New Books in Critical Theory

How is the medical profession regulated in a ‘risk society’. This is the core question of John M. Chamberlain‘s Medical Regulation, Fitness to Practice and Revalidation: A Critical Introduction (Policy Press, 2015). Chamberlain, an associate professor of medical criminology at the University of Southampton, explores both the history of the medical profession as well as recent attempts to regulate and manage medicine’s relationship with society. The book focuses on how practitioners are judged to be fit, or not, to practice, in the context of both transformations of the profession and high profile scandals. The text brings together an analysis of the impact of new modes of regulation, particularly in terms of numbers of doctors sanctioned for poor practice, with theories of the sociology of professions and risk society. Focused on the UK, the book has important global implications and is essential reading for anyone interested in contemporary medical practice, as well as those working on professions, risk and sociology more generally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How can we de-colonize critical theory from within, and reimagine the way it grounds its normative claims as well as the way it relates to post- and de-colonial theory? Amy Allen (Philosophy and Women’s, Gender, and Sexuality Studies, Penn State University) takes up this project in her book The End of Progress: Decolonizing the Normative Foundations of Critical Theory (Columbia Univ. Press, 2016). The work challenges the way that the Frankfurt School of critical theory constructs and deploys concepts of normativity, history, and progress, in the process offering rich interpretations of Jürgen Habermas, Axel Honneth, and Rainer Forst. Allen then turns to the work of Theodor Adorno and Michel Foucault in order to articulate a different perspective on these issues, one that enables a radical self-critique and de-colonization of critical theory. She concludes by exploring alternative means for critical theory to justify its normative claims as a way for it to more deeply engage with post- and de-colonial theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Nadim Bakhshov joins the New Books in Network to discuss his book Against Capitalist Education: What is Education for? (Zero Books, 2015). The book posits new alternatives to educational thought and philosophy through an innovated, yet classic, style of dialogue between two characters, John and George, whom both channel philosophers, intellectuals, and great thinkers in history. You can connect to the guest via his Twitter at @nadimbakhshov or website, and also listen to his podcast on the subject here. For questions or comments on the New Books in Education podcast, you can connect to the host at @PoliticsAndEd. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

With the growth of social media like Facebook, Twitter, Instagram, and Snapchat, we are increasingly heading toward a radically open society. In Sharing our Lives Online: Risks and Exposure in Social Media (Palgrave Macmillan, 2014), author David R. Brake explores some of the social and individual harms that can arise from unwary social media use. Brake draws upon in-depth interviews with bloggers as well as scholarly research to explore why users may inadvertently reveal more online than they suppose. He explains in detail the social, technological, and commercial influences and pressures that keep us posting what we often shouldn’t and that prevent us from fully appreciating the risks when we do so. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The experience of the African American middle class has been an important area of research in the USA. However, the British experience has, by comparison, not been subject to the same amount of attention, particularly with regard to the middle class experience of education. Dr. Nicola Rollock, Deputy Director, Centre for Research in Race & Education and Senior Lecturer at the University of Birmingham’s School of Education, along with her co-authors, explores this under researched area in The Colour of Class: The Educational Strategies of the Black Middle Classes (Routledge, 2014). Drawing on Critical Race Theory, the idea of intersectionality, and Bourdieu, the book depicts the strategies associated with choosing schools, the narratives of families’ educational experiences, along with the legacy of racism within the British education system. The book is an important intervention into recent debates around educational attainment, charting the changing strategies, and changing perceptions, held by this section of middle class society. Ultimately despite so much attention given to other sociological categories, such as class or gender, when thinking about education race remains vitally important. This conclusion, alongside its wealth of empirical material and highly accessible style, make it essential reading. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Finn Brunton‘s Spam: A Shadow History of the Internet (MIT Press, 2013) is a cultural history of those communications that seek to capture our attention for the purposes of exploiting it. From pranks on early computer networks in the 1970s to commercial nuisances in the 1990s to the global criminal infrastructure of today driven by botnets and algorithms, spam’s history surfaces and shifts with the Internet itself. Spam is a lively book packed with tales of the people responsible for sharing and stopping spam’s myriad of forms in email, web sites and social networks. This includes everyone from programmers and security professionals, marketers and lawyers, and con artists and thieves to name a few. Each person has personal experiences with spam and opinions about when they’re being spammed, but Brunton, a professor at New York University, reminds us about the critical role that communities, organizations, and governments have played in regulating spam. Ultimately, the governance agreed to by these groups defines spam in the contemporaneous moment, but more importantly, shapes spam’s future forms. As long as open communication platforms exist, so will spam. It is more useful to treat spam as signal about the quality of our digital interactions. The more our attention is captured and exploited the worse our digital communities are functioning. Like the mysterious meat in a can (and with full appreciation for all the spam lovers out there), a digital diet heavy on spam isn’t just unappetizing, it’s unhealthy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What is cultural taste? How is it formed, imagined and patterned? In Understanding Cultural Taste: Sensation, Skill and Sensibility (Palgrave MacMillan, 2015), David Wright, Associate Professor at the University of Warwick, explores the theories and practices framing cultural taste in contemporary society in order to account for the social role of cultural taste. The book explains how taste is made knowable, through quantification and measurement, moves through an explanation of differing cultural taste patterns, including the all important figure of the omnivore, and narrates the impact of technology on cultural taste. The book accounts for the governing and globalisation of cultural taste, thinking through the rise of cosmopolitan tastes, as well as engaging with ideas about taste and expertise. The book uses a range of examples, including detailed discussions of contemporary art works such as Greyson Perry’s The lovely consensus. Although grounded in sociology, the book speaks to debates, and thus to readers, from across arts and cultural subjects. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What stories do we tell about finance? How does financial print culture shape our lives? Our guest today explores the narratives we have been told, and tell, about finance. A literary scholar, Leigh Claire La Berge writes about the representations of finance in years after 1979 and how many of the stories we tell about finance–that it is abstract and exceedingly complicated–took hold in this era. Leigh Claire La Berge is Assistant Professor of English in the Department of English at Borough of Manhattan Community College, CUNY. Her book, Scandals and Abstraction: Financial Fiction of the Long 1980s, was recently published by Oxford University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Every city seems to be ‘creative’, whether because it has a creative brand, a creative quarter or is home to creative industries. In his new book Urban Subversion and the Creative City Routledge, 2015), Oli Mould shows how this is an essential, but mistaken, aspect of the neo-liberal city. Creativity in the governance of the neo-liberal city erases and obscures inequalities and prohibits social justice. The book demonstrates a very different way of thinking about the creative city through a variety of subversive practices, from skateboarding and parkour, to urban explorations. Filled with images and global examples, the book will attract readers in geography, urban studies, sociology, cultural studies, as well as anyone interested in alternative forms of urban life. Mould also works across multiple media forms, and you can see more about the visual elements of Urban Subversion here, and read his blog and twitter feed. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What does it mean to be free? How can paying attention to the relationship between freedom and slavery help construct a concept and practice of freedom that is “perpetual, unfinished, and rooted in acts of flight” (181)? In his book Freedom as Marronage University of Chicago Press, 2015), Neil Roberts (Africana Studies, Religion, and Political Science, Williams College) explores this and many other questions. Proceeding from and working with the concept and practice of marronage – modes of escape from slavery emerging from the Caribbean – Roberts articulates a theory of freedom that is historically specific while having trans-historical reverberations, and that is attentive to lived experiences of freedom and slavery. In doing so, he engages histories of the transatlantic slave trade, colonialism, diaspora, the Haitian Revolution, and American slavery. Arguing for the need to creolize political theory and philosophy, Roberts also takes up the thought and practice of W.E.B. DuBois, Hannah Arendt, Philip Petit, Frederick Douglass, Angela Davis, Toussaint L’Ouverture, Jean-Jacques Dessalines, Edouard Glissant, Rastafari, and much more. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Capitalism in the Web of Life: Ecology and the Accumulation of Capital (Verso, 2015), author Jason W. Moore seeks to undermine popular understandings of the relationship among society, environment, and capitalism. Rather, than seeing society and environment as acting on an external, nonhuman nature, Moore wants us to recognize capitalism-in-nature. For Moore, seeing society and environment as separate has hampered clear thinking on the problems we face, such as climate change or the end of cheap nature, as well as political solutions to these issues. His book is an analysis of the interrelationship of capitalism and nature over the past few centuries as well as a critique of important environmental concepts such as the Anthropocene. Moore is assistant professor of sociology at SUNY-Binghamton and coordinator of the World Ecology Research Network. This book is a product of over a decade of research and writings on world ecology and evidence of his wide-ranging scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What are the alternatives to the current neo-liberal cultural settlement prevailing in much of the global north? In To Defend the Revolution is to Defend Culture: The Cultural Policy of The Cuban Revolution (PM Press, 2015), Rebecca Gordon-Nesbitt, from The Centre for Cultural Change, argues that this question can be addressed by learning from the cultural policy of the Cuban revolution. The book draws on a wealth of archival material, coupled with the theoretical framework of Marxist Humanism, to give a detailed picture of the revolutionary period on the island and chart the lessons from that era. The book introduces the key policy documents and events, along with examples from a variety of cultural forms, including a detailed engagement with the role of film and cinema in the revolutionary era. The book will be essential reading for cultural studies and cultural policy scholars, alongside anyone seeking an alternative vision of culture’s social role. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

So many of our social questions are now the subject of analysis from economics. In A Richer Life: How Economics can Change the Way We Think and Feel (Penguin, 2015), Phillip Roscoe, a reader at the University of St Andrew’s School of Management, offers a critique of the long march of economics into social life. The book covers a vast range of social examples, including dating, organ transplantation, and education, alongside accessible engagements with historical and contemporary economic theory. Using personal examples as well as academic expertise, Roscoe’s book offers a primer in the social cost of economics, as well as what we can do to resit and challenge economistic modes of thought. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Popular culture has been transformed in its attitudes towards disability, as representations across media forms continues to respond to the contemporary politics of disability. In Disability and Popular Culture: Focusing Passion, Creating Community and Expressing Defiance (Ashgate, 2015), Katie Ellis, a Senior Research Fellow at Curtin University, uses critical perspectives from disability studies to both challenge and celebrate the place of disability in popular culture. The book thinks through ideas of beauty, the role of children’s toys, representations in television and music, as well as science fiction and sport. Alongside the range of sites of disability and popular culture, the book closes with a case study of social media and the limits of inspirational images. The book is essential reading for cultural studies scholars, but raises important questions for a general readership. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The French philosopher Alain Badiou is not best known for his engagement with ecological matters per se. Badiou’s insights regarding being, truth, and political militancy are, however, highly relevant for the consideration of “the ecological question.” Based on a doctoral thesis written under Badiou’s supervision, Am Johal‘s new book, Ecological Metapolitics: Badiou and the Anthropocene(Atropos Press, 2015) is a thinking through and with Badiou’s work while addressing some of the most pressing concerns of our time: the relationship between human beings, technology, and nature; the meaning of change; and the possibilities of democratic politics and resistance. This, during an era that many now refer to as the “Anthropocene,” a period in which the impact of human beings on geological conditions and change has become unmistakable. Ecological Metapolitics is a work of engaged philosophy that will illuminate readers’ understanding of Badiou’s oeuvre. The book also makes an important contribution to our understanding of the past, present, and future of a modernity troubled on scales local and global. In dialogue with one of the most significant French thinkers of the postwar period, the book engages in ideas and debates that reach well beyond the boundaries of national spaces, cultures, and politics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Did you notice that after 9/11, the depiction of torture on prime-time television went up nearly seven hundred percent? Hilary Neroni did. She had just finished a book on the changing relationship between female characters and violence in narrative cinema, and was attuned to function of violence in film and television. This was around the time the Abu Ghraib torture photos were leaked to the public. Over the next 10 years, torture porn appeared in the Saw and Hostel films, and it seemed that torture quickly became a routine element of thriller plots in movies and TV, such as the series 24. In The Subject of Torture: Psychoanalysis and Biopolitics in Television and Film (Columbia University Press, 2015), Neroni makes a compelling case that, prior to 9/11, the stage had already been set for the dehumanizing fantasy of torture to appear in mass culture – via biopolitics. With this book, Neroni takes on the task of defining and understanding torture through a psychoanalytic lens, using films and television as case studies. The book is both compelling and readable, and argues that the fantasy and depiction of torture play a role as an ideology in national politics and policy, and that it’s all more complicated than it seems–once you stop averting your eyes. Hilary Neroni teaches in the Film and Television Studies Program at the University of Vermont and is also the author of The Violent Woman: Femininity, Narrative, and Violence in Contemporary American Cinema. Her areas of interest include representations of gender and race in contemporary American film, violence in film, women directors, documentary film/video, feminist theory, psychoanalysis, and Marxism. She has published essays on women directors (in particular Jane Campion and Claire Denis) and on issues surrounding gender and violence in the cinema. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Owning property. Being property. Becoming propertyless. These are three themes of white possession that structure Aileen Moreton-Robinson’s brilliant new inquiry into the dynamics of race and Indigeneity in “postcolonizing” societies like Australia.The White Possessive: Property, Power, and Indigenous Sovereignty (University of Minnesota Press, 2015) collects and expands over a decade of work that speaks to key dynamics both at the heart, and sometimes obscured, within critical Indigenous studies. A Goenpul scholar from Minjerribah (Stradbroke Island), Quandamooka First Nation (Moreton Bay) in Queensland, Australia, Aileen Moreton-Robinson is the author of numerous previous books and articles in the fields of law and sovereignty, whiteness, race and feminism, and is a Council Member of the Native American and Indigenous Studies Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How has American cultural and artistic policy changed over the last 25 years? Performing Policy: How Contemporary Politics and Cultural Programmes Redefined US Artists for the Twenty-First Century (Palgrave, 2014) explains the process of policy-making, funding models, NGOs and specific places that have shaped the current cultural settlement in the USA. Paul Bonin-Rodriguez’s book uses examples of policy reports, theatre and cross-arts organisations, as well as drawing on debates about creative platemaking. The multi-disciplinary approach allows Performing Policy to speak directly to the history of arts funding, in the context of the U.S.’s culture wars, as well as to the contemporary question of the role and purpose of the artist in society, along with how those artists might be educated. The book will be important reading for cultural policy and arts management students, as well as those in cultural studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Literary practices are often associated with specific social groups in particular social settings. Kate Pahl‘s Materializing Literacies in Communities: The Uses of Literacy Revisited (Bloomsbury, 2014) challenges these assumptions by showing the varieties of literary practice in Rotherham, England. The book engages with the locally particular to draw out a variety of general findings, relevant to methodological reflection and material culture debates. The book draws on a wealth of projects from the AHRC funded Connected Communities programme, including Fishing as Wisdom, The Imagine Project, and Language as Talisman. The book represents an important intervention into how we understand community, literacy and identity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Eugene Thacker‘s wonderful Horror of Philosophy series includes three books – In the Dust of this Planet (Zero Books, 2011), Starry Speculative Corpse (Zero Books, 2015), and Tentacles Longer than Night (Zero Books, 2015) – that collectively explore the relationship between philosophy (especially as it overlaps with demonology, occultism, and mysticism) and horror (especially of the supernatural sort). Each book takes on a particular problematic using a particular form from the history of philosophy, from the quaestio, lectio, and disputatio of medieval scholarship, to shorter aphoristic prose, to productive “mis-readings” of works of horror as philosophical texts and vice versa. Taken together, the books thoughtfully model the possibilities born of a comparative scholarly approach that creates conversations among works that might not ordinarily be juxtaposed in the same work: like Nishitani, Kant, Yohji Yamamoto, and Fludd; or Argento, Dante, and Lautramont. Though they explore topics like darkness, pessimism, vampiric cephalopods, and “black tentacular voids,” these books vibrate with life and offer consistent and shining inspiration for the careful reader. Anyone interested in philosophy, theology, modern literature and cinema, literatures on life and death, the history of horror…or really, anyone at all who appreciates thoughtful writing in any form should grab them – grab all of them! – and sit somewhere comfy, and prepare to read, reflect, and enjoy. For Thacker’s brand-new book Cosmic Pessimism (published by Univocal with a super-groovy black-on-black cover) go here. Thacker is co-teaching a course with Simon Critchley on “Mysticism” at the New School for Social Research this fall 2015. You can check out the description here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Valuation is a central question in contemporary social science. Indeed the question of value has a range of academic projects associated with it, whether in terms of specific questions or in terms of emerging fora for academic publications. In Value Practices in the Life Sciences and Medicine (Oxford University Press, 2015), Isabelle Dussauge, Claes-Fredrik Helgesson, and Francis Lee bring together a range of authors to outline a new research programme. Alongside individual essays that range from the allocation of transplant organs, questions of plagiarism in science, the ownership of generically modified organisms though to desire and neuroscience, the book points to a new way to think through questions of valuation. As a result its importance moves beyond an STS audience to establish value practices as a vital framework for understanding contemporary life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What does non-religion mean? In a new book Recognizing the Non-Religious: Reimagining the Secular (Oxford University Press, 2015), Lois Lee, one of the editors of Secularism and Non-Religion, interrogates the role of non-religion in society, to better understand how a seemingly neutral category tells us much about the contemporary world. Positioning the research against narratives that claim society as secularized, or as increasingly post-secular, Lee’s work, along with other scholars in the Non-Religion and Secularity Research Network, shows how there are varieties of secularism and non-religion prevailing today. The book is programatic, setting out a framework for engaging with non-religion as a bodily practice, as sociality, as media and as the everyday. Moreover it offers a methodological challenge to traditions of survey research in this area. In the final chapter the book also sketches the concept of existential cultures, showing the points of intersection in the practices of the secular and non-religious, with the theistic and spiritual. The book, because it reframes our understanding of modernity itself, should be essential reading across the social sciences. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

New Subaltern Politics: Reconceptualizing Hegemony and Resistance in Contemporary India (Oxford University Press, 2015), edited by Alf Gunvald Nilsen and Srila Roy, is a wonderfully rich and theoretically coherent collection of texts that critically assess the legacies of Subaltern Studies through research into political movements in India today. The case studies range from students at elite higher education institutes shoring up their privilege, to queer activism in Kolkata, to Dalit villagers fighting land grabs, and the studies’ richness allows for a really nuanced relational understanding of subalternity, hegemony and the state that make the book a truly conceptually and ethnographically innovative collection. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The role of financial services in individuals’ and communities’ everyday lives is more important than ever. In Devising Consumption: Cultural Economies of Insurance, Credit and Spending (Routledge, 2014), Liz McFall charts the rise of one particular element of financial services, door-to-door sales, to understand the role of insurance and credit in society. In doing so McFall aims to ‘ventriloquise the lives and consumption practices of the silent poor’, as well as charting a the history of a very neglected element of the story of finance’s role in contemporary life. The book contains a wealth of historical data, alongside a theoretical engagement with the meaning of ‘the device’ within current social theoretical literature. Moreover the book offers reflections on the role and workings of markets and states, both with regard to finance and more broadly to the government of social life. The combination of these perspectives offers an important new lens through which to understand the sociology of consumption and thus, more generally, the social world itself. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Are you happy? In his new book The Happiness Industry: How the Government and Big Business Sold Us Well-Being (Verso, 2015), William Davies, a senior lecturer at Goldsmiths’ College, University of London, critically investigates this question. The book offers skepticism towardsthe demand that economy and society be happy, skepticism founded in an interrogation of the practices of contemporary government and businesses. A whole range of our everyday experiences, including ‘nudges’ for citizens and staff, the perverse incentives of metrics, through tothe consequences of how psychiatry classifies depression, are subject to critical scrutiny.Moreover, the book acts as a primer on economics, psychology and organizational theory, clearly articulating the roots and the consequences of our current economic and social settlement. The book concludes with the possibility of a more democratic way of organizing the world, in contrast to our impersonal, oppressive, and data driven present. Dr Davies is a co-director of Goldsmiths’ Political Economy Research Centre and blogs at Potlatch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Networks seem to be the dominant metaphor for contemporary society. In Networkologies: A Philosophy of Networks for a Hyperconnected Age (Zero Books, 2014), Christopher Vitale sets out a manifesto for understanding and using networks as the basis of a new philosophy. The book draws on continental philosophy, complex systems theory and a range of other elements to both introduce and contextualise, as well as present, the networkology manifesto. The book explores what networks are, how they emerge, how they change and how they are resilient (or not). The book intervenes in the contemporary interest in networks and will thus be of interest beyond just the critical theoretical disciplines. The text is also part of a much broader networkological project, including an original iteration of the manifesto and several papers. You can find out more about the project here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Whether you need help being more focused at work, are having a spiritual crisis, or want to understand how you can change your inner self for the better, the popular self-help and spiritual well-being market has got you covered. In Capitalizing Religion: Ideology and the Opiate of the Bourgeoisie (Bloomsbury, 2014), Craig Martin, Associate Professor of Religious Studies St. Thomas Aquinas College, examines the rhetoric of individualism at root in these works and popular conceptions of ‘spirituality’ or individual religion. He demonstrates that individual religion has been placed within sets of dichotomies, communal vs. individual, tradition vs. choice, organized religion vs. spirituality, that establish the continuing conversations about contemporary spirituality. Overall, he argues that many spirituality and related self-help discourses recommend quietism, consumerism, and worker productivity, which reproduce the status quo within neoliberal capitalism. In our conversation we discuss the relationship between individuals and communities, the role of human agency, experience, ideology, contemporary fiction, Durkheim, William James, Karl Marx, Louis Althusser, and the joys of reading Deepak Chopra. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Theoretical and historical accounts of postcatastrophic societies often discuss melancholia and trauma at length but leave processes of mourning underexplored. In Warped Mourning: Stories of the Undead in the Land of the Unburied (Stanford UP, 2013), Alexander Etkind shows why mourning is more conducive to cultural analysis. Where trauma is unsymbolized and melancholia is contained within the self, mourning is often an address to the other.Mourning might entail attempts to remember, creatively work through, and make manifest losses in poetry, memorials, histories, painting, and other art forms.Without access to the unconscious, cultural historians can only engage what has already been represented and written — that which has materiality and symbolic richness.Individual and mutigenerational testaments and rituals of mourning — warped, haunted, and incomplete — are all that scholars have available. Warped Mourning is about how three generations spanning the Soviet and post-Soviet periods have mourned the millions who perished in the Terror, the Stalinist political repressions of the 1930s.Etkind peruses a broad array of writings and artifacts, offering interpretations inflected by insights from psychoanalysis and critical theory.Autobiographies, fiction, film, visual art, academic writings, and sites of memory like monuments contribute to a complex rendering of the work and evolution of mourning: from the mimetic and demetaphorized (potentially deadly) performative acts in the 1950s by those who directly experienced the gulag, to the still traumatized and politicized mourning by their children in the 1960s and 1970s, and, finally, to the more estranged or distanced remembrances of the post-Soviet years and today. Etkind argues that the killings and torture of the Soviet period were not fully worked through for a number of reasons: the gulag was state violence (and the state controlled public mourning), the division between perpetrators and victims was far from clear, and mourning the persecuted eventually became entwined with mourning the ideas of communism.Unfinished mourning and consequent improper burial and recognition of purge victims produced a culture replete with specters and uncanny monsters.The unpaid debt to the dead also created a strange temporality.Until recently, perhaps, Russia’s present has been flooded by the past.In the absence of proper monuments or sufficient memory making, history haunts Russia, propelling its politics and shaping its narratives with an immediacy and force unknown in the West. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Credit, debt and default are embedded into everyday life, whether as a constant part of people’s daily routines or as a constantly discussed topic in news media. Joe Deville‘s new book, Lived Economies of Default: Consumer Credit, Debt Collection and the Capture of Affect, helps to make sense of this by asking how this core part of the social world functions.The book draws on science and technology studies and theories of affect, to lay bare the practices of attaching the debtor to debt, and to getting debts to be repaid. The book has case studies of credit cards, collections agencies, telephone calls and letters, revealing the reality of default and debt in contemporary society. The book will appeal widely, not only to sociology, organization studies and anthropology, but also to politics, psychology, and the wider humanities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How is “the public sphere” best conceptualized on a transnational scale? Nancy Fraser (The New School for Social Research) explores this pressing question in her book Transnationalizing the Public Sphere (Polity, 2014). Opening with Fraser’s foundational essay, “Transnationalizing the Public Sphere: On the Legitimacy and Efficacy of Public Opinion in a Post-Westphalian World,” the book then contains critiques of the essay from a range of scholars working in different fields and concludes with Fraser’s reply, “Publicity, Subjection, Critique.” The interview covers the history and formation of public sphere theory, the currents and forces in the “postnational constellation” that demands its rethinking, critical theory, what normative legitimacy and political efficacy look like on the transnational scale, and more. The book is of interest to democratic theorists, scholars of globalization, critical and postcolonial theorists, media studies scholars, and other fields. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Social media is now a pervasive element of many people’s lives. in order to best understand this phenomenon we need a comprehensive theory of the political economy of social media. In Culture and Economy in the Age of Social Media (Routledge, 2015), Christian Fuchs, a professor of social media at the University of Westminster, brings together a range of media, social and economic theorists to explain social media. Using Raymond Williams to draw attention to the material conditions of control, production and use of social media, including case studies from the USA and China. Most notably the book insists on understanding the international division of labour behind the seemingly ephemeral aspects of online interactions. The book is essential reading for all of those active online, as well as those working in the political economy and critical theory traditions. It is available here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How are contemporary pop culture ideas about resilience used by Neoliberal capitalism? Robin James addresses this question using philosophy of music (and by doing philosophy through music) in her new book Resistance and Melancholy: Pop Music, Feminism, and Neoliberalism (Zero Books, 2015). The book opens with a discussion of Calvin Harris (& Florence Welch’s) Sweet Nothing as a way into theargument that ‘resilience discourse is what ties contemporary pop music aesthetics to neoliberal capitalism and racism/sexism’. James combines musicological analysis of specific techniques, such as soars, stutters and stops, with an exploration of the aesthetics of pop videos and a critical theoretical framework. In particular the book connects theories of biopower and biopolitics, along a critical take on gender and ethnicity, to the work of Beyonce, Lady Gaga and Rihanna. The text also offers a consideration of alternatives, whether those that have already been incorporatedinto contemporary pop, such the techniques and sounds of Atari Teenage Riot, or new strategies and new forms that might be beyond profit, beyond capital, and represent ‘bad investments’ to suck the life fromMulti-Racial White Supremacist Patriarchy. The book will interest a range of humanities and social science scholars, as well as anyone keen to know more about popular music and critical theory. To learn more about Dr James work read her blog here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Can sociology explain punk? In a new book, Networks of Sound, Style, and Subversion: The Punk and Post-Punk Worlds of Manchester, London, Liverpool, and Sheffield, 1975-80 (Manchester University Press, 2015), Nick Crossley from the University of Manchester offers an important new perspective on the birth of punk and post-punk in London, Liverpool, Manchester and Sheffield in the mid to late 1970s. Crossley uses social network analysis (SNA) to show why punk developed in specific places in specific ways. This is in contrast to existing work that seeks to ground punk in the strains of adolescent life in the crisis ridden 1970s, or in the actions of specific individuals. The book seeks to account for punk and post-punk in the four cities as a series of musical worlds, all of which have similarities shown by the SNA. Indeed, by concentrating on the networks that facilitated the rise of punk, the book shows how punk can be explained through networks of connected and sometimes competing sets of enthusiasts, before it became a subject of national moral panic. Combining readable examples of SNA with the story of punk, the book will be of interest to a popular, as well as academic, audience. Prof Crossley will be discussing some of his work that has followed the publication of the book, along with a range of papers on music and networks in Manchester on June 16th-18th 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Our guest today tells us that the seemingly straightforward field of logistics lies at the heart of contemporary globalization, imperialism, and economic inequality. Listen to Deb Cowen, the author of The Deadly Life of Logistics: Mapping Violence in Global Trade (University of Minnesota Press, 2014), discuss how the field of logistics reshaped global capitalism, undermined worker power, and even transformed how we think about life and death. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Struggles over information in the digital era are central to Tim Jordan‘s new book, Information Politics: Liberation and Exploitation in the Digital Society (Pluto Press, 2015). The book aims to connect a critical theoretical reading of the idea of information with the architectures and practices surrounding information. The text begins by setting out how information is not separated from contemporary struggles over liberation and exploitation and points towards the principles of information politics that guide the reader through an engagement with contemporary theories, including the work of Haraway and Deleuze. These principles then inform theories of networks, recursion and the affordances of technologies that are used, in turn, to account for the platforms and battlegrounds of informational politics. The book does not offer up information as a new master discourse for political struggles, but rather shows, through examples including Facebook, the ICloud, the iPad, online gaming, and hacktivism, how information can be connected to, and can shape, other areas of social contestation. The text will be of interest to anyone using the internet, in particular those concerned with who is control of that space and how it might be reimagined. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What is the fate of culture and urban regeneration in the era of austerity? In Urban Constellations: Spaces of Cultural Regeneration in Post-industrial Britain (Ashgate, 2015), Zoe Thompson applies critical cultural theory to help understand this question. The book is based on four case studies, of The Lowry in Salford, The Deep in Hull, The Sage Gateshead and The Public in West Bromwich. These four case studies are read through a variety of methods, including walking and visual methods, along with two key theorists, Jean Baudrillard and Walter Benjamin. Baudrillard and Benjamin are juxtaposed as important thinkers of culture, the symbolic and the urban, in an attempt to show the ambivalences of cultural buildings used for urban regeneration. The buildings are narrated as ‘dreamhouses’ within the symbolic, as well as the political, economy of post-industrial urban spaces. The book shows how all the case studies offer elements of hope and redemption for their locations, whether as sites for individual’s memory, in the case of The Sage, or as collective notions of art and culture, in the example of The Lowry. However the book also shows the risks associated with these spaces, as premature ruins, in the case of the now closed The Public, or sites reminding us of nature’s revenge in the form of climate change, as The Deep does. The book will be of interest to a large range of scholars across cultural and urban studies, through to architecture and critical theory, and it has important lessons for contemporary urban policy too. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Identity, performance and globalisation are at the heart of the cultural practices interrogated by Amanda Rogers in Performing Asian Transnationalisms: Theatre, Identity and the Geography of Performance (Routledge, 2015).The book explores the global networks of theatre that have emerged between Asia, America and Europe, using a variety of policy, practice and political examples. The book argues that globalisation, and the attendant transnational flows of people and culture, has both the potential to create theatre careers and new, important, works, whist at the same time constraining individuals, communities and cultural forms. The book draws on a rich combination of ethnographic and interview data, along with theoretically informed cultural analysis, using examples ranging from The British Council and the Singapore Art Festival, through Asian American and British East Asian identities, to controversial performances of theOrphan of Zhao. The book will be of primary interest to cultural,geography and performance scholars, but has valuable insights for social science and the humanities more generally. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What is a father? In Outlaw Fathers in Victorian and Modern British Literature: Queering Patriarchy (Fairleigh Dickinson UP, 2014), Helena Gurfinkel offers an insightful new vision of fatherhood through an engagement with English literature, Freudian psychoanalysisand queer theory. The book takes a range of authors who have depicted ideas of fatherhood, patriarchal relations and homosociality along with depictions of queer ideas of the family and of fatherhood itself. From Trollope, through James and Forster, to Hollinghurst and contemporary queer media, the book explores how the tightly drawn boundaries of the Victorian paternal relationship are represented and transformed in over a century of literary works. Moreover the core theoretical approaches, for example Freud’s theory of the negative Oedipus, are presented in an accessible opening chapter, making the book a readable entry into literary uses of these ideas.The book concludes by considering contemporary queer texts from and about the Female to Male Trans experience, perhaps the ultimate destabilisation of the heteronormative family binary. The book will appeal to both students of literature and critical theory scholars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

To be human is to question. This act of questioning is the essence of philosophy, as it allows ontology and epistemology to exist. For example, to understand what it is to be we must first ask the question of what it is to be. This insight, of the primacy of questioning, is at the heart of problematology, a philosophical approach explored in Nick Turnbull‘s new book Michel Meyer’s Problematology: Questioning and Society (Bloomsbury, 2014). The book has two core aims, to introduce problematology to the Anglophone world and to show how this approach can be useful for the social sciences. In particular the book mounts a defence of social science, grounded in the way problematology carves out a specific role for philosophy. The book ranges across Meyer’s work, including aesthetics, rhetoric, philosophies of science and language and political philosophy. The text engages with several key authors in post structuralism, including Derrida, showing the usefulness of Meyer’s thought for contemporary philosophy. However it goes beyond just the philosophical, illustrating how the neglect of Mayer in the English speaking world has missed the chance to found a new research programme in social science. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Victoria Hesford is an associated professor of Women and Gender Studies at Stony Brook University in New York. Her book Feeling Women’s Liberation (Duke University Press, 2013) examines the pivotal year of 1970 as defining the meaning of “women’s liberation.” Applying a theory of emotions to the rhetoric of mass media and the response of movement participants, Hesford demonstrates how our memory of the movement has been formed by either feelings of attachment, or dis-identification that hide its complexity and heterogeneity. The movement came to represent a radical form of feminism standing against the more staid liberal feminism of Betty Friedan. Instead of ideologically driven, Hesford argues that women’s liberation engaged in the “politics of emotion.” She demonstrates how the visceral media coverage and participant’s experience were mutual constituted in the “feminist-as-lesbian.” The language and multiple images of the feminist as a guerilla fighter, subversive and pathological, evoked the lavender menace and the “woman-identified-woman” within the movement. The lesbian became a defining figure used as a psychic weapon against women, or to denote sexual autonomy and political defiance. Central to her provocative analysis is the often-neglected figure of Kate Millet and her 1970 book Sexual Politics. The media’s outing of Millet, hounding by movement insiders to declare her lesbianism, and the spectacle of a self-fashioning response in the autobiography Flying offers a window into the feelings of betrayal, anger and depression that propelled the movement and evidence of its attachment to definitions of socially acceptable femininity. Instead of focusing on “what really happened,” the political triumphs and failures, Hesford looks to how emotions, both personal and social, shaped the movement and our memories. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Arts and culture are under threat in the age of austerity. This threat is underpinned by the misuse of the idea of participation in contemporary performance. This is one of the central arguments of Fair Play: Art, Performance and Neoliberalism (Palgrave, 2013) by Professor Jen Harvie. The book considers how arts and culture are changing in the era of neoliberalism, seeking to pinpoint the way that ideologies of individualisation, participation and creativity have, at best, ambivalent effects. The book sets out its argument by exploring the rise of working practices such as delegating and prosumption. The rise of the precarious labourer is linked with the rise of audience and spectator participation. Whilst this can have positive impacts, it is also part of shifting the basis for aesthetic work to the participant. A similar process occurs with the demand that the cultural practitioner become entrepreneurial- whilst this might make the practitioner more attentive to her audience it may also create an individualised, market driven cultural practice. These issues play out in place and space too, as the narrative of the creative city is contrasted with the forms of exclusion associated with contemporary issues of housing in the city. The book concludes by asking a fundamental question, as to how best to fund the arts, discussing the rise and risks of philanthropy and market modes of support. The book uses a host of examples, from contemporary art, theatre pop ups and cultural institutions. It will be vital reading for anyone interested in the state of culture today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Two Canadian socialist thinkers have published a new book on the successes and failures, the crises, contradictions and conflicts in present-day capitalism. In The Making of Global Capitalism: The Political Economy of American Empire (Verso, 2013), Leo Panitch and Sam Gindin trace the evolution of the international capitalist system over the last century. (Panitch is a professor of political science at Toronto’s York University while Gindin holds the Packer Chair in Social Justice at York.) They argue that today’s global capitalism would not have been possible without American leadership especially after the two World Wars and that the U.S. Treasury and Federal Reserve were more crucial in extending and maintaining American power than the Pentagon or the CIA. The U.S. capitalist empire is an “informal” one, they write, in which Americans set the terms for international trade and investment in partnership with other sovereign, but less powerful states. Panitch and Gindin also disagree with those who contend that China is set to replace the U.S. as the world’s economic superpower. They write that China does not have the institutional capacity to manage the crisis-prone, global capitalist system — a burden that, for the foreseeable future, will continue to be carried by the American empire. The Making of Global Capitalism: The Political Economy of American Empire won the 2013 Deutscher Prize awarded for books which exemplify “the best and most innovative new writing in or about the Marxist tradition.” The New Books Network spoke with co-author Leo Panitch during his recent visit to Halifax, Nova Scotia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The work of Theodore Adorno is well established as a crucial resource for understanding the complexities of contemporary capitalism, playing a foundational role in Critical Theory. Dialectic of Enlightenment, Adorno’s most well known text written with Max Horkheimer, is reassessed in a new book of philosophy by Martin Shuster. Autonomy after Auschwitz: Adorno, German Idealism and Modernity (University of Chicago Press, 2014) considers how autonomy might exist under the conditions of contemporary capitalism, following the disastrous inhumanity of events in the twentieth century. Shuster explores the nature of autonomy in four ways. The book opens with a re-reading of Dialectic of Enlightenment, as a means to engage and critique Kant’s notion of autonomy. The text then turns to consider a potential ‘response’ from Kant, in the form of Kant’s conception of a rational theology. It is here where Shuster considers the importance of God to Kantian ethics, most notably the role of God as establishing the value of humanity in the categorical imperative. The categorical imperative is juxtaposed with Adorno’s later work, which Shuster argues provides a way to think about autonomy that moves beyond and between the totalizing dialectic of enlightenment and Kant’s rational theology. The book closes with a consideration of Hegel’s relationship to this reading of Adorno, reassessing topics such as the teleology of history in Hegel through to the contemporary work of Stanley Cavell. The conclusion provides a practical call to arms based on the conception of autonomy developed in the book. The chapter on Dialectic of Enlightenment provides a stimulating reassessment of a text central to the critical theory tradition and should attract a general readership looking to add depth to their knowledge of this work. However the book itself will also be of interest to all readers of contemporary philosophy, holocaust studies and those wondering how we should live now. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Steven Shaviro‘s new book is a wonderfully engaging study of speculative realism, new materialism, and the ways in which those fields can speak to and be informed by the philosophy of Alfred North Whitehead. While The Universe of Things: On Speculative Realism (University of Minnesota Press, 2014) will satisfy even advanced scholars working on “object-oriented ontology” and related issues, it’s also a fantastic introduction for readers who have never heard of “correlationism” or panpsychism, don’t quite understand what all of the recent humanities-wide Whitehead-related fuss is all about, and aren’t sure where to begin. After a helpful introduction that lays out the major terms and stakes of the study, seven chapters each function as stand-alone units (and thus are very assignable in upper-level undergrad or graduate courses) while also progressively building on one another to collectively advance an argument for what Shaviro calls a “speculative aesthetics.”The Universe of Things emphasizes the importance of aesthetics and aesthetic theory to reading and engaging the work of Whitehead, Harman, Meillassoux, Kant, Levinas, Bryant, and others as an ongoing conversation about how we understand, inhabit, and exist as part of a material world. It’s a fabulous (and fabulously clearly written!) work that I will be recommending widely to colleagues and students. During the course of the interview we talked a bit about the opportunities that electronic and web-based media have brought to life and work in academia. On that note, you can find Steve’s blog here: http://www.shaviro.com/Blog/ Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How did a golden age of cultural funding in UK turn to lead? This is the subject of a new cultural history by Robert Hewison. Cultural Capital: The Rise and Fall of Creative Britain (Verso, 2014) charts the New Labour era of cultural policy, detailing the shift from the optimism of the late 1990s to the eventual crisis of funding and policy currently confronting culture in the UK. The book identifies the faustian pact between government and cultural sector, as increased funding came at the price of delivering economic and social policy agendas and responding to bureaucratic forms of management. The book uses a range of examples to illustrate this problematic bargain, from the disasters of the Millennium Dome and The Public, through an analysis of the 2012 Olympic Games. Alongside the range of cultural policy projects discussed is an exploration of the infrastructure, in particular the government departments and public bodies, which are at the root of the failure of British cultural policy between 1997 and today. These failures, including how policy did little or nothing to broaden the base of consumers for state sponsored cultural institutions, are set against the need to renew the meaning and purpose of culture in government. Written with a sharp wit and full of intriguing commentary on the personalities of the key players, the book is essential reading for anyone keen to understand why Britain continues to struggle with the idea of cultural policy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

To understand contemporary politics we must understand how it is represented in fiction. This is the main argument in A State of Play: British Politics on Screen, Stage and Page, from Anthony Trollope to The Thick of It (Bloomsbury Academic, 2014) a new book by Steven Fielding, Professor of Politics at the University of Nottingham. The book explores how British politics has been represented in fiction from the late Victorian era through to the present. The book identifies a fascinating set of core themes, including how the political class has been defended and attacked, how the idea of populism has developed over time, along with the changing role of women in British political fiction. A State of Play does not over-claim, stressing that although an understanding of fiction is essential to understanding politics, we still don’t know the exact relationship between people’s political participation and political fiction. However, it does make a convincing case that any understanding of the British political system will be insufficient without understanding how it has been imagined and depicted. Indeed, as later chapters show, the mode of depiction itself has become an important territory for explaining British political culture. The book contains a huge range of examples, from the more well known television series, such as Yes, Minister and The Thick of It, through to obscure and perhaps forgotten books such asThe Mistress of Downing Street. Overall it will be of interest to academics and the public alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

It is a cliche to suggest we are what we read, but it is also an important insight. In The New Literary Middlebrow: Readers and Tastemaking in the Twenty First Century (Palgrave-MacMillan, 2014), Beth Driscoll, from University of Melbourne, extends and critiques the work of Pierre Bourdieu to account for modern literary tastes and the literary field in which those tastes are embedded. The book attempts to explore and defend the idea of the middlebrow in literature. ‘Middlebrow’ is defined by eight characteristics, whereby it is middle class, it has reverence to elite cultures, and it is entrepreneurial, mediated, feminized, emotional, recreational and earnest. In the main it is situated within the tension between the aesthetic and the commercial. The book uses four case studies to explore how this tension, along with the idea of the middlebrow, plays out. In the first case study the role of Oprah Winfrey as a tastemaker and cultural intermediary is explored as part of an analysis of book clubs. The analysis shows how Oprah’s book club was important in establishing markets for books as well as being a site for the struggle over what is, and what is not, legitimate taste. This legitimacy is tied to elements of the middlebrow aesthetic, which has earnestness and self improvement as an important component. This component is both the source of struggle with more elite elements of the literary field and a source of changing reading practices, for example in the way Harry Potter is used in schools. The final two case studies, of book prizes and literary festivals, add to the defence of the middlebrow as a vital form of aesthetic production and cultural consumption for both understanding the future of reading and the future of the market for literature in the era of social media. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What is funny? What makes you laugh? We think of laughter as being universal idea that applies to everyone, no matter their age, ethnicity, gender or social class. In Comedy and Distinction: The Cultural Currency of a ‘Good’ Sense of Humour (Routledge, 2014), Sam Friedman tries to overturn our assumptions about comedy. The book draws on the work of Pierre Bourdieu to show how comedy is deeply related to social position, both in terms of what sorts of comedy people watch and listen to and also in terms of their sense of humour. Comedy is the basis for a form of distinction, as social groups differentiate themselves from others by their tastes. This applies not only to the upper and working class groups in society, but has implications for socially mobile individuals too. Moreover, the book shows how the assumption of good taste in comedy, which is related to having omnivorous cultural interests, is often bound up with symbolic violence from high social status groups towards the rest of society. Alongside the book’s detailed consideration of cultural consumption, the text offers an insight into both the history and the business of comedy, illustrating how the tastemakers of comedy scouting and criticism reinforce the social divisions found in comedy consumption. In exploring both the production and consumption of comedy Friedman develops the idea of cultural capital in comedy, a theoretical idea that will be useful for anyone thinking about the sociology of culture. For the more general reader the book shows how important comedy is to modern society, as opposed to those who would see it as a lowbrow cultural form. By the end of the text the reader will understand that comedy is no laughing matter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What can possibly be wrong with the process of understanding in psychoanalytic treatment? Everything, according to Bruce Fink. In Against Understanding. Volume 1: Commentary and Critique in a Lacanian Key (Routledge, 2014), he argues that since understanding is part of the Lacanian imaginary, it often leads to fixed assumptions and projections on the part of both analyst and analysand, inhibiting change, or the curative in psychoanalysis. Many of us probably have heard ourselves and others say that understanding why we do something hurtful or destructive does not seem to stop us from doing it; again and again and again. In the clinical vignettes, case studies, and theoretical papers compiled in this volume Fink suggests that rather than understanding, clinicians ought to strive to bring the unconscious to speech – to help analysands communicate knowledge once residing in the unconscious. Such knowledge is generated not through narrative, insight, or meaning making but parapraxes, slurred speech, and mixed metaphors – the non-sense produced by the subject of the unconscious. Speaking that which was previously unsymbolizable shakes the ego at its foundation and enables therapeutic change. A section of Against Understanding is devoted to interviews conducted with the author about his translations of Lacan and the work of translation generally. We touch on issues of translation in our interview as well, highlighting the creativity, pleasures, frustrations, and compromises involved in the process. Bruce Fink and I have only begun to explore his theoretical and clinical writings. Please stay tuned for the next installment in a few months, when we will discuss volume 2of this incisive and thought-provoking collection. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

It’s been 100 years since the start of the First World War, a conflict that cost millions of lives. In his recently revised book, Propaganda and the Ethics of Persuasion (2013), Randal Marlin writes that Britain pioneered propaganda techniques to sell that war that have been imitated ever since. He tells how the British spread a false story about Germans boiling the bodies of their dead soldiers in corpse factories. It was designed to paint Germany as a uncivilized, ghoulish nation that had to be fought. Marlin also tells how American propaganda during the First World War helped foster the modern public relations and advertising industries. Marlin, who studied with the French propaganda theorist Jacques Ellul, sees propaganda as a manipulative exercise of power and he argues that in order to defend ourselves against it, we need to recognize its methods and techniques. His revised second edition analyzes how the Bush administration used fear to persuade Americans to support the invasion of Iraq. The book traces the history of propaganda from ancient times to its present, post 9/11 forms Randal Marlin is a professor of philosophy at Carleton University in Ottawa. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory