New Books in Critical Theory

A how-to guide for the left on how to overcome Nietzsche's divisive and damaging influence. How to Read Like a Parasite: Why the Left Got High on Nietzsche (Repeater Books, 2024) overturns the whitewashed and defanged version of Nietzsche that has been made popular by generations of translators and academic philosophers who have presented his work as apolitical and without a core reactionary agenda. The central argument of the book is that Nietzsche’s philosophy does have a center, and that the left learns a great deal from Nietzsche when we read him as driven by a highly sophisticated reactionary political vision that informs all his major concepts and ideas. The most important Nietzschean concepts — from perspectivism, ressentiment, eternal return to the pathos of distance — are analyzed in the historical context in which Nietzsche lived and wrote, and several case-studies of prominent left-Nietzscheans from Jack London, Gilles Deleuze, Wendy Brown to Huey Newton are discussed. How to Read Like a Parasite makes a persuasive case for how we can overcome Nietzsche’s damaging influence on the left, showing us how to read and understand his work without becoming victims of it. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How can artists survive today? In Cultural Work and Creative Subjectivity: Recentralising the Artist Critique and Social Networks in the Cultural Industries (Routledge, 2023), Dr Xin Gu, Director of the Master of Cultural and Creative Industries at Monash University and an expert appointed by UNESCO 2005 Convention on the Protection and Promotion of Diversity of Cultural Expression, examines contemporary labour conditions for cultural workers. Drawing on detailed historical and global case studies, as well as up to date analysis of changing working practices, the book offers a new theorisation of the role of culture in society. The book is the basis for a major reassessment of how art and culture function in our global context, and will be essential reading across the humanities and social sciences, as well as for anyone interested in cultural industries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Recent years have brought an upsurge in celebrity activism. Not a day goes by without an actor or musician taking to a stage, a podium or the internet to speak on a social issue, address an environmental problem, or adopt a political position. It’s easy to be cynical about the motivations of these privileged and sometimes uninformed people. Many of them come across as self-serving. But others appear genuine. Either way, celebrity activists are here to stay and it is incumbent on us to think about what it means for politics that we now live in an age in which celebrities are preferred over elected political leaders as spokespeople for humanitarian causes, and human rights. Who are they addressing? Who benefits when they speak? And what are the costs that they do? The answers to these questions, Samantha Majic explains on this episode of New Books in Interpretive Political and Social Science, are neither singular nor straightforward. How and why celebrities take up causes, she writes in Lights, Camera, Feminism? Celebrities and Anti-trafficking Politics (University of California Press, 2023) is shaped and mediated by a range of personal and contextual factors. Nor do celebrity activists always go along with dominant narratives or align themselves with prevailing ideologies. They depend on certain infrastructures to be heard, but they make their own decisions about how and why they are. And while many of these decisions are ethically defensible, the problem with the celebrity activist is that they are unaccountable because they are self-appointed to represent the interests of others. If you like this episode then you might also be interested in Sverre Molland talking about The Perfect Business? And, in a new feature of the series, our author’s reading recommendations are: Nikol Alexander-Floyd, Re-Imagining Black Women Natalia Mehlman Petrzela, Fit Nation Kate Manne, Unshrinking Angela Jones, Camming Nick Cheesman is associate professor in the Department of Political and Social Change, Australian National University where he co-convenes the Interpretation, Method, Critique network; and, a committee member of the Interpretive Methodologies and Methods group of the American Political Science Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

All over the world, people disappear from their families, communities and the state’s bureaucratic gaze, as victims of oppressive regimes or while migrating along clandestine routes. An Anthropology of Disappearance: Politics, Intimacies and Alternative Ways of Knowing (Berghahn Books, 2023) brings together scholars who engage ethnographically with such disappearances in various cultural, social and political contexts. This volume takes an anthropological perspective on questions about human life and death, absence and presence, rituals and mourning, liminality and structures, citizenship and personhood as well as agency and power. The chapters explore the political dimension of disappearances and address methodological, epistemological and ethical challenges of researching disappearances and the disappeared. The combination of disappearance through political violence, crime, voluntary disappearance and migration makes this book a unique combination. Laura Huttunen is Professor of Social Anthropology at the Tampere University, Finland. In 2013-14 she ran a project that focused on the question of missing and disappeared persons in Bosnia-Herzegovina. In 2018-2022 she led a research project with a focus on disappearances in migratory contexts. Gerhild Perl is Assistant Professor of Social Anthropology at the University of Trier, Germany. Her work has been published in journals such as the Journal of Social and Cultural Anthropology and the Journal of Intercultural Studies. Her doctoral dissertation on death during migration across the Spanish-Moroccan Sea was awarded the Maria Ioannis Baganha Award and the Dissertation Prize of the German Anthropological Association. Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Burnt by Democracy: Youth, Inequality, and the Erosion of Civic Life (University of Toronto Press, 2023) by Dr. Jacqueline Kennelly traces the political ascendance of neoliberalism and its effects on youth. The book explores democracy and citizenship as described in interviews with over forty young people – ages 16 to 30 – who have either experienced homelessness or identify as an activist, living in five liberal democracies: Canada, Australia, New Zealand, the United States, and the United Kingdom. Highlighting significant cuts to social and affordable housing, astronomical increases in the costs of higher education, and the transformation and erosion of state benefits systems, Dr. Kennelly argues that democracy’s decline is not occurring because young people are apathetic, or focused on informal politics, or unaware of their civic duties. Rather, it is because of collective misunderstanding about how democracy is actually structured, how individuals learn to participate, and how growing wealth inequality has undermined the capacity of those at the bottom to meaningfully advocate for changes that might improve their conditions. Against a vivid and often heart-breaking backdrop of stories from young people struggling to survive and thrive under conditions of ever-expanding state retrenchment and inequality, Burnt by Democracy makes a timely and impassioned plea for protecting and strengthening democracy by truly levelling the playing field for all. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

NYU professor Sonali Thakkar’s brilliant first book, The Reeducation of Race: Jewishness and the Politics of Antiracism in Postcolonial Thought (Stanford UP, 2023), begins as a mystery of sorts. When and why did the word “equality” get swapped out of the 1950 UNESCO Statement on Race, to be replaced by “educability, plasticity”? She and John sit down to discuss how that switcheroo allowed for a putative anti-racism that nonetheless preserved a sotto voce concept of race. They discuss the founding years of UNESCO and how it came to be that Jews were defined as the most plastic of races, and “Blackness” came to be seen as a stubbornly un-plastic category. The discussion ranges to include entwinement and interconnectedness, and Edward Said's notion of the "contrapuntal" analysis of the mutual implication of seemingly unrelated historical developments. Sonali's "Recallable Book" shines a spotlight on Aime Cesaire's Discourse on Colonialism--revised in 1955 to reflect ongoing debates about race and plasticity. Mentioned in the episode: Ama Ata Aidoo, Our Sister Killjoy (1977) Hannah Arendt, "The Crisis in Education" (1954) in Between Past and Future: Eight Exercises in Political Thought ( "the chances that tomorrow will be like yesterday are always overwhelming" ) Franz Boas, "Commencement Address at Atlanta University," May 31, 1906 (this is where he says the bit about "the line of cleavage" Franz Boas, Changes in Bodily Form of Descendants of Immigrants, Final Report, immigration COmmission (1911) W.E.B. Du Bois, "Color and Democracy: Colonies and Peace," (1945) Frantz Fanon, Black Skin, White Masks (1952) Michel Foucault, "Nietzsche, Genealogy, History" Adom Getachew, Worldmaking After Empire: The Rise and Fall of Self-Determination IHRA definition of Antisemitism. Jerusalem Declaration on Antisemitism. Claude Lévi-Strauss, Race and History (1952) Natasha Levinson, "The Paradox of Natality: Teaching in the Midst of Belatedness," in Hannah Arendt and Education: Renewing our Common World, ed. by Mordechai Gordon (2001) Edward W. Said, Culture and Imperialism (on the contrapuntal) Joseph Slaughter, Human Rights Inc.: The World Novel, Narrative Form, and International Law UNESCO (United Nations Educational, Scientific and Cultural Organization), 1950 Statement on Race UNESCO, 1951 Statement on the Nature of Race and Race Differences Gary Wilder, Freedom Time: Negritude, Decolonization, and the Future of the World (on the methodological nationalism of postcolonial studies and new approaches that challenge it) Recallable books: Aimé Césaire, Discourse on Colonialism (1950, 1955 rev. ed.) George Eliot, Daniel Deronda (1876) Read and Listen to the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How can culture be authentic in the modern world? In The Poet's Song: Folk and its Cultural Politics in South Asia (Rouitledge, 2023), Dr Priyanka Basu, a Lecturer in Performing Arts at Kings College London, explores the history and practice of the folk performance Kobigaan. The book draws on rich archival and historical analysis, as well as fieldwork in West Bengal and Bangladesh, to tell the story of how Kobigaan has evolved over time, how it has been preserved, how it has changed media and changed practice, and how the struggles over to whom Kobigaan belongs play out today. A fascinating and engaging text, the book will be of interest to scholars across the humanities, as well as for anyone interested in arts and culture! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In a radical and ambitious reconceptualization of the field, Colonialism, World Literature, and the Making of the Modern Culture of Letters (Cambridge UP, 2024) argues that global literary culture since the eighteenth century was fundamentally shaped by colonial histories. By introducing the concept of ‘literary sovereignty’, the book argues that political sovereignty in colonial India went hand in hand with a massive project of textually understanding local cultures that colonial officials encountered. This in turn gave rise to paradigms such as those of comparison, fields of study such as literary history and most importantly – world literature. It offers a comprehensive account of the colonial inception of the literary sovereign – how the realm of literature was thought to be separate from history and politics – and then follows that narrative through a wide array of different cultures, multilingual archives, and geographical locations. Providing close studies of colonial archives, German philosophy of aesthetics, French realist novels, and English literary history, this book shows how colonialism shaped and reshaped modern literary cultures in decisive ways. It breaks fresh ground across disciplines such as literary studies, anthropology, history, and philosophy, and invites one to rethink the history of literature in a new light. The book also offers us tools to decolonise literary studies by highlighting the genealogies of modern ideas of world literature and comparative literature that are rooted in European colonialism. Baidik Bhattacharya works at the crossroads of literary studies, social sciences, and philosophy. His first book, Postcolonial Writing in the Era of World Literature: Texts, Territories, Globalizations (Routledge, 2018), explores the debates surrounding two dynamic fields-postcolonial studies and world literature. Contrary to many dominant narratives in critical theory, the book asserts that as an analytical framework the idea of world literature is dead: the nineteenth-century ideal of world literature had always and already been embedded in colonial histories; and, in our contemporary times, the promise of that ideal has been exhausted by postcolonial Anglophone literature. Through fresh and incisive readings of the postcolonial canon and some of its most prominent authors like Rudyard Kipling, V. S. Naipaul, J. M. Coetzee, and Salman Rushdie, the volume discusses how these Anglophone writings have used the banal and ordinary ideal of world literature to fashion out their own trajectories. Bhattacharya is the co-editor of two volumes: Baidik Bhattacharya and Sambudha Sen (eds.) Novel Formations: The Indian Beginnings of a European Genre (Permanent Black, 2018); Baidik Bhattacharya and Neelam Srivastava (eds.) The Postcolonial Gramsci (Routledge, 2012). His other works have appeared in Novel: A Forum on Fiction, Interventions, Postcolonial Studies among other places. Bhattacharya has held visiting scholarships at the University of Virginia and the University of Western Cape. He serves on the editorial board of the journal Postcolonial Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How does race matter in schools? In The Culture Trap: Ethnic Expectations and Unequal Schooling for Black Youth (Oxford UP, 2023), Derron Wallace, the Jacob S. Potofsky Chair in Sociology at Brandeis University, tells the contrasting stories of two schools in the UK and USA. The book demonstrates two very different sets of expectations for Black youth in the two countries schools, and two very different educational and social structures reinforcing these expectations. The book draws on a rich ethnographically informed narrative, which centres teachers’ and students’ understandings and experiences of education. In doing so, the book challenges ‘cultural’ explanations for failures and successes in the two schools, and the two countries. Demonstrating both the socially constructed nature of race in the UK and USA, and the racism at the centre of both educational systems, the book is essential reading across the social sciences, humanities and for anyone interested in schools, education, and social change. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Can brands really support positive social change? In Big Brands are Watching You: Marketing Social Justice and Digital Culture (U California Press, 2024), Francesca Sobande, a Senior Lecturer in Digital Media Studies at Cardiff University explores this question by considering the morality of contemporary brands in contemporary, digitial, culture. The book offers a rich set of case studies, ranging from the ways corporations co-opt social justice campaigns and how nations brand themselves, through to influencers, music festivals, and high end television. A significant contribution to both the theory and practice of branding and marketing, the book will be of interest across social sciences, business, and humanities, as well as anyone interested in the role of branding in modern life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Posthuman Gaming: Avatars, Gamers, and Entangled Subjectivities (Routledge, 2023) explores the relationship between avatar and gamer in the massively multiplayer online roleplaying game World of Warcraft, to examine notions of entangled subjectivity, affects, and embodiments – what it means and how it feels to be posthuman. With a focus on posthuman subjectivity, Wilde considers how we can begin to articulate ourselves when the boundary between self and other is unclear. Drawing on fieldnotes of her own gameplay experiences, the author analyses how subjectivity is formed in ways that defy a single individual notion of “self”, and explores how different practices, feelings, and societal understandings can disrupt strict binaries and emphasise our posthumanism. She interrogates if one can speak of an “I” in the face of posthuman multiplicity, before exploring different analytical themes, beginning with how acting theories might be posthumanised and articulate the relationship between avatar and gamer. She then defines posthuman empathy and explains how this is experienced in gaming, before addressing the need to account for boredom, the complexity of nostalgia, and ways death and loss are experienced through gaming. This volume will appeal to a broad audience and is particularly relevant to scholars and students of cultural studies, media studies, humanities, and game studies. Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Immeasurable Weather: Meteorological Data and Settler Colonialism from 1820 to Hurricane Sandy (Duke UP, 2023), Sara J. Grossman explores how environmental data collection has been central to the larger project of settler colonialism in the United States. She draws on an extensive archive of historical and meteorological data spanning two centuries to show how American scientific institutions used information about the weather to establish and reinforce the foundations of a white patriarchal settler society. Grossman outlines the relationship between climate data and state power in key moments in the history of American weather science, from the nineteenth-century public data-gathering practices of settler farmers and teachers and the automation of weather data during the Dust Bowl to the role of meteorological satellites in data science’s integration into the militarized state. Throughout, Grossman shows that weather science reproduced the natural world as something to be measured, owned, and exploited. This data gathering, she contends, gave coherence to a national weather project and to a notion of the nation itself, demonstrating that weather science’s impact cannot be reduced to a set of quantifiable phenomena. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Going for Broke, edited by Alissa Quart, Executive Director of the Economic Hardship Reporting Project, and David Wallis, former Managing Director of EHRP, gives voice to a range of gifted writers for whom "economic precarity" is more than just another assignment. All illustrate what the late Barbara Ehrenreich, who conceived of EHRP, once described as "the real face of journalism today: not million dollar-a-year anchorpersons, but low-wage workers and downwardly spiraling professionals."One essayist and grocery store worker describes what it is like to be an "essential worker" during the pandemic; another reporter and military veteran details his experience with homelessness and what would have actually helped him at the time. These dozens of fierce and sometimes darkly funny pieces reflect the larger systems that have made writers' bodily experiences, family and home lives, and work far harder than they ought to be.Featuring introductions by luminaries including Michelle Tea, Keeanga-Yamahtta Taylor, and Astra Taylor, Going for Broke is revelatory. It shows us the costs of income inequality to our bodies and our minds--and demonstrates real ways to change our conditions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Bankers brought the global economic system to its knees in 2007 and nearly did the same in 2020. Both times, the US government bailed out the banks and left them in control. How can we end this cycle of trillion-dollar bailouts and make finance work for the rest of us? Busting the Bankers' Club confronts the powerful people and institutions that benefit from our broken financial system—and the struggle to create an alternative. Drawing from decades of research on the history, economics, and politics of banking, economist Gerald Epstein shows that any meaningful reform will require breaking up this club of politicians, economists, lawyers, and CEOs who sustain the status quo. Thankfully, there are thousands of activists, experts, and public officials who are working to do just that. Clear-eyed and hopeful, Busting the Bankers' Club: Finance for the Rest of Us (U California Press, 2024) centers the individuals and groups fighting for a financial system that will better serve the needs of the marginalized and support important transitions to a greener, fairer economy. Busting the Bankers’ Club is an eye-opening account of the failures of our financial system, the sources of its staying power, and the path to meaningful economic reform from Professor Gerald Epstein, Founding Codirector of the Political Economy Research Institute at the University of Massachusetts Amherst. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Today, being authentic has become an aspiration and an imperative. The notion of authenticity shapes the consumption habits of individuals in the most diverse contexts such as food and drinks, clothing, music, tourism and the digital sphere, even leading to the resurgence of apparently obsolescent modes of production such as craft. It also significantly transforms urban areas, their local economies and development. Alessandro Gerosa's The Hipster Economy: Taste and Authenticity in Late Modern Capitalism (UCL Press, 2024) analyses this complex set of related phenomena to argue that the quest for authenticity has been a driver of Western societies from the emersion of capitalism and industrial society to today. From this premise, the book advances multiple original contributions. First, it explains why and how authenticity has become a fundamental value orienting consumers' taste in late modern capitalism; second, it proposes a novel conceptualisation of the aesthetic regime of consumption; third, the book constitutes the first detailed analysis of the resurgence of the neo-craft industries, their entrepreneurs, and the economic imaginary of consumption underpinning them, and fourth, it analyses how the hipster economy is impacting the urban space, favouring new logic of urban development with contrasting outcomes. Open-source PDF version found at this link! Jeff Adler is an ex-linguist and occasional contributor to New Books Network! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Race and Gender in the Western Music History Survey: A Teacher’s Guide provides concrete information and approaches that will help instructors include women and people of color in the typical music history survey course and the foundational music theory classes. This book provides a reconceptualization of the principles that shape the decisions instructors should make when crafting the syllabus. It offers new perspectives on canonical composers and pieces that take into account musical, cultural, and social contexts where women and people of color are present. Secondly, it suggests new topics of study and pieces by composers whose work fits into a more inclusive narrative of music history. A thematic approach parallels the traditional chronological sequencing in Western music history classes. Three themes include people and communities that suffer from various kinds of exclusion: Locales & Locations; Forms & Factions; Responses & Reception. Each theme is designed to uncover a different cultural facet that is often minimized in traditional music history classrooms but which, if explored, lead to topics in which other perspectives and people can be included organically in the curriculum, while not excluding canonical composers. Dr. Horace J. Maxile, Jr. is Associate Professor of Music Theory at Baylor University. His primary interests are the concert music of Black composers, music semiotics, and gospel music. His research has appeared in scholarly journals such as Perspectives of New Music, American Music, the Journal of the Society for American Music, and Black Music Research Journal. Dr. Kristen M. Turner is a Lecturer in the music and honors departments at North Carolina State University. Her work centers on issues of race, gender, and class in American popular culture at the turn of the twentieth cen­tury. Her research has appeared in collected editions and scholarly journals including the Journal of the American Musicological Society, the Journal of the Society for American Music, American Studies, and Musical Quarterly. Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research is about parade musics in Mobile, Alabama’s Carnival. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Through a creative focus on skin, in Experiments in Skin: Race and Beauty in the Shadows of Vietnam (Duke UP, 2021), Thuy Linh Nguyen Tu examines the ongoing influence of the Vietnam War on contemporary ideas about race and beauty. Framing skin as the site around which these ideas have been formed, Tu foregrounds the histories of militarism in the production of US biomedical knowledge and commercial cosmetics. She uncovers the efforts of wartime scientists in the US Military Dermatology Research Program to alleviate the environmental and chemical risks to soldiers' skin. These dermatologists sought relief for white soldiers while denying that African American soldiers and Vietnamese civilians were also vulnerable to harm. Their experiments led to the development of pharmaceutical cosmetics, now used by women in Ho Chi Minh City to tend to their skin, and to grapple with the damage caused by the war's lingering toxicity. In showing how the US military laid the foundations for contemporary Vietnamese consumption of cosmetics and practices of beauty, Tu shows how the intersecting histories of militarism, biomedicine, race, and aesthetics become materially and metaphorically visible on skin. Yadong Li is a PhD student in socio-cultural anthropology at Tulane University. He is interested in the anthropology of time, hope studies, and post-structuralist philosophy. If you are interested in any of these topics, feel free to contact him by email: [email protected] / [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Technofeudalism: What Killed Capitalism (Melville House, 2023), Yanis Varoufakis argues that capitalism is dead and a new economic era has begun. Insane sums of money that were supposed to re-float our economies in the wake of the financial crisis and the pandemic have ended up supercharging big tech's hold over every aspect of the economy. Capitalism's twin pillars - markets and profit - have been replaced with big tech's platforms and rents. Meanwhile, with every click and scroll, we labour like serfs to increase its power. Welcome to technofeudalism. Drawing on stories from Greek Myth and pop culture, from Homer to ​Mad Men, Varoufakis explains this revolutionary transformation: how it enslaves our minds, how it rewrites the rules of global power and ultimately what it will take overthrow it. Louisa Hann attained a PhD in English and American studies from the University of Manchester in 2021, specialising in the political economy of HIV/AIDS theatres. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In the first half of the twentieth century, Black hemispheric culture grappled with the legacies of colonialism, U.S. empire, and Jim Crow. As writers and performers sought to convey the terror and the beauty of Black life under oppressive conditions, they increasingly turned to the labor, movement, speech, sound, and ritual of everyday “folk.” Many critics have perceived these representations of folk culture as efforts to reclaim an authentic past. Imani D. Owens recasts Black creators’ relationship to folk culture, emphasizing their formal and stylistic innovations and experiments in self-invention that reach beyond the local to the world. Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean (Columbia UP, 2023) explores how Black writers and performers reimagined folk forms through the lens of the unruly―that which cannot be easily governed, disciplined, or managed. Drawing on a transnational and multilingual archive―from Harlem to Havana, from the Panama Canal Zone to Port-au-Prince―Owens considers the short stories of Eric Walrond and Jean Toomer; the ethnographies of Zora Neale Hurston and Jean Price-Mars; the recited poetry of Langston Hughes, Nicolás Guillén, and Eusebia Cosme; and the essays, dance work, and radio plays of Sylvia Wynter. Owens shows how these figures depict folk culture―and Blackness itself―as a site of disruption, ambiguity, and flux. Their works reveal how Black people contribute to the stirrings of modernity while being excluded from its promises. Ultimately, these works do not seek to render folk culture more knowable or worthy of assimilation, but instead provide new forms of radical world-making. Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

"Most lawyers, most actors, most soldiers and sailors, most athletes, most doctors, and most diplomats feel a certain solidarity in the face of outsiders, and, in spite of other differences, they share fragments of a common ethic in their working life, and a kind of moral complicity." – Stuart Hampshire, Justice is Conflict. There are many more examples of professional solidarity, however fragmented and tentative, sharing the link of a common ethic that helps make systems, and the analysis of them, possible in the larger political economy. Writing from a law professor’s vantage point, Katharina Pistor, in her new book, The Code of Capital: How the Law Creates Wealth and Inequality (Princeton University Press, 2019) explains how even though law is a social good it has been harnessed as a private commodity over time that creates private wealth, and plays a significant role in the increasing disparity of financial outcomes. As she points out in this interview, and her chapter ‘Masters of the Code’, it is ‘critical to have lawyers in the room’, and they clearly have the lead role in her well-researched and nuanced thesis centered on the decentralized institution of private law. Professor Pistor builds on Rudden’s ‘feudal calculus’ providing the long view of legal systems in maintaining and creating wealth and draws on historical analogies including the enclosure movements as she interweaves her analysis of capital asset creation with a broader critique of professional and institutional agency. Polanyi and Piketty figure into Pistor’s analysis among many others, as does the help of the state’s coercive backing as she draws on the breadth of her own governance research and analysis of the collapsed socialist regimes in the 1990s, and a research pivot toward western market economies following the 2008 Global Financial Crisis. Professor Pistor is a comparative scholar with a keen interdisciplinary eye for the relationship between law, values, and markets, dovetailing larger concepts with detailed descriptions of the coding of ‘stocks, bonds, ideas, and even expectations—assets that exist only in law.’ All of which informs her inquiry into why some legal systems have been more accommodating to capital’s coding cravings and others less so, as she describes the process by which capital is created. She moves beyond legal realism’s less granular critiques, and as reviewers such as Samuel Moyn have suggested – this book ‘deserves to be the essential text of any movement today that concerns itself with law and political economy’. Katharina Pistor is the Edwin B. Parker Professor of Comparative Law, and the Director of the Center on Global Legal Transformation at Columbia Law School. Keith Krueger lectures at the SHU-UTS Business School in Shanghai. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How can we build a more equal economy? In Innovation for the Masses: How to Share the Benefits of the High-Tech Economy (U California Press, 2024), Neil Lee, a Professor of Economic Geography at the London School of Economics, explores the question of how societies have fostered and supported innovation. The book challenges conventional assumptions that innovative economies must be unequal. Drawing on 4 detailed, and critical, case studies- Switzerland, Austria, Taiwan and Sweden, the book shows how Europe has good models of innovation; how the state matters; and how innovation and shared prosperity policies are mutually reinforcing. Accessible and clearly written, the book will be essential reading across social sciences and public policy, as well as anyone wanting a blueprint for equitable economic development, Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

An Interview with Todd McGowan about his recent Emancipation After Hegel: Achieving a Contradictory Revolution (Columbia University Press, 2019). The book advocates for the relevance of Hegel’s dialectical method to questions of contemporary theory and politics. It seeks to disabuse readers of common misapprehensions concerning Hegel’s philosophy, such as the familiar thesis-antithesis-synthesis schema to which the dialectic has so often been reduced, and to show that the concept of contradiction understood in Hegelian fashion is intrinsically subversive of authority. By championing contradiction over ‘difference’ it defies the rhetoric of much leftist theory as it has been formulated in the wake of so-called ‘post-structuralism’. Emancipation After Hegel also combines sophisticated discussion of matters like the limits of formal logic and the history of German Idealism with playful allusions to Star Trek characters and classic films like Casablanca and Bridge on the River Kwai. Bill Schaffer is a semi-retired academic and writer. He received his PhD from the University of Sydney and held positions teaching Film Studies, Philosophy, and Literature at campuses in Australia and the UK. He has published widely in Film and Animation Studies. He is currently a scholar of No Fixed Institution. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Just in Time - the urgent need for a just transition in the Arab region. The newly published book Dismantling Green Colonialism: Energy and Climate justice in the Arab Region (Pluto Press, 2023) edited by Hamza Hamouchene and Katie Sandwell questions the development of sustainable energy production in the middle eastern and north African region. Positioning itself as part of a wider discussion of just transition, it provides wonderful insight into the colonial and capitalist narratives used to legitimise projects coming from the Global North. Furthermore, it highlights the fact that there is a need to deconstruct environmental orientalism to tackle questions of power at a local, regional, and international level. Hamza Hamouchene is a researcher, activist and the programme coordinator for Africa at the Transnational Institute, based in the UK. Originally from Algeria, he brings wide understanding of climate and social justice. Sarah Vogelsanger is a master student at SOAS in "Environment, Politics, and Development" and passionate about feminist approaches to social justice and political ecology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this episode of High Theory, Matt Seybold tells us about Criticism, the glue that holds the bricks of culture together. Cultural critics are a necessary component of the intellectual ecosystem, who have the power to analyze both the material conditions and the myths that make up our world. Matt is the host of the American Vandal Podcast at the Center for Mark Twain Studies at Elmira College. In his recent podcast series, Criticism, LTD, Matt investigated the state of criticism in the academy and the public sphere. There is a nifty substack newsletter with the transcripts from Criticism, LTD, if you’re keen. Kim and Saronik were among the many podcasters, public intellectuals, and critics that Matt interviewed for the series, and we’re excited to have him back on High Theory to tell us about his investigations. In the episode he offers a recuperative reading of Mark Twain’s acerbic take on critics in his late notebooks: “The critic’s symbol should be the tumble-bug; he deposits his egg in somebody else’s dung, otherwise he could not hatch it.” (see p. 392 of this Harper & Brothers, 1935 edition of Twain’s Collected Works, on archive.org). He references Jacques Derrida’s book, Limited Inc (Northwestern UP, 1988), which contains the *famous* essay “Signature, Event, Context” and a critical debate about Apartheid. And he also discusses Jed Esty’s Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022) and our episode with Jed on the Rhetoric of Decline. You can also take a listen back to Matt’s earlier episode with us on Economics. Matt Seybold is Associate Professor of American Literature & Mark Twain Studies at Elmira College, as well as Resident Scholar at the Center For Mark Twain Studies. He is the executive producer and host of the American Vandal Podcast, and founding editor of MarkTwainStudies.org. He is co-editor (with Michelle Chihara) of of the Routledge Companion to Literature & Economics (2018)and (with Gordon Hutner) a 2019 special issue of American Literary History on “Economics & Literary Studies in The New Gilded Age.” Recent articles can be found in the Mark Twain Annual, American Studies, Reception, and Los Angeles Review of Books. He tweets (or exes?) @MEASeybold. The image for this episode was made by Saronik Bosu in 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Kareem Khubchandani’s book Decolonize Drag (OR Books, 2024) explores the intricate interplay among gender, colonialism, and drag performance. It illustrates how gender serves as a tool of colonial governance, stifling diverse forms of expression, while also delving into how contemporary drag both mirrors and disrupts these entrenched institutional hierarchies. Through the lens of select performers, Khubchandani unveils how they use their art to satirize, deconstruct, and resist colonialism and the manifestations of white supremacy embedded within society. Central to the narrative is Khubchandani’s drag alter ego, LaWhore Vagistan, whose firsthand experiences shed light on encounters with depoliticized iterations of drag that fall short of its transformative potential, leaving her disheartened and bewildered. Decolonize Drag advocates for the proliferation of more inclusive and accessible avenues for gender expression while also contemplating how the meaning and impact of drag evolve across different social and geographical contexts. As an educator, scholar, and performer, Dr. Kareem Khubchandani channels his expertise and passion within feminist, queer, and trans aesthetics, with a focus on South Asia and its diaspora. Khubchandani is an associate professor in theatre, dance, and performance studies at Tufts University. Latoya Johnson is an editor, writer, and bibliophile with a master's in Humanities. Her research and writing delve into various aspects of popular culture. She is particularly interested in exploring the public history of women's fiction and the portrayal of femme characters in Greco-Roman mythology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Today I talked to Josh Fernandez about his new memoir The Hands That Crafted the Bomb: The Making of a Lifelong Antifascist (PM Press, 2024). Josh Fernandez is a community college professor in Northern California who finds himself under investigation for “soliciting students for potentially dangerous activities” after starting an antifascist club on campus. As Fernandez spends the year defending his job, he reflects on a life lived in protest of the status quo, swept up in chaos and rage, from his childhood in Boston dealing with a mentally ill father and a new family to a move to Davis, California, where, in the basement shows of the early ’90s, Nazi boneheads proliferated the music scene, looking for heads to crack. His crew’s first attempts at an antifascist group fall short when a member dies in a knife fight. A born antiauthoritarian, filled with an untamable rage, Fernandez rails against the system and aggressively chooses the path of most resistance. This leads to long spates of living in his car, strung out on drugs, and robbing the whiteboys coming home from the clubs at night. He eventually realizes that his rage needs an outlet and finds relief for his existential dread in the form of running. And fighting Nazis. Fernandez cobbles together a life for himself as a writing professor, a facilitator of a self-defense collective, a boots-on-the-ground participant in Antifa work, and a proud father of two children he unapologetically raises to question authority. Josh Fernandez is an antiracist organizer, a father, a runner, a fighter, an English professor, and a writer whose stories have appeared in Spin, the Sacramento Bee, the Hard Times, and several alternative news weeklies. He lives in Sacramento, CA. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Soaring levels of political, legal, economic, and social inequality have been documented by social scientists – but the public conversation and scholarship on inequality has not examined the role of state law and state courts in establishing policies that significantly affect inequality. Political scientists James L. Gibson and Michael J. Nelson analyze their original database of nearly 6,000 decisions made by over 900 judges on 50 state supreme courts over a quarter century to demonstrate how state high courts craft policy. The fifty state supreme courts shape American inequality in two ways: through substantive policy decisions that fail to advance equality and by rulings favoring more privileged litigants (typically known as "upperdogs"). The book focuses on court-made public policy on issues including educational equity and adequacy, LGBTQ+ rights, and worker's rights. The conventional wisdom assumes that courts protect underdogs from majorities but Gibson and Nelson demonstrate that judges most often favor dominant political elites and coalitions. As such, courts are unlikely to serve as an independent force against the rise of inequality in the United States. James Gibson is the Sidney W. Souers Professor of Government at Washington University in Saint Louis. His research interests are in Law and Politics, Comparative Politics, and American Politics. Michael Nelson is a Professor of Political Science at Penn State University. He studies judicial politics and U.S. state politics, especially public attitudes toward law and courts, judicial behavior, and the politics of court reform. Michael was a guest on the New Books Network for the The Elevator Effect, a book he co-wrote with Morgan Hazelton and Rachael K. Hinkle in 2023. In the podcast, we mention Dr. Gibson’s brand new article regarding the Dobbs abortion case: “Losing legitimacy: The challenges of the Dobbs ruling to conventional legitimacy theory” from the American Journal of Political Science. Daniela Lavergne served as the editorial assistant for this podcast. Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Developing Africa? New Horizons with Afrocentricity (Anthem Press, 2024) is written for those who are interested in theoretical debates as they relate to the field of Development Studies. It is aimed at academics and all those who work in the field of development, politicians, policy-makers and civil servants who need to familiarize themselves with key historical development debates, especially those relevant to Africa. The book takes an Afrocentric intellectual standpoint, grounded in the theory of Afrocentricity, in its interrogation of the idea and processes of development in Africa. It also adopts an historical approach in its interrogation of the idea of African development as a by-product of political deliberations. This book is about how the discourse of development as a field of study needs to be re-oriented towards African-based epistemologies to dismantle coloniality, in opposition to the historical embeddedness of development discourse in Eurocentrism. This book contests the limitation of the modern African understanding of Africa’s journey with development to the period of the aftermath of World War II, to be specific, to President Harry S. Truman’s 1949 Point Four programme. Instead, the book argues that, that journey should be understood holistically. By this, I mean that Africa’s engagement with development did not begin with the politics of the Euro-North American political bloc – the story of African development must take into consideration Africa’s classical civilization, namely, the Nile Valley civilization and its contributions to human civilization. Such an approach provides a more holistic interrogation and casts light on how Africa’s history of greatness continues to be an inspiration even in modern times. Such an approach rejects the many reductionist lies and half-truths that undergird the modernist paradigm which seeks to portray African people as dependent beneficiaries of the colonial Euro-modernity framework. This framework has undermined the humanity of non-Western people in general, and Africans in particular. The book pursues the tradition of decolonial epistemic reflections grounded on Afrocentricity as its theoretical thrust to oppose discourses that are riddled with a racist agenda towards those in the Global South, especially in Africa to enable endogeneity. In the spirit of the pursuit for cognitive justice in the 21st century, this book argues that the discourse of development must be decolonized from hegemonic Eurocentric propaganda and needs to be framed from the viewpoint of those who have been seen as being on the receiving end, those projected as “backwards” from a Eurocentric perspective. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Creative storytelling is the beating heart of Darwin's science. All of Darwin's writings drew on information gleaned from a worldwide network of scientific research and correspondence, but they hinge on moments in which Darwin asks his reader to imagine how specific patterns came to be over time, spinning yarns filled with protagonists and antagonists, crises, triumphs, and tragedies. His fictions also forged striking new possibilities for the interpretation of human societies and their relation to natural environments. After Darwin: Literature, Theory, and Criticism in the Twenty-First Century (Cambridge UP, 2022) gathers an international roster of scholars to ask what Darwin's writing offers future of literary scholarship and critical theory, as well as allied fields like history, art history, philosophy, gender studies, disability studies, the history of race, aesthetics, and ethics. It speaks to anyone interested in the impact of Darwin on the humanities, including literary scholars, undergraduate and graduate students, and general readers interested in Darwin's continuing influence. • Provides an interdisciplinary lens on the philosophy and writing of Charles Darwin • Emphasizes Darwin as a thinker and a humanist, showing readers Darwin's wider-ranging and ongoing impact in various fields of social, philosophical, and aesthetic thought • Looks beyond Darwin's theory of natural selection to focus on his contributions to theories of race and gender, aesthetics, ecology, animal studies, environmentalism, and politics Devin Griffiths is an Associate Professor of English and Comparative Literature at the University of Southern California. His book, The Age of Analogy (2016) was a finalist for the BARS, BSLS, and NVSA book prizes. His work has appeared in Critical Inquiry, Victorian Studies, ELH, the History of Humanities, and Book History. He's now working on a study of ecocriticism and the energy humanities. Deanna Kreisel is Associate Professor of English at the University of Mississippi. She is the author of Economic Woman: Demand, Gender, and Narrative Closure in Eliot and Hardy, and has published articles in PMLA, Representations, ELH, Novel, Victorian Studies, Nineteenth Century Literature, and elsewhere. Her current book project is on utopia and sustainability in Victorian culture. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Purgatory Citizenship: Reentry, Race, and Abolition (University of California Press, 2023), Calvin John Smiley explores the lives of people who were formerly incarcerated and the many daunting challenges they face. Those being released from prison must navigate the reentry process with diminished legal rights and amplified social stigmas, in a journey that is often confusing, complex, and precarious. Calvin John Smiley is an Associate Professor of Sociology at Hunter College, City University of New York. Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Point Saint-Charles, a historically white working-class neighborhood with a strong Irish and French presence, and Little Burgundy, a multiracial neighborhood that is home to the city’s English-speaking Black community, face each other across Montreal’s Lachine Canal, once an artery around which work and industry in Montreal were clustered and by which these two communities were formed and divided. In Deindustrializing Montreal: Entangled Histories of Race, Residence, and Class (McGill-Queen's UP, 2022), Steven High challenges the deepening divergence of class and race analysis by recognizing the intimate relationship between capitalism, class struggles, and racial inequality. Drawing extensive interviews, a massive and varied archive of imagery, and original photography by David Lewis into a complex chorus, Steven High brings the two communities to life, tracing their history from their earliest years to their decline and their current reality. He extends the analysis of deindustrialization, often focused on single-industry towns, to cities that have seemingly made the post-industrial transition. Steven High is an interdisciplinary oral and public historian with a strong interest in transnational approaches to working-class studies, forced migration, community-engaged research, oral history methodology and ethics, and living archives. He is a professor of History and founding member of the Centre for Oral History and Digital Storytelling at Concordia University. Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Winners Take All meets Nickel and Dimed: a provocative debunking of accepted wisdom, providing the pathway to a sustainable, survivable economy. Confronted by the terrifying trends of the early twenty-first century - widening inequality, environmental destruction, and the immiseration of millions of workers around the world - many economists and business leaders still preach dogmas that lack evidence and create political catastrophe: Private markets are always more efficient than public ones; investment capital flows efficiently to necessary projects; massive inequality is the unavoidable side effect of economic growth; people are selfish and will only behave well with the right incentives. But a growing number of people - academic economists, business owners, policy entrepreneurs, and ordinary people - are rejecting these myths and reshaping economies around the world to reflect ethical and social values. Though they differ in approach, all share a vision of the economy as a place of moral action and accountability. Journalist Nick Romeo has spent years covering the world's most innovative economic and policy ideas for The New Yorker. In The Alternative: How to Build a Just Economy (PublicAffairs, 2024), Romeo takes us on an extraordinary journey through the unforgettable stories and successes of people working to build economies that are more equal, just, and livable. Stephen Pimpare is a Senior Fellow at the Carsey School of Public Policy at the University of New Hampshire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Can we predict the future? In The Will to Predict: Orchestrating the Future Through Science (Cornell UP, 2023), Eglė Rindzevičiūtė, an Associate Professor of Criminology and Sociology at Kingston University, tells the story of Soviet and Post-Soviet attempts to order economy and society using a variety of scientific and management techniques. The analysis is wide ranging, demonstrating the contemporary importance, as well as the historical context, of prediction and its associated intellectual and governmental champions. Rich with details, as well as accessible and fascinating, the book is essential reading across history and the social sciences, as well as for anyone interested in how we know the past present and future of the modern world. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Conversations about gender equity in the workplace accelerated in the 2010s, with debates inside Hollywood specifically pointing to broader systemic problems of employment disparities and exploitative labor practices. Compounded by the devastating #MeToo revelations, these problems led to a wide-scale call for change. Courtney Brannon Donoghue's book The Value Gap: Female-Driven Films from Pitch to Premiere (U Texas Press, 2023) traces female-driven filmmaking across development, financing, production, film festivals, marketing, and distribution, examining the realities facing women working in the industry during this transformative moment. Drawing from five years of extensive interviews with female producers, writers, and directors at different stages of their careers, Courtney Brannon Donoghue examines how Hollywood business cultures “value" female-driven projects as risky or not bankable. Industry claims that “movies targeting female audiences don’t make money" or “women can't direct big-budget blockbusters" have long circulated to rationalize systemic gender inequities and have served to normalize studios prioritizing the white male–driven status quo. Through a critical media industry studies lens, The Value Gap challenges this pervasive logic with firsthand accounts of women actively navigating the male-dominated and conglomerate-owned industrial landscape. Peter C. Kunze is a visiting assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

George Fisher, the Judge John Crown Professor of Law at Stanford Law School, just released his new book Beware Euphoria: The Moral Roots and Racial Myths of America’s Drug War, with Oxford University Press. George has been teaching and writing in the realms of evidence, prosecution practice, and criminal legal history since 1995. He began practice as a prosecutor in Massachusetts and later taught at the law schools of Boston College, Harvard, and Yale. Beware Euphoria is the most recent among a slew of other books, articles, and essays that he’s published over the years, and perhaps the most contrarian. In this interview, George discusses his research methods and how he came to the conclusion that the history of America’s drug war, while racially motivated, was not meant to target minorities, but protect the morals and health of America’s white youth. Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). A drug historian and writer, her second book, on the development of the opioid addiction medication industry, is under contract with the University of Chicago Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

American households have a debt problem. The problem is not, as often claimed, that Americans recklessly take on too much debt. The problem is that US debt policies have no basis in reality. Weaving together the histories and trends of US debt policy with her own family story, Chrystin Ondersma debunks the myths that have long governed debt policy, like the belief that debt leads to prosperity or the claim that bad debt is the result of bad choices, both of which nest in the overarching myth of a free market unhindered by government interference and accessible to all. In Dignity Not Debt: An Abolitionist Approach to Economic Justice (U California Press, 2024), Ondersma offers a compelling, flexible, and reality-based taxonomy rooted in the internationally recognized principle of human dignity. Ondersma's new categories of debt--grounded in abolitionist principles--revolutionize how policymakers are able to think about debt, which will in turn revolutionize the American debt landscape itself. Stephen Pimpare is a Senior Fellow at the Carsey School of Public Policy at the University of New Hampshire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Today’s book is: Black Women, Ivory Tower: Revealing the Lies of White Supremacy in American Education (Broadleaf Books, 2024), by Dr. Jasmine L. Harris, which is an exploration of what it means to be a Black woman in higher education. Dr. Jasmine Harris shares her own experiences attempting to be a Vassar girl and reckoning with a lack of legacy and agency, while examining the day-to-day impacts on Black women as individuals, and the longer-term consequences to their professional lives, and the generational costs to entire families. Trial and error has been required of Black students to navigate systems of discrimination and disadvantage. But this book now offers useful support, illuminating the community of Black women dealing with similar issues. The author's story is not unusual, nor are her interactions anomalies. Black Women, Ivory Tower explores why. Our guest is: Dr. Jasmine L. Harris, who is associate professor of African American Studies and coordinator of the African American Studies Program in the Department of Race, Ethnicity, Gender, and Sexuality Studies at the University of Texas, San Antonio. A rising voice in the study of Black lives in the US, Dr. Harris's research and teaching focus on the experiences of Black people in predominantly white schools, specifically the social, physical, and economic impacts of their presence there. She has been published in the Washington Post, Chicago Tribune, Houston Chronicle, Boston Globe, Baltimore Sun, Women's Studies Quarterly, and the Journal of Economics, Race, and Policy. Our host is: Dr. Christina Gessler, who is the creator of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also be interested in: Black Women, Ivory Tower discussion guide Microaggressions in the Classroom The Academic Life discussion of the book Presumed Incompetent Two Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 200+ Academic Life episodes? You’ll find them all archived here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In a world shaken by ecological, economic and political crises, the forces of authoritarianism and reaction seem to have the upper hand. How should we name, map and respond to this state of affairs? The rich archive of twentieth-century debates on fascism can steer a path through an increasingly authoritarian present. Developing anti-fascist theory is an urgent and vital task. From the ‘Great Replacement’ to campaigns against critical race theory and ‘gender ideology’, today’s global far right is launching lethal panics about the threats to traditional political, sexual and racial hierarchies. Drawing especially on Black radical and anti-colonial theories of fascism, Alberto Toscano’s Late Fascism: Race, Capitalism, and the Politics of Crisis (Verso, 2023) makes clear the limits of associating fascism primarily with the kind of political violence experienced by past European regimes. Rather than looking for analogies from history, we should see fascism as a mutable process, one anchored in racial and colonial capitalism, which both predates and survives its crystallization in Mussolini’s Italy and Hitler’s Germany. It is a threat that continues to evolve in the present day. Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The Week: A History of the Unnatural Rhythms that Made Us who We are (Yale UP, 2021) is an investigation into the evolution of the seven-day week and how our attachment to its rhythms influences how we live. We take the seven-day week for granted, rarely asking what anchors it or what it does to us. Yet weeks are not dictated by the natural order. They are, in fact, an artificial construction of the modern world. With meticulous archival research that draws on a wide array of sources―including newspapers, restaurant menus, theater schedules, marriage records, school curricula, folklore, housekeeping guides, courtroom testimony, and diaries―David Henkin reveals how our current devotion to weekly rhythms emerged in the United States during the first half of the nineteenth century. Reconstructing how weekly patterns insinuated themselves into the social practices and mental habits of Americans, Henkin argues that the week is more than just a regimen of rest days or breaks from work, but a dominant organizational principle of modern society. Ultimately, the seven-day week shapes our understanding and experience of time. David M. Henkin is Margaret Byrne Professor of History at the University of California, Berkeley. His previous books include The Postal Age, City Reading, and (with Rebecca McLennan) Becoming America: A History for the 21st Century. He lives in San Francisco, CA, and Bozeman, MT. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

George Floyd's death on May 25th 2020 marked a watershed in reactions to anti-Black racism in the United States and elsewhere. Intense demonstrations around the world followed. Within literary studies, the demonstrations accelerated the scrutiny of the literary curriculum, the need to diversify the curriculum, and the need to incorporate more Black writers. Decolonizing the English Literary Curriculum (Cambridge UP, 2023), jointly edited by Professor Ankhi Mukherjee and Professor Ato Quayson, is a major collection that aims to address these issues from a global perspective. An international team of leading scholars illustrate the necessity and advantages of reform from specific decolonial perspectives, with evidence-based arguments from classroom contexts, as well as establishing new critical agendas. The significance of Decolonizing the English Literary Curriculum lies in the complete overhaul it proposes for the study of English literature. It reconnects English studies, the humanities, and the modern, international university to issues of racial and social justice. Arnab Dutta Roy is Assistant Professor of World Literature and Postcolonial Theory at Florida Gulf Coast University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Against the Carceral Archive: The Art of Black Liberatory Practice (Fordham UP, 2023) is a meditation upon what author Damien M. Sojoyner calls the “carceral archival project,” offering a distillation of critical, theoretical, and activist work of prison abolitionists over the past three decades. Working from collections at the Southern California Library (Black Panthers, LA Chapter; the Coalition Against Police Abuse; Urban Policy Research Institute; Mothers Reclaiming Our Children; and the collection of geographer Clyde Woods), it builds upon theories of the archive to examine carcerality as the dominant mode of state governance over Black populations in the United States since the 1960s. Each chapter takes up an element of the carceral archive and its destabilization, destruction, and containment of Black life: its notion of the human and the production of “pejorative blackness,” the intimate connection between police and military in the protection of racial capitalism and its fossil fuel–based economy, the role of technology in counterintelligence, and counterinsurgency logics. Importantly, each chapter also emphasizes the carceral archive’s fundamental failure to destroy “Black communal logics” and radical Black forms of knowledge production, both of which contest the carceral archive and create other forms of life in its midst. Concluding with a statement on the reckoning with the radical traditions of thought and being which liberation requires, Sojoyner offers a compelling argument for how the centering of Black­ness enables a structuring of the mind that refuses the violent exploitative tendencies of Western epistemological traditions as viable life-affirming practices. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In the summer of 2022, the little-known leader of a small union became a ‘working-class hero’. Facing down media pundits who thought they could walk all over him, he offered a robust critique of the government and provided workers with an authentic voice. At a time when the Labour Party was unable to articulate a credible alternative to the Tories, Mick Lynch spoke for the working class. Where did Lynch come from? How did he develop the skills and traits that make him such an effective spokesperson and leader? Gregor Gall's biography Mick Lynch: The Making of a Working-Class Hero (Manchester UP, 2024) explores his family and social background and his rise to the top of the RMT union, which culminated in election as General Secretary in 2021. Considering his persona and politics, this book asks what quality singles out Lynch as a working-class hero compared to other union leaders and, more broadly, what leadership means for working people and for the left. If we want better leaders at every level, the case of Mick Lynch holds the key. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How the 1970s energy crisis facilitated a neoliberal shift in US political culture. In Energizing Neoliberalism: The 1970s Energy Crisis and the Making of Modern America (Johns Hopkins UP, 2023), Caleb Wellum offers a provocative account of how the 1970s energy crisis helped to recreate postwar America. Rather than think of the crisis as the obvious outcome of the decade's "oil shocks," Wellum unpacks the cultural construction of a crisis of energy across different sectors of society, from presidents, policy experts, and environmentalists to filmmakers, economists, and oil futures traders. He shows how the dominant meanings ascribed to the 1970s energy crisis helped to energize neoliberal visions of renewed abundance and power through free market values and approaches to energy. Deeply researched in federal archives, expert discourse, and popular culture, Energizing Neoliberalism demonstrates the central role that energy crisis narratives played in America's neoliberal turn. Wellum traces the roots of the crisis to the consumption practices and cultural narratives spawned by the petrocultural politics of Cold War capitalism. In a series of illuminating case studies—including 1970s energy conservation debates, popular car films, and the creation of oil futures trading—Wellum chronicles the consolidation of a neoliberal capitalist order in the United States through an energy politics marked by anxious futurity, petro-populist sentiment, and financialized energy markets. He shows how experiences of energy shortages and fears of future energy crises unsettled American national identity and power yet also informed Reagan-era confidence in free markets and US global leadership. In taking a cultural approach to the 1970s energy crisis, Wellum offers a challenging meditation on the status of "crisis" in modern history, contemporary life, and critical thought and how we rely on crises to make sense of the world. Caleb Wellum is an assistant professor of US history at the University of Toronto, Mississauga. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How do fiction and research intersect? In The Frankfurt Kabuff Critical Edition (Wilfrid Laurier University Press 2023), Beth Driscoll, an Associate Professor in Publishing, Communications and Arts Management at the University of Melbourne and Claire Squires a Professor in Publishing Studies at the University of Stirling, reflect on Blaire Squiscoll’s The Frankfurt Kabuff, by bringing together a collection of scholarly and creative responses to the original novella. Playfully critiquing the idea of a critical edition, from its form and content through to the book’s footnotes and index, the book offers a huge range of insights on the publishing industry. Showing how fiction can be research, art, satire, and a political project, the collection of essays and appendices are essential readings across the arts and humanities, as well as for anyone interested in publishing, fiction, and wanting to read a good erotic thriller! Find out more about the writing partnership of Blaire Squiscoll and their philosophy of Ullapoolism and the Ullapoolism manifesto. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Dr. Kareem Muhammad has a new book that focuses on the role of Black voters in the United States – specifically in their power as participants in democracy. In many ways, this is a “love story to the Black community” in the U.S. The book traces the sustained electoral power of Black voters, and teases at the fissures within this significant bloc of voters. Muhammad pays particular attention to what it looks like when policies that are important to Black voters are passed and implemented, and how this process reflects the coalition strength of this particular voting bloc. The research also notes that, historically, the Black vote has not really been taken into consideration as an important and vital bloc of voters, and thus less attention is paid to these voters by either party. But the research also notes that the Black vote is, in fact, decisive in supporting a political coalition that then puts into place policies and legislation that this community of voters wants to see established—like Reconstruction, like the Civil Rights agenda in the 1960s, like the efforts to protect democracy now. The Fight for Black Empowerment in the USA: America’s Last Hope (Routledge, 2023) focuses on just that—the power that individuals have, especially when grouped together, to impact elections, political agendas, and elected officials in office. But this pursuit, of political power and strength within the African American community, is also set in the historical and contemporary context of white supremacy in the United States. This is important to understand since it also highlights what Muhammad refers to as “the bounds of power” within the U.S. It is vitally important to understand the contours of power and what that means and how it is constituted in order to explore empowerment, especially black empowerment. The impetus behind the research and the book was to see if there was collaboration between the black voting bloc and the elected officials they have supported in the contemporary period, specifically the Democratic party and Democratic presidents. But one of the key findings in the research is that there are also gendered differences within the African American community and among African American voters in regard to support and engagement. Diving into popular culture, Muhammad traces these divides, highlighting the sexism, homophobia, and patriarchy that often comes through these cultural artifacts. The research also exposes the discomfort and resentment that some men have with the increased power and influence of black women. The Fight for Black Empowerment in the USA: America’s Last Hope is a complex analysis, including an assessment of political power in the United States, understandings of how culture interacts with positions within communities, tensions around gender and power, and the collaborations between different political entities, voting blocs, and elected officials. The concluding ideas highlight the particularly vital role that Black Americans, especially Black women, have in protecting democracy in the United States, especially as part of the Democratic Party coalition. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

“How has it come to this? How has ‘Zionist’…become the dirtiest word to the international Left?” Susie Linfield poses that ripe question at the outset of her book, The Lions’ Den: Zionism and the Left from Hannah Arendt to Noam Chomsky (Yale University Press, 2019). In the podcast, our discussion focuses on three prominent figures examined in The Lions’ Den: Isaac Deutscher, I.F. Stone, and Fred Halliday. And we explore present-day sentiments about Zionism among the Left amid the Gaza-Israel conflict. What’s needed in thinking about Zionism and about Israel, Linfield asserts in the conclusion to her provocative and timely book, is “realism,” not “pathology.” Veteran journalist Paul Starobin is a former Moscow bureau chief for Business Week and a former contributing editor of The Atlantic. He has written for The New York Times, The Washington Post, The Wall Street Journal and many other publications. His latest book, Putin’s Exiles: Their Fight for a Better Russia (Columbia Global Reports) will be published in January. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In On the Concept of Power: Possibility, Necessity, Politics (Oxford UP, 2022), Guido Parietti proposes a more proper definition of power--as the condition of having available possibilities and representing them as such--and examines its implications for the study of politics, both empirical and normative. By neglecting the category of possibility, significant portions of political science and philosophy become incapable of conceptualizing power, and therefore politics. Specifically, Parietti asserts that the main failure of political science is in obscuring power's correspondence to the category of possibility in favor of causality and probability; political philosophy, on the other hand, tends to prioritize various forms of a teleologically oriented normativity. All these approaches end up discarding possibility in favor of oriented potentialities, ultimately anchored to various forms of necessity, and are therefore incapable of properly conceptualizing power in accordance with its meaning in ordinary language. Bringing together different disciplinary discourses, On the Concept of Power concludes by examining the conditions for power to have an actual referent; in other words, for politics to appear in our world. In this original and ambitious critique of the prevailing approaches to political theory and political science, Parietti examines what it means to have power and what may endanger our access to and exercise of it. Kaveh Rafie is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Scott Gac's Born in Blood: Violence and the Making of America (Cambridge UP, 2023) investigates one of history's most violent undertakings: The United States of America. People the world over consider violence in the United States as measurably different than that which troubles the rest of the globe, citing reasons including gun culture, the American West, Hollywood, the death penalty, economic inequality, rampant individualism, and more. This compelling examination of American violence explains a political culture of violence from the American Revolution to the Gilded Age, illustrating how physical force, often centered on racial hierarchy, sustained the central tenets of American liberal government. It offers an important story of nationhood, told through the experiences and choices of civilians, Indians, politicians, soldiers, and the enslaved, providing historical context for understanding how violence has shaped the United States from its inception. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Today’s book is: Black and Queer on Campus (NYU Press, 2023) by Michael P. Jeffries, which offers an inside look at what life is like for LGBTQ college students on campuses across the United States. Dr. Jeffries shows that Black and queer college students often struggle to find safe spaces and a sense of belonging when they arrive on campus. Drawing on his interviews with students from over a dozen colleges, Dr. Jeffries provides a much-needed perspective on the specific challenges Black LGBTQ students face and the ways they overcome them. We learn through these intimate portraits that many of the most harmful stereotypes and threats to black queer safety continue to haunt this generation of students. We also learn how students build queer identities. Black and Queer on Campus sheds light on the oft-hidden lives of Black LGBTQ students, and how educational institutions can better serve them. It highlights the quiet beauty and joy of Black queer social life, and the bonds of friendship that sustain the students. Our guest is: Dr. Michael P. Jeffries, who is Dean of Academic Affairs, Class of 1949 Professor in Ethics, and Professor of American Studies at Wellesley College. He is the author of Behind the Laughs: Community and Inequality in Comedy; Paint the White House Black: Barack Obama and the Meaning of Race in America; Thug Life: Race, Gender, and the Meaning of Hip-Hop; and Black and Queer on Campus. He has published dozens of essays and works of criticism in The New York Times, The Atlantic, The Guardian, and The Boston Globe, and has been interviewed by The Washington Post, The New York Times, and NPR. Our host is: Dr. Christina Gessler, who is the creator and show host of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell. Listeners may also be interested in: This discussion of the book Gay on God's Campus This discussion of the book Black Boy Out of Time This conversation about writing the book Brown and Gay in LA Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. The Academic Life podcast is currently listened to in more than 150 countries. You can help support the show’s mission of democratizing education and sharing the hidden curriculum by downloading episodes, and by telling a friend—because knowledge is for everybody. You’ll find all 190+ Academic Life episodes archived here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Governments and consumers expect internet platform companies to regulate their users to prevent fraud, stop misinformation, and avoid violence. Yet, so far, they've failed to do so. The inability of platforms like Facebook, Google, and Amazon to govern their users has led to stolen elections, refused vaccines, counterfeit N95s in a pandemic, and even genocide. Such failures stem from these companies' inability to manage the complexity of their userbases, products, and their own incentives under the eyes of internal and external constituencies. In The Networked Leviathan: For Democratic Platforms (Cambridge UP, 2023), Paul Gowder argues that countries should adapt the institutional tools developed in political science for platform governance to democratize major platforms. Democratic institutions allow knowledgeable actors to freely share and apply their understanding of the problems they face while leaders more readily recruit third parties to help manage their decision-making capacity. This book is also available open access on Cambridge Core. Paul Gowder is Professor of Law and Associate Dean of Research and Intellectual Life at Northwestern University's Pritzker School of Law and a Founding Fellow of the Integrity Institute. He is the author of The Rule of Law in the Real World and The Rule of Law in the United States: An Unfinished Project of Black Liberation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory