
Sarah Williams Didn't Mean For Mary To Take Control Of Her Series
When crafting the plot for her intricate family drama, writer Sarah Williams never meant for the family neighbor to be so insistent.
MASTERPIECE Studio · MASTERPIECE
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Show Notes
Warning: This episode contains spoilers for Episode Four of the First Season of Flesh and Blood.
Sarah Williams is the kind of screenwriter who knows where she's going when she starts writing a script. But sometimes, a character insists on taking the story in a different angle, and Imelda Staunton's timid Mary was exactly that kind of character. Williams shows where Mary took her, and us, in a new podcast after the dramatic conclusion of Flesh and Blood.