Sanjukta Sunderason, "Partisan Aesthetics: Modern Art and India's Long Decolonization" (Stanford UP, 2020)
An interview with Sanjukta Sunderason
New Books in Critical Theory · Marshall Poe
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Show Notes
In Partisan Aesthetics: Modern Art and India's Long Decolonization (Stanford UP, 2020), Sanjukta Sunderason explores art's entanglements with histories of war, famine, mass politics and displacements that marked late-colonial and postcolonial India. Introducing "partisan aesthetics" as a conceptual grid, the book identifies ways in which art became political through interactions with left-wing activism during the 1940s, and the afterlives of such interactions in post-independence India. Using an archive of artists and artist collectives working in Calcutta from these decades, she argues that artists became political not only as reporters, organizers and cadre of India's Communist Party, or socialist fellow travelers, but through shifting modes of political participations and dissociations. Unmooring questions of Indian modernism from its hitherto dominant harnesses to national or global affiliations, Sunderason activates, instead, distinctly locational histories that refract transnational currents.
Holiday Powers is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies.
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