Museum Confidential

What is the "art market?" A decade ago, Michael Findlay published "The Value of Art" to explore this very question. But the world has changed in many ways since the book's initial release. A global pandemic, MeToo, Black Lives Matter, crypto currency, and other factors have impacted how people and institutions are buying/selling art. Michael has just released a new, updated edition. Much to discuss.

A work by Mississippi Choctaw/Cherokee artist Jeffrey Gibson is instantly recognizable. This is even more impressive given the variety of his output. He paints, sculpts, repurposes, re-contextualizes, creates performances, and more. On this episode we chat with Gibson about his past, his work, and a current exhibition at the Aspen Art Museum called, "The Spirits are Laughing."

A century ago, the Detroit Institute of Arts became the first U.S. museum to purchase a painting by Vincent van Gogh. Now they're hosting America's largest Van Gogh exhibition in a generation. On this episode we chat with DIA curator Jill Shaw about this massive undertaking.

MC is closing down 2022 with a one-hour special -- a breezy, somewhat geeky, opinionated, and taped-live-in-the-studio conversation between host Jeff Martin and producer Scott Gregory. The discussion topic is outstanding LP covers as rendered by known and/or notable artists. Kind of a long title, of course, but you get the idea -- and it's a pretty fun listen. With a few tangents, yes, but with lots of tasty music clips as well. Kick back, relax, and turn it up.

Acclaimed artist Sharon Sprung had to wait years before she could tell the world that she was commissioned to paint Michelle Obama's official White House portrait. On this episode we chat with Sprung from her Brooklyn studio about painting, patience, and what's it's like to have a First Lady drop by.

On this episode we get a few kicks with British artist Dave White who pioneered the sneaker art movement 20 years ago. His portraits of popular shoes led to collaborations with Nike, Jordan, and countless other brands. But Dave is no mere "sneakerhead." His recent work is more concerned with the ground we stand on than the things we stand in.

Well before Joan Didion's death in December 2021, acclaimed writer and New Yorker magazine contributor Hilton Als was hard at work on a show for LA's Hammer Museum. But how can one exhibition grapple with Didion's big, uniquely American life? This episode explores that and much more. "Joan Didion: What She Means" runs through February 19, 2023.

With climate change and more frequent weather events, what does the future hold for coastal museums? On this special episode we speak with Courtney McNeil, Director and Chief Curator at the Baker Museum in Naples, Florida. This conversation was recorded in the immediate aftermath of Hurricane Ian.

For the past few decades, American artist/sexual anthropologist Betony Vernon has been living in Europe, designing erotic jewelry, writing books, and generally following her creative muse. We caught up with Betony while she was back in the states for the inaugural FORMAT festival in northwest Arkansas.

The one and only Cheech Marin (Cheech & Chong) stops by to discuss his recently opened museum, The Cheech Marin Center for Chicano Art and Culture. Nicknamed "The Cheech," the 61,420-square-foot, two-story center resides in what used to be the downtown public library in Riverside, California and houses nearly 500 paintings, drawings, and sculptures. That's a lot, man. Far out.

On our Season 7 premiere, we visit the Academy Museum of Motion Pictures in Los Angeles for the opening of a groundbreaking new exhibition, REGENERATION: BLACK CINEMA 1898–1971. Enjoy a fascinating chat with exhibition's co-curators, Doris Berger, Vice President of Curatorial Affairs at the Academy Museum, and Rhea Combs, Director of Curatorial Affairs at the Smithsonian's National Portrait Gallery.

We're cooking up something tasty on this special summer episode and taking a bite out of the Whataburger Museum of Art. Is it really a museum? What's the submission process? Is it curated? Is this pure marketing or something genuine? We explore this and much more with Whataburger Marketing Director Brooks Boenig alongside participating artists Mayra Zamora and Kristin Moore.

From a fire at the Smithsonian in 1865 to the Covid-19 pandemic, museums have faced challenge after challenge, and have survived. That didn't happen by accident. On our final MC episode for Season 6 -- and our 100th overall! -- we survey the general state of museums today with Samuel Redman, author of "The Museum: A Short History of Crisis and Resilience."

How can a small museum in the middle of the country have an impact on par with bigger institutions? How can we fight above our weight class in the arena of ideas? On this special episode we team up with MuseumNext to explore the value of tone and crafting a unique institutional voice. Your intrepid host (Jeff) finally gets his turn in the hot seat. Things get interesting.

Shirley Woodson was born in 1936. She grew up and still lives in Detroit. It's her city, her muse. At 86 the artist recently opened her first ever solo exhibition at her hometown museum, The Detroit Institute of Arts. "Shirley Woodson: Shield of the Nile Reflections" features 11 of the artist's big, vibrant canvases depicting black bathers in rivers. On this episode we chat with the busy-as-ever artist and Valerie Mercer, the exhibition's curator and head of the DIA's Center for African American Art.

What role can artists and creatives play in wartime? On this episode we chat with acclaimed author Lesley M.M. Blume about her recent Town & Country article, "The Art of War: How the Surrealists Helped Upend Camouflage and Redefine Modern Battle." In a globe-spanning investigation filled with big art world names like Gorky and Dalí, the story proves once and for all that truth is stranger than fiction. Read the article at https://www.townandcountrymag.com/

As Women's History Month comes to a close, we explore Gustave Courbet's perennially provocative 1866 work, "L'Origine du Monde (The Origin of the World)" with artist/writer Lilianne Milgrom, author of "L'Origine: The Secret Life of the World's Most Erotic Masterpiece." Milgrom was the first artist authorized by the Musée d'Orsay to re-create Courbet's scandalous masterpiece.

Troy Montes-Michie was born in El Paso. Border towns are a natural mash-up of cultures, traditions, languages, food, fashion, and nearly everything else. It's no surprise that Montes-Michie turned his focus to collage, creating instantly recognizable works using magazine clippings, pornography, images of the Black male body, and plenty of zoot suits. In "Rock of Eye," the artist's first solo museum exhibition, these collages can be seen alongside, drawings, sculptures, and installations. On view through September 4th at the California African American Museum in Los Angeles.

Mike Winkelmann has been creating digital art for over two decades. He's 40 years old, lives in South Carolina, and has a computer science degree from Purdue. But this isn't a show about Mike Winkelmann. This is a show about Beeple, the name by which Winkelmann is best known, the name that took the art world by storm in 2021 when an NFT of his nearly 15-year project, EVERYDAYS, sold for a record $69.3 million. Still not sure what NFTs are? We'll get to that.

In the years before World War 2, a group of artists gathered in New Mexico to "carry painting beyond the appearance of the physical world, through new concepts of space, color, light, and design, to imaginative realms that are idealistic and spiritual." They called themselves the TRANSCENDENTAL PAINTING GROUP. On this episode we chat with Philbrook Curator Susan Green about the special exhibition, ANOTHER WORLD, the first comprehensive traveling exhibition to explore work by the group. On view at Philbrook through Feburary 20, 2022.

Oklahoma artist Harold Stevenson (1929-2018) created big paintings and lived an even bigger life in New York, Paris, Key West, and the Hamptons, becoming best friends with Andy Warhol along the way. For much of the past decade, Dian Jordan (The University of Texas Permian Basin) has been researching Stevenson's singular life, gathering an archive, and laying the groundwork for a definitive biography.

We haven't done a live audience show in ages. So when the invitation came to travel to Aspen, Colorado for the opening of a new Andy Warhol show at the Aspen Art Museum, we jumped at the opportunity. ANDY WARHOL: LIFETIMES is a career-spanning show originated at the Tate Modern. The AAM invited Los Angeles-based artist Monica Majoli to re-conceptualize the presentation. It's invigorating. This chat features Majoli, Assistant Curator Simone Krug, and the Museum's Director, Nicola Lees.

Mark Mothersbaugh has been a creative force for well over 40 years. From co-founding DEVO to scoring countless films and shows, his impact is undeniable. That body of work includes many collaborations with filmmaker Wes Anderson ("The Royal Tenenbaums"). We invited Mark to provide an exclusive musical experience for our special exhibition, "THIS IS AN ADVENTURE: Accidentally Wes Anderson." To our great surprise, he said yes.

Barbara Kruger's images and texts have been a consistent source of cultural commentary for decades. Her new exhibition, THINKING OF YOU. I MEAN ME. I MEAN YOU, dominates several spaces in the Art Institute of Chicago. On this episode we chat with the exhibition's co-curator, Robyn Farrell about the artist, the show, and why it's definitely NOT a retrospective.

Few artists have work as instantly recognizable as Vincent van Gogh. But as original and unique as it seems, the work stands on the shoulders of many others. That's exactly what Pulitzer Prize-winning author and acclaimed artist Steven Naifeh explores in his latest book, Van Gogh and the Artists He Loved. Furthering the work that began with his landmark 2011 biography Van Gogh: The Life, Naifeh let's us in on a completely new side of Vincent: the fanboy.

We hear the word "viral" all the time. But very few things actually go viral. A recent exception is "Who Is the Bad Art Friend?," a nearly ten-thousand-word feature in The New York Times by Robert Kolker. The story identifies a dispute between two writers that involves Facebook, a kidney donation, and explores the question, "who owns our personal stories?" Journalist Sarah Cascone joins us to discuss a related legal battle involving Andy Warhol and Prince. It's complicated.

On the occasion of her first career retrospective, we sit down with legendary artist/feminist Judy Chicago. The exhibition , now on view at San Francisco's de Young Museum, includes approximately 130 paintings, prints, drawings, and ceramic sculptures, in addition to ephemera, several films, and a documentary. We also talk about smoke sculptures. What's a smoke sculpture? We'll get to that.

Many people have been incorrectly hailed as a "Renaissance Man," but it perfectly describes Mr. John Lurie. Music, acting, painting, writing, he's done it all. With a long-gestating memoir just out and a second season of HBO's "Painting with John" now in production, we recently caught up with Lurie for a wide-ranging chat.

The long-awaited Smithsonian Anthology of Hip-Hop and Rap just dropped. The set includes 129 tracks on 9 discs and a hefty 300–page book with original design by Cey Adams, acclaimed artist and founding creative director of Def Jam Recordings. From his early subway graffiti days alongside Keith Haring and Jean-Michel Basquiat to designing classic albums for Beastie Boys and LL Cool J, Adams has been at the epicenter of hip-hop culture. He spoke to us from his studio in New York City.

What is an "outsider artist?" Do we even call them that anymore? In recent years the term shifted to "self-taught artist." Sounds different. But does it mean the same thing? On this episode we chat with Dr. Katherine Jentleson, the Merrie and Dan Boone Curator of Folk and Self-Taught Art at the High Museum in Atlanta. The High recently opened two companion shows focusing on this very topic.

The secret's out! Season 6 of Museum Confidential starts Friday 9/3! Enjoy this early listen to our new season theme song performed by Oklahoma's own Broncho. Written by Broncho's Ryan Lindsey and MC Host Jeff Martin.

On the season finale of Museum Confidential 2021 we sit down with Philbrook President/CEO Scott Stulen and Phil Armstrong, Project Director for the 1921 Tulsa Race Massacre Centennial Commission. Phil has been leading the effort to open Greenwood Rising, a history center located at the gateway to Tulsa's Historic Greenwood District. Greenwood Rising honors the icons of Black Wall Street, memorializes the victims of the massacre, and examines the lessons of the past.

Through the use of artificial intelligence and augmented reality, the new exhibit, THE LEGACY OF SURVIVAL, allows anyone to interact with and interview the centenarian survivors of the 1921 Tulsa Race Massacre. This episode includes remarks from Dr. Tiffany Crutcher (Terence Crutcher Foundation), Greg Robinson (Tulsa Community Remembrance Coalition), and Mother Viola Fletcher (age 107). "The Legacy of Survival" is on view at Gilcrease Museum through June 19, 2021.

The Kinsey African American Art & History Collection tells the story of African American triumphs and accomplishments from 1595 to present day. From May 22-June 30, the collection will be on view at the Greenwood Cultural Center and the Gathering Place. Two locations. One show. This episode presents a live conversation with Bernard and Khalil Kinsey, Michelle Brown (Greenwood Cultural Center), and author Hannibal B. Johnson. Moderated by Gathering Place Executive Director Tony Moore.

Rick Lowe is one of the two Lead Artists for the Greenwood Art Project alongside William Cordova. Born in Alabama, but a longtime resident of Houston, Lowe's work is widely acclaimed and collected. He was awarded a coveted MacArthur "Genius Grant" in 2014. On this episode we chat with Lowe about the ongoing work of the Greenwood Art Project and the upcoming centennial of the 1921 Tulsa Race Massacre.

On this 75th episode of Museum Confidential we chat with Mikeal Vaughn of the Urban Coders Guild. This spring the Urban Coders Guild student cohorts will use their acquired web and mobile application development skills to create a collection of websites and an accompanying mobile app for the businesses lost in the 1921 Tulsa Race Massacre. Co-hosted by Greenwood Art Project Program Director Jerica Wortham.

On this episode we road trip to Crystal Bridges Museum of American Art to chat with Associate Curator, Allison Glenn. Promise, Witness, Remembrance at Louisville, Kentucky's Speed Art Museum, guest-curated by Glenn, reflects on the life of Breonna Taylor, her killing in 2020, and the year of protests that followed. The exhibition is organized around the three words of its title, which emerged from a conversation between Glenn and Tamika Palmer, Breonna's mother. On view April 7-June 6.

Acclaimed documentary director, editor, and producer Sam Pollard joins us to talk about his recent films Black Art: In the Absence of Light, MLK/FBI, and his storied career. From serving as Spike Lee's longtime editor (Jungle Fever, Clockers, 4 Little Girls) to directing one of the earliest films on the 1921 Tulsa Race Massacre (Goin' Back to T-Town, 1993), Pollard has made an indelible impact by telling Black stories through film.

TheRese Aduni has been hard at work on her documentary, "Rebuilding Black Wall Street." The film uses 16mm film footage shot by TheRese's father and chronicles the men and women who rebuilt Greenwood in the aftermath of 1921. This episode also features artist William Cordova, one of the Greenwood Art Project's two lead artists. Co-hosted by GAP Project Director, Jerica Wortham.

2021 marks the 50th anniversary of the classic crime film SHAFT, directed Gordon Parks. Parks was a filmmaker, writer, musician, and one of the 20th century's great photographers. A recent piece in the New York Times called him, "The Godfather of Cool." Not bad for the youngest of 15 children from Fort Scott, Kansas. Fort Scott is now home to the Gordon Parks Museum. On this episode we catch up with the Museum's Director, Kirk Sharp.

A new season begins in partnership with the Greenwood Art Project, an initiative of the 1921 Tulsa Race Massacre Centennial Commission. To get a broader view of the project we chat with anthropologist/archivist Marlon Hall who handles the project's unique use of social media, Kode Ransom who runs the GAP mobile outreach efforts, and Program Director, Jerica Wortham. Jerica will serve as Co-Host on several episodes this season.

On the final episode of OUR PEOPLE, Rebecca Nagle chats with artist Susan Billy (Pomo) about family, traditions, basketry, and more. Susan is the granddaughter of Pomo basket weaver Susan Santiago Billy. Presented in connection with the landmark special exhibition, "Hearts of Our People: Native Women Artists" (through 1/3/21). Hosted by journalist/podcaster, Rebecca Nagle (Cherokee). Music by Oklahoma musician, Kalyn Fay (Cherokee/Muscogee).

On the penultimate episode of OUR PEOPLE, Rebecca chats with artist Kelly Church (Ottawa/Pottawatomi) about basketry, invasive bugs, sustainability, and more. Presented in connection with the landmark special exhibition, "Hearts of Our People: Native Women Artists" (through 1/3/21). Hosted by journalist/podcaster, Rebecca Nagle (Cherokee). Music by Oklahoma musician, Kalyn Fay (Cherokee/Muscogee).

Let's go back to Arizona. In part 2 of our look at the impact of the COVID-19 era on the Frank Lloyd Wright Foundation, we go a bit deeper and chat with the department heads who keep the wheels turning. Recorded live on-site at Taliesin West.

On the third episode of OUR PEOPLE, Rebecca sits down (virtually) with artist/photographer, Cara Romero (Chemehuevi ). Now based in Santa Fe, New Mexico, Cara grew up alternating between the rural Chemehuevi reservation in Mojave Desert, CA and the urban sprawl of Houston, TX. Presented in connection with the landmark special exhibition, "Hearts of Our People: Native Women Artists" (on view through 1/3/21). Hosted by journalist/podcaster, Rebecca Nagle (Cherokee). Music by Oklahoma musician, Kalyn Fay (Cherokee/Muscogee). New episodes every week in December.

Our intrepid host reports from an unforgettable desert journey to Taliesin West in Arizona, home to the Frank Lloyd Wright Foundation. In late 2019 we were invited by the Foundation to do a live show for a real, human audience (remember those?). But then the world changed. We kept our promise, took the trip, and left with a deep-dive exploration of how cultural sites are surviving the COVID-19 era. On this episode we speak with Frank Lloyd Wright Foundation President and CEO Stuart Graff.

On this episode of OUR PEOPLE, Rebecca chats with acclaimed artist and First American Art Magazine editor, America Meredith (Cherokee) about her work, family, and more. Presented in connection with the landmark special exhibition, "Hearts of Our People: Native Women Artists" (on view through 1/3/21). Hosted by journalist/podcaster, Rebecca Nagle (Cherokee). Music by Oklahoma musician, Kalyn Fay (Cherokee/Muscogee). New episodes every week in December.

In connection with the landmark special exhibition, Hearts of Our People: Native Women Artists (on view through 1/3/21), Museum Confidential presents a new limited series hosted by journalist/podcaster, Rebecca Nagle (Cherokee) highlighting artists in the exhibition. Music for the series provided by Oklahoma musician, Kalyn Fay (Cherokee/Muscogee). New episodes every week in December. On this episode Rebecca chats with acclaimed artist, Anita Fields (Osage) about her life, work, and much more.

Docents, volunteers, tour guides, whatever you want to call them, have been and remain an important part of the museum visitor experience. As the world and demographics change, how do museums make sure volunteers keep up with the change and remain relevant to modern audiences and concerns? On this episode we chat with journalist Sophie Haigney about her recent Slate article, "Museums Have a Docent Problem."

Agnes Gund is a legend in the art world for her collection, her philanthropy, and her decision in 2017 to sell a painting by Roy Lichtenstein for $165 million and launch the Art for Justice Fund. She's also the subject of the new documentary, AGGIE. The film was directed by Agnes' daughter and acclaimed documentarian, Catherine Gund. The film is available now in virtual theaters and on demand. On this episode we chat with Catherine Gund about her work, this film, her larger-than-life mother, and how/where art and social justice intersect. aggiefilm.com