New Books in Women's History

Studies on the subject of women’s participation in religious and intellectual life in Islam have been few.Women and the Transmission of Religious Knowledge in Islam (Cambridge University Press, 2013)byAsma Sayeed, professor of Near Eastern Languages and Cultures at UCLA, is a much needed addition to the fields of early and classical Islamic history, the study of hadith and its transmission, and women’s studies. Professor Sayeed leads readers through nine centuries, from the seventhto sixteenth century CE, of religious, social, and intellectual history of women’s participation as transmitters of hadith, the words and actions of Muhammad. Women’s participation within this area was not static, but ebbed and flowed throughout history as demonstrated in this book’s four chapters. Women were critical in the dissemination of hadith in the first century of Islam. As the study of hadith became more specialized from the fourthto tenthcentury, women were marginalized as transmitters which Sayeed validates through biographical dictionaries and chronicles as well as quantitative data from chains of transmissions, isnads, from numerous hadith collections. By the tenthcentury, the canonization of hadith was by and large complete. This ushered in a new phase in which women again became important actors in the reception and propagation of hadith. This period would last until the end of the Mamluk period and the rise of Ottomans in the sixteenthcentury, but this second decline would be for different reasons. Throughout each phase of this history, Professor Sayeed provides case studies on different women to further her argument on the participation of women, even at the least active moments, as propagators of hadith. Professor Sayeed has brought new understanding of women’s intellectual lives in the history of Islam and has opened the door for further inquiry into this subject. Learn more about your ad choices. Visit megaphone.fm/adchoices

Torild Skard is the author of Women of Power: Half a Century of Female Presidents and Prime Ministers Worldwide (Policy Press, 2015). Skard is a senior researcher in women’s studies at the Norwegian Institute of International Affairs in Oslo and is a former member of parliament and the first woman president of the Norwegian Upper House, among many other appointments. Skard takes on an enormously ambitious project in her recent book. She seeks out to examine the achievements and life stories of nearly the universe of the world’s female political leaders from the 1960s up to the current era. Organized both chronologically and geographically, Skard includes over 70 leaders in 50 countries, and uncovers a variety of paths to power, regional patterns and variation, and fascinating individual stories. Learn more about your ad choices. Visit megaphone.fm/adchoices

In A Sisterhood of Sculptors: American Artists in Nineteenth-Century Rome (Penn State University Press, 2014), Melissa Dabakis takes readers on an unexpected journey from Boston to Rome to discover multiple American women sculptors working in studios, winning public commissions, and earning artistic renown in the mid-19th Century. The book navigates through the worlds of sculpture, feminism, American and Italian politics, slavery and abolition, expatriate circles, Roman culture, and Italian independence struggles. Dabakis illuminates the critical period from 1850 to 1876 when American women sculptors not only forged professional artistic careers but also participated in and impacted feminist and abolitionist movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Carol Faulkner is Professor of History at Syracuse University. Her book Lucretia Mott’s Heresy: Abolition and Women’s Rights in Nineteenth-Century America (University of Pennsylvania Press, 2011) is a beautifully written biography of the abolitionist and Quaker Lucretia Mott. Committed to liberty and equality based on the divine light within, Mott was one the earliest American activist for immediate emancipation and by extension the full rights of women. Faulkner argues that Mott has been cast as a demure religious matron rather than the radical firebrand she was. Partly, this is due to Mott not having left many of her thoughts in writing, expressing herself primarily through long extemporaneous speeches. Faulkner corrects for this by providing vivid details of Mott’s life and takes us through the Nantucket childhood and time at Nine Partners Boarding School where she received the best education of the era; her joining the Hickite movement; collaboration with William Lloyd Garrison and the founding of the interracial Philadelphia Female Anti-Slavery Society; and her connections with Elizabeth Cady Stanton and women’s rights. Mott considered herself a heretic rejecting dogma, church authority, and the preeminence of scripture for an ethic of pacifism, individual liberty, and radical equality. Her theological views are brought into sharp relief against the backdrop of multiple schisms within Quakerism and anti-slavery. Rather than a frail and domestic Mott, Faulkner offers a courageous ideologue unafraid to risk her own safety in defense of principle, committed to moral suasion, immediate emancipation, and vilified for her disruptive outspokenness. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sister Thorn and Catholic Mysticism in Modern America (UNC Press, 2013) is a detailed journey into the life of Margaret Reilly, an American Irish-Catholic from New York who entered the Convent of the Good Shepherd in 1921, taking the name Sister Crown of Thorns. During the 1920s and 1930s, Sister Thorn became known as a stigmatic who bled the wounds of Christ. In this microhistory of Thorn’s story, Professor Paula Kane immerses readers in a world in transition, where interwar Catholics retained deep mystical devotionalism, yet also began to claim a confident new role as assimilated Americans. She does so through a very provocative question: “How did a stigmatic help ordinary Catholic understand themselves as modern Americans?” In the process, Professor Kane explores religious practice and mysticism through a number of theoretical literatures–including theology, psychology, feminism, sociology, and cultural studies–opening up multiple new avenues for scholars of religion to consider. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our guest today, Linda Gordon, is professor of history and humanities as New York University. Gordon and her co-authors Dorothy Sue Cobble and Astrid Henry have written Feminism Unfinished: A Short, Surprising History of American Women’s Movements (Liveright, 2014).The book documents the women’s movement since the winning of the franchise in 1920. Its aim is to recapture feminism as a social movement. The authors address a diversity of issues and demonstrate feminism’s ubiquitous influence in changing American society. Cobble, Gordon, and Henry’s definition of feminism, or feminisms, is capacious; it is, they say, really an “outlook.” Each of the authors covers one of three feminist eras of the last century.They take on numerous myths, including the idea that the movement is dead or unnecessary. By focusing on less known women active on the ground rather than political leaders, they challenge the assumption that the movement was largely white and upper middle-class. By emphasizes intersectionality, the authors forward women’s differing critical concerns. They dispute the idea that feminism is only about women. Finally, they examine the myth that gains in leadership and power by a few elites is a victory for all women. The authors have enlarged the feminist tent and recovered a social movement that even today is re-shaping society. Learn more about your ad choices. Visit megaphone.fm/adchoices

Recently, historians have shown that the modern conservative movement is older and more complex than has often been assumed by either liberals or historians. Michelle Nickerson‘s book, Mothers of Conservatism: Women and the Postwar Right (Princeton University Press, 2012) expands that literature even further, demonstrating not only the longer roots of conservative interest in family issues, such as education, but also the important role women played in shaping the early movement. Mothers of Conservatism does this by examining the role of women in the rise of grassroots conservatism during the 1950s. Nickerson explains how women in Southern California became politicized during the height of the Cold War, coming to see communist threats in numerous, mostly local, battles. These women, who were primarily homemakers, argued that they had a special political role as mothers and wives, translating their domestic identities into political activism. Nickerson traces their activism in battles over education and mental health issues among others. She further explains the ideology behind their activism and demonstrates how important these women were to shaping the coming conservative movement and in the long-term, the Republican Party. Mothers of Conservatism draws on rich archival material as well as on oral history interviews conducted by the author. With these archival sources and interviews, Nickerson brings the activists’ stories, politics, and humanity to life. In this interview, we discuss the ideology, activism, and legacy of the women as well as Nickerson’s experience interviewing her sources. Learn more about your ad choices. Visit megaphone.fm/adchoices

Victoria Hesford is an associated professor of Women and Gender Studies at Stony Brook University in New York. Her book Feeling Women’s Liberation (Duke University Press, 2013) examines the pivotal year of 1970 as defining the meaning of “women’s liberation.” Applying a theory of emotions to the rhetoric of mass media and the response of movement participants, Hesford demonstrates how our memory of the movement has been formed by either feelings of attachment, or dis-identification that hide its complexity and heterogeneity. The movement came to represent a radical form of feminism standing against the more staid liberal feminism of Betty Friedan. Instead of ideologically driven, Hesford argues that women’s liberation engaged in the “politics of emotion.” She demonstrates how the visceral media coverage and participant’s experience were mutual constituted in the “feminist-as-lesbian.” The language and multiple images of the feminist as a guerilla fighter, subversive and pathological, evoked the lavender menace and the “woman-identified-woman” within the movement. The lesbian became a defining figure used as a psychic weapon against women, or to denote sexual autonomy and political defiance. Central to her provocative analysis is the often-neglected figure of Kate Millet and her 1970 book Sexual Politics. The media’s outing of Millet, hounding by movement insiders to declare her lesbianism, and the spectacle of a self-fashioning response in the autobiography Flying offers a window into the feelings of betrayal, anger and depression that propelled the movement and evidence of its attachment to definitions of socially acceptable femininity. Instead of focusing on “what really happened,” the political triumphs and failures, Hesford looks to how emotions, both personal and social, shaped the movement and our memories. Learn more about your ad choices. Visit megaphone.fm/adchoices

While there are a number of studies of how women are represented in popular culture, Norma Jones, Maja Bajac-Carter, Bob Batchelor’s collection of essays Heroines of Film and Television: Portrayals in Popular Culture (Rowman and Littlefield, 2014)looks at the heroine. From discussions of traditional characters such as Wonder Woman and... Learn more about your ad choices. Visit megaphone.fm/adchoices

Kimberly A. Hamlin is an associate professor in American Studies and history at Miami University in Oxford Ohio. Her book from Eve to Evolution: Darwin, Science and Women’s Rights in Gilded Age in America (University of Chicago Press, 2014), provides a history of how a group of women’s rights advocates turned to Charles Darwin’s evolutionary theory to answer the eternal “woman question.” Hamlin’s fascinating intellectual history uncovers how the new evolutionary science provided multiple arguments by which to advance the cause of women’s rights in the home and society. Many scholars are familiar with the Enlightenment, religious, and socialist origins of feminist thought. Hamlin suggests another significant strand of thought offered by the science of human origins. She argues that Darwinism, often with unorthodox interpretations, was effective in overturning a central ideological obstacle to women’s equality–the biblical story of Eve. Charles Darwin’s theory, against his own conservative views, turned upside down traditional ideas about women. Freethinkers, socialist, sexologist seized on evolutionary science to build arguments against recalcitrant traditional views. They asserted that their contemporary culture was a construct of erroneous ideas calling for change, in order to live in accordance to the evolutionary laws of nature. As “reform Darwinists,” Hamlin’s subjects stood against social Darwinism, religious teaching, and custom. Yet, evolutionary science under male control was deployed to reassert women’s subordination. Sex difference as interpreted by many male scientists pointed to female intellectual inferiority. Women, mostly outside the science establishment, called on the evidence of “woman’s experience” against claims of scientific men.Hamlin offers a lucid narrative of how a group of women intervened in a period between the demise of Eve, as the metanarrative for the meaning of womanhood, and the masculinist consolidation of evolutionary science. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lisa Tetrault received her Ph.D. from the University of Wisconsin-Madison and is an associate professor of history at Carnegie Mellon University. Tetrault’s book The Myth of Seneca Falls: Memory and the Women’s Suffrage Movement, 1848-1898 (University of North Carolina Press, 2014) uncovers the politics behind the creation of an origins myth for women’s rights. Typically, the beginning of the women’s rights movement in the United States is dated to 1848, at the meeting in Seneca Falls, NY. This origins story, however, did not become commonplace until much later, a story not told during the antebellum period, but a story created in response to Reconstruction-era politics with broad-reaching implications for the direction of the movement. The myth also was effective for women’s rights leaders to deal with division within the movement and an attempt to unify a very diverse understanding of women’s rights. The Myth of Seneca Falls, poses a corrective to the narrative of Seneca Falls as the origin of women’s rights. Tetrault’s work brings attention to conflicts in a narrative that often jumps from 1848 to the final triumph–a woman’s right to vote–in 1920. Our author examines the creation of the myth, the lessons it provided, and the ways in which it transformed the women’s movement. Myths, she argues, are not false; rather they serve as shorthand for larger stories. They also neatly obscure conflict and contingency. While scholars have written alternative histories, Tetrault sees Seneca Falls as having undue influence and seeks to decenter the narrative by illuminating its contested nature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stephanie Coontz is an award-winning social historian, the director of Research and Public Education at the Council for Contemporary Families and teaches history and family studies at The Evergreen College in Olympia, Washington. In A Strange Stirring: The Feminine Mystique and American Women at the Dawn of the 1960s (Basic Books, 2014), Coontz reveals why so many women in the early 1960s found Betty Friedan’s book The Feminine Mystique (1963) speaking to them personally. Freidan identified an unnamed problem allowing women to see the self-doubt and depression they suffered as no longer a personal issue, but a social one. Coontz’s work is both a social history of women at mid-century and a reception history of Friedan’s book: A book regarded as one of the most influential in the twentieth century and a catalyst for the 1960s women’s movement. Coontz’s narrative provides a vivid picture of the realities and the contraction in the post-war lives of many women. She also critically examines Friedan and responds to the charge that the Feminine Mystique was too white and middle class. Including the voices of minority and working class women’s response to the book, Coontz provides a fresh way for understand Friedan’s legacy. This is not a story only trying to make sense of the past, but shows how the feminine mystique in new guises continues to reproduce itself in contemporary society. Consumerism, the search for meaningful work, and equity between men and women both a home and at work, are enduring issues we all continue to contend with. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jenny Kaminer‘s new book, Women with a Thirst for Destruction: The Bad Mother in Russian Culture (Northwestern University Press, 2014) analyzes Russian myths of motherhood over time and in particular, the evolving myths of the figure of the “bad mother.” Her study examines how political, religious, economic, social, and cultural factors affect Russians’ conception of motherhood throughout history: what motherhood is, and what it should be. Kaminer focuses on three critical periods of transformation and consolidation: the abolition of serfdom in 1861, the 1917 Russian Revolution, and the collapse of the Soviet Union in the early 1990s. She investigates how good and bad mothers are depicted in various works of literature and culture, from Anna Karenina to media depictions of Chechen female suicide bombers in 2002. Winner of the 2014 Prize for Best Book in Slavic/Eastern European/Eurasian Women’s Studies from the Association for Women in Slavic Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the continuing issues of the entertainment industry is the treatment of women in movies and television. Even with a larger number of female writers, producers, and directors, roles often follow stereotypical and negative conventions. In her new book Smart Chicks on Screen: Representing Women’s Intellect in Film and... Learn more about your ad choices. Visit megaphone.fm/adchoices

Wai-yee Li‘s new book explores writing around the Ming-Qing transition in seventeenth-century China, paying careful attention to the relationships of history and literature in writing by women, about women, and/or in a feminine voice. In a series of chapters that showcase exceptionally thoughtful, virtuosic readings of a wide range of... Learn more about your ad choices. Visit megaphone.fm/adchoices

The Rani of Jhansi was and is many things to many people. In her beautifully written book The Rani of Jhansi: Gender, History, and Fable in India (Cambridge University Press, 2014), Harleen Singh explores four representations of the famous warrior queen who led her troops into battle against the British. Analysing her various representations – as a sexually promiscuous Indian whore, a heroic Aryan, a great nationalist and a folk symbol of indigenous resistance – the book critically discusses what wider issues are stake in these depictions of such a mythical and marginal woman. Learn more about your ad choices. Visit megaphone.fm/adchoices

Amy Evrard‘s first book, The Moroccan Women’s Rights Movement (Syracuse University Press, 2014), examines women’s attempts to change their patriarchal society via their movement for equality and rights. At the center of Evrard’s book is the 2004 reform of the Family Code known as the Mudawwana, in which Moroccan women made important gains in marriage, divorce, and custody rights. Combining historical analysis of legal codes, nuanced surveys of the complicated political arena, and richly developed stories of individual women, Evrard demonstrates how women’s integration is stymied by poverty and illiteracy, as well as by nationalist and anti-modernization forces. At the same time, women activists are learning how to navigate among political and civic actors to achieve their goals, and in the process, convincing more and more Moroccan women of their rights. Learn more about your ad choices. Visit megaphone.fm/adchoices

There was once a notion that black people had no meaningful history. It’s a notion Dorothy Porter Wesley spent her entire career debunking. Through her 43 years at Howard University, where she helped create the Moorland-Spingarn Research Center, her own publishing endeavors and collecting, and her unfettered support of the researchers she encountered, Wesley devoted her entire life to the preservation of black history. Her career was once summed up as that of a “historical detective”, and the characterization is apt. As Dr. Janet Sims-Wood writes in her excellent study, Dorothy Porter Wesley at Howard University: Building a Legacy of Black History (The History Press, 2014) she was unrelenting in her mission: “To supplement her meager acquisitions budget, Porter appealed to faculty to donate manuscripts of their published works as well as any letters from noted individuals. […] she appealed to publishers, authors and friends who were collectors to donate their materials. She also rummaged through the attics and basements of recently deceased persons to acquire materials.” The portrait that emerges is that of an indefatigable, iconic archivist, a researcher’s dream. But, beyond the life, there is the legacy. A mighty legacy, as Sims-Wood establishes. Sims-Wood is an oral historian and she assembles here an interesting chorus of voices: those who knew Dorothy Porter Wesley, who worked with her, who watched her, whose lives and careers were impacted by her. Timed to coincide with the centenary of the Moorland-Spingarn Research Center, Sims-Wood’s book is an important reminder of how much the preservation of history relies upon individuals. And, also, what a significant impact one person can have. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the early 1830s, the French school teacher Eugénie Luce migrated to Algeria. A decade later, she was a major force in the debates around educational practices there, insisting that not only were women entitled to quality education, but that women’s education served a fundamental role in the French mission in the colonies. “Woman is the most powerful of all influences in Africa as in Europe,” she wrote in 1846, the year after she founded a school for the instruction of indigenous Muslim girls. In A Frenchwoman’s Imperial Story: Madame Luce in Nineteenth-Century Algeria, Rebecca Rogers (Stanford University Press, 2013), a Professor at the Université Paris Descartes and an expert in the history of the French educational system, lucidly explores Luce’s work in the field, bringing a wealth of precise details– everything from what the lessons in the school room were like to prize-giving ceremonies and hygiene inspections. But Rogers also lets the reader in on the questions that remain about Luce’s own life. Rogers notes that while “Eugénie Allix’s efforts to establish and finance her school have left ample traces in the colonial archives,” there are many details of her life that are not present and which can only be lightly sketched. For example, “[C]ivil registers offer tenuous insight into Eugénie’s social network during her first decade of life in Algeria”… The circumstances of her second marriage “have left no trace in the archival record”… It’s an interesting meditation on the limitations of archives– how the story that is told of the life after is dependent upon the letters and signatures and red tape that the people of history have left behind them, as well as the moves the biographer must make to fill those gaps. So often the stories of women in history become the stories of all the men they knew and yet, in this case, the archive itself prevents that. As Rogers writes, the men in her life “[b]oth shaped her life in ways the biographer can only imagine” and yet the biographer is left to imagine precisely because the proof is not there. “She appears in the colonial archives as very much an independent woman,” which represents a rather refreshing reversal, almost as unique today as it would’ve been in the 19th century: a woman whose story stands solely on her work. Learn more about your ad choices. Visit megaphone.fm/adchoices

What are female fans of popular music seeking and hearing when they listen to music and attend concerts? In an innovative and fascinating study entitled Sing Us a Song, Piano Woman: Female Fans and the Music of Tori Amos (The Scarecrow Press, 2013) Adrienne Trier-Bieniek goes inside the fan culture that surrounds Tori Amos and examines why her music appeals to her fans and how they make meaning of her music. Drawing on feminist standpoint theory and symbolic interaction theory, Trier-Bieniek helps us understand the diverse ways that fans interpret music and how music can have a very personal meaning. The podcast discusses the book and so much more. Trier-Bieniek describes the concerts of Tori Amos, Amos’s interactions with fans, including WWE wrestler Mick Foley, and the growth of her fan sites and message boards. The podcast also looks at the relationship between Tori Amos’s music and other female artists from Madonna and Lady Gaga to Joni Mitchell and Regina Spektor. Adrienne Trier-Bieniek is a professor of sociology at Valencia College in Orlando, Florida. She is co-editor of Gender and Pop Culture – A Text Reader (Sense) and the author of the forthcoming books, Feminist Theory and Pop Culture (Sense) and Fan Girls and Media: Consuming Culture (Rowman and Littlefield). More information about Adrienne Trier-Bieniek can be found at her website. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brooke Erin Duffy's Remake, Remodel: Women's Magazines in the Digital Age (University of Illinois Press, 2013) traces the upheaval in the women's magazine industry in an era of media convergence and audience media-making. Duffy, assistant professor at Temple University's School of Media and Communication, is especially interested in the experience of writers, editors, and others who produce women's magazines: How are they coping with new competition, more intense work routines, and the imperative to produce (and engage) across a range of non-print media platforms? Questions of identity thread through the book: What does it mean to be a magazine writer in the iPad era? What are the stakes for gender identity as this female-focused genre adapts to digital workflows? To get at these questions, Duffy conducted in-depth interviews with dozens of editors, publishers, interns, and business-side workers, most of them at the big three magazine publishers, Hearst, Conde Nast, and Time, Inc. Remake, Remodel traces the history of women's magazines, as well the history of scholarship on these magazines, but the bulk of the book explores different facets of workers' coming-to-terms with the digital tsunami, including changes to the gendered makeup of the workforce, shifts in the industry's attitude toward its audience, the complicated rivalry, dismissal, and embrace of fashion bloggers, and the tension between medium-specific traditions and the push to spread the magazine--now reimagined as a brand--across a range of platforms. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Why write the biography of a nobody?" That is the question with which Melanie C. Hawthorne begins Finding the Woman Who Didn't Exist: The Curious Life of Gisele d'Estoc (University of Nebraska Press, 2014) but in justifying the writing of such a life and then, in turn, excavating its contours, Hawthorne winds up exploring a number of issues fundamental to the genre of biography. In particular, the biographer's inability fill all gaps, the frequent encounters with dead ends and his/her reliance, at times almost wholly, upon sheer luck. Also, the legacies of the biographers who have gone before us. In d'Estoc's case, as Hawthorne writes, "It is almost as though these experts avoided finding proof of d'Estoc's existence and one has to ask why." One of the significant contributions of Finding the Woman Who Didn't Exist is its transparency- Hawthorne's willingness to include in her text the details of research, alongside serious critical engagement with the notion of what it means to be a researcher in the humanities and why humanities research matters. This flows seamlessly throughout her exploration of d'Estoc's life as she explores the fluidity of life stories, the need to continually rearrange and reevaluate them, "to keep creating unexpected bends on the old narrative paths in order to wake us up to seeing them in a new light." To illustrate this, she uses the story of a 19th century French writer/artist/anarchist, a woman who once pretended to be someone else and whose false identity ultimately historically hijacked the original. It's a story steeped in its times and yet one which also appears surprisingly modern here, and one which- as it is written- highlights fundamental truths about the genre. One of my favorites is this: "Stories teach us not to take things for granted, and the final lesson of biography is that despite the fact that specific stories always begin and end somewhere, in real life there are no such definitive markers." The story Hawthorne presents of d'Estoc is deliberately left messy, which is- in the end- perhaps its greatest strength. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the post 9/11 era in which Muslims in America have increasingly felt under the surveillance of the state, media, and the larger society, how have female Muslim students on US college campuses imagined, performed, and negotiated their religious lives and identities? That is the central question that animates Dr. Shabana Mir‘s dazzling new book Muslim American Women on Campus: Undergraduate Social Life and Identity (University of North Carolina Press, 2014). This book was the winner of the Outstanding Book Award awarded by the National Association for Ethnic Studies. In her book, Dr. Mir engages a number of interlocking themes such as the varied and at times competing understandings of Islam among female Muslim undergraduates, the haunting legacy of Orientalist discourse and practice on U.S. college campuses, questions of religious authority among Muslim students on campus, and contradictions of pluralism in US higher education. Through a theoretically sophisticated and compelling ethnographic study focused on the college experience of female Muslim undergraduates at George Washington University and Georgetown University in Washington DC, Dr. Mir brings into view the hopes, tensions, and aspirations that mark the intersections of their religious and academic and social lives on campus. Some of the specific issues analyzed in this book include female Muslim American understandings of and attitudes towards alcohol culture on campus, clothing and the hijab, and questions of gender and sexual relations. Dr. Mir’s incredibly nuanced study shows both the diversity and complexity of the undergraduate experience for Muslim American students. This truly multidisciplinary book will be of much interest to not only scholars of Islam, American religion, gender, and anthropology, but also to anyone interested and invested US higher education. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tine Gammeltoft‘s new book explores the process of reproductive decision making in contemporary Hanoi. Haunting Images: A Cultural Account of Selective Reproduction in Vietnam (University of California Press, 2014) develops an anthropology of belonging, paying special attention to the ways that women and their communities understand and make decisions based... Learn more about your ad choices. Visit megaphone.fm/adchoices

Known primarily as a travel writer thanks to the frequent assignment of her Diary in high school history and literature classes, Nun Abutsu was a thirteenth-century poet, scholar, and teacher, and also a prolific writer. Christina Laffin‘s new book explores Abutsu’s life and written works, taking readers in turn through... Learn more about your ad choices. Visit megaphone.fm/adchoices

It seems quite reasonable to wonder if there’s anything more to learn about the Holocaust. Scholars from a variety of disciplines have been researching and writing about the subject for decades. A simple search for “Holocaust” on Amazon turns up a stunning 27,642 results. How can there still be uncovered terrain? Wendy Lower shows it is in fact possible to say new things about the Holocaust (to be fair, she’s following a handful of other scholars who have focused on gender and the Holocaust). Her questions are simple. What did the approximately 500,000 women who went East to live and work in the territories occupied by the German armies know about the killing of Jews (and other categories of victims)? To what degree did they participate in the killing? How did this experience affect them after the war? Her answers are disturbing, to say the least. For Lower uncovers ample evidence that women both witnessed and participated in the so-called “Holocaust by Bullets” in Eastern Europe. The patterns of participation varied, as did their acknowledgement of their actions. But the evidence is undeniable that women played a significant role in facilitating the Final Solution. Lower, along with people writing about Rwanda, about the frontiers of Australia and the United States, and a variety of other moments in time and space, illustrates our need to pay more attention to women and to gender in our study of mass violence. Hitler’s Furies: German Women in the Nazi Killing Fields(Houghton Mifflin Harcourt, 2013), is an admirable contribution to the discussion, well-researched, well-written and emotionally compelling. I can’t think of a better place to start in examining these issues. Learn more about your ad choices. Visit megaphone.fm/adchoices

Are Islam and feminism inherently at odds? Is there a contradiction between piety and gender justice? This is the guiding theme for Rachel Rinaldo, professor of Sociology at the University of Virginia, in her book Mobilizing Piety: Islam and Feminism in Indonesia (Oxford University Press, 2013). After more than eighteen months of fieldwork in the contemporary nation with the highest Muslim population, Indonesia, she found that global discourses on Islam and feminism were constantly in dialogue in this local context. Mobilizing Piety is an ethnography of women activists in Jakarta during a time of democratization, popular religious resurgence, and post-9/11 anxieties and suspicions. Rinaldo examined a feminist NGO, Muslim women’s organizations, and a Muslim political party to see how piety and politics intersected. In our conversation we discussed public aspects of piety, field theory, agency, polygamy, pornography, bodily politics, religion as cultural schema, and gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

Originally, particularly in American writings, one of the explicit purpose of biography was to teach readers how to live. As Scott E. Caspar writes in Constructing American Lives (1999), in nineteenth-century America “biography remained the essential genre for creating American pantheons: collections of lives that represented the nation’s history, aimed to promote values or virtues or both.” This function, however, often flies under the radar. People read biography to learn about real lives; they may not be consciously paying all that much attention to the lessons they transmit. In What Jackie Taught Us: Lessons from the Remarkable Life of Jacqueline Kennedy Onassis (Perigree paperback reprint, 2014), author Tina Santi Flaherty (philanthropist, businesswoman and former radio broadcaster) drops all pretense and explicitly mines the life of Jackie O- a life with which, 20 years after her death, many Americans still feel intimately familiar- to see what we can learn from it. The result isn’t a self help book so much as a book that shows how we instinctively use the stories of lives and integrate them into our own. It’s a provocative exercise. Re-released here to commemorate the twentieth anniversary of Onassis’s death, this version of What Jackie Taught Us includes a series of new essays that represent an important contribution to, not only Flaherty’s book, but also “Jackie studies” in general. It’s a treat to have the legacy of someone who’s so seldom considered seriously (so often she’s reduced to dresses and hats) reevaluated by the likes of Edna O’Brien, Allen Packwood, and Malacky McCourt. And Liz Smith’s preface is a downright gem. Twenty years after her death, we’re still curious about Jackie. From Flaherty’s book, we get some clues as to why. Learn more about your ad choices. Visit megaphone.fm/adchoices

The twentieth-century West witnessed a revolution in childbirth. Before that time, most women gave birth at home and were attended by family members and midwives. The process was usually terribly painful for the mother. Beginning in the nineteenth century, however, doctors started to “medicalize” childbirth. Physicians began to think of ways to ease the pain of childbirth. Two main options were explored. One–drugs–is quite familiar to us, for it is the primary tool used by doctors to make women comfortable during the birth process today. The other–“psychoprophylaxis”–has now passed into memory. The most famous form of psychoprophylaxis, and the subject of Paula A. Michaels’ excellent book Lamaze: An International History (Oxford University Press, 2014), is known as the “Lamaze method.” Its history is fascinating and surprising: born in the Soviet Union (or was it the United Kingdom?), it migrated to France, and then to much of Europe. It then jumped the Atlantic and became a quasi-political force in the United States (“natural childbirth”). And Lamaze is still with us, though in a form hard to recognize. Listen in. Learn more about your ad choices. Visit megaphone.fm/adchoices

Many Muslim debates regarding women are solely situated in legal or political frameworks. For example, we often find this tendency in conversations about women’s leadership in the mosque or the politics of veiling. Sa’diyya Shaikh, Professor of Religious Studies at the University of Cape Town, provides a unique approach to these discussions that puts feminist hermeneutics in dialogue with the thought of the prolific Muhyi al-Din ibn al-‘Arabi (1165-1240). In Sufi Narratives of Intimacy: Ibn Arabi, Gender and Sexuality (University of North Carolina Press, 2012) she explores contestations over embodiment and gender, spirituality and leadership, sexuality and power in order to rethink patriarchal epistemologies in contemporary Muslim discourses. She argues that contesting positions on gender in these debates are underpinned by certain assumptions about human nature, its gendering, and existence. Shaikh outlines the social and ritual consequences of spiritual (in)equality and initiates reflections on Islamic notions of the central category “human being.” Shaikh leads us through Ibn ‘Arabi’s dynamic anthropology, ontology, and cosmology and links abstract philosophical concepts with concrete daily relationships between men and women. In our conversation we discussed Islamic feminism, apophatic unsayings and hermeneutic of subversions, Ibn ‘Arabi’s interpersonal relationships with women, parallels between the macrocosm and microcosm, Muslim exegesis, notions of creation, interpretations of Adam and Eve, Jesus’ birth from the Virgin Mary, and masculine and feminine in Islam. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her fourth book, Lynne Huffer argues for a restored queer feminism to find new ways of thinking about sex and about ethics. Are the Lips a Grave? A Queer Feminist on the Ethics of Sex (Columbia University Press, 2013) brings forth a breadth of sources — known and less well-known, French and American, primary and secondary — ranging from Colette, Violette Leduc, and Marcel Proust to the book of Genesis, from Supreme Court cases to Virginie Despentes’ rape-revenge film Baise-moi, from Irigaray to Foucault, through which Huffer reads and writes toward a queer feminist future. Beautifully written and stimulating for the theorist and non-theorist alike, Huffer’s new book combines the personal and the scholarly in experimental ways, such as her analysis of the Hagar, Sarah, and Abraham story. Carefully navigating the couloirs of queer and feminist theory, this is a book about sexuality, ethics, alterity, betrayal, and love. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jonathan Allen and Amie Parnes are the co-authors of authors of HRC: State Secrets and the Rebirth of Hillary Clinton (Crown Publishers 2014). Allen is White House bureau chief at Bloomberg; Parnes is White House correspondent for The Hill. This is a big, buzzy book that has gotten a lot of media attention. Much of the book is about how important trust is to Hillary Clinton. Allen and Parnes refer to the “concentric circles of trust” that dominate the political decisions made by the Clintons. They also write that Hillary Clinton has a “bias for action” that compels her to focus on doing rather than debating. One of the most interesting parts of the book is about how Secretary Clinton embraced technology and relied on staff to integrate technology into diplomacy innovative ways. Learn more about your ad choices. Visit megaphone.fm/adchoices

How do people make sense of their scriptures when they do not align with the way they envision these texts? This problem is faced by many contemporary believers and is especially challenging in relation to passages that go against one’s vision of a gender egalitarian cosmology. Ayesha Chaudhry, professor in the Department of Classical, Near Eastern and Religious Studies and the Institute for Gender, Race, Sexuality and Social Justice at the University of British Columbia, examines one such passage from the Qur’an, verse 4:34, which has traditionally been interpreted to give husbands disciplinary rights over their wives, including hitting them. In Domestic Violence and the Islamic Tradition: Ethics, Law, and the Muslim Discourse on Gender (Oxford University Press, 2013) Chaudhry offers a historical genealogy of pre-colonial and post-colonial interpretations of this verse and their implications. Through her presentation she offers portraits of the “Islamic Tradition” and how these visions of authority shape participants’ readings of scripture. In our conversation we discuss the ethics of discipline, idealized cosmologies, marital relationships, legal interpretations, Muhammad’s embodied model, Muslim feminist discourses, effects of colonialism, and the hermeneutical space between modernity and tradition. Learn more about your ad choices. Visit megaphone.fm/adchoices

In America, biographies of Presidents and First Ladies are a staple of the genre, but the relationship that exists between the two receives surprisingly less exploration, as though the biographies needed to be kept as separate as the offices in the East and West Wings. (The relationship of the Clintons being the notable exception.) Hopefully Will Swift‘s Pat and Dick: The Nixons, an Intimate Portrait of a Marriage (Threshold Editions, 2014)) augurs a new biographical trend towards serious examination of presidential relationships. It’s a daunting task- to not only humanize but probe the relationship that existed between a pair still, fifty years on, more easily reduced to the stereotypes of ‘Tricky Dick’ and ‘Plastic Pat’- but Swift gives a welcome corrective, portraying a surprisingly vulnerable Nixon whilst, perhaps even more importantly, providing a historically significant re-evaluation of his wife. For, of all the recent First Ladies, it’s Pat Nixon’s accomplishments that have been most overlooked, obscured as they were by a frosty public image and the downfall of her husband. In the public imagination, First Ladies are easily associated with social issues (Lady Bird Johnson and the environment, Michelle Obama and healthy eating, etc.), and yet Pat Nixon’s issue of ‘volunteerism’- both important and, perhaps, overly broad and, therefore, more difficult to quantify- seems to have fallen from historical view. As Swift demonstrates, however, her volunteerism platform was a springboard in improving American international relations. When, after the Peruvian earthquake of May 1970, Pat Nixon made a harrowing journey into the heart of Peru, to an area then called ‘The Valley of Death’, where she assisted and comforted survivors. ‘To have President Nixon send his wife here means more to me than if he had sent the whole American Air Force,’ said Peruvian President Velasco Alvarado. It’s a story that reveals the impact a First Lady can have, an impact that all to often goes unacknowledged, and an impact in whose preservation biography plays a key role. Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s almost a cliché by now to say that we need stories of strong women, but that doesn’t lessen the fact that we do. And biography is a field uniquely poised to transmit such stories- of compelling, complex and, at times, contradictory female characters- to a broad audience. Case in point: Clare Mulley‘s The Spy Who Loved: The Secrets and Lives of Christine Granville (St. Martin’s, 2013). Yes, she loved and had a number of love affairs but, as Mulley makes clear, the significance of Granville’s life isn’t that she was, to all appearances, pathologically alluring to men. Rather, her life is riveting- it has meaning in the present day- because she seems not to have craved men nearly so much as she craved adventure, challenging work that put her at great risk. This was not simply adventure for adventure’s sake either, but adventure in service to a greater good, especially that of her homeland of Poland. For all her efforts as a secret service agent during World War II were in aid of her country, which is, in part, why the British government seemed never quite to know what to do with her and why this brilliant, imaginative woman was left to constantly lobby for a greater, more challenging, role. ‘Intrepid’ is perhaps the best word to describe Granville as Mulley portrays her here. She kicked off her career as a spy by infiltrating Poland from Hungary on skis. Another time, arrested by the Gestapo, she talked her way out of imprisonment. Still later, when her comrades were arrested by the Gestapo, she swooped into the local office, demanding and securing their release. For her bravery, she was awarded the George Medal, the OBE, and the Croix de Guerre but there was, sadly, little room in the world after the World Wars for a Polish, female spy, and Granville slid into reduced circumstances that culminated in a tragic end: murdered by an obsessive admirer at a hotel in South Kensington. It’s a good story of a charismatic and difficult woman, a story that was nearly forgotten and one which Mulley is pulling from obscurity, rightfully so. Learn more about your ad choices. Visit megaphone.fm/adchoices

Cindy Hooper is a veteran of various local, state, and national political campaigns. She is the founder of a national organization for African American women that is headquartered in Washington, D.C. Hooper is also a member of the American Political Science Association. Her new book, Conflict: African American Women and the New Dilemma of Race and Gender Politics (Praeger Press, 2012), draws on all of her experiences. Please listen to our lively exchange. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kristin A. Goss is author of The Paradox of Gender Equality: How American Women’s Groups Gained and Lost Their Public Voice (University of Michigan Press 2013). She is associate professor of public policy and political science at Duke University. Goss challenges the conventional wisdom about women’s group with new congressional hearing data. Rather than ebbing-and-flowing like waves, Goss suggests that the women’s groups have not always diminished in influence following a major policy success. The Paradox of Gender Equality should have a wide audience among interest group, gender studies, and social movement scholars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Queens and royal mistresses of the Renaissance were the Hollywood celebrities of their time, which explains their enduring magnetism for writers, artists, and the public. Historians and scholars, however, have long ignored them. Enlightenment philosophers used descriptions of powerful women in the French court to mock the monarchy. Nineteenth-century historians propagated myths about these historical women to discredit the monarchy and to justify the exclusion of women from the French republic. Feminist scholars have eschewed royal women as subjects because their influence stemmed from their sexual and romantic association with kings and not because of their own merit. And contemporary historiography in France has long turned away from political elites to focus on social and cultural sites of inquiry. Kathleen Wellman, in Queens and Mistresses of Renaissance France (Yale University Press, 2013, Yale), argues that women of the French court deserve our undivided attention because they greatly influenced the French Renaissance. Between the mid-15th century to the end of the 16th century, women such as Agnès Sorel, Anne of Brittany, Diane de Poitiers, Catherine de Medici, and Marguerite de Valois, acted with agency, carved out spheres of influence, overcame constraints, and made use of their positions for personal and political ends, and in the process influenced the course of French history. Wellman’s engrossing account of royal women compels us to revise our understanding of the French Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices

If you’re younger than 45 or so, you probably don’t remember the “Battle of the Sexes.” This tennis match, between Bobby Riggs and Billie Jean King, is one of the iconic moments in American history of the 1970s. It represented a breakthrough moment for women in sports, a symbol of the progress women were making to finally receive something like equality of opportunity and resources in athletics. For Billie Jean King, however, the match was only a small part of a life lived in the pursuit of the opportunity for access and success for herself and for women in general. As Susan Ware outlines in her outstanding new book Game, Set, Match: Billie Jean King and the Revolution in Women’s Sports (University of North Carolina Press, 2011), King saw herself not simply as an athlete, but as an advocate for women in athletics. Throughout her career, King lent her voice and her reputation to those pushing institutions and leaders to let women play. The result was, as Ware puts it, revolutionary. Ware’s book is biography at its best. It examines King’s life on its own terms. But it doesn’t stop there. Instead, it uses King’s life as a lens through which to view the broader social and cultural conflicts that swept through American society in the 1970s and after. Anyone reading the book will have a much greater sense of why the world we live in today is so dramatically different than the one in which our parents or grandparents grew up. Learn more about your ad choices. Visit megaphone.fm/adchoices

In our fast-paced world, it is easy to move from one crisis to another. Conflicts loom in rapid succession, problems demand solutions (or at least analysis) and impending disasters require a response. It is all we can do to pay attention to the present moment. Lingering on the consequences of the past seems to take too much of our finite attention. Jennie Burnet‘s fantastic new book Genocide Lives in Us: Women, Memory and Silence in Rwanda (University of Wisconsin Press, 2012), offers a useful corrective to this fascination with the immediate. Jennie is interested primarily in what it means to live in a society ruptured by violence. She writes about how people try to speak, or not speak, about the killing that destroyed their families or those of their neighbors. She reflects on how the government’s decision to try to forestall future violence by eliminating ethnic categories affects individuals’ efforts to shape their own identity and self-understanding. She analyzes the way practices of memorialization reflect changing ways of understanding and narrating past atrocities. And she allows her subjects to share the challenges of living in a world where the past is always present. Jennie, both in print and in the interview, is thoughtful, articulate and compassionate. I hope the interview gives you a taste of the richness of her book. Genocide Lives in Us won the 2013 Elliot Skinner Book Award from the Association for Africanist Anthropology. It also received an honorable mention for the 2013 Melville J. Herskovits Award from the African Studies Association. Learn more about your ad choices. Visit megaphone.fm/adchoices

How to research the history of sexual harassment in the office, when the term sexual harassment was only invented in 1975 and it was long tabou to even use the word sex in conversation? Using an array of rich sources — from Treasury Department archives to trial records, congressional investigation files to films and novels, popular weeklies and dailies to postcards, advertisements to confession magazines, private papers to employment advice guides — Julie Berebitsky takes the reader on a discovery of sexuality in the white collar-office from the Civil War to the present day. Sex and the Office: A History of Gender, Power and Desire (Yale University Press, 2012) analyzes sexual relations, non-consensual and consensual, among co-workers, arguing that the 19th-century ideal of the passionless woman gave way by World War One to an ideal of feminine attractiveness, one that was later transformed by Helen Gurley Brown in the 1960s into a professional strategy for its time. At the same time, feminist groups and the secretarial labor movement coalesced to fight back against decades of discrimination and sexual violence in the office against women workers. Berebitsky concludes her book with an analysis of the Anita Hill-Clarence Thomas case, which brought the issue of sexual harassment into the living rooms of Americans. This case, and the Monica Lewinsky-Bill Clinton affair, demonstrate that there is both continuity and change in American attitudes towards sex at the office. Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s getting harder and harder to trailblaze in the field of American Studies. More and more, writers have to follow paths created by others, imposing new interpretations on old ones in never-ending cycles of revision. But Jonathan Daniel Wells did find something new: Women Writers and Journalists in the Nineteenth-Century South (Cambridge UP, 2011; paperback, 2013) is the first to focus in on women journalists, both black and white, in the nineteenth-century American South. The South had a vital periodical marketplace where curious women could engage with politics, belles lettres, science, diplomacy, and other allegedly unfeminine subjects. Examining evidence from both writers and readers, Wells’s book asks questions about literary culture, celebrity, the limits of dissent, and North-South differences that readers will find refreshing and engaging. Learn more about your ad choices. Visit megaphone.fm/adchoices

It is a struggle sometimes in biography to find new ways to write about subjects about whom many biographies have been written. This is particularly pronounced in the case of iconic figures of the 20th century (think: Marilyn Monroe, Jacqueline Onassis, Elvis Presley, F. Scott Fitzgerald), and an area in which the partial life biography can play an interesting role. Whereas biographers have more traditionally opted for what we call “cradle-to-grave” narratives, the partial life biography instead offers a slice of a life- a particular period that is explored in-depth. Such is the case with Elizabeth Winder‘s Pain, Parties, Work: Sylvia Plath in New York, Summer 1953(Harper, 2013). Plath’s is a story most everyone knows, and yet her time working in New York as an intern in Mademoiselle has not previously been studied outside of the context of all that came after, which is surprising because it’s an interesting period but also because her experiences then formed the basis for what she would later write in The Bell Jar. The summer is of not just biographical interest, but literary significance as well. There is about Pain, Parties, Work an inevitable sense of clouds brewing- the summer will end, Plath will return home, and she will attempt suicide by taking pills and crawling under her mother’s house- but there’s also a sensation of joy: the joy of young women alone in a big city, experimenting with boys and clothes and make-up and work. Pain, Parties, Work is bolstered by the fact that Winder was able to secure interviews with many of Plath’s fellow interns, voices that have been notably absent in many of the earlier accounts and which lend an immediacy to a well-known story. The interviews with these women do much to flesh out the concrete details of the experience as well as Plath’s unique struggles within it. The Plath we have here is young and eager, fond of make-up and boys, and already displaying a rare gift for words. The clouds are on the horizon, yes- we all know that- but, in the meantime, the city and the thrill of discovery provide an intoxicating distraction. Summer is a time in which anything can happen. Reading Winder’s narrative and meeting Plath in this context, one feels that keenly: the excitement of a girl in the city, the hope and heat of New York, an electricity in the air. Learn more about your ad choices. Visit megaphone.fm/adchoices

The maps drawn up by early settlers to plot their inexorable expansion were not the first representations of North American space. Colonialism does not simply impose a new reality, after all, but attempts to shatter and discard whole systems of understanding. Indigenous maps preceded the colonial encounter and indigenous maps persist is this extended colonial moment. In Mark My Words: Native Women Mapping Our Nations (University of Minnesota Press, 2013), Mishuana Goeman finds in the poetry and prose of Native women authors the maps of both colonialism’s persistence and resistance to its ongoing containments. Goeman shows how writers like E. Pauline Johnson, Joy Harjo, Leslie Marmon Silko, and Heid Erdrich point toward a Native future beyond the settler models of territory, jurisdiction, and race. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why does it seem like everyone in the atheist movement is white and male? Are African-American women less interested in secularism? In her book, Godless Americana: Race and Religious Rebels (Infidel Books, 2013), Dr. Sikivu Hutchinson critiques the mainstream atheist movement’s lack of diversity and uncovers some of the reasons why African-Americans seem so connected to religion. She reveals that racism and social and economic disadvantage has led to a dearth of resources in black communities – a gap that churches often end up filling. Though there is a strong tradition of African-American secular humanism, it has focused on social justice issues and the intersection of racism, classism, capitalism and religion, topics usually ignored by the media and the mainstream secular movement. Dr. Hutchinson also criticizes the new atheism’s singularfocus on science and reason to the detriment of social justice and anti-racist consciousness. Sikivu’s blog can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is a celebrity? And how has the definition of celebrity changed over the course of American history? Those questions are central to Charlene M. Boyer Lewis‘s book Elizabeth Patterson Bonaparte: An American Aristocrat in the Early Republic (University of Pennsylvania Press, 2012). Patterson, a beautiful and brilliant young woman from Baltimore, married Jerome Bonaparte, Napoleon’s brother, when she was only eighteen. They were quickly divorced at the emperor’s insistence, but her story does not end there. As Boyer Lewis shows, this strong-willed and opinionated woman created a cult of celebrity around herself, centered on her self-conscious adoption of aristocratic ways. Her story illuminates the ambivalence about aristocracy, the scope of women’s action, the nature of fame and celebrity, and the complexities of father-daughter relationships in the early American republic. Learn more about your ad choices. Visit megaphone.fm/adchoices

The stories of individual lives are endlessly complex, weaving together the contemporary events, the surrounding culture, and incorporating random factual odds and ends. This is one of the challenges of writing biography- one must become expert on so many things- and also one of the pleasures of reading it: the fact that a biography can reveal something not simply about another person, but also provide an in-depth glimpse into other worlds. Such is the case with Gayle K. Brunelle and Annette Finley-Croswhite‘s Murder in the Metro: Laetitia Toureaux and the Cagoule in 1930s France (Louisiana State University Press, 2013) which, in the course of exploring a grisly unsolved murder, immerses the reader in the 1930s Paris underworld. In 1937, Laetitia Toureaux was discovered in the first class car of ametrotrain with a 9-inch knife stuck in her neck. In Murder in the Metro, Brunelle and Finley-Croswhite untangle Toureaux’s complicated life–she was, at one time, simultaneously spying for the Italian government, the Paris police, and the French terrorist organization the Cagoule–in an effort to give a plausible explanation for how and why she might have died. However, their work extends beyond sleuthing; Murder in the Metrois a gripping story, but it’s also an effort to call scholarly attention to the use of terrorism during France’s Third Republic and, following World War II, the subsequent downplaying–even, at times, obfuscation–of such acts. Brunelle and Finley-Croswhite write that, in 1937, Toureaux’s life and death “offered a perfect tableau for the press to explore and expound upon the issues of gender and, to a lesser extent, class.” Today, she still acts as a tableau of sorts, her history merging with that of the Cagoule to provide a canvas from which scholars–with Brunelle and Finley-Croswhite leading the charge–can explore the nuances of the times in which she lived: a period marked by progress and innovation, but also violence and political unrest, all set against the clouds of a fast-approaching war. Learn more about your ad choices. Visit megaphone.fm/adchoices

Barbara Palmer and Dennis Simon are authors of Women and Congressional Elections: A Century of Change (Lynne Rienner, 2012). Palmer is associate professor of political science at Baldwin Wallace University and Dixon is professor of political science at Southern Methodist University. They have combined to write a deeply informative book about the trajectory of women in congress. The book offers many great anecdotes from the trail blazers: Elizabeth Cady Stanton (the first woman to run for congress), Margaret Chase Smith (the first woman elected to the Senate), and Shirley Chisom (the first African American woman elected to Congress). The authors also put together a new dataset of the universe of women candidates for office. What they find about where women succeed and the challenges they face after winning reveals a lot about what it means for a woman to run for office. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dorothea was a widow who treated Martin Luther, the Duke of Saxony, and throngs of poor peasants with her medicinal waters. Anna was the powerful wife of the Elector of Saxony who favored testing medical remedies on others before using them on her friends and family. Elisabeth was an invalid patient whose preferred treatments included topical remedies and ministrations from the “almighty physician,” but never “the smear.” We meet these three lively women in the pages of Alisha Rankin‘s wonderful new book on the medical practices of noblewomen from the last decades of the sixteenth century. Panaceia’s Daughters: Noblewomen as Healers in Early Modern Germany (University of Chicago Press, 2013) considers the intellectual and social contexts of healing practices in early modern Germany, focusing on elite women who spent much of their adult lives devising and administering medicinal remedies. The book argues that noblewomen were celebrated as healers not despite their gender, but because of it, offering a useful corrective to the historiography of gender and the sciences in early modernity. Rankin situates three in-depth case studies within a careful exploration of some of the main factors that enabled the kind of success that noblewomen-healers like Dorothea of Mansfield and Anna of Saxony enjoyed in sixteenth-century Germany: more opportunities for information exchange through local communities and wider epistolary networks; an increasing focus on empirical knowledge in its many forms; and the foundation role of written medicinal recipes as a form of kunst. It is a thoughtfully written and very clearly argued work that informs many aspects of the history of gender, of science and medicine, and of practical epistemologies. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

Reporter Anne-Marie O’Connor uses the iconic gold portrait of Adele Bloch-Bauer to engage us in the exciting cultural life of fin-de-siecle Vienna, where wealthy Jewish patrons supported the work of ground-breaking artists, lived in grand homes on the famous Ringstrasse, and thought life was good and they were valued as Austrians. With O’Connor’s background in art and her skills of investigative reporting, we come to know the people who turn the art world upside down during the last years of the Empire. Klimt, rock star artist of his era, is in great demand. Her family treasured his portrait of Adele Bloch-Bauer, and the Austrians came to regard it as their Mona Lisa. Adele Bloch-Bauer, as O’Connor explains, was different. This wealthy Jewish woman hosted “Red Saturdays” at home, salons in which she voiced her opinions on the issues of the day, eager to implement reforms to improve workers’ lives. O’Connor characterizes her as “an unfinished woman,” for she died at 43. Wishing to immortalize Klimt, she directed that the portraits and landscapes that she and her husband had in their home be given to the Austrian Gallery. But after Adele died, life changed for Jews in Vienna: in 1938, the Anschluss made Austria part of Nazi Germany. Hitler’s henchmen commandeered Adele’s home and helped themselves to paintings and other works of art. Her family survived, barely. When the war ended, Austria kept the Klimts. When the battle to recover the Klimt portrait resumed in Los Angles in the 1990s, O’Connor interviewed Maria Altmann, niece of Adele Bloch-Bauer, who spearheaded the family’s legal case. Working with Altmann was attorney Randol Schoenberg, grandson of the famed composer and passionate advocate in the battle to recover the painting. Listen to this interview for further details of The Lady in Gold and read the book to learn more. (See the Artsy page on Klimt; it’s terrific.) Learn more about your ad choices. Visit megaphone.fm/adchoices