Marvelous! Or, the Death of Cinema

We came up with not one but two pitches for legacy sequels over the course of our discussion about Bound. This is one of them. If you like what you hear, subscribe to our Patreon for exclusive episodes, commentary tracks and Discord community events at patreon.com/marvelousdeath.

In our first stab at Legendary's Monsterverse, we tackle 2019's Godzilla: King of the Monsters, which is really just a shiny American remake of Invasion of the Astro-Monster, Destroy All Monsters, and All Monsters Attack except there are no aliens dressed like a New Wave band and nuclear radiation is net positive for the environment. We've got our favorite Godzilla autist Andy from Those Good Old Fashioned Values back to talk all about our big favorite guy and why this movie isn't good. At least Nicole's home turf of Boston gets razed in the climax. Too bad you can't see much of it through all the CG snow/rain/fog. Brought to you by Murk-O-Vision! *Yes, we'll go back and do Kong: Skull Island when we hit 2020 and COVID makes it so there were only three movies to talk about for the entire year. Please support Peter David's medical expenses gofundme here. And if you can, also consider supporting these organizations in Palestine: ANERA (American Near-East Refugee Aid) PCRF (Palestinian Relief Children's Fund) MAP (Medical Aid for Palestinians) Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley and barf. Follow @MarvelousDeath for updates.

We discuss a pokemon movie that a lot of people where tricked into liking because it had cinematography and a cute little guy. Along the we cover the (mis)casting of Ryan Reynolds, the growing synergy between American and Japanese entertainment industries, adapting anime characters to live action, childhood memories, childhood atavism, Drake, Roger Ebert: Southern Gentleman, and much more in a free-ranging tall-grass episode with some of the weirdest and wildest bets yet recorded. Please support Peter David's medical expenses gofundme here. And if you can, also consider supporting these organizations in Palestine: ANERA (American Near-East Refugee Aid) PCRF (Palestinian Relief Children's Fund) MAP (Medical Aid for Palestinians) Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley and barf. Follow @MarvelousDeath for updates.

Enjoy Nicole's impeccable posh English accent in this excerpt from our Patron-exclusive episode about the recent 'indie' hit Saltburn and writer/director Emerald Fennel. If you like what you hear, subscribe to our Patreon for exclusive episodes, commentary tracks and Discord community events at patreon.com/marvelousdeath.

In 2019 they rebooted Hellboy. Remember that? They rebooted Hellboy. They made a new Hellboy movie. With David Harbour! Remember him? The stranger things guy? No you don't. Be glad! They really messed this one up. The guy who made "The Descent" then nothing else for 15 years was in way over his head. The producers kept trying to make this a Marvel movie. They turned Hellboy into Butthead. All the gore is CGI. It was edited by a a young child with meat cleavers for hands. Eddie Meatcleaverhands (original character do not steal). You know the drill: It's a bad movie, we talk about it. Hey, at least Milla's looking pretty good. Graham's Twitter <- Click Here If you can, please help Palestinians in need by donating to these reputable organizations: ANERA (American Near-East Refugee Aid) PCRF (Palestinian Relief Children's Fund) MAP (Medical Aid for Palestinians) Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley and barf. Follow @MarvelousDeath for updates.

We open 2024 with a deluxe-sized double feature episode as we compare two titanic 2019 superhero releases: Captain Marvel and... Captain Marvel!? Ok, it's Shazam, but realheads know. If you don't, listen to this episode, and find out all about the Captains Marvel, phony pheminism, corporate cuckoldry, bad relatable teen writing, bad relatable grown woman writing, golden age comics, gay wizards, space goblins, and what happens when your endearing superheroic lead is light-bending black hole of negative charisma and so much more! If you can, please help Palestinians in need by donating to these reputable organizations: ANERA (American Near-East Refugee Aid) PCRF (Palestinian Relief Children's Fund) MAP (Medical Aid for Palestinians) Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley and barf. Follow @MarvelousDeath for updates.

We're taking a little extended holiday break before we get back to our regularly scheduled programming (talking about capeshit movies). To tide you all over, Cole talked about Spider-Man 2 (the game) with Ty from Those Good Old Fashioned Values along with Gus and Charlie from Most Controversial in a Stu and Nicole-less episode. If you can, please help Palestinians in need by donating to these reputable organizations: ANERA (American Near-East Refugee Aid) PCRF (Palestinian Relief Children's Fund) MAP (Medical Aid for Palestinians) Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley and barf. Follow @MarvelousDeath for updates.

Merry Christmas everyone (or Happy Holidays if you're on that liberal anti-Christmas bend)! It's the two year anniversary of the pod, and rather than wasting our time watching Deadpool 2 retrofitted into a PG-13 Christmas edit with Once Upon a Deadpool, we let our Patrons pick what our Christmas/anniversary episode would be about from a curated list of four movies. Beating out Cole's pick for Bon Voyage Charlie Brown by one vote was Stu's choice: 1974's groundbreaking proto-slasher Black Christmas, directed by A Christmas Story and Baby Geniuses 2: Superbabies auteur Bob Clark. To help us out, we're joined by Black Christmas podcasting expert and Those Good Old Fashioned Values/Get Cynical co-host Spencer. If you can, please help Palestinians in need by donating to these reputable organizations: ANERA (American Near-East Refugee Aid) PCRF (Palestinian Relief Children's Fund) MAP (Medical Aid for Palestinians) Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley and barf. Follow @MarvelousDeath for updates.

Cole loses their mind in this excerpt from our Patreon exclusive book report on the recent hagiography MCU - The Reign of Marvel Studios. Like what you hear? Subscribe to our patreon for exclusive episodes, fan-pick raffles, VIP discord events and more!

Esther Rosenfield (@capybaroness) from Get Cynical joins us to discuss a movie... we all actually quite liked! The Robert Rodriguez directed, James Cameron produced manga adaptation of Battle Angel Alita (aka GUNNM). In this episode: Earnestness in adaptation, good action, big dick jimmy, modifiable and interchangeable bodies, trans and queer themes, differences between the film and the manga, what seperates 'good' and 'bad' CGI, and much more! Performance and Selfhood in 'Alita: Battle Angel' If you can, please help Palestinians in need by donating to these reputable organizations: ANERA (American Near-East Refugee Aid) PCRF (Palestinian Relief Children's Fund) MAP (Medical Aid for Palestinians) Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley and barf. Follow @MarvelousDeath for updates.

In this episode: Solo, a film cobbled together from memberberries and reshoots. An annoying bisexual 'sjw' robot. Pansexual Lando. A plot driven around space gasoline. It's a film less interesting than it's troubled production. They fired the Lego movie guys and hired the kid from Andy Griffith, who is too old to understand how digital cameras work so you can't see shit. Seriously, I thought there was something wrong with my TV, but the movie is just Like That. Also: Explicit human on droid sex. Is it the worst Star Wars film? Yes! And that includes the holiday special. If you can, please help Palestinians in need by donating to these reputable organizations: ANERA (American Near-East Refugee Aid) PCRF (Palestinian Relief Children's Fund) MAP (Medical Aid for Palestinians) Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley and barf. Follow @MarvelousDeath for updates.

We launched the podcast in 2021. Since then, thanks entirely to our efforts, the MCU has taken loss after loss. Diminishing box office returns, declining critical support, plummeting audience enthusiasm. Under-performers have given way to flops have given way to fiascos. On the eve of 'The Marvels' disastrous box office returns, we take to the mics to discuss where we are, how we got here, and take a lap in the afterglow of our assured victory over the forces of evil. Ladies and gentlemen: We got 'em. Like what you hear? Get the full episode and much more on Patreon

Special guest and Transformers scholar Liz (@liz_irl) enters the graveyard to discuss 'Bumblebee', the moderately successful and unexpectedly likeable spinoff of the Michael Bay Transformers franchise. In this episode: Franchise refreshes: the softest of reboots and how they try to shed their skins without losing their audiences. Fullmetal Fujoshi: Do girls like transformers? How a background in animation can help make better use of CGI. Is this movie just The Iron Giant + Christine? McKnight Begins: Stu makes an astonishing discovery about the origins and career of director Travis "Chilly Tee" McKnight. Listen to Chilly Tee - Get Off Mine Liz is available for video editing work! Contact her on twitter. If you can, please help Palestinians in need by donating to these reputable organizations: ANERA (American Near-East Refugee Aid) PCRF (Palestinian Relief Children's Fund) MAP (Medical Aid for Palestinians) Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley and barf. Follow @MarvelousDeath for updates.

Cole (zoomer with attention deficit disorder) somehow talked us (Nicole and Stu, aging millennials) into watching the Teen Titans Go! movie. Not sure why we did this because we all maybe talked about the movie itself for a total of twenty minutes and somehow milked the conversation to almost two hours? Lotta cartoon talk, some debate over whether a joke can just be "it's a butt," and Cole explains Teen Titans comic lore. If you can, please help Palestinians in need by donating to these reputable organizations: ANERA (American Near-East Refugee Aid) PCRF (Palestinian Relief Children's Fund) MAP (Medical Aid for Palestinians) Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley and barf. Follow @MarvelousDeath for updates.

Why did we buck our own regularly scheduled programming of Funko Pop capeshit and IP pig slop to watch The Book of Henry, from the twisted mind of the demon Colin Trevorrow? Well, because it more or less killed his chances at what would become Star Wars: Rise of Skywalker and effectively nuked a totally separate film franchise than the one he was already dragging through pigshit. Also because this movie is batshit crazy. A "so bad it's good" cult hit in the making? Or, as Cole claims, "the smartest movie ever made"? Commentary track here. Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley. Follow @MarvelousDeath for updates.

It might be the dumbest movie about dinosaurs ever made. Too bored (and, in Nicole's case, incensed) by the first one to bother talking about it, we parachute into the second entry in this ur legacy-franchise-sequel-reboot for all the adult babies that never let go of their childhoods. The dinosaurs are your friends. Your pals. They're literally puppies. They're pedophiles. They're living things just like us, and deserve to live (and exterminate various other species in the process). Come for the dinosaurs, stay for rage-mode Nicole, Science Facts™, the refinement of our critique of 'soy dialogue', and an extended discussion of pubic hair in Baldur'a Gate 3. Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley. Follow @MarvelousDeath for updates.

It's another Marvel movie, and like most sequels in the Marvel Cinematic Universe, Ant Man and the Wasp doubles down on everything that was irritating and boring about its admittedly okay predecessor. It doesn't stand on its own as a film because it's just a prolonged set up for a plot mechanic in a future Avengers movie. Not too much to say here aside from the usual complaints, so for the first half of this episode, Nicole, Cole, and Stu go back to basics for anyone just joining in on the ride that is this podcast. What are the fundamental issues that plague not just the MCU but any attempt at an IP cinematic universe? What's a lampshade? What exactly is soy dialogue and what makes it any different from Whedonspeak? Will Nicole's curtains survive the recording? (Spoiler alert: they don't.) Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley. Follow @MarvelousDeath for updates.

Friend of the show and comic artist Graham joins the crew for a thorough filleting of one of the DCU's post-Justice League successes, the gleefully dumb light-hearted sci-fantasy romp "Aquaman." We discuss the origins of the character and his comic iterations, his nemesis Black Manta, the affable screen presence of star Jason Momoa, gestural environmentalism, bad wet-for-dry, big dick willie d, and how Black Manta in the comics has autism. All this and more in this episode jam packed with nautical nonsense and maritime adventure! Buy Graham's Comic! Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley. Follow @MarvelousDeath for updates.

We're heckin back again with another freaking awesome Deadpool movie you little epic piggies to listen to. Just kidding, it's a step-down from the really just okay first one in literally every way possible. The jokes aren't very funny, the action sucks (and got a stunt person killed), all the meta-stuff you're supposed to point at is lame, and the writers were too dumb to realize they pulled a Women in Refrigerators by killing off one of the hottest women to ever do it to even parody the idea into something marginally humorous. We also talk a little bit about the thankfully delayed Deadpool 3 and how much the MCU's first R-rated movie is going to be terrible. And Cole talks about whatever the fuck Cable's deal is. Plus, Nicole makes perhaps her funniest verbal faux pas in the history of the podcast. Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley. Follow @MarvelousDeath for updates.

Sorry for the delay on this one everyone, but on this super special episode of Marvelous!, we finally reach the moment Kevin Feige and his murderers row of enablers and sycophants have built up to since 2008. Hailed by critics and audiences alike and celebrated for its "complex" sneaker-faced purple villain/having the audacity to kill half its cast before the next one (or subsequent movies) revives them anyways, Avengers: Infinity War is the biggest movie EVER until Endgame or any other Marvel movie the marketing tells you it's actually the most important and emotionally wrought film you'll ever see. In actuality it's like a DnD campaign written by people who took screenwriting notes from Joss Whedon and looks like a series of video game cutscenes spliced together. Nicole really thinks Chris Evans is hot in this movie and you're not allowed to clip any sounds she makes out of context. Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley. Follow @MarvelousDeath for updates.

For our inaugural Patreon Raffle, Nicole's friend Jack* won and mercifully gave us the option of watching either the defanged RoboCop remake or European mega-bomb Valerian and the City of a Thousand Planets starring two of the worst actors we've watched on the pod thus far: sick and dying actor Dane Dehaan from The Amazing Spider-Man 2 and Cara "Peg the Patriarchy" Delevingne from Suicide Squad. It's also directed by notorious French pedophile/former good movie maker Luc Besson, the man behind Léon: The Professional and The Fifth Element. Based on the influential French graphic novel Valérian and Laureline, this is a film Besson has sought to make as a passion project since development on The Fifth Element. What could possibly go wrong? Topics of discussion include: good movies made by European pedophiles, what if a Chinese guy with more screen time than Rihanna went to space, and Stu's Great Replacement Theory for stacked redheads in film adaptations. (*Who was urged to suggest this movie by mutual friend Ronan. Fuck you too Ronan.) Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley. Follow @MarvelousDeath for updates.

Steven Spielberg. Colossus of film. Father of the modern blockbuster. Gamer. Ernest Cline. Author. Dreamweaver. Redditor. United, these two titans bring us the ultimate in entertainment product, that last movie ever made, the one where a guy jumps Doc Brown's DeLorean over the Iron Giant while RX-78 Gundam Fights Mechagodzilla. This week, the gang tackles the film that defines the death of cinema: Ready Player One. Nicole has an unprecedented meltdown over the abuse of Kubrick, Stu dissects the truly terrible source material, and Cole theorizes on how this nadir of insular pop-culture self-referentialism led Spielberg from a career nadir to the recent highs of 'The Fabelmans'. All this and much more in a tubular epic winsauce episode that you don't want to miss! Special thanks to Kris Wolfheart for his Dramatic Reading of Nerd Porn Auteur. Please check out his channel! Supplementary: Stu's read-along of the book. Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley. Follow @MarvelousDeath for updates.

Venom. He's a slime guy, he has big teeth, a Spiderman villain without a Spiderman, cast adrift into the seas of franchise uncertainty. In this appropriately amorphous, wide ranging episode we discuss the Venom character in comics, Tom Hardy's weirdo performance, Sony's jockying for position in it's tense shared-franchise relationship with Disney, the economics of modern franchise blockbusters, Cole gets so high they invent an entirely different movie, and Nicole makes Stu read some depraved fan fiction. It's a wild ride. Check out Andy's Stream and support Those Good Old Fashioned Values. Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley. Follow @MarvelousDeath for updates.

In our most controversial episode yet, we take a look at the only black led movie ever made, the film that ended racism in America and dislodged the cheeto from the throat of its government: Black Panther (no relation). In this exciting episode you'll find: Stan Lee is a wily bastard, Jack Kirby talks like an old man, Afrofuturism as laser-shooting spears, bad cgi doubles, the limits of the liberal imagination, Africa as a fantasy projection for Americans, the lamest civil war since the last marvel movie, great casting, the meaning of diversity in film, conservative contrarian film critic Armond White, and much more! Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley. Follow @MarvelousDeath for updates.

In the grand tradition of raining on everyone's parade, we're bucking our usual schedule and revisiting/taking to task the critically acclaimed, Academy Award winning Sony Animation extravaganza Spider-Man: Into the Spider-Verse, a film Letterboxd users have rated as better than Goodfellas, Sunset Boulevard, and Persona. While the internet is currently freaking out over trans-coded Gwen Stacy, Nicole, Stu, and resident Spider-Man expert Cole bring some clarity to an admittedly beautiful looking but otherwise bog-standard Marvel movie about multiverses and believing in yourself that's very clearly written by white people trying to appeal to the young PoC Tumblr demographic (save for co-director Peter Ramsey). The only thing whiter than the production team behind Spider-Verse are the creative minds who brought us Miles Morales, a character whose origins lie in someone at Marvel thinking, "What if we made Spider-Man a young Obama?" And before you come to yell at us for not liking your favorite movie of all time, consider reading the late Dwayne McDuffie's 1989 letter to Marvel calling out the whiteness of their black characters and see just how prescient it reads regarding the creation and use of Miles Morales. Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley. Follow @MarvelousDeath for updates.

Five years ago, a mysterious and terrible force struck our culture like a meteor - laying waste to fandoms, blogs, video essays and fanfic websites. Now, present day, present time, three intrepid podcasters set out across the irradiated rubble of dessicated dead discourse, into the scorched wounds of a dying film franchise, and sift through the ashes and entrails to bring you the final word on The Journal of the Whills: The Saga of The Star Wars: Episode VII: The Last Jedi - a mildly interesting but entirely mid film that inexplicably drove millions of people insane for no reason. Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley. Follow @MarvelousDeath for updates.

In this luxurious, deluxe episode the crew bring you two movies for the length of three: Justice League (2017) and Zack Snyder's Justice League (2021). We outline the troubled production and personal tragedy that led to Snyder's ouster from his superhero magnum opus, and how WB brought in noted male feminist Joss Whedon to work his MCU magic, soy-up the grim epic and bring the runtime down to a svelte one hour, fifty-nine minutes and fifty-nine seconds. Disaster ensues, then a phoenix rises from the ashes - after fan outcry and studio desperation, a undulturated four hour original cut is produced and released in 2021. We watched both. We liked one. Tune in to find out which, and much more, in this must-hear episode. *The 'Stu Cut' of this episode will be released in 2024 pending fan outcry. Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley. Follow @MarvelousDeath for updates.

With the release of The Flash on the summer movie horizon, we're unlocking our Patreon bonus special investigative report on Ezra Miller and their crazy ass 2022. WB-Discovery cancelled basically everything except their upcoming The Flash movie, the basket in which the newly forged juggernaut of classic films, DC superheroes and Shark Week has decided to put all their eggs? Ezra Miller. Once indie darling (alleged) turned blockbuster star (alleged) turned raving groomer psycho (alleged) turned messianic cult leader (alleged). Why, in the era of MeToo, has WB pinned their fate on a powderkeg combination of Jim Jones and FF7haus? We don't know, but we're going to find out* in this Marvelous! special celebrity gossip true crime investigation. *We may not in fact 'find out'. Offer void where prohibited. Terms and conditions apply Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley. Follow @MarvelousDeath for updates.

The winner of our first patron raffle, the crew is forced to talk about Valerian, the already-forgotten bankruptcy inducing french pedophile sci-fi epic. In this exclusive excerpt, Cole breaks the simulation on Cara Delevingne's eyebrows. For the full after-dark exclusive episode, subscribe to our Patreon. Just $3/month provides access to all subscriber-exclusive content, VIP discord events and more.

On this episode Stu and Cole bully Nicole for enjoying things. Cole tells us about Thor and Hulk in comics, and how the MCU films have sold them both short. We discuss how a film that seems to want to be so whimsical and colorful seems to fall so flat, and how director Taika Waititi seems totally apathetic towards if not contemptuous of fantasy and science fiction: The small-minded and unimaginative cynicism that deflates the wonder and spectacle from Marvel's adaptations of it's more cosmic and psychedelic material. Also everything is on a green screen and half the cast are clearly never on set at the same time. Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley. Follow @MarvelousDeath for updates.

In this special bonus episode, Andy from Those Good Old Fashioned Values joins the pod to walk us through a retrospective on the formative years of this generation spanning cartoon franchise, its origin in independent comics, and a discussion of the surprisingly well-crafted and endearingly corny 1990 live action film. But first, Nicole makes a horrifying discovery about Turtle biology. Check out Andy's Twitch and listen to TGOFV! Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley. Follow @MarvelousDeath for updates.

What if they made a comic-book movie... for grown ups? It's Logan! It's Wolverine! Remember Wolverine? He's old and sad. He says fuck. He chops dudes arms off. Professor X says swears and poops his pants. Everybody dies in the grim dark future of six years from now. We liked it ok, it's good but not as good as you remember, but we get to enjoy some great performances, fun gore, and discuss just what it means to make a 'mature' superhero story. Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley. Follow @MarvelousDeath for updates.

Nicole reckons with her cringe girlboss past, Stu spergs about how badly they got WWI wrong, new permanent third mic Cole has some wild shit to tell you about Wonder Woman comics lore. How could you take something as wild as a demigoddess created by a Freudian bdsm polycule and turn it into this bland rehash of First Avenger? How could you take a solid cast of stars and character actors and force them into orbit around the dead cold star that is animate mannequin Gal Gadot? Why did people like this movie? All this and much more on Marvelous! Thank you for listening! Please consider subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley. Follow @MarvelousDeath for updates.

Cole (@java_jigga) returns once again to help us out with Spidey's grand foray into the Marvel Cinematic Universe (and Disney shareholders' wallets), Spider-Man: Homecoming. After a prolonged and ugly custody battle, Sony begrudgingly offered Marvel Studios to share parental rights over their little baby cash cow, and the result is yet another genre pastiche with the visual tactility of a Verizon commercial. Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley. Follow @MarvelousDeath for updates.

Spiderman expert Cole returns to take us from the close of the 1980s Bronze Age of Comics and into the modern day, with the rise and fall of independent comics, 'adult' subjects, edginess, Marvel's bankruptcy, and the decline of mainstream American comics in the 21st century through the lens of Marvel's flagship webhead. This is the second part of a two part series. Next time, we'll be watching Spiderman: Homecoming - as the friendly neighborhood arachnid is assimilated into the Disney-Marvel Machine. Click here to check out Cole's twitch stream and other things! Subscribe to our Patreon and come hang out in our Discord. Production by Miguel Tanhi. Art by Zoe Woolley. Follow us at @MarvelousDeath for updates! Thank you for listening!

Noted comics scholar Cole (@java_jigga) joins us to discuss the History of Spiderman as a character and brand, from his origins in the 1960s, through major lore moments, changes in creative staff, behind the scenes shenanigans, and the long weird history of licensed spin-offs, including a Japanese live-action series from the 1970s that had a formative role in the tokusatsu/sentai genre of television that begat series like Kamen Rider and Power Rangers. Along the way we learn about the long-history of exploitation of artists and writers, the origins of the crossover shared-universe and multiverse approach as a marketing gimmick, and in the process sketch a general history of superheroes and comic books from the post-war period to the today. This is the first part of a two part episode, which carries us roughly up to the 1980s. Part two will drop later this month, followed by an episode on Spiderman: Homecoming. An additional off the cuff conversation between Nicole and Cole (aka Ni/Cole) will also be available soon on our Patreon. Click here to check out Cole's twitch stream and other things! Production by Miguel Tanhi. Art by Zoe Woolley. Follow us at @MarvelousDeath for updates! Thank you for listening!

We ring in the new year and year two of the podcast not adrift in the Marvel Cinematic Universe, but somewhere a long time ago in a galaxy far far away (but still owned by the Walt Disney corporation). The Force Awakens: woke SJW propaganda, the Walt Disney Company's hollow retread of A New Hope, a Lacanian manifesto in white men's fragile masculinity, or a JJ Abrams puzzlebox that's all set up and no pay off? Stu and Nicole take a break from capeshit to talk about gay ass space wizards and how delusional everyone was in 2015/2016. Plus, Nicole does some intellectual self-mutilation as by revisiting her award-winning psychoanalytic essay on The Force Awakens. It really was selected as the best essay of 2018. Rate, review, subscribe to our Patreon and join our Discord Community! Special extra thanks to producer Miguel, who had to slog extra hard through technical issues for this one! Production by Miguel Tanhi. Art by Zoe Woolley. Follow us at @MarvelousDeath for updates! Thank you for listening and supporting the show!

Merry Christmas simps! While our Patreon subscribers will be treated to the much teased Batman Returns discussion like good little girls and boys, you freeloading plebs get a lump of coal in your shit stockings. But isn't every lump of coal capable of being a diamond — or at least an insanely horny and stylistically over-the-top curio of Millennial childhood at the end of history? To celebrate the Yuletide, Nicole and Stu (re)watch Ron Howard's 2000 live-action adaptation of Dr. Seuss's How the Grinch Stole Christmas starring actual crazy person Jim Carrey. Topics of discussion include: Baby Grinch, Carrey being trained by the CIA to withstand being in a stinky green yak suit, the Grinch spectrum, the charm of 90s Nickelodeon gross-out humor, maximalist sets, Grinch/Martha May Whovier rule 34, and Christmas nostalgia. If you're in the Christmas spirit and feel like giving something to your favorite podcasters, kick us a few bucks on Patreon and join our Discord Community! Patrons enjoy secret ultra-high quality content including Uwe Boll movie commentary tracks, and extra episodes (Batman Returns coming for year's end!) Production by Miguel Tanhi. Art by Zoe Woolley. Follow us at @MarvelousDeath for updates! Thank you for listening!

Nicole kind of liked this one. Stu did not. It's kind of a movie. It's about found families. It's about feelings. It's fine. It's just fine. It's smooth. It's the vaseline you smear over your baby groot funko pop before you jam it up your ass and it's so smooth you feel... nothing. Nothing at all. If you enjoy the show please consider helping us out with a positive rating or review, subscribing to our Patreon and joining our Discord Community! Apologies for the late release. Stu, like the cartoon raccoon, felt sad and didn't show up. Production by Miguel Tanhi. Art by Zoe Woolley. Follow us at @MarvelousDeath for updates! Thank you for listening!

The non-event Marvel film formula is perfected with Dr. Strange, a movie so perfectly smooth and spherical it's already become a fixture of neoclassical economics textbooks. All the pieces are here and they're all shiny and grey like a kitchen appliance. Join Nicole and Stu as they try and fail to talk about this movie and talk about everything around this movie, because there's nothing to talk about. There is an idea of a Dr. Strange, some kind of abstraction, but there is no real movie, only an entity, something illusory. You can get everything Dr. Strange has to offer, better, in under five minutes, by watching this Michel Gondry directed Chemical Brothers music video from 1999. Rate, review, subscribe to our Patreon and join our Discord Community! Special extra thanks to producer Miguel, who had to slog extra hard through technical issues for this one! Production by Miguel Tanhi. Art by Zoe Woolley. Follow us at @MarvelousDeath for updates! Thank you for listening and supporting the show!

A civil war brews on this very podcast as Nicole and guest Cathy Brennan square off against Stu over whether this movie is terrible, or merely kinda ok. We've got Steve Roger's not-gays, quasi-incest and age gaps, dubious character motivations, contrived plotting and a centerpiece action sequence that takes place entirely in a call of duty tutorial level, Nicole's insasiable lust for Chris Evans, the liberal conception of power, and the titanic behind the scenes battle between smooth-brained executives to make this movie even duller and lamer than it already is. For good and ill (ok it's all ill) with Civil War the MCU reaches peak-MCUness. Get more Cathy here: https://twitter.com/TownTattle http://cathybrennan.contently.com https://cinemayearzero.com Rate, review, subscribe to our Patreon and join our Discord Community! Special extra thanks to producer Miguel, who had to slog extra hard through technical issues for this one! Production by Miguel Tanhi. Art by Zoe Woolley. Follow us at @MarvelousDeath for updates! Thank you for listening and supporting the show!

A little catch-up two for one episode as Stu and Nicole revisit Marc Webb's Andrew Garfield starring "Amazing Spiderman" films, the movies so bad they convinced Sony to bend knee to the Disney-Marvel imperium. We talk about how Marc Webb turned Peter Parker into a self-insert artsy film kid, how Garfield and Emma Stone have chemistry despite dating IRL, the complete failure of the JJ Abrams esque 'puzzle box' parent plot, how stretching out the origin story into being an hour long doesn't add depth, the madness of casting swaggiest-man-alive Jamie Foxx as a chris-chan type character, Nicole's lust for sickly and dying men, the comical bathos of Gwen Stacy and her cop-dad Denis Leary, and so much more! These movies really are amazing...ly bad! But this episode is good. Rate, review, subscribe to our Patreon and join our Discord Community! Production by Miguel Tanhi. Art by Zoe Woolley. Follow us at @MarvelousDeath for updates! Thank you for listening and supporting the show!

We always complain that these movies don't have enough sex or violence, so they gave us one with sex and violence. It's ok. Some of the humor is funny, some of it has aged badly. Has so much changed in just six years? It's a very 2010s movie. A very Reddit movie. We also talk about how TJ Miller is a freak and Morena Baccarin deserves better. Includes bonus Mario movie trailer live reactions (stu soyfacing dot jpg) and other miscellania. Subscribe to the Patreon and join the Discord. We need weed money to keep doing this. Production by Miguel Tanhi. Art by Zoe Woolley. Follow us at @MarvelousDeath for updates! Thank you for listening and supporting the show!

Stu gets out of pocket in this excerpt from our Patreon-exclusive bonus episode "We Need To Talk About Ezra". To listen to the full episode, wherein we discuss the ongoing melt down, messianic delusions and crime spree of DCU tentpole Ezra Miller, please subscribe to our Patreon. All bonus content is available at the $3 per month tier, with shout outs, credits, custom discord roles and other additional benefits available at higher tiers. Shout out to our most recent $5 'Producer' patron, Tankbuster! Thank you listeners for your support, and your forbearance while we get through what's been a rough few weeks for everyone involved with the show. We'll have a new main series episode out next week.

There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it I have now surpassed. My pain is constant and sharp and I do not hope for a better world for anyone. In fact, I want my pain to be inflicted on others. I want no one to escape, but even after admitting this, there is no catharsis. My punishment continues to elude me and I gain no deeper knowledge of myself. No new knowledge can be extracted from my telling. This confession has meant nothing. Production by Miguel Tanhi. Art by Zoe Woolley. Follow us at @MarvelousDeath for updates! If you enjoy the show please consider supporting us by sharing links, subscribing to our Patreon, and/or leaving a rating or review on your preferred podcast distributor.

Twist ending: We didn't hate it. DC Jumps into the Cinematic Universe game ass first and Zack Snyder takes a second crack at Watchmen but with official superman and batman action figures. As we've said about cinematic universes: It makes the sum of it's parts weaker. A decent if overblown Batman vs Superman movie is buried under the unmanageable weight of a rushed Death of Superman movie and a terrible Justice League prologue. Three movies is too much! Listen in as Nicole and Stu discuss how American mythos and self-identity is projected onto superhero figures, how these films continue to grapple with the legacy of post 9/11 America, and how a movie that is fundamentally about nostalgia for the golden age of liberalism gets misread as fascist by it's critics... And much much more! It's an extra long episode, but still not as long as the movie (we watched the Ultimate Cut). Production by Miguel Tanhi. Art by Zoe Woolley. Follow us at @MarvelousDeath for updates! If you enjoy the show please consider supporting us by sharing links, subscribing to our Patreon, and/or leaving a rating or review on your preferred podcast distributor.

In delaying their dark fate (i.e. watching the 3+ hour director's cut of Batman v Superman) once more, Nicole and Stu pre-game with Zach Snyder's big-screen adaptation of Watchmen, the definitive Alan Moore and Dave Gibbons anti-superhero comic once deemed unfilmable by Terry Gilliam. More than a decade and several loud, gray, and stupid movies later, how does Snydog's Watchmen hold up? Well, it's not Man of Steel! And big ups to our wonderful patrons/producers! If you like what we're doing and want to support us, or think we deserve hazard, subscribe to our Patreon for interpersonal clout and bonus content. Production by Miguel Tanhi. Art by Zoe Woolley. Follow us at @MarvelousDeath for updates! If you enjoy the show please consider supporting us by sharing links, subscribing to our Patreon, and/or leaving a rating or review on your preferred podcast distributor.

Modern dance. The RAF and Baader-Meinhoff. Chest vaginas. Human origami. Abject mothers. Metal rib hooks. Thom Yorke. Mennonites. Eating chicken wings. It's Suspiria (2018), a certified Nicole-core movie (one of her favorites actually) that arguably surprasses the legendary original and paves its own fucked-up way in the process. Is that controversial to say? Do you disagree and want to yell at us? Well you're going to have to listen to the whole episode on our Patreon if you want to make a good faith argument and not get laughed at by Nicole. For as little as $3 a month, you can not only listen to this and future bonus episodes of Marvelous! (and unlock exclusive content), but you'll be supporting a ginger Canadian shitposter and his Bostonian bimbo co-host survive under the crushing machinery of late-stage capitalism. Subscribe to our Patreon here!

Double, double, toil and trouble, it's the first of our long teased two-parter Suspiria (1977) vs. Suspiria (2018) episode! On this edition of Watch Something Else, Nicole and Stu discuss Dario Argento's original Technicolor nightmare in all its bloody glory. With the color palette of a demonically possessed Disney movie and the gnarliest score ever recorded for a motion picture, 1977's Suspiria is a cinematic assault on the senses the way movies can and should be (i.e. not financed by the Department of Defense or directed by Zach Snyder). Plus, Stu goes on an inebriated tangent about Canadian cable channels because he thought this was the Patreon exclusive episode. Subscribe to our Patreon for $3 to hear our discussion on Suspiria (2018), coming soon! Production by Miguel Tanhi. Art by Zoe Woolley. Follow us at @MarvelousDeath for updates! If you enjoy the show please consider supporting us by sharing links, subscribing to our Patreon, and/or leaving a rating or review on your preferred podcast distributor.

This fortnight on Marvelous!, Nicole and Stu follow up Avengers 2: Joss Whedon Embarrassing Psychic Projection and finish out Phase Two of the Marvel Cinematic Universe with a smaller-scale movie where Paul Rudd plays a bug guy who steals. Like Iron Man 3, it's okay for inflight entertainment, but it's also the Marvel movie that shows just how controlling Feige and Friends are over the studio's productions. Hey, at least Edgar Wright got to make his Kevin Spacey movie! Plus, a brief check in on Thor: Love and Thunder's box office slump and Taika Waititi's ongoing campaign to make everyone sick of him. Please consider supporting us on Patreon and come say hi in our Discord! Production by Miguel Tanhi. Art by Zoe Woolley. Follow us at @MarvelousDeath for updates! If you enjoy the show please consider supporting us by leaving a rating or review on your preferred podcast distributor.