New Books in Women's History

In Claiming Union Widowhood: Race, Respectability, and Poverty in the Post-Emancipation South (Duke UP, 2020), Brandi Clay Brimmer analyzes the US pension system from the perspective of poor black women during and after the Civil War. Reconstructing the grassroots pension network in New Bern, North Carolina, through a broad range of historical sources, she outlines how the mothers, wives, and widows of black Union soldiers struggled to claim pensions in the face of evidentiary obstacles and personal scrutiny. Brimmer exposes and examines the numerous attempts by the federal government to exclude black women from receiving the federal pensions that they had been promised. Her analyses illustrate the complexities of social policy and law administration and the interconnectedness of race, gender, and class formation. Expanding on previous analyses of pension records, Brimmer offers an interpretive framework of emancipation and the freedom narrative that places black women at the forefront of demands for black citizenship. Omari Averette-Phillips is a doctoral student in the department of history at UC Davis. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

Denisa Nesťáková and Katja Grosse-Sommer edited volumne If This Is a Woman: Studies on Women and Gender in the Holocaust (Academic Studies Press, 2021) contains thirteen articles based on work presented at the “XX. Century Conference: If This Is A Woman” at Comenius University Bratislava in January 2019. The conference was organized against anti-gender narratives and related attacks on academic freedom and women’s rights currently all too prevalent in East-Central Europe. The papers presented at the conference and in this volume focus, to a significant extent, on this region. They touch upon numerous points concerning gendered experiences of World War II and the Holocaust. By purposely emphasizing the female experience in the title, we encourage to fill the lacunae that still, four decades after the enrichment of Holocaust studies with a gendered lens, exist when it comes to female experiences. Amber Nickell is Associate Professor of History at Fort Hays State University, Editor at H-Ukraine, and Host at NBN Jewish Studies, Ukrainian Studies, and Eastern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices

Echoing the energy of Nina Simone's searing protest song that inspired the title, this book is a call to action in our collective journey toward just futures. America, Goddam: Violence, Black Women, and the Struggle for Justice (U California Press, 2022) explores the combined force of anti-Blackness, misogyny, patriarchy, and capitalism in the lives of Black women and girls in the United States today. Through personal accounts and hard-hitting analysis, Black feminist historian Treva B. Lindsey starkly assesses the forms and legacies of violence against Black women and girls, as well as their demands for justice for themselves and their communities. Combining history, theory, and memoir, America, Goddam renders visible the gender dynamics of anti-Black violence. Black women and girls occupy a unique status of vulnerability to harm and death, while the circumstances and traumas of this violence go underreported and understudied. America, Goddam allows readers to understand How Black women—who have been both victims of anti-Black violence as well as frontline participants—are rarely the focus of Black freedom movements. How Black women have led movements demanding justice for Breonna Taylor, Sandra Bland, Toyin Salau, Riah Milton, Aiyana Stanley-Jones, and countless other Black women and girls whose lives have been curtailed by numerous forms of violence. How across generations and centuries, their refusal to remain silent about violence against them led to Black liberation through organizing and radical politics. America, Goddam powerfully demonstrates that the struggle for justice begins with reckoning with the pervasiveness of violence against Black women and girls in the United States” Mickell Carter is a doctoral student in the department of history at Auburn University. She can be reached at [email protected] and on twitter @MickellCarter Learn more about your ad choices. Visit megaphone.fm/adchoices

In this first study of Black radicalism in midwestern cities before the civil rights movement, Melissa Ford connects the activism of Black women who championed justice during the Great Depression to those involved in the Ferguson Uprising and the Black Lives Matter movement. A Brick and a Bible: Black Women's Radical Activism in the Midwest During the Great Depression (Southern Illinois UP, 2022) examines how African American working-class women, many of whom had just migrated to “the promised land” only to find hunger, cold, and unemployment, forged a region of revolutionary potential. A Brick and a Bible theorizes a tradition of Midwestern Black radicalism, a praxis-based ideology informed by but divergent from American Communism. Midwestern Black radicalism that contests that interlocking systems of oppression directly relates the distinct racial, political, geographic, economic, and gendered characteristics that make up the American heartland. This volume illustrates how, at the risk of their careers, their reputations, and even their lives, African American working-class women in the Midwest used their position to shape a unique form of social activism. Case studies of Detroit, St. Louis, Chicago, and Cleveland—hotbeds of radical activism—follow African American women across the Midwest as they participated in the Ford Hunger March, organized the Funsten Nut Pickers’ strike, led the Sopkin Dressmakers’ strike, and supported the Unemployed Councils and the Scottsboro Boys’ defense. Ford profoundly reimagines how we remember and interpret these “ordinary” women doing extraordinary things across the heartland. Once overlooked, their activism shaped a radical tradition in midwestern cities that continues to be seen in cities like Ferguson and Minneapolis today. Omari Averette-Phillips is a doctoral student in the department of history at UC Davis. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

The life and legacy of a young Argentinian woman whose disappearance in 1976 haunts those she left behind It started with a coincidence--when Marc Raboy happened to discover that he shared a surname with a young leftwing Argentinian journalist who in June 1976 was ambushed by a rightwing death squad while driving with her family in the city of Mendoza. Alicia's partner, the celebrated poet and fellow Montonero Francisco "Paco" Urondo, was killed on the spot. Their baby daughter was taken and placed in an orphanage. Her daughter ultimately rescued but Alicia was never heard from again. In Looking for Alicia: The Unfinished Life of an Argentinian Rebel (Oxford University Press, 2022), Raboy pursues her story not simply to learn what happened when the post-Perón government in Argentina turned to state terror, but to understand what drove Alicia and others to risk their lives to oppose it. Author and subject share not only a surname--a distant ancestral connection--but youthful rebellion, journalistic ambition, and the radical politics that were a hallmark of the 1960s. Their destinies diverged through a combination of choice and circumstance. Using family archives, interviews with those who knew her, and transcripts from the 2011 trial of former Argentine security forces personnel involved in her disappearance, Raboy reassembles Alicia's story. He supplements his narrative with documents from Argentina's attempts to deal with the legacy of the military dictatorship, such as the 1984 report of the National Commission on the Disappearance of Persons, Nunca Más ("Never Again"); as well as secret diplomatic correspondence recently made public through the U.S. State Department's Argentina Declassification Project. Looking for Alicia immerses readers in the years of the so-called "Dirty War," which, decades later, cast their shadow still. It also gives an unforgettably human face to the many thousands who disappeared during that dark era, those they left behind, and the power of the memories that bind them. Candela Marini is an Assistant Professor of Cultural Studies and Spanish at MSOE University. Learn more about your ad choices. Visit megaphone.fm/adchoices

On Black Bartholomew's Day--August 24, 1662--nearly two thousand ministers denied the authority of the Church of England and were subsequently removed from their posts. Mary Franklin was the wife of Presbyterian minister Robert Franklin, one of the dissenting ministers ejected from their pulpits and their livings on that day. She recorded the experience of her persecution in the unused pages of her husband's sermon notebook. In 1782--some hundred years after the composition of her grandmother's narrative-- Mary's granddaughter, Hannah Burton, took up this same notebook to chronicle her experience as an impoverished widow, barely surviving the economic revolutions of eighteenth-century London. Collected for the first time, She Being Dead Yet Speaketh: The Franklin Family Papers (Iter Press, 2019) offers rare insight into the personal lives of three generations of dissenting women. Learn more about your ad choices. Visit megaphone.fm/adchoices

Andrew Leon Hanna's book 25 Million Sparks: The Untold Story of Refugee Entrepreneurs (Cambridge UP, 2022) takes readers inside the Za'atari refugee camp to follow the stories of three courageous Syrian women entrepreneurs: Yasmina, a wedding shop and salon owner creating moments of celebration; Malak, a young artist infusing color and beauty throughout the camp; and Asma, a social entrepreneur leading a storytelling initiative to enrich children's lives. Anchored by these three inspiring stories, as well as accompanying artwork and poetry by Malak and Asma, the narrative expands beyond Za'atari to explore the broader refugee entrepreneurship phenomenon in more than twenty camps and cities across the globe. What emerges is a tale of power, determination, and dignity - of igniting the brightest sparks of joy, even when the rest of the world sees only the darkness. A significant portion of the author's proceeds from this book is being contributed to support refugee entrepreneurs in Za'atari and around the world. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Dark Queens: The Bloody Rivalry That Forged the Medieval World (Bloomsbury, 2022) is the remarkable, little-known story of two trailblazing women in the Early Middle Ages who wielded immense power, only to be vilified for daring to rule. Shelley Puhak introduces readers to Brunhild, who was a foreign princess, raised to be married off for the sake of alliance-building. Her sister-in-law Fredegund started out as a lowly palace slave. And yet-in sixth-century Merovingian France, where women were excluded from noble succession and royal politics was a blood sport-these two iron-willed strategists reigned over vast realms, changing the face of Europe. The two queens commanded armies and negotiated with kings and popes. They formed coalitions and broke them, mothered children and lost them. They fought a decades-long civil war-against each other. With ingenuity and skill, they battled to stay alive in the game of statecraft, and in the process laid the foundations of what would one day be Charlemagne's empire. Yet after the queens' deaths-one gentle, the other horrific-their stories were rewritten, their names consigned to slander and legend. In The Dark Queens, award-winning writer Shelley Puhak sets the record straight. She resurrects two very real women in all their complexity, painting a richly detailed portrait of an unfamiliar time and striking at the roots of some of our culture's stubbornest myths about female power. The Dark Queens offers proof that the relationships between women can transform the world. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

The title of the book that we are introducing today is Building a Housewife's Paradise Gender, Politics, and American Grocery Stores in the Twentieth Century. This is not a new book, it was published in 2010, but one that deserves to be highlighted especially within the most recent debates on gender and business. Building a Housewife's Paradise studies the emergence of supermarkets in the urban United States by focusing on the case of Chicago. The book argues that this history, the birth, and growth of large and standardized grocery stores is undetachable from the social, cultural, and economic identities and gendered contexts of food and household provision and systems. Her analysis goes back to the beginning of the twentieth century through World War II. Supermarkets are a mundane feature in the landscape, but as Tracey Deutsch reveals, they represent a major transformation in the ways that Americans feed themselves. In her examination of the history of food distribution in the United States, Deutsch demonstrates the important roles that gender, business, class, and the state played in the evolution of American grocery stores. Deutsch's analysis reframes shopping as labor and embeds consumption in the structures of capitalism. The supermarket, that icon of postwar American life, emerged not from straightforward consumer demand for low prices, Deutsch argues, but through government regulations, women customers' demands, and retailers' concerns with financial success and control of the "shop floor." From small neighborhood stores to huge corporate chains of supermarkets, Deutsch traces the charged story of the origins of contemporary food distribution, treating topics as varied as everyday food purchases, the sales tax, postwar celebrations and critiques of mass consumption, and 1960s and 1970s urban insurrections. Demonstrating connections between women's work and the history of capitalism, Deutsch locates the origins of supermarkets in the politics of twentieth-century consumption. Tracey Deutsch is a history professor at the University of Minnesota. She teaches, researches, and writes about gender and women’s history, the history of capitalism, critical food studies, and modern US history. She has also published essays on the uses of women's history and women's labor in contemporary local food discourses. I recommend her chapter Home, Cooking: Women’s Place and Women’s History in Local Foods Discourse in Food Fights: How the Past Matters in Contemporary Food Debates, 2019. Her current research uses Julia Child's biography to study the emergence of food as a crucial object in middle-class life in the mid-twentieth-century United States. She is also pursuing research on the history of the abstraction of consumer demand in economic thought. Tracey Deutsch studies the intersections between gender and capitalism and she has recently published “Capitalism in the 20th and 21st Centuries,” co-authored with Nan Enstad in the Companion to American Women’s History, published by Wiley, 2021. Paula De La Cruz-Fernandez is a consultant, historian, and digital editor. Editor New Books Network en español. Edita CEO. Learn more about your ad choices. Visit megaphone.fm/adchoices

For nearly a century after the First Crusade captured Jerusalem, that ancient city became the nucleus of a several kingdoms and principalities established by the crusaders. At the political, social, and cultural heart of their subsequent history were a series of remarkable women who exercised power and influence in a way nearly unknown in western Europe at that time. Katherine Pangonis is the author of the Queens of Jerusalem: The Women Who Dared to Rule, a remarkable chronicle of lives lived in times of extreme danger and immense complexity. For Further Investigation Another medieval woman who tried to rule, briefly mentioned in the podcast, was Mathilda (who married Fulk of Anjou’s son, Geoffrey). Mathilda was the subject of Episode 122, a conversation with her biographer Catherine Hanley. The Melisende Psalter Sarah J. Biggs, “Twelfth-Century Girl Power” Katherine Pangonis, “Crusader Queens: the formidable female rulers of Jerusalem” Al Zambone is a historian and the host of the excellent podcast Historically Thinking. You can subscribe to Historically Thinking on Apple Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stephen Vider uncovers how LGBTQ people reshaped domestic life in the postwar United States. From the Stonewall riots to the protests of ACT UP, histories of queer and trans politics have almost exclusively centered on public activism. In The Queerness of Home: Gender, Sexuality, and the Politics of Domesticity After World War II (U Chicago Press, 2021), Vider turns the focus inward, showing that the intimacy of domestic space has been equally crucial to the history of postwar LGBTQ life. Beginning in the 1940s, LGBTQ activists looked increasingly to the home as a site of connection, care, and cultural inclusion. They struggled against the conventions of marriage, challenged the gendered codes of everyday labor, reimagined domestic architecture, and contested the racial and class boundaries of kinship and belonging. Retelling LGBTQ history from the inside out, Vider reveals the surprising ways that the home became, and remains, a charged space in battles for social and economic justice, making it clear that LGBTQ people not only realized new forms of community and culture for themselves—they remade the possibilities of home life for everyone. Jane Scimeca is Professor of History at Brookdale Community College. Learn more about your ad choices. Visit megaphone.fm/adchoices

Art historian Catherine McCormack challenges how culture teaches us to see and value women, their bodies, and their lives. Venus, maiden, wife, mother, monster—women have been bound so long by these restrictive roles, codified by patriarchal culture, that we scarcely see them. In Women in the Picture: What Culture Does with Female Bodies (Norton, 2021), Catherine McCormack illuminates the assumptions behind these stereotypes whether writ large or subtly hidden. She ranges through Western art—think Titian, Botticelli, and Millais—and the image-saturated world of fashion photographs, advertisements, and social media, and boldly counters these depictions by turning to the work of women artists like Morisot, Ringgold, Lacy, and Walker, who offer alternative images for exploring women’s identity, sexuality, race, and power in more complex ways. Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1977, Jeanne’s German nationalist ex-husband, Klaus, tells her he’s gotten a new job and wants to take their three-year-old daughter and six-year-old son away for a long weekend to celebrate. Jeanne relents. But Klaus never returns and instead sends Jeanne a letter, delivered by a mutual friend, in which he declares that he has fled to Germany and she will never see him, or her children, again. The next four months are filled with agony, despair, and anger as Jeanne seeks legal support but quickly learns that federal parental kidnapping laws will offer her little help. She reflects on her tumultuous ten-year marriage to Klaus and the unsettling events that followed their divorce. A product of the patriarchal culture of the 1950s, Jeanne’s nice-girl mentality is being tested and reshaped by the feminist movement of the 1970s, and she finds that the kidnapping ultimately becomes a doorway to unexpected strength. You'll Never Find Us: A Memoir (She Writes Press, 2021) is the story of a young mother coming into her own power, regardless of past mistakes, bad judgment, and fears; the story of a woman who realizes she must tap into her newfound resilience and courage to find her stolen children—and steal them back. Jeannette Cockroft is an associate professor of history and political science at Schreiner University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by Dr. Shannon Walsh, Associate Professor of Theatre History, and author of Eugenics and Physical Culture Performance in the Progressive Era: Watch Whiteness Workout (Palgrave MacMillan, 2020). In our conversation, we discussed the origins of women’s physical culture in the United States, the role that physical culture reformers played in producing femininity and whiteness, and the possibilities for anti-racist and anti-sexist sport to reconceptualize the white supremist roots of American athleticism. In Eugenics and Physical Culture Performance in the Progressive Era, Walsh traces the beginnings of reform era physical culture, paying special attention to the way that physical culturists attempted to shape women’s bodies. She argues that their efforts hinged on using exercise to produce femininity and whiteness and that they prefigured the larger eugenic movements aimed at perpetuating the white race later in the 20th century. In each chapter she looks at different physical culturists or physical cultural movement. Her second chapter looks at Steele MacKaye and Americanised Delsarte, a physical cultural practice that combined acting, dance and exercise. Her third chapter focuses on Dudley Allen Sargent and mimetic workouts that introduced working class motions – for example wood chopping - to middle and upper-middle class men and women at Ivy League colleges. The fourth and fifth chapter work together to unpack the complicated position of women’s physical culture, femininity and motherhood. In chapter four, Walsh shows how Abby Shaw Mayhew and the YWCA articulated a genre of motherhood, which Walsh calls “social motherhood,” that reframed women’s exercise as domestic and maternal rather than grotesque and masculine. In the fifth chapter, Walsh examines Bernarr MacFadden – the Barnum of physical culture – to showcases the places where advertising, motherhood, and women’s exercise came into explicit contact. Relying on a close reading of physical culture through critical theory, these main chapters trace the intersections between exercise, femininity, motherhood, race and social class, to illustrate how debates over these issues helped to produce whiteness. Whether they were in elite educational institutions in the Northeast, Midwestern metropolises like Minneapolis, or travelling around the country these experts helped to code physical culture as specifically as womanly, middle class, white, and ultimately as unremarkable. He final body chapter, chapter six, looks at physical culture for indigenous women in three sites: the Odanah Mission School, the Model Indian School at the Louisiana Purchase Exposition in St. Louis, and the Standing Rock Indian Reservation. Unlike their white counterparts, indigenous women were not offered significant opportunities for physical exercise and if they were it was only for the purpose of assimilation. Unsurprisingly, many indigenous girls and women challenged those expectations and were successful athletes. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at [email protected] and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Postcolonial feminist scholarship on the formation of gender relations primarily uses the analytic of colonizer-colonized dyad. In her new monograph, Gender Politics at Home and Abroad: Protestant Modernity in Colonial-Era Korea (Cambridge UP, 2020), Professor Hyaeweol Choi makes an important intervention by examining colonial Korea to propose a new framework that accounts for transnational encounters between national reformists, missionaries, and colonial authorities. Drawing from both major and minor archives in various geographic sites such as Korea, Japan, the US, Sweden, and Denmark, Choi locates the voices of the educated Korean women whose reform rhetoric and activities reflect transnational encounters. Postcolonial studies have shown us how archives are a contentious, political site with prominent feminist scholar Antoinette Burton pointing out the need to understand the interdependence between discursive visibility of minoritized people and their experiences. Through her research, Choi is able to show how educated women, despite their status as an elite minority, points to the larger structure of patriarchy and how it is constantly contested and reshaped by forces such as the state, ideologies of western domesticity, and religion. Gender Politics at Home and Abroad is an important read for scholars and public who are interested in postcolonial feminism, domesticity, transnational history, and colonial modernity. Hyaeweol Choi is a Professor who holds joint appointments with Religious Studies and Gender, Women's and Sexuality Studies at the University of Iowa. She is also a C. Maxwell and Elizabeth M. Stanley Family and Korea Foundation Chair in Korean Studies. Her publications include Gender and Mission Encounters in Korea: New Women, Old Ways (Berkeley: University of California Press, 2009), New Women in Colonial Korea: A Sourcebook (London: Routledge, 2013), and Gender Politics at Home and Abroad: Protestant Modernity in Colonial-era Korea (Cambridge: Cambridge University Press, 2020). Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Affect, Ecofeminism, and Intersectional Struggles in Latin America: A Tribute to Berta Cáceres (Peter Lang, 2020), Irune del Rio Gabiola examines the power of affect in structuring decolonizing modes of resistance performed by social movements such as COPINH (Civic Council of Popular and Indigenous Organizations of Honduras). Despite a harsh legacy of colonialism, indigenous communities continue suffering from territorial displacements, dispossession, and human rights abuses due to extractivist projects that are violently destroying their land and, therefore, the environment. In particular, the Lenca communities in Honduras have been negatively affected by Western ideas of progress and development that have historically eliminated ancestral knowledges and indigenous ecological cosmologies while reinforcing Eurocentrism. Nevertheless, by reflecting on and articulating strategies for resisting neoliberalism, COPINH and its cofounder Berta Cáceres' commitment to environmental activism, ecofeminism, and intersectional struggles has contributed affectively and effectively to the production of democratic encounters in pursuit of social justice. In homage to Berta, who was brutally assassinated for her activism in 2016, this book takes the reader on an affective journey departing from the violent affects experienced by the Lencas due to colonial disruption, contemporary industrialization, and criminalization, towards COPINH's political and social intervention fueled by outrage, resistance, transnational solidarity, care, mourning, and hope. In this way, subaltern actors nurture the power to--in line with Brian Massumi's interpretation of affect--transform necropolitics into natality with the aim of creating a fairer and better world The host, Elize Mazadiego, is a Marie Skłodowska Curie Fellow at the University of Amsterdam and author of Dematerialization and the Social Materiality of Art: Experimental Forms in Argentina, 1955-1968 (Brill, 2021). She works on Modern and Contemporary art, with a specialization in Latin American art history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sylvia Chan-Malik is Associate Professor in the Departments of American and Women’s and Gender Studies at Rutgers University, New Brunswick. She talks, teaches, and writes about the intersections of race, gender, and religion, with a focus on the history and cultures of Islam and Muslims in the United States. Her research highlights the lives, voices, histories, and representations of Muslim women, and reveals how critical legacies of Black freedom, women’s agency, and global liberation struggles have continually marked U.S. Muslim women’s engagements with Islam. She is the author of Being Muslim: A Cultural History of Women of Color in American Islam (New York University Press, 2018). Learn more about your ad choices. Visit megaphone.fm/adchoices

The anti-feminist movement in South Korea is gaining global attention. The story has been covered by many western mainstream news outlets including the New York Times, CNN, and BBC. Is this trend a new trend in South Korea? Where does this anti-feminist idea come from? In this episode, we invite Prof. Ju Hui Judy Han and discuss South Korean feminist history and gender politics. We discuss pre- and post-democratization feminist movements, the new president’s worrisome position on gender issues, and predict the future feminist movements in South Korea. We end our conversation with the conclusion that although there have been many obstacles, we cannot overlook the progress at the grassroots level. If you are interested in learning about South Korean feminist history, join Myunghee Lee for this interview with Judy Han. This is the second episode in the series. The first episode can be found here. About the interviewer Myunghee Lee is a Postdoctoral Fellow at NIAS. She also is a Non-resident Fellow at the Center for International Trade and Security at the University of Georgia. Her research focuses on protest, authoritarian politics, and democratization. About the speaker Ju Hui Judy Han is a cultural geographer and assistant professor in Gender Studies at the University of California, Los Angeles. She holds a PhD in Geography from the University of California, Berkeley, and has previously taught at the University of Toronto in Canada. Her comics and writings about (im)mobilities, faith-based movements, and queer politics have been published in journals such as The Scholar & Feminist Online, Critical Asian Studies, positions: asia critique, Geoforum, and Journal of Korean Studies as well as in several edited books such as Rights Claiming in South Korea (2021), Digital Lives in the Global City (2020), Ethnographies of U.S. Empire (2018), and Territories of Poverty (2015). She is currently working on a book on “queer throughlines” and co-writing another book on protest cultures. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. About NIAS: www.nias.ku.dk Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Lea Roback was a feminist and labor activist who was raised in a large Jewish family in Quebec, Canada. In the novel Lea (Linda Leith Publishing, 2022), Ariela Freedman describes a strong, vibrant woman whose life spanned the 20th century. Lea Roback spoke four languages, and wherever she was in the world, she fought for workers’ rights, votes for women, access to contraception and abortion, pay equity, social housing and free education. She was often in the center of world history—in Berlin during the rise of Nazism and Moscow during Stalin’s reign of terror. She was intelligent, passionate about equality, and ultimately worked in factories as a union organizer. The real Lea is remembered by the work of the Lea Roback Foundation, which offers scholarships to women, the Lea Roback Research Centre, which focuses on inequality and public health; and the Maison Parent-Roback, which links community organizations that advance women's rights and social justice causes. Ariela Freedman was born in Brooklyn and has lived in Jerusalem, New York, Calgary, London, and Montreal. She has a Ph.D. from New York University and teaches literature at Concordia's Liberal Arts College in Montreal, where she lives with her family. Her debut novel, Arabic for Beginners (LLP, 2017), was shortlisted for the QWF Concordia University First Book Prize and won the 2018 J. I. Segal Prize for Fiction. Her second novel, A Joy to be Hidden (LLP, 2019), was shortlisted for the Segal Prize in 2020, and was a finalist for the The Paragraphe Hugh MacLennan Prize for Fiction. When she isn’t reading, writing or teaching, Freedman loves riding her bike, hiking in the countryside, and wandering through the city. For the last two years, she has deeply missed travelling. I interview authors of beautifully written literary fiction and mysteries, and try to focus on independently published novels, especially by women and others whose voices deserve more attention. If your upcoming or recently published novel might be a candidate for a podcast, please contact me via my website, gpgottlieb dot com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Yi’s eyes soften as he watches Jiazhi sing a Chinese folk song with subtle, feminine movements in the film, Lust, Caution. The room fills with laughter when Ali Wong unabashedly enacts her vulgar, bodily desires. What is the affect created through these performances? At different localities and temporalities, an actress and a comedian Tang Wei and Ali Wong embody ever-failing meaning of Chineseness, offering themselves for consumption and survival. In Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke UP, 2022), Mila Zuo re-evaluates beauty to understand how it creates a feeling Chineseness, engendering a messy world of relationalities that challenge a stable binary of national identity. Using weidao, which escapes meaning in English as flavor and style of a person, object, or environment, Zuo challenges the Cartesian epistemology dividing mind/body and vision/hearing. Through in-depth analysis of films and shows, Zuo asks how five flavors of Chinese medicine, “bitter, salty, pungent, sweet, and sour” become “modalities of vulgar beauty” (33). Vulgar, often tied to the non-western and working-class bodies, becomes a means to complicate the relations between objecthood and subjecthood embodied in Chinese beauty. This beautifully written and theoretically rich book will be helpful resource for any scholars and public interested in film and media studies, Asian American studies, object studies, and gender studies. Mila Zuo is an assistant professor in the Department of Theatre and Film at UBC. Her first book Vulgar Beauty: Acting Chinese in the Global Sensorium (Duke University Press, 2022) focuses on the affective racialization of Chinese women film stars, demonstrating the ways which vulgar, flavourful beauty disrupts Western and colonial notions of beauty. In addition to scholarship, Zuo directs and writes narrative films, visual essays, documentaries and music videos. Her short films have screened in international film festivals and universities, including Carnal Orient (2016) which premiered at Slamdance Film Festival, and her short narrative film Kin (2021), which was the recipient of the 2019 Oregon Media Arts Fellowship, and screened at HollyShorts Film Festival. Da In Ann Choi is a PhD student at UCLA in the Gender Studies department. Her research interests include care labor and migration, reproductive justice, social movement, citizenship theory, and critical empire studies. She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

Maria Theresa (1717–1780) was once the most powerful woman in Europe. At the age of twenty-three, she ascended to the throne of the Habsburg Empire, a far-flung realm composed of diverse ethnicities and languages, beset on all sides by enemies and rivals. Master historian, Professor Barbara Stollberg-Rilinger provides the definitive biography of Maria Theresa, in her outstanding biography, Maria Theresa: The Habsburg Empress in her Time (Princeton University Press, 2022). Situating this exceptional empress within her time while dispelling the myths surrounding her. Drawing on a wealth of archival evidence, Professor Stollberg-Rilinger examines all facets of eighteenth-century society, from piety and patronage to sexuality and childcare, ceremonial life at court, diplomacy, and the everyday indignities of warfare. She challenges the idealized image of Maria Theresa as an enlightened reformer and mother of her lands who embodied both feminine beauty and virile bellicosity, showing how she despised the ideas of the Enlightenment, treated her children with relentless austerity, and mercilessly persecuted Protestants and Jews. Work, consistent physical and mental discipline, and fear of God were the principles Maria Theresa lived by, and she demanded the same from her family, her court, and her subjects. A panoramic work of scholarship that brings Europe’s age of empire spectacularly to life, Maria Theresa paints an unforgettable portrait of the uncompromising yet singularly charismatic woman who left her enduring mark on the era in which she lived and reigned. In the words of John Adamson in the Literary Review, Professor Stollberg-Rilinger’s treatment of the Habsburg ruler will stand "as the basic reference point for studies of Maria Theresa for decades to come". Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transforming Girls: The Work of Nineteenth-Century Adolescence (UP of Mississippi, 2021) explores the paradox of the nineteenth-century girls’ book. On the one hand, early novels for adolescent girls rely on gender binaries and suggest that girls must accommodate and support a patriarchal framework to be happy. On the other, they provide access to imagined worlds in which teens are at the center. The early girls’ book frames female adolescence as an opportunity for productive investment in the self. This is a space where mentors who trust themselves, the education they provide, and the girl’s essentially good nature neutralize the girl’s own anxieties about maturity. These mid-nineteenth-century novels focus on female adolescence as a social category in unexpected ways. They draw not on a twentieth-century model of the alienated adolescent, but on a model of collaborative growth. The purpose of these novels is to approach adolescence—a category that continues to engage and perplex us—from another perspective, one in which fluid identity and the deliberate construction of a self are celebrated. They provide alternatives to cultural beliefs about what it was like to be a white, middle-class girl in the nineteenth century and challenge the assumption that the evolution of the girls’ book is always a movement towards less sexist, less restrictive images of girls. Drawing on forgotten bestsellers in the United States and Germany (where this genre is referred to as Backfischliteratur), Transforming Girls offers insightful readings that call scholars to reexamine the history of the girls’ book. It also outlines an alternate model for imagining adolescence and supporting adolescent girls. The awkward adolescent girl—so popular in mid-nineteenth-century fiction for girls—remains a valuable resource for understanding contemporary girls and stories about them. Julie Pfeiffer is a professor of English at Hollins University. She is editor of Children’s Literature, the annual of Children’s Literature Association. Renee Garris is a professor of Humanities in Virginia. She teaches the Humanities as a discipline as well as hosts authors on this network as well as the Performing Arts channel. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why has the underrepresentation of women and racial minorities in elected office proved so persistent in American politics? In Nowhere to Run: Race, Gender, and Immigration in American Elections (Oxford UP, 2021), Dr. Christian Dyogi Phillips argues that any analysis must contend with multiple dimensions of identity, context, and the simultaneous dynamism of opportunity and constraint. Complementing previous studies with her original datasets and rich interviews, Phillips demonstrates how two simultaneous and interactive processes shape electoral opportunity across groups. At the national level, majority-white districts sharply limit realistic opportunities for Latinx and Asian Americans of either gender to get on the ballot – and partisan politics further narrows prospects for women from these groups. At the local and group level, within districts and among Asian American and Latinx political elites and activists, the scarcity of viable opportunities exacerbates informal processes and institutions that tend to push Latinas and Asian American women further from the pipeline. Phillips’s integration of national and local-level processes reveals that the pathways to getting on the ballot are few and far between for Latinx and Asian Americans – and especially fraught with prospects for exclusion of Latinas and Asian American women. Race and gender simultaneously constrain and facilitate electoral opportunities for Asian American women and men, Latinas, and Latinos. These sharp differences in opportunities across groups help explain persistent underrepresentation among elected officials. Dr. Christian Dyogi Phillips is an Assistant Professor of Political Science at the University of Southern California. Her research addresses political behavior, electoral institutions, and political incorporation, with an emphasis on the intersection of race, gender and immigrant communities in American politics. Daniella Campos assisted with this podcast. Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1719, a ship named La Mutine (the mutinous woman), sailed from the French port of Le Havre, bound for the Mississippi. It was loaded with urgently needed goods for the fledgling French colony, but its principal commodity was a new kind of export: women. Falsely accused of sex crimes, these women were prisoners, shackled in the ship's hold. Of the 132 women who were sent this way, only 62 survived. But these women carved out a place for themselves in the colonies that would have been impossible in France, making advantageous marriages and accumulating property. Many were instrumental in the building of New Orleans and in settling Louisiana, Alabama, Arkansas, Illinois, and Mississippi. Drawing on an impressive range of sources to restore the voices of these women to the historical record, Mutinous Women: How French Convicts Became Founding Mothers of the Gulf Coast (Basic, 2022) introduces us to the Gulf South's Founding Mothers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Carbon Queen: The Remarkable Life of Nanoscience Pioneer Mildred Dresselhaus (MIT Press, 2022) follows Mildred Dresselhaus (or Millie, as everyone calls her) from her childhood in New York City to her final years in Cambridge. It focuses on her scientific achievements, but also rightfully presents her as a multi-hyphenate: being a resilient student, an adaptive researcher, a professor, an administrator, an advocate, a fundraiser, a patent owner, a book author. The accolades are plentiful and her involvement in science seemingly boundless. Maia Weinstock masterfully blends anecdotes and scientific explanations into the life story of a truly phenomenal scientist. In this episode of the podcast, we discuss Millie’s multifaceted career, as well as the process of putting the book together, and Maia’s history course on women in science. Ana Georgescu studied astrophysics and physics at Harvard University and is now a science consultant and writer based in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mid-century America had a problem talking about sex. Dr. Mary Calderone first diagnosed this condition and, in 1964, led the uphill battle to de-stigmatize sex education. Supporters hailed her as the “grandmother of modern sex education” while her detractors painted her as an “aging libertine,” but both could agree that she was quickly shaping the way sex was discussed in the classroom. Part biography, part social history, The Transformation of American Sex Education: Mary Calderone and the Fight for Sexual Health (NYU Press, 2022) for the first time situates Dr. Mary Calderone at the center of decades of political, cultural, and religious conflict in the fight for comprehensive sex education. Ellen S. More examines Americans’ attempts to come to terms with the vexed subject of sex education in schools from the late 1940s to the early twenty-first century. Using Mary Calderone’s life and career as a touchstone, she traces the origins of modern sex education in the United States from the work of a group of reformers who coalesced around Calderone to create the Sexuality Information and Education Council of the United States (SIECUS) in 1964, to the development and use of the competing approaches known as “abstinence-based” and “comprehensive” sex education from the 1980s into the twenty-first century. A fascinating and timely read, The Transformation of American Sex Education provides a substantial contribution to the history of one of America’s most intense and protracted culture wars, and the first account of the woman who fought those battles. Jane Scimeca is Professor of History at Brookdale Community College. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Wives of Western Philosophy: Gender Politics in Intellectual Labor (Routledge, 2020) fills in a rather large hole in the understanding and the substance of the generation of knowledge. This edited volume provides an exploration of the thinking around the role of the wife, helpmeet, or intimate companion, and how political theory is created, written, and moved into the public sphere. This book also pays particular attention to what we understand to be intellectual labor, and how we have come to think about the genesis of ideas and theories as the work of a solitary individual—usually male—when others are often quite intimately involved in the generation of this labor. The contributing authors all focus on three themes: how are intellectual work, knowledge, and theory produced or created across disciplines and topic areas—who is actually involved in this process as a contributor to the outcome; the political reality of what wives have done, are expected to do, actually do, and how we have come think about the wife as a political concept itself; the crafting of the biography or narrative of the thinker—who is included and excluded from this construction. These issues or themes are not necessarily indigenous to political theory—they come up in context of any intellectual production, in any field or discipline. But The Wives of Western Philosophy: Gender Politics in Intellectual Labor concentrates on some of the canonical thinkers and their intimate partners, and what we know but perhaps were unaware of in regard to these contributions, not merely fulfilling daily needs like cooking food, but the actual intellectual contributions by intimate partners that are threaded into the work of these theorists. All of the contributing authors pay attention to trying to understand how the intellectual communities are, in fact, the spaces and places where theorists live and engage—and that these communities contribute to the formation of ideas and knowledge. This is a different narrative than those that generally surround theorists, who are often cast as solitary thinkers, disembodied minds, alone, developing ideas and writings. Collaboration is often eschewed in these conceptions of the author, the thinker, and gendered collaboration between men and women is even more suspect as a means to generate important concepts and work. Forestal and Philips have assembled a fascinating, interrogating group of authors and discussions in this edited volume. Authors include Arlene Saxonhouse, Sara Brill, Boris Litvin, Emily C. Nicol, Bryan A. Banks, Jennifer M. Jones, Ross Carroll, Terrell Carver, as well as contributions by the editors themselves, Jennifer Forestal and Menaka Philips. This is a very important contribution to our understanding of political philosophy and the creation of knowledge. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at [email protected] or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices

Across the twentieth century, Earth's human population increased undeniably quickly, rising from 1.6 billion people in 1900 to 6.1 billion in 2000. As population grew, it also began to take the blame for some of the world's most serious problems, from global poverty to environmental degradation, and became an object of intervention for governments and nongovernmental organizations. But the links between population, poverty, and pollution were neither obvious nor uncontested. Building the Population Bomb (Oxford University Press, 2021) by Emily Klancher Merchant tells the story of the twentieth-century population crisis by examining how scientists, philanthropists, and governments across the globe came to define the rise of the world's human numbers as a problem. It narrates the history of demography and population control in the twentieth century, examining alliances and rivalries between natural scientists concerned about the depletion of the world's natural resources, social scientists concerned about a bifurcated global economy, philanthropists aiming to preserve American political and economic hegemony, and heads of state in the Global South seeking rapid economic development. It explains how these groups forged a consensus that promoted fertility limitation at the expense of women, people of color, the world's poor, and the Earth itself. As the world's population continues to grow—with the United Nations projecting 11 billion people by the year 2100—Building the Population Bomb steps back from the conventional population debate to demonstrate that our anxieties about future population growth are not obvious but learned. Ultimately, this critical volume shows how population growth itself is not a barrier to economic, environmental, or reproductive justice; rather, it is our anxiety over population growth that distracts us from the pursuit of these urgent goals. Nicole Bourbonnais is Associate Professor of International History and Politics and Co-Director of the Gender Centre at the Graduate Institute of International and Development Studies in Geneva, Switzerland. Her research explores reproductive politics and practice from a transnational, historical perspective. Profile here: https://www.graduateinstitute.... Learn more about your ad choices. Visit megaphone.fm/adchoices

Red Silk: Class, Gender, and Revolution in China's Yangzi Delta Silk Industry (Harvard UP, 2020) is a history of China's Yangzi Delta silk industry during the wars, crises, and revolutions of the mid-twentieth century. Based on extensive research in Chinese archives and focused on the 1950s, the book compares two very different groups of silk workers and their experiences in the revolution. Male silk weavers in Shanghai factories enjoyed close ties to the Communist party-state and benefited greatly from socialist policies after 1949. In contrast, workers in silk thread mills, or filatures, were mostly young women who lacked powerful organizations or ties to the revolutionary regime. For many filature workers, working conditions changed little after 1949 and politicized production campaigns added a new burden within the brutal and oppressive factory regime in place since the nineteenth century. Both groups of workers and their employers had to adapt to rapidly changing circumstances. Their actions--protests, petitions, bribery, tax evasion--compelled the party-state to adjust its policies, producing new challenges. The results, though initially positive for many, were ultimately disastrous. By the end of the 1950s, there was widespread conflict and deprivation among silk workers and, despite its impressive recovery under Communist rule, the industry faced a crisis worse than war and revolution. Robert Cliver is Professor of History at California State Polytechnic University, Humboldt. He has published widely on the labor history of modern China, including in Labor History and Cross-Currents: East Asian History and Culture Review. Ghassan Moazzin is an Assistant Professor at the Hong Kong Institute for the Humanities and Social Sciences and the Department of History at the University of Hong Kong. He works on the economic and business history of 19th and 20th century China, with a particular focus on the history of foreign banking, international finance and electricity in modern China. His first book, Foreign Banks and Global Finance in Modern China: Banking on the Chinese Frontier, 1870–1919, is forthcoming with Cambridge University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

Feminisms with Chinese Characteristics (Syracuse University Press, 2021), co-edited by Ping Zhu and Hui Faye Xiao, offers an examination of the ways in which Chinese feminist ideas have developed since the mid-1990s. By juxtaposing the plural “feminisms” with “Chinese characteristics,” they both underline the importance of integrating Chinese culture, history, and tradition in the discussions of Chinese feminisms, and stress the difference between the plethora of contemporary Chinese feminisms and the singular state feminism. There are twelve chapters in this interdisciplinary collection. It addresses the theme of feminisms with Chinese characteristics from different perspectives rendered from lived experiences, historical reflections, theoretical ruminations, and cultural and sociopolitical critiques, painting a panoramic picture of Chinese feminisms in the age of globalization. Ping Zhu is associate professor of Chinese literature at the University of Oklahoma. She is the author of Gender and Subjectivities in Early Twentieth-Century Chinese Literature and Culture and the coeditor of Maoist Laughter. She is also the acting editor-in-chief of the biennial literary journal Chinese Literature Today, which will become Chinese Literature and Thought Today in 2022. Hui Faye Xiao is professor of Chinese literature at the University of Kansas. She is the author of Family Revolution: Marital Strife in Contemporary Chinese Literature and Visual Culture and Youth Economy, Crisis, and Reinvention in Twenty-First-Century China: Morning Sun in the Tiny Times. Linshan Jiang is Ph.D. candidate in the Department of East Asian Languages and Cultural Studies, University of California, Santa Barbara. Her research interests are modern and contemporary literature, film, and popular culture in mainland China, Taiwan and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lillian Faderman is professor emerita at California State University, Fresno. An award-winning author Dr Faderman, widely known as the mother of lesbian history, has authored many books on women, gender and sexuality. In her new release entitled Woman: The American History of an Idea (Yale University Press, 2022). Faderman examines what it means to be a “woman” in America? She traces the evolution of the meaning from Puritan ideas of God’s plan for women to the sexual revolution of the 1960s and its reversals to the impact of such recent events as #metoo, the appointment of Amy Coney Barrett to the Supreme Court, the election of Kamala Harris as vice president, and the transgender movement. This long 400-year history chronicles conflicts, retreats, defeats, and hard-won victories in both the private and the public sectors and shines a light on the often-overlooked battles of enslaved women and women leaders in tribal nations. Noting that every attempt to cement a particular definition of “woman” has met resistance, Faderman shows that successful challenges to the status quo are often short-lived. The idea of womanhood in America continues to be contested. Lilian Calles Barger is a cultural, intellectual and gender historian. Her most recent book is entitled The World Come of Age: An Intellectual History of Liberation Theology (Oxford University Press, 2018). Her current writing project is on the intellectual history of women and the origins of feminism seen through the emblematic life and work of Simone de Beauvoir. Learn more about your ad choices. Visit megaphone.fm/adchoices

When China’s War of Resistance against Japan began in July 1937, it sparked an immediate health crisis throughout China. In the end, China not only survived the war but emerged from the trauma with a more cohesive population. Nicole Elizabeth Barnes’s book, Intimate Communities: Wartime Healthcare and the Birth of Modern China, 1937-1945 (University of California Press, 2018), argues that women who worked as military and civilian nurses, doctors, and midwives during this turbulent period built the national community, one relationship at a time. In a country with a majority illiterate, agricultural population that could not relate to urban elites’ conceptualization of nationalism, these women used their work of healing to create emotional bonds with soldiers and civilians from across the country. These bonds transcended the divides of social class, region, gender, and language. This book has won two major awards, William H. Welch Award by American Association for the History of Medicine in 2020, and Joan Kelly Memorial Prize by American Historical Association in 2019. A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Nicole Elizabeth Barnes is Assistant Professor of History and Gender, Sexuality and Feminist Studies at Duke University. Linshan Jiang is Ph.D. candidate in the Department of East Asian Languages and Cultural Studies, University of California, Santa Barbara. Her research interests are modern and contemporary literature, film, and popular culture in mainland China, Taiwan and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sista, Stanap Strong!: A Vanuatu Women's Anthology (Te Herenaa Waka UP, 2021) is an anthology of new writing from Vanuatu by three generations of women—and the first of its kind. With poetry, fiction, essay, memoir, and song, its narrative arc stretches from the days of blackbirding to Independence in 1980 to Vanuatu's coming of age in 2020. Most of these writers are ni-Vanuatu living in Vanuatu. Some have set down roots in New Zealand, Fiji, the Solomon Islands, and Canada. Some were born overseas and have made Vanuatu their home. One is just twenty; another is an octogenarian. The writers in this anthology have chosen to harness the coloniser’s language, English, for their own purposes. They are writing against racism, colonialism, misogyny, and sexism. Writing across bloodlines and linguistic boundaries. Professing their love for ancestors, offspring, and language— Bislama, vernacular, and English. What these writers also have in common is a sharp eye for detail, a love of words, a deep connection to Vanuatu, and a willingness to share a glimpse of their world. Includes a foreword by Viran Molisa Trief. Learn more about your ad choices. Visit megaphone.fm/adchoices

At the Risk of Thinking: An Intellectual Biography of Julia Kristeva (Bloomsbury, 2020) is the first biography of Julia Kristeva--one of the most celebrated intellectuals in the world. Alice Jardine brings Kristeva's work to a broader readership by connecting Kristeva's personal journey, from her childhood in Communist Bulgaria to her adult life as an international public intellectual based in Paris, with the history of her ideas. Informed by extensive interviews with Kristeva herself, this telling of a remarkable woman's life story also draws out the complexities of Kristeva's writing, emphasizing her call for an urgent revival of bold interdisciplinary thinking in order to understand--and to act in--today's world. Learn more about your ad choices. Visit megaphone.fm/adchoices

She was born the 20th child in a family that had lived in the Mississippi Delta for generations, first as enslaved people and then as sharecroppers. She left school at 12 to pick cotton, as those before her had done, in a world in which white supremacy was an unassailable citadel. She was subjected without her consent to an operation that deprived her of children. And she was denied the most basic of all rights in America--the right to cast a ballot--in a state in which Blacks constituted nearly half the population. And so Fannie Lou Hamer lifted up her voice. Starting in the early 1960s and until her death in 1977, she was an irresistible force, not merely joining the swelling wave of change brought by civil rights but keeping it in motion. Working with the Student Non-Violent Coordinating Committee (SNCC), which recruited her to help with voter-registration drives, Hamer became a community organizer, women's rights activist, and co-founder of the Mississippi Freedom Democratic Party. She summoned and used what she had against the citadel--her anger, her courage, her faith in the Bible, and her conviction that hearts could be won over and injustice overcome. She used her brutal beating at the hands of Mississippi police, an ordeal from which she never fully recovered, as the basis of a televised speech at the 1964 Democratic Convention, a speech that the mainstream party--including its standard-bearer, President Lyndon Johnson--tried to contain. But Fannie Lou Hamer would not be held back. For those whose lives she touched and transformed, for those who heard and followed her voice, she was the embodiment of protest, perseverance, and, most of all, the potential for revolutionary change. Walk with Me: A Biography of Fannie Lou Hamer (Oxford UP, 2021) is the most complete biography of Hamer ever written, drawing on recently declassified sources on both Hamer and the civil rights movement, including unredacted FBI and Department of Justice files. It also makes full use of interviews with Civil Rights activists conducted by the Smithsonian and the Library of Congress, and Democratic National Committee archives, in addition to extensive conversations with Hamer's family and with those with whom she worked most closely. Stirring, immersive, and authoritative, Walk with Me does justice to Fannie Lou Hamer's life, capturing in full the spirit, and the voice, that led the fight for freedom and equality in America at its critical moment. Learn more about your ad choices. Visit megaphone.fm/adchoices

How did people exist and resist in their daily lives under Soviet control in the Cold War period? Rebellious Cooks and Recipe Writing in Communist Bulgaria (Bloomsbury, 2021) shows how in communist Bulgaria many women passionately exchanged recipes with friends and strangers, to build substantial and impressive private collections of recipes. This activity was borderline contraband in going against the general disapproval of home cooking that formed part of the ideology of communism, in which home cooking was considered household slavery and an agent of patriarchalism. Private recipe collections were by far the preferred written source of culinary information, more popular than the state-approved commercial cookbooks. Shkodrova shows how these recipe collections held many different meanings for the women who collected them, from helping to navigate the communist economy, to enabling new friendships to be developed while engaging safely in power relations, and cultivating a sense of individual identity in a society where collective existence was prioritised and exalted. Drawing on primary sources including scrapbook cookbooks and working from the establishment of cookery classes before communism and their obliteration thereafter, Shkodrova presents a structured outline of the meanings of recipes exchange and home cooking for Bulgarian women under communism. Roland Clark is a Senior Lecturer in Modern European History at the University of Liverpool, a Senior Fellow with the Centre for Analysis of the Radical Right, and the Principal Investigator of an AHRC-funded project on European Fascist Movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

Too often, vaudeville is seen from the perspective of its decline: it is the corny, messy art form that predated the book musical, or that gave us Chaplin, Keaton, and the Marx Brothers. Rarely is it seen as the populist avant-garde form it was at its height. David Hajdu and John Carey's graphic history, A Revolution in Three Acts: The Radical Vaudeville of Bert Williams, Eva Tanguay, and Julian Eltinge (Columbia University Press, 2021), corrects this misconception, giving us illustrated biographies of three of the genre's most outré and successful stars. Eva Tanguay challenged contemporary gender roles through her outrageous behavior and sexually suggestive songs. Julian Eltinge also subverted gendered expectations of femininity by performing them to the hilt -- but as a man. And Bert Williams, a black man who performed in black face, tried to use his fame to soften the hard edges of Jim Crow bigotry but eventually became exhausted by the racism he encountered within the entertainment industry. These three performers truly were revolutionary, and their stories should be known to any theatre fan or historian. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Hurricanes Irma and María made landfall in Puerto Rico in September 2017, their destructive force further devastated an archipelago already pommeled by economic austerity, political upheaval, and environmental calamities. To navigate these ongoing multiple crises, Afro-Puerto Rican women have drawn from their cultural knowledge to engage in daily improvisations that enable their communities to survive and thrive. Their life-affirming practices, developed and passed down through generations, offer powerful modes of resistance to gendered and racialized exploitation, ecological ruination, and deepening capitalist extraction. Through solidarity, reciprocity, and an ethics of care, these women create restorative alternatives to dispossession to produce good, meaningful lives for their communities. Making Livable Worlds: Afro-Puerto Rican Women Building Environmental Justice (University of Washington Press, 2021) weaves together autobiography, ethnography, interviews, memories, and fieldwork to recast narratives that continuously erase Black Puerto Rican women as agents of social change. In doing so, Lloréns serves as an "ethnographer of home" as she brings to life the powerful histories and testimonies of a marginalized, disavowed community that has been treated as disposable. Interviewer Byline: Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The rise of celebrity stage actresses in the long eighteenth century created a class of women who worked in the public sphere while facing considerable scrutiny about their offstage lives. Such powerful celebrity women used the cultural and affective significance of their reproductive bodies to leverage audience support and interest to advance their careers, and eighteenth-century London patent theatres even capitalized on their pregnancies. Carrying All Before Her: Celebrity Pregnancy and the London Stage, 1689-1800 (University of Delaware Press, 2022) uses the reproductive histories of six celebrity women (Susanna Mountfort Verbruggen, Anne Oldfield, Susannah Cibber, George Anne Bellamy, Sarah Siddons, and Dorothy Jordan) to demonstrate that pregnancy affected celebrity identity, impacted audience reception and interpretation of performance, changed company repertory and altered company hierarchy, influenced the development and performance of new plays, and had substantial economic consequences for both women and the companies for which they worked. Deepening the fields of celebrity, theatre, and women's studies, as well as social and medical histories, Phillips reveals an untapped history whose relevance and impact persists today. Hannah Smith is a PhD Candidate in History at the University of Minnesota-Twin Cities. She can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we speak to Rebecca Cypess, Associate Professor at Rutgers University, about her new book: Musical Salons in the Enlightenment (University of Chicago, 2022). Interest in music sociability during the eighteenth century, including domestic and semi-domestic music-making, has been steadily growing. As scholars have noted, musical salons were crucial in providing a space where women could perform in public, which was otherwise impossible, for the most part. In this book, music scholar and performer Rebecca Cypess focuses on the figure of the salonnière, the female host at the center of most musical salons in Europe and America in the second half of the eighteenth century. Through case studies include the salons of Anne-Louise Brillon in Paris, Marianna Martines in Vienna, Sara Levy in Berlin, Elizabeth Graeme in Philadelphia, and the painter Angelika Kauffman in Rome, Cypess addresses several far-reaching issues in Enlightenment musical culture. Among them are questions having to do with collaboration and improvisation vs. authorship, sensual vs. intellectual experiences, the role of women in 'governing' the salons and collecting musical scores and instruments, and how these collections can function as texts that illuminate the lived experiences of eighteenth-century music. In this richly written book, Cypess draws on letters, diaries, and other written documents, as well as iconography, to make connections with non-musical practices, including games, and to recreate the salon as an immersive musical and creative environment. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

For women who have experienced domestic violence, proving that you are a “good victim” is no longer enough. Victims must also show that they are recovering, as if domestic violence were a disease: they must transform from “victims” into “survivors.” Women’s access to life-saving resources may even hinge on “good” performances of survivorhood. Through archival and ethnographic research, Paige L. Sweet reveals how trauma discourses and coerced therapy play central roles in women’s lives as they navigate state programs for assistance. Sweet uses an intersectional lens to uncover how “resilience” and “survivorhood” can become coercive and exclusionary forces in women’s lives. With nuance and compassion, The Politics of Surviving: How Women Navigate Domestic Violence and Its Aftermath (U California Press, 2021) wrestles with questions about the gendered nature of the welfare state, the unintended consequences of feminist mobilizations for anti-violence programs, and the women who are left behind by the limited forms of citizenship we offer them. Sneha Annavarapu is Assistant Professor of Urban Studies at Yale-NUS College. To know more about Sneha's work, please visit www.snehanna.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Business of Beauty: Gender and the Body in Modern London (Bloomsbury, 2020), historian Jessica Clark takes the reader on a tour through the shifting commercial and cultural landscape of London in the second half of the 19th Century and the early decades of the 20th. The business of beatification––aimed at both men and women, and conducted by both men and women­––was influenced by and reflective of shifting attitudes towards women in public spaces, the influx and success of immigrants in the nation’s capital, the development of wholesale production processes and the standardization of commodities, and the cultural competition between European nations that accompanied the growing political and military competition at the fin de siècle, among other things. In other words, Jessica Clark shows us that The Business of Beauty intersects with an amazing array of historical subjects. Lia Paradis is Professor of History at Slippery Rock University of Pennsylvania. She is the co-host of the Lies Agreed Upon podcast and author of Imperial Culture and the Sudan: Authorship, Identity and the British Empire (IB Tauris, 2020) Learn more about your ad choices. Visit megaphone.fm/adchoices

In Weighing the Future: Race, Science, and Pregnancy Trials in the Postgenomic Era (University of California Press, 2022), Natali Valdez examines research trials that enroll pregnant people in the United States and England. These research trials aim to lower the health risks to future generations by intervening in and studying the diet and exercise of pregnant people. As an ethnographer, Valdez enrolled pregnant participants into the studies, met with them to administer the intervention, and observed the processes of the trials. Valdez argues that these studies focus on the pregnant individual without accounting for the social, cultural, economic, and environmental factors that present risk factors to their pregnancies. Structural factors such as racism, pollution, and poverty are not acknowledged, studied, or tracked. And this focus on the individual forecloses addressing issues, such as unstable housing, childcare, immigration, and racism. In the book, Valdez discusses how pregnancy trials have changed very little since the 1950s, the politics of recruiting participants to the trials, and how they handle racial diversity. Valdez asserts that these trials use race as an unstable and inconsistent marker of identifying participants, but they do not address racism, which is an underlying cause of health disparities. In the episode we discuss Valdez’s arguments, ethnographic work, and experience of writing the book. Weighing the Future would be of interest to those in medical anthropology, science and technology studies, as well as women and gender studies. Weighing the Future is the first book of its kind, and it contributes much to our understandings of the increasingly salient issues of maternal health, research, and race. Natali Valdez is an Assistant Professor of Women’s and Gender Studies at Wellesley College. Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices

A camera obscura reflects the world back but dimmer and inverted. Similarly, science has long viewed woman through a warped lens, one focused narrowly on her capacity for reproduction. As a result, there exists a vast knowledge gap when it comes to what we know about half of the bodies on the planet. That is finally changing. Today, a new generation of researchers is turning its gaze to the organs traditionally bound up in baby-making—the uterus, ovaries, and vagina—and illuminating them as part of a dynamic, resilient, and ever-changing whole. Welcome to Vagina Obscura: An Anatomical Voyage (W.W. Norton, 2022), an odyssey into a woman’s body from a fresh perspective, ushering in a whole new cast of characters. In Boston, a pair of biologists are growing artificial ovaries to counter the cascading health effects of menopause. In Melbourne, a urologist remaps the clitoris to fill in crucial gaps in female sexual anatomy. Given unparalleled access to labs and the latest research, journalist Rachel E. Gross takes readers on a scientific journey to the center of a wonderous world where the uterus regrows itself, ovaries pump out fresh eggs, and the clitoris pulses beneath the surface like a shimmering pyramid of nerves. This paradigm shift is made possible by the growing understanding that sex and gender are not binary; we all share the same universal body plan and origin in the womb. That’s why insights into the vaginal microbiome, ovarian stem cells, and the biology of menstruation don’t mean only a better understanding of female bodies, but a better understanding of male, non-binary, transgender, and intersex bodies—in other words, all bodies. By turns funny, lyrical, incisive, and shocking, Vagina Obscura is a powerful testament to how the landscape of human knowledge can be rewritten to better serve everyone. Sine Yaganoglu: Having trained as a neuroscientist and bioengineer, I switched to industry following my PhD at ETH Zurich and have been working in innovation management and diagnostics. Besides reading about science, innovation and entrepreneurship, I have become interested in the scientific and cultural aspects of parenting and motherhood since welcoming my first child. Learn more about your ad choices. Visit megaphone.fm/adchoices

In mid-twentieth-century America, women faced a paradox. Thanks to their efforts, World War II production had been robust, and in the peace that followed, more women worked outside the home than ever before, even dominating some professions. Yet the culture, from politicians to corporations to television shows, portrayed the ideal woman as a housewife. Many women happily assumed that role, but a small segment bucked the tide-women who wanted to use their talents differently, in jobs that had always been reserved for men. In They Called Us Girls: Stories of Female Ambition from Suffrage to Mad Men (Cynren Press, 2022), author Kathleen Stone meets seven of these unconventional women. In insightful, personalized portraits that span a half-century, Kathleen weaves stories of female ambition, uncovering the families, teachers, mentors, and historical events that led to unexpected paths. What inspired these women, and what can they teach women and girls today? Learn more about your ad choices. Visit megaphone.fm/adchoices

How should we understand the history of post-war Britain? In The Welfare State Generation Women, Agency and Class in Britain since 1945 (Bloomsbury, 2022), Eve Worth, a Research Fellow on the Changing Elites project in the Department of Social Policy and Intervention at the University of Oxford, explores this question by foregrounding the lives of women who grew up, worked, and retired as the first ‘welfare state generation’. The book uses oral history methods to tease out the changing role and changing experiences of the welfare state, along with the role of women in working in and administering that welfare state. It thinks through the sense of autonomy and control, as well as changing perceptions of class identity and feminism, in the lives of women, and thus tells a new story of post-war British history. The book speaks to a huge range of academic audiences and is also essential reading for anyone interested in the history of Britain. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoices

Gender and sexuality in modern Iran are frequently examined through the prisms of nationalist symbols and religious discourse. In Revolutionary Bodies: Technologies of Gender, Sex, and Self in Contemporary Iran (Bloomsbury, 2020), Kristin Soraya Batmanghelichi, Associate Professor at the University of Oslo, Norway, takes a different approach, by interrogating how normative ideas of women's bodies in state, religious, and public health discourses have resulted in the female body being deemed as immodest and taboo. Through a diverse blend of sources, including a popular women's journal, a red-light district, cases studies of temporary marriages, iconic public statues, and an HIV-AIDS advocacy organization in Tehran, Batmanghelichi argues that conceptions of gender and sexuality have been mediated in public discourse and experienced and modified by women themselves over the past thirty years of the Islamic Republic. In our conversation we discuss the regulation of gender & sexuality through bodily technologies, tensions between state notions of modernization and Islamization, how Iranian women were visualized in the pages of magazines, a micro-history of the Red-light district in Tehran, organizing sex work within Islamic frameworks through temporary marriages, reinforcing “Islamic” public morality through the regulation of public space, the disfiguring of female mannequins, the challenges of ethnographic research and learning to ask new questions, and notions of gendered work in contemporary Iran. Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

Within living memory, smallpox was a dreaded disease. Over human history, it has killed untold millions. In the eighteenth century, as epidemics swept Europe, the first rumours emerged of effective treatment: a mysterious method called inoculation. But a key problem remained: convincing people to accept the preventative remedy, the forerunner of vaccination. Arguments raged over risks and benefits, and public resistance ran high. As smallpox ravaged her empire and threatened her court, Catherine the Great took the momentous decision to summon the Quaker physician Thomas Dimsdale from Hertford to St Petersburg to carry out a secret mission that would transform both their lives. In The Empress and the English Doctor: How Catherine the Great Defied a Deadly Virus (ONEworld, 2022), Lucy Ward expertly unveils the extraordinary story of Enlightenment ideals, female leadership and the fight to promote science over superstition. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices

Early American literature scholar Elisabeth Ceppi’s thought-provoking new book, Invisible Masters: Gender, Race, and the Economy of Service in Early New England (Dartmouth College Press, 2018), rewrites the familiar narrative of the relation between Puritan religious culture and New England’s economic culture as a history of the primary discourse that connected them: service. The understanding early Puritans had of themselves as God’s servants and earthly masters was shaped by their immersion in an Atlantic culture of service and the worldly pressures and opportunities generated by New England’s particular place in it. Concepts of spiritual service and mastery determined Puritan views of the men, women, and children who were servants and slaves in that world. So, too, did these concepts shape the experience of family, labor, law, and economy for those men, women, and children—the very bedrock of their lives. This strikingly original look at Puritan culture will appeal to a wide range of Americanists and historians. Elisabeth Ceppi is a Professor of English at Portland State University. Professor Ceppi’s research focuses on early American representations of unfreedom and what they reveal about how concepts of liberty, authority, and obedience entwine with hierarchies of gender, race, and class. Jerrad P. Pacatte is a Ph.D. candidate and School of Arts and Sciences Excellence Fellow in the Department of History at Rutgers University-New Brunswick. A social historian of gender, slavery, and emancipation in early America and the Atlantic World, Jerrad is currently completing his dissertation, entitled “The Work of Freedom: African American Women and the Ordeal of Emancipation in New England, 1740-1840” which examines the everyday lives, labors, and emancipation experiences of African-descended women in late-colonial and early republic New England. Learn more about your ad choices. Visit megaphone.fm/adchoices

During the 1910s, films about war often featured a female protagonist. The films portrayed women as spies, cross-dressing soldiers, and athletic defenders of their homes--roles typically reserved for men and that contradicted gendered-expectations of home-front women waiting for their husbands, sons, and brothers to return from battle. The representation of American martial spirit--particularly in the form of heroines--has a rich history in film in the years just prior to the American entry into World War I. The American Girl Goes to War: Women and National Identity in US Silent Film (Rutgers UP, 2022) demonstrates the predominance of heroic female characters in in early narrative films about war from 1908 to 1919. American Girls were filled with the military spirit of their forefathers and became one of the major ways that American women's changing political involvement, independence, and active natures were contained by and subsumed into pre-existing American ideologies. Jane Scimeca is Professor of History at Brookdale Community College. Learn more about your ad choices. Visit megaphone.fm/adchoices