Michael and Us

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/81425372 Underground filmmaker Damon Packard took the behind-the-scenes footage from the making of the Star Wars prequels - and a lot of other stuff, too - and turned it into a hilarious (and very copyright-infringing) film called UNTITLED STAR WARS MOCKUMENTARY (2003). In the process, he reclaimed one of the biggest entertainment franchises for the audience. PLUS: Our old friend Joe Lieberman is at it again.

Ben Affleck's AIR (2023) chronicles the wheeling and dealing that led to Michael Jordan signing with Nike, and this unabashed celebration of the world's most famous shoe brand positions the Air Jordan as a victory for trickle-down economics. We discuss the movie that asks the question: "What if you made The Social Network about people who were frickin epic??"

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/81011839 The great Canadian filmmaker Guy Maddin was hired to direct a documentary about the populist Canadian filmmaker Paul Gross as he makes an Afghanistan War epic. The result was BRING ME THE HEAD OF TIM HORTON (2015) - one serious artist's piss-take about a decidedly less serious artist, which also manages to make some serious points. PLUS: Jeremy Corbyn's expulsion from Labour, reconnecting with Bernie Sanders, and the hosts hash over one of their biggest disagreements yet.

With Trump's indictment in the news, we thought it might be a good time to watch the movie that has been more influential on QAnon than any other: Ridley Scott's little-loved seafaring adventure WHITE SQUALL (1996). We parse this half-forgotten film to figure out why, exactly, the QAnon people love it so much. "Where we go one, we go all!" Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/80753271 Guy Maddin's Depression-era cinematic fantasia THE SADDEST MUSIC IN THE WORLD (2003) is not only a great film, but also a great piece of Canadian culture. We grapple with the truths about the True North that only an artist of Maddin's calibre manages to articulate. PLUS: A.O. Scott is leaving his job - but why?

We mark the 20th anniversary of the Iraq War by revisiting some of the classic clips from our cowed and deferential news media circa 2003. PLUS: What is artificial intelligence and what does it mean for the future? Pulitzer-winning columnist Thomas Friedman doesn't know, but that didn't stop him from writing about it.

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/80445971 For years, the conservative film critic Armond White has been the scourge of Rotten Tomatoes readers with his contrarian taste and awkward prose. We compare some of his recent writings for the National Review to some of his '90s-era criticism to find out what has happened to his prose. PLUS: We discuss the culture criticism of another National Review correspondent, Dan "The Baseball Crank" McLaughlin.

For nearly 20 years, one libertarian businessman with a wildly dangerous theme park held the state of New Jersey under his thumb. We discuss the documentary CLASS ACTION PARK (2020) and its uneasy mix of nostalgia and condemnation for Action Park. Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus

A man spends a night in an isolated woman's desert shack, and loses his identity in the process, in WOMAN IN THE DUNES (1964), Hiroshi Teshigahara and Kōbō Abe's resonant parable about... what, exactly? Your hosts are not entirely sure, but forge ahead anyway with this seminal work of postwar Japanese cinema. Join us on Patreon for an extra episode every week: https://www.patreon.com/michaelandus

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/79902001 First: a passionate Will gives a bewildered Luke a thorough breakdown of the VANDERPUMP RULES scandal that has torn a nation asunder, and what it all means. Then: on the eve of the 95th Academy Awards, the hosts remember some of the great Oscar moments of days past, and fire off fiery hot takes about this years nominees.

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/79746684 We begin with Will setting the record straight on perhaps the most important topic the podcast has ever covered before moving on to a discussion about two showbiz movies of wildly differing quality that both deal in excess: BABYLON (2022) and SHOWGIRLS (1995).

George Orwell's popularity is at a new high in the post-Trump era, and he's been claimed by both the left and right. We discuss NINETEEN EIGHTY-FOUR (1984, Michael Radford's feature-film adaptation of Orwell's most famous novel, and try to rescue a self-described socialist from the Dave Rubins of the world. Listen to us discuss Orwell's writing in episode #190 - https://www.patreon.com/posts/190-lion-and-44728064

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/79406807 We discuss a movie that has, for some unknowable reason, been much-requested by our loyal listeners. Will has seen it many times. Luke had never seen it before. It hails from a very different era of blockbuster filmmaking. Folks... it's SUPER MARIO BROS. (1993).

Abbas Kiarostami's masterpiece CLOSE-UP (1990) used the true story of a poor man who impersonated a famous filmmaker to meditate on class, identity, and the cinematic apparatus. PLUS: the slow erosion of universal healthcare, and checking in on Fox News post-Trump.

Some topics are too vast, too vital for us to cover on our own. Today, we address one such topic. We invited Jacobin Magazine's Meagan Day and Branko Marcetic for a roundtable discussion of EMPIRE RECORDS (1995). We proffer some theories about why this attempt to hit the Gen X zeitgeist actually resonated more strongly with millennials, and how its depiction of alt-culture proved life-changing for at least one of the panelists. Our previous symposium on "You've Got Mail" - https://soundcloud.com/michael-and-us/176-youve-got-mail-a-michael-us-symposium-w-meagan-day-and-branko-marcetic Meagan at the Oxford Union - https://www.youtube.com/watch?v=EEnqmgVaOjc&ab_channel=OxfordUnion

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/404-boy-in-78936344 We look back on the prototypical modern viral media phenomenon: the "Balloon Boy" hoax of 2009. After bingeing about 90 minutes' worth of MSNBC coverage, we discuss how the Balloon Boy both presaged and diverged from the sorts of flash-in-the-pan viral sensations that would dominate the next 14 years. PLUS: fiery hot takes on the sudden resignation of Toronto Mayor John Tory.

The amateur documentary MY YANG GANG DIARY (2021) gives us opportunity to look back on the presidential candidacy of Andrew Yang. We discuss how the "Not left, not right, but forward" candidate offered a vision of radical centrism. "What Happened to Andrew Yang?" by Akela Lacy - https://theintercept.com/2021/08/15/andrew-yang-new-york-mayor/

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/78564941 On February 7, Joe Biden delivered his State of the Union to a new congress. A little bit was different, and plenty was the same. We discuss Biden post-midterms, the inept Republican response, and do a little spitballing about the future. PLUS: a cancelled movie star who might stay cancelled, and a surprising return to the Beatty Tracyverse.

Terrence Malick perfected his now-signature style with his rapturously beautiful second film, DAYS OF HEAVEN (1978). We discuss the film's depiction of hardscrabble American life in the early 20th century, and Malick's holistic view of humanity and nature. PLUS: an alarming update on the state of Canadian media, and the U.S. Congress condemnation of socialism. "On Earth as It Is in Heaven" by Adrian Martin - https://www.criterion.com/current/posts/555-days-of-heaven-on-earth-as-it-is-in-heaven Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/400-amityville-78332944 We've reached episode #400, and we're celebrating this auspicious anniversary by revisiting some of our favorite topics. First, we create the definitive canon of the most important movies we've discussed on the show. Then, we stare into the heart of darkness by watching Shawn C. "Coolduder" Phillips' directorial effort AMITYVILLE KAREN (2022), a no-budget horror film that attempts to cash in on the "Karen" phenomenon.

A key moment in the evolution of the modern blockbuster, JURASSIC WORLD (2015) is a cynical reboot about cynical reboots. We discuss what this enormously popular movie says about the world that spawned it, as well as its very peculiar sexist streak you may have noticed. PLUS: Why is Canada's conservative movement so Americanized?

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/398-cheese-back-77885785 First, Luke breaks down exactly what's going on in the peculiar saga of noted compulsive-liar congressman George Santos. Next, Will offers an appreciation of the late New York underground filmmaker Nick Zedd and his "campy ACAB" classic POLICE STATE (1987). Finally, we all come together to share a laugh about a Guardian columnist who's having serious problems with a slice of cheese.

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/397-view-from-77710234 After Mondo Cane it was time to watch a good movie, so we dipped back into the oeuvre of Werner Herzog. Popularly known as "the one where he hypnotized the entire cast," HEART OF GLASS (1976) and its apocalyptic vision offer some unique insights into the German maverick's view of civilization.

A misanthropic catalog of shocking images from around the world, the bizarre, unpleasant, baldly racist, and extremely influential MONDO CANE (1962) was a pioneering "shockumentary." We revisit this strange and ugly artefact to discuss why it was taken so seriously in its day. Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/395-all-films-77414105 According to official White House documents, Bill Clinton watched over 150 movies in the White House Screening Room during his presidency. In this very special episode, we discuss the films the 42nd president watched.

Upon its release, Steven Soderbergh's TRAFFIC (2000) offered something novel: a cinematic tapestry that criticized America's War on Drugs. More than 20 years later, we consider its strengths, as well as the impact that time has diminished. PLUS: Let's read a little from Prince Harry autobiography, shall we? Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/393-gabbo-is-77029119 What if they made a blockbuster but the block doesn't bust? We sift through the wreckage of Dwayne "The Rock" Johnson's ill-fated bid for a hostile takeover of the DC cinematic universe, BLACK ADAM (2022).

Filmed in the aftermath of the 1970 "October Crisis" that brought martial law to Canada, Gilles Groulx's radical documentary 24 HOURS OR MORE (1973) takes a disapproving look at life in Quebec under capitalism during a moment when the postwar economic boom was receding. It's the kind of movie that isn't made anymore: a movie that questions the very premises on which society is built. Watch the movie for free: https://www.nfb.ca/film/24_hours_or_more/ Join us on Patreon for an extra episode every week: https://www.patreon.com/michaelandus

As we enter 2023, it's time for our annual look back on the movies that defined our podcast over the past 12 months. In our third Year-in-Review Extravaganza, we're handing out awards for Best Movie, Worst Movie, Best End-of-History Movie, Thing We Liked Growing Up That Holds Up Relatively Well, Best Tubi Movie, and more. Will Alexandra Pelosi win an award? Will Dinesh D'Souza go home empty-handed? What about Trump vs. the Illuminati? Tune in to find out! Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/76653894 If you'll indulge us, we'd like to keep the holiday spirit going a little longer by doing a deep ideological reading of one of the most important films ever made. Several years ago on this podcast, Cohost Luke was startled and delighted to discover that 1994's The Santa Clause was loaded with <zizek> deep ideology </zizek>. Today, we look at its long-delayed sequel, THE SANTA CLAUSE 2 (2002), to find what it tells us about our world in the Bush era.

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/76177655 With the yuletide season upon us, our Superdelegate patron tier has voted for us to discuss the Bill Murray holiday semi-classic SCROOGED (1988). So we boiled up some hot chocolate and did our best to apply an ideological reading to this story of an '80s TV executive's path to Christmastime redemption. PLUS: Fiery hot takes on Avatar: The Way of Water, and an answer to the question on everyone's lips: what, exactly, is Elon Musk's "plan"?

The 20-year filmmaking career of Alexandra Pelosi has been building up to this moment: a hagiographic documentary portrait of her mother, the outgoing U.S. House Speaker Nancy Pelosi. We watched PELOSI IN THE HOUSE (2022). Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus "Nancy Pelosi’s Daughter Makes Awful Documentaries Fawning Over the Establishment" by Will Sloan - https://jacobin.com/2022/12/nancy-alexandra-pelosi-documentary-filmmaking-establishment "Nancy Pelosi Delivered Little for the Left, but We Might Miss Her Anyway" by Branko Marcetic - https://jacobin.com/2022/11/nancy-pelosi-house-speaker-democratic-party-center "The Obamanauts" by Corey Robin - https://www.dissentmagazine.org/article/the-obamanauts

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/75918320 In this episode, we discuss a variety of decaying institutions and lost futures. We hash over some thoughts on what the HARRY & MEGHAN Netflix show says about the decline of the monarchy, and then dissect the Christmas episode of the 1980s RAMBO: THE FORCE OF FREEDOM cartoon show reimagines Santa Claus as a reformed Josef Mengele type. PLUS: thoughts on a new Blockbuster Video pop-up, and the upcoming movie that will unite a divided America.

In 1991, actor/martial artist/philosopher/current Russian special envoy to the U.S. Steven Seagal hosted Saturday Night Live for the first and only time. The result has gone down in history as one of the worst episodes of all time. We look back on this infamous show and find a nearly indecipherable time-capsule of the comedy and culture of the early 1990s. PLUS: Luke explores the relationship between celebrities and the NFT industry.

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/75607790 With the decennial Sight & Sound "Greatest Films of All Time" poll dominating Film Twitter, we discuss Jean-Luc Godard and Anne-Marie Miéville's eccentric rumination on film history, 2 x 50 YEARS OF FRENCH CINEMA (1995). Commissioned as a documentary on the history of French cinema, the result is a cheeky dismantling of the commission itself, as well as an earnest lament to "the death of cinema." PLUS: We check in on the Kanye West meltdown tour, and its implications.

The quintessential American folk troubadour and a beloved national icon, Woody Guthrie was also a committed lefty for whom art and politics were intertwined. We discuss his life and legacy via Hal Ashby's biopic BOUND FOR GLORY (1976), which takes a broad look at Guthrie and during the Great Depression. PLUS: How Joe Biden crushed a railroad workers' strike. Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/75275385 After fleeing the Swedish tax authorities, Ingmar Bergman briefly set up shop in Germany to make what is widely considered his worst film. We look at his Berlin-set, David Carradine-starring rise-of-fascism drama THE SERPENT'S EGG (1977) to find out if it's really as bad as all that. PLUS: What does David Brooks' taste in music tell us about him?

Released shortly before the attack on Pearl Harbor, Howard Hawks' SERGEANT YORK (1941) was an attempt to rouse popular support for America entering the Second World War. We excavate one of the biggest box office hits of its day and find a movie in which God and Country are pitted together, and Country wins. PLUS: we hash over some of the drastic and unhappy changes that have happened to our local government in Toronto, Canada. Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/381-fine-horse-74986287 The dystopia is already here in Boots Riley's SORRY TO BOTHER YOU (2018). This anti-capitalist comedy follows a telemarketer who is nearly seduced by a superstar billionaire. We discuss how the film identifies revolution as both necessary and nearly impossible. PLUS: musings on the end of Twitter and Chicago-based columnist John Kass.

We've gazed into the abyss many times before but the Ray Romano/Gene Hackman comedy WELCOME TO MOOSEPORT (2004) - in which a former U.S. president runs for mayor against a small-town handyman - comes close to breaking us. PLUS: We recap the U.S. midterms, and ask: Is Ron DeSantis a serious threat to Donald Trump? (Short answer: no) Join us on Patreon for an extra episode every week -

We finally felt lucky enough to discuss the grandaddy of right-wing law-and-order movies, DIRTY HARRY (1971). One thing is for certain: this is one cop who takes no guff from no one. PLUS: fiery hot takes on the U.S. midterms, the labour strike that is rocking Canada, and the future of entertainment. Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus

Adam McKay's VICE (2018) sought to give Dick Cheney the full reckoning for his crimes through art that he will never receive in life. Is the film necessary cinematic intervention in the ongoing Cheney reclamation project, or a condescending failure? Your hosts disagree sharply on this cinematic polemic. PLUS: fiery hot takes on Elon Musk's Twitter takeover. "'Damn right,' I said" by Eliot Weinberger - https://www.lrb.co.uk/the-paper/v33/n01/eliot-weinberger/damn-right-i-said Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/74048274 The terrible right-wing documentary RIDING THE DRAGON: THE BIDENS' CHINESE SECRETS (2022) attempts to argue that Joe Biden has used his diplomatic relationship with China to enrich his family. It's a theory that strikes us as basically true, but delivered with right-wing blinders. PLUS: on the political efficacy of throwing soup at paintings, and an update on the U.S. midterms.

PATREON BONUS - https://www.patreon.com/posts/bonus-brazil-w-73950546 Brazil’s extreme-right president Jair Bolsonaro might go down to defeat in the second round of presidential voting. But, win or lose, the political coalition he’s assembled may endure after October 30. In this interview, Luke talks to Vincent Bevins — who lived in Brazil from 2010 to 2016 and worked as a correspondent, wrote The Jakarta Method (2020), and moved back to São Paulo last year to work on his second book — about the issues at play.

In a distant future, a privileged ruling class lives in a city fuelled by an invisible army of workers who toil in barbaric conditions. Yes, this is the far-fetched scenario of one of the most iconic science-fiction films of all time, Fritz Lang's METROPOLIS (1927). We finally discuss the most famous of all Weimer-era movies, and debate whether or not the mediator between the head and the hand really is the heart. WATCH METROPOLIS IN FULL HERE: https://www.youtube.com/watch?v=5BBnMCAIuQg&ab_channel=SupremeOverlord LINK TO EPISODE #149: FROM CALIGARI TO HITLER (NOW UNLOCKED): https://www.patreon.com/posts/149-from-to-36101522

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/73759807 We discuss the chaotic state of British politics and the sudden end of the 44-day Liz Truss era; Alexandra Pelosi's surprise role in the January 6 hearings; and the very cheap pro-Donald Trump documentary TRUMPOCALYPSE NOW! (2017), another winner from Trump vs. the Illuminati director B.C. Fourteen.

We discuss death, bureaucracy, and postwar Japan in Akira Kurosawa's masterpiece IKURU (1952). PLUS: Everything you always wanted to know about Toronto's political culture (and upcoming municipal election) but were afraid to ask!

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/73406324 In this breezy and chill episode, your hosts compare notes on the craft of writing before getting into the most important topic of our times: a direct-to-streaming oddity called TRUMP VS. THE ILLUMINATI (2020). Cohost Will bravely watched this mysterious 69-minute movie on Tubi and is here to tell the tale.

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/73169180 In one of the most popular documentaries of the Michael Moore era, Morgan Spurlock ate nothing but McDonald's for 30 days. We revisit SUPER SIZE ME (2004) and found - you guessed it! - a relic from a distinctly 2004 era of American liberalism.

In 2015, three American armed forces vets foiled an attack on a train to Paris. Three years later, Clint Eastwood enlisted the boys to re-enact their experience in a major motion picture. The result, THE 15:17 TO PARIS (2018), is a genuinely strange docu-fiction experiment that, yes, has a lot to say about America. Join us on Patreon for an extra episode every week and more bonus content - https://www.patreon.com/michaelandus