocratic, ladies-in-waiting worked within gendered spaces, building female-dominated social networks, while also operating within a masculine milieu that offered courtiers of both sexes access to power. Working from a range of sources wider than the subjective anecdote, Dunn presents the first scholarly treatment of medieval English ladies-in-waiting. Learn more about your ad choices. Visit megaphone.fm/adchoices

Can we write women’s authorial roles into the history of industrial cinema in South Asia? How can we understand women’s creative authority and access to the film business infrastructure in this postcolonial region? In Women’s Transborder Cinema: Authorship, Stardom, and Filmic Labor in South Asia (University of Illinois Press, 2024), Esha Niyogi De draws on rare archival and oral sources to explore these questions from a uniquely comparative perspective, delving into examples of women holding influential positions as stars, directors, and producers across the film industries in India, Pakistan, and Bangladesh. Author Esha Niyogi De is a senior lecturer in the Writings Programs division at the University of California, Los Angeles. She is the co-editor of South Asian Filmscapes: Transregional Encounters (2020) and author of Empire, Media, and the Autonomous Woman: A Feminist Critique of Postcolonial Thought (2011). The episode is hosted by Ailin Zhou, PhD student in Film & Digital Media at University of California - Santa Cruz. Learn more about your ad choices. Visit megaphone.fm/adchoices

Medieval women ruled over kingdoms, abbeys, and households; produced stunning works of art and craft; and did the hard work that kept ordinary families fed and clothed. Though women’s contributions were often diminished or completely ignored in written accounts, art tells a different story: women appear everywhere, from the margins of illuminated manuscripts to grand tapestries. In Women in the Middle Ages: Illuminating the World of Peasants, Nuns, and Queens (Abbeville Press, 2024), historian Gemma Hollman uses the visual as well as the written record to uncover the real lives of medieval European women. Hollman traces the lives of women across society, dedicating chapters to nuns like Hildegard of Bingen, abbess, mystic, and polymath; courtiers like Christine de Pisan, author of pioneering works on women’s role in society; warriors like Joan of Arc; and the everyday women whose names are lost to history. Illustrated with nearly 200 varied and fascinating works of medieval art, Women in the Middle Ages offers a new perspective on the lives and contributions of medieval women and how they were portrayed. This book is a treasure for anyone interested in the Middle Ages or women’s history. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Farida Benlyazid and Moroccan Cinema (Palgrave Macmillan, 2023) unfolds and analyzes the work of Moroccan director, producer, and scriptwriter Farida Benlyazid, whose career extends from the beginning of cinema in independent Morocco to the present. This study of her work and career provides a unique perspective on an under-represented cinema, the gender politics of cinema in Morocco, and the contribution of Arab women directors to global cinema and to a gendered understanding of Muslim ethics and aesthetics in film. A pioneer in Moroccan cinema, Farida Benlyazid has been successful at negotiating the sometimes abrupt turns of Morocco's rocky 20th century history: from Morocco under French occupation to the advent of Moroccan independence in 1956; the end of the international status of Tangier, her native city, in 1959; the "years of lead" under the reign of Hassan II; and finally Mohamed VI's current reign since 1999. As a result, she has a long view of Morocco's politics of self-representation as well as of the representation of Moroccan women on screen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan’s nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author’s original notes. Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l’eau, in 1926 and then her first novel, Mazaltob, in 1930. Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l’Ordre des Palmes académiques by the French Ministry of Education. Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture. Mentioned in the podcast: • Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L’Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5. • Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996) • Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In French Mediterraneans, edited by P. Lorcin and T. Shepard (2016) • Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927) • Edward W. Said, Orientalism, 25th anniversary edition (1994) • Female teachers of the Alliance israélite universelle • Jewish figures in the literature of The Tharaud Brothers • Archives of the Alliance israélite universelle (AIU) Learn more about your ad choices. Visit megaphone.fm/adchoices

Women from the Ricasoli and Spinelli families formed a wide variety of social networks within and beyond Florence through their letters as they negotiated interpersonal relationships and lineage concerns to actively contribute to their families in early modern Italy. Women were located at the center of social networks through their work in bridging their natal and marital families, cultivating commercial contacts, negotiating family obligations and the demands of religious institutions, facilitating introductions for family and friends, and forming political patronage ties. Gender and Family Networks in Early Modern Italy (Amsterdam UP, 2025) argues that a network model offers a framework of analysis in which to deconstruct patriarchy as a single system of institutionalized dominance in early modern Italy. Networks account for female agency as an interactive force that shaped the kinships ties, affective relationships, material connections, and political positions of these elite families as women constructed their own narratives and negotiated their own positions in family life. Learn more about your ad choices. Visit megaphone.fm/adchoices