Live On 4 Legs: Pearl Jam Podcast

It's a big week here on the podcast with lots to celebrate! It's Dark Matter week! Coming off the heels of the film experience, we'll share our instant reaction to listening to the album in that environment including what songs we've gravitated towards, and what we're excited to hear live. Keep in mind that the Live On 4 Legs listening party will happen on Thursday night when the record drops everywhere, if you want to be a part of that round table, please reach out! Although the brand new record is the lead, we don't want to bury the purpose of the episode because it's extremely vital to the history of Pearl Jam. The Paramount Theater show to close out the 1994 tour in the gallows of Madison Square Garden was one of a few fan club shows from this year. It comes a day after their legendary Saturday Night Live performance, a little over the week since the death of Kurt Cobain, and it is the final show involving drummer Dave Abbruzzese. While the fan club crowd was red hot and participated in every song from the hits to the b-sides, this was a night where Ed had a lot on his mind as he was unsure about the future of this band. We share excerpts from an article written in Melody Maker where a frustrated Vedder expresses his anger over Kurt's death and even questions his own mortality. Directly following this show, Pearl Jam would cancel their plans for a summer tour and part with Dave A shortly afterwards. Big storylines aside, this is an electric show with some absolute barnburner performances. Rearviewmirror, Daughter and Not For You all came off the heels of the SNL performance the night prior and proved to be just as powerful as they were on TV, other Vitalogy songs such as Whipping and Satan's Bed are notable moments, Ten b-sides Alone and Footsteps were huge crowd moments and Garden and Blood were huge standouts as well. We'll have a plethora of guests here as Javier's Gear Guru segments will focus in on Dave A's contributions to the band, and we invite Patrick and Brian from our sister podcast, Hallucinogenic Recipe, to come in and discuss the bootleg distribution for this show back in the mid-90's. Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

The beginning of April in 1994 marked the start of a stretch that may go down as one of the most important runs in Pearl Jam's history. It all starts with the Fox Theater show in Atlanta that everybody knows, and then shortly afterward the news of Kurt Cobain's death shocked the world. Pearl Jam would go on to play a legendary show at the Orpheum Theater and then shortly after, they are front and center on Saturday Night Live. This show we're covering here is from Rochester that took place the day before Cobain's death was announced. After a few instances of playing through some tough off stage issues in the middle of the tour, this was during a run where the band was on a big time hot streak. This show has some notable moments that makes it stand out among the others from this tour. Wash was the show opener, something that was so rare for the time that they had only done it once all tour. On top of that, it's a big highlight from this show. This night features the second version of Corduroy ever played. We'll break that down into detail and discuss how some of the identity remains the same as today, but little tweaks afterwards have made it more of a showstopping performance. And we'll talk about Ed's quote in reaction to the real story about Jeremy. Many great performances, and stories from our Patron Robert Rieb who requested this episode! Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the show - http://patreon.com/liveon4legs

This episode is a tribute to friend of the Pearl Jam community, Tom Pugh. Tom founded a charitable organization called Given To Live which sent fans who have faced challenges in their lives to get a full experience of seeing their favorite artist live. He worked tirelessly to accomplish his life's mission and impacted the lives of so many people deserving of a special moment. Tom passed away this past weekend unexpectedly. His service for our community deserves to be recognized, which is why we have repurposed an interview with him from August 2020 for you all to get a glimpse of the amazing work he did. Tom always used the saying "Because You Matter" referring to the fans who benefitted from his philanthropy. Because of the efforts that he made in creating a life time of memories for so many families, his life is one that truly mattered. Please enjoy our tribute to his life and work.

Let's look back to a Pearl Jam show that was played less than two years ago in Copenhagen, Denmark. Every time the band makes their way through there, its with heavy hearts attributing back to the 2000 tragedy at the Roskilde Festival where nine people lost their lives. During the initial 2020 run scheduled before Covid happened, the date that they were set to play Copenhagen was on June 29th, just a day short of the 20th anniversary of that day. The band wear their hearts on their sleeves for an emotionally powerful version of Love Boat Captain where Ed expresses his sorrow and explains how it changed the band moving forward. This week we have an interview with Joshua and Yonat Goldberg, a father and daughter who experienced their first Pearl Jam show on this night. We'll get to hear their background of how they discovered the band and bonded over them before deciding to take a visit to Denmark to see them. It's a great story for anyone who has passed music down to their children in hopes to get them to feel the same impact that they experienced at a young age. Outside of Love Boat Captain, we'll focus in on performances of Lukin, Daughter, Retrograde and Never Destination, While Javier will join us to discuss the 2022 reemergence of Garden, and a little bassy Stone Gossard on Dance of the Clairvoyants. Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

This episode is about uncovering unsolved mysteries within Pearl Jam lore. We're back to celebrating the 30th anniversary of the memorable 1994 tour, and we find ourselves covering a Memphis show that does not get the acclaim that other shows from this run do. But perhaps this show is more significant than we think? We invite on Patron Mike Cribier to share his stories from this night that had been held back for quite some time. After sharing his recollection of this show to Pearl Jam fan run sites, his information could not be verified, and his story was never told. We're going to rectify that in this episode! As video from the early 90s tends to be a crapshoot for some Pearl Jam shows, this is indeed a show that does not have any visual aid. So how is it possible to tell if or when things are happening just by listening to bootleg audio? The stories that get revealed feature a fan getting heavily involved in Leash, Mike crowd surfing while wearing a Nosferatu mask and potentially the most important, Ed smashing his mic stand into the ground to create a massive hole. This is something that was famously done in Boston only weeks after, but could this have been the first ocassion? We'll get into talking about those storylines, as well as some excellent performances with the highlights being Deep, Not For You, Porch and Blood. We'll also talk about a pre-Vitalogy version of Last Exit... that a fan in the crowd knows the lyrics to? Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

After waiting a little over a month since the release of the first single off of Dark Matter, we now have the second single available to us! Just like with Dark Matter, we put together a live chat with our listeners to talk thoughts and opinions of Running. It's a sub 2-minute song that blazes a trail with it's incredibly explosive pace, something that we may not have seen in a Pearl Jam song since Comatose. Hear what the Pearl Jam Podcast Community has to say about it, and then let us know what you think! Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

Pearl Jam was on a special run as the season turned to spring in March of 1992. They were headlining small club shows in Europe, clicking well together on stage and getting incredible reactions from the crowd who knew the catalog. While we have looked into some of the highly praised Netherlands shows from this run (Den Haag, Utrecht), this episode touches up on a show that is a bit forgotten about from Eindhoven. Being the 20th show on a rigorous touring schedule, being on the road can kind of catch up with you after a while. After canceling a show two days prior to give Ed vocal rest, he came into this show without the normal zip on his fastball. Songs that are usually known for high-octane intensity were a bit laboring on Ed's voice. We'll talk about that, and how the setlist likely needed rearranging to try and capture momentum, but we'll also talk about some of the major issues that they were having with crowds at the time. During this version of Alive, there are multiple moments of commotion - a guys loses his "spectacles" and stage divers are carelessly jumping on and off the stage whilst kicking people in the head and stepping all over the band's gear. We'll focus on a message from an irate Jeff Ament, who had just about enough of the shenanigans happening at the time. Also, we had some new sound bytes revealed from Dark Matter this week! We re-recorded our original opening segment that was about it being a little bit too quiet with a month to go until the release date because we got snippets of both Something Special and Running within the days between our recording schedule. We'll talk about what we hear from those songs, and we'll break down Stone Gossard's interview with Jonathan Cohen for SPIN.com. Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

This episode begins our coverage celebrating the 30th anniversary of Pearl Jam's Vs. tour in 1994. With this tour falling smack dab in the middle of the band's prime, there are a plethora of storylines inside and outside of the shows that make this year a memorable one. Vitalogy songs were getting played in the set prior to the album's release, legendary shows took place in cities such as Boston and Atlanta, dealing with Ticketmaster, bomb threats, backstage break-ins, and Dave Abbruzzese exit from the band. This episode features a Rock For Choice show that took place in Pensacola, Florida a year after the death of Dr. David Gunn, a doctor who performed safe abortions on women who were unable to birth a child. The band has actively supported a women's right to choose going back to their formation. You may remember moments such as Ed wearing a t-shirt with a coat hanger on it during their 1992 performance on Saturday Night Live, and most famously at MTV Unplugged where Ed wrote pro-choice on his arm with a marker. The point of the episode is to discuss some of the band's history of activism, but also within the nature of our world at this current moment, it was extremely difficult to provide an episode on abortion rights without addressing what's going on. That means you will get to hear our heartfelt opinions on the subject at hand. If this is something that you are uncomfortable listening to at this point in time, please take note of that before checking out the podcast. The entire night had references (some subtle, others not so much) to the cause that they were fighting to defend, none more relevant than opening with a cover of Tom Petty's I Won't Back Down. The performances are the height of the era with the band absolutely locked in, and Ed tearing into the vocals on songs such as Dissident, Glorified G, Blood, Alive, Porch and many more. We also get to hear a speech from David Gunn Jr. as well as instances where Ed will attack the subject head on. Visit The Concertpedia - http://liveon4legs.com Contact The Show - [email protected] Donate To The Show - http://patreon.com/liveon4legs

For this episode, we're going back to Pearl Jam's first ever appearance at Fenway Park back in 2016. It's appropriate timing because they'll be playing two shows there to close out the tour in September. While it has all of the baseball references and former Red Sox player appearances, the overarching focal point of this episode will focus on the personal experience that Randy had during this show. Have you ever had a concert blunder that you wish you could take back? Did you ever miss a chunk of the set due to arriving late or other negligence? That's what we're going to talk about here as this show was the one and only time that Randy was not in his seat for the opening song. He'll take you through the whole story and hopefully absolve his demons by the end of the show. ***Please note that our audio for this episode is not up to snuff due to connectivity issues during the recording. It's listenable, but expect some glitches throughout*** Playing in one of MLB's legendary cathedrals, Ed would mention on multiple occasions at this show that playing Fenway was a dream come true. It was a night dedicated to celebrating the big moment, and there were plenty of special guests and special performances to back that up. We get our fair share of rarities at this show, including one of the ultra rare deep cuts in their catalog, Strangest Tribe. Back to back with Into The Wild song Society may consist of the rarest opening to an encore of all-time. We also get two massive covers that hadn't been seen at Pearl Jam shows going back a decade. Bob Dylan protest song, Masters Of War was a massive highlight that hadn't been played in 200 shows prior to this, and I've Got A Feeling brought you back to the early 90s and was played for the first time since 2004. Add in that former Red Sox pitcher, Bronson Arroyo, joined in to play Black and former first baseman Kevin Youkilis brought out a uke, it was jam packed with unforgettable moments. Our Gear Guru segments on this episode will have Javier talking about a delay effect coming from Mike on Masters Of War, and a little bit of Ed talk on guitar during Porch. Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the show - http://patreon.com/liveon4legs

This episode is jam packed with stories and breakdown from the first night of Pearl Jam's two show stint at the Barclays Center in Brookyln from 2013. We invite a very special guest onto the pod, the former COO of Barclays and the Brooklyn Nets, Fred Mangione. Fred gives us an angle that we haven't discussed a lot from the professional landscape - the business side of booking concerts. As a diehard fan of the band himself, Fred will talk about when the Barclays Center opened, there was stiff competition to pull acts away from Madison Square Garden, the biggest destination for entertainment acts in New York City. He'll talk about how they managed to get Pearl Jam to pivot from their usual location to land them on the Lightning Bolt tour. We'll also get to hear the story about how they were originally set to play in Brooklyn for 2016, as well as the details of how the band's attendance record was broken thanks to The Boss. Continuing with this month's theme of focusing on shows that the hosts attended, Randy will talk about his stories from this night... or lack thereof. Riding solo at this show, we'll start a conversation about how memories can tend to fade over time without having anyone to share them with. Going to shows alone is great, you get to dictate when you get in the building, you don't care if you embarrass yourself if you sing a little louder and you can focus on your own fun. That's all great in the present, but when looking back over a decade later, those memories tend to fade a little bit because you never created a bond with a friend going through the same experiences that you did. Now, it's probably impossible to forget everything. We'll spend some time talking about songs like Crown Of Thorns and Oceans where the memories have been kept fresh over the years. There are no Gear Guru segments this week. Why you ask? Because the whole entire show is a Gear Guru segment! Javier joins Randy to help break down this show, and he'll go in depth on songs like Release, Infallible and Yellow Moon. Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

We take a trip to what is now eight years in the past (extremely hard to fathom!) to cover Pearl Jam's show in Columbia, South Carolina. There are two major themes heading into this show. Firstly, this show was originally intended to take place a day after a show in Raleigh, North Carolina, which was canceled in protest of the state's HB2 law. The other big storyline heading into the show was the untimely death of rock 'n' roll legend, Prince, that was announced earlier in the day. With heavy hearts, the band set forth to pay tribute to a man who had given so much of his life to music, as Ed would call him, the most amazing guitar player he'd ever seen. This is another show where we get to talk about John's adventures and stories, so we'll dig deep into the two top stories that dominated conversation on this night. It was a set with a shared balance of the deep cuts like Oceans, Light Years, Marker In The Sand, Sleight Of Hand and All Those Yesterdays mixed in with massive showstopping performances of Lightning Bolt, Immortality, I Got Id, Rearviewmirror, Chloe Dancer/Crown Of Thorns and more. But one of the more peculiar things about this set is an OTOTO (one time, one time only) performance of the Into The Wild track, Rise. Done as a birthday dedicated to his mom Karen, this song has not been seen at a Pearl Jam show since. We'll dig deeper into a few songs during our Gear Guru segments where Javier will break down Lightning Bolt rarity, Infallible, and for the first time ever give a full breakdown of Crown Of Thorns. Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

We've had a very busy week! Album announcement? Check! Debut single announcement? Check! Tour announcement? Oh you better believe it, check! So of course there was a lot to react to during this time period, which we did with two episodes focusing on all of the great stuff that lies ahead. While the normal weekly episode may have been pushed back a day, there was no way that we weren't going to get to Atlanta 2012 this week. This one is personal in many ways for John. It was his first show in 14 years, but he would tell you that more importantly, this is the last time to date that Pearl Jam has visited Atlanta. Twelve years have gone by without returning to the city the featured one of the greatest Pearl Jam shows of all time in 1994. It seems a little befuddling, right? While much of this episode focuses on stories of being there and experiencing them for the first time in over a decade, there is a lot of questions to be asked as to why the band has ignored the ATL, and perhaps a plea or two to try and convince them to go back in the near future. We have some solid performances of Better Man, Porch and Corduroy in this show, and Javier's segments this week will focus on Why Go as well as an interesting effect added to a cover of The Clash song Know Your Rights. It's tour time people, get excited. It's the best! Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

It's been a great week! After basking in Pearl Jam's brand new single for Dark Matter on Monday, on Tuesday we were treated to a full blown 2024 touring schedule! 34 dates are spread throughout the course of seven months. Some shows in very familiar stomping grounds, others in spots where the band will be stepping into for the first time in over a decade. We break down each date and location, give a little context to some of the history of them playing there, and we'll go over which shows we believe may end up being barnburners! Hope to see you on the road! Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

Less than 12 hours before the unveiling of the first brand new Pearl Jam song in four years, we have all of the instant reactions for you right here! Dark Matter is the first single off the 12th studio album sharing the same title, and we'll go in depth to look into some of the song's production, lyrical content, the buzz around the song and we'll focus on each individual member's role. We'll also share clips from our listening party held last night! New Pearl Jam! Nothing better than that! Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

As we await details on Pearl Jam's forthcoming twelfth studio album, the month of February will be dedicated to covering shows that Randy and John have attended in the past. First up, we're gonna dig into the Nashville show from the Gigaton tour that they both were in attendance for. The weekend was a huge party as Pearl Jam was center stage on Broadway, but the run including Louisville and St. Louis was the first time they played three shows in a row since 2006. Feeling big energy from a crowd who was game all night and playing in an arena with impeccable acoustics, the band constructed a set jam packed full of show stoppers and great stories to live up to the hype of playing in Music City. Randy and John have differing angles when it comes to their personal experiences on this night. For Randy, it was his fourth show out of six during that run with heavy hitting shows such as Toronto, MSG, Camden and St. Louis surrounding this night. He'll talk about how some of the memories from this night tended to fade until relistening and rewatching the events that took place. For John, this was his first show since 2016, so after a six-year hiatus he was ready to jump back in and be a part of the atmosphere again. They, and everyone else who attended this show, were treated to a setlist that featured massive moments such as Nothingman as an opener for only the second time, an incredible back-to-back featuring Black and Present Tense, Rats thanks to that night's tour poster, a mind blowing Immortality, a heavy hearted River Cross and many more moments that make this show stand out. The Gear Guru segments for this show will focus on the aforementioned version of Immortality, and we'll even get a little demo from Javier! And he'll also discuss the 1958 Flying V that came from the Gibson Vault that Mike used on both Alive and Ledbetter. Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

This episode is a very spiritual affair that will have us look deep into the depths of Pearl Jam as a "religion" of sorts. We're discussing Columbus 2010, and during one of Ed's speeches he talks about it being national prayer day and considering turning the band into a religion in order to be tax exempt, and have Stone as their Jesus! So the episode is somewhat molded around the theme of the fanbase celebrating the band as if it were a religion, and how our experiences with the music also creates a common bond with others throughout our community. They even tie performances into this theme such as Faithfull, Marker In The Sand, and of course Alive. While we read from the old testament of Pearl Jam, we are visited by a holy spirit in this show in the form of Mike McCready. During the pre-set, Mike came out and played a two-song solo set, something that he almost never does. Digging into a Stones cover of Dead Flowers and an original song written for his son, we'll talk about his efforts and why a solo record could work really well for him. Another big topic from this show stems from an unsolved mystery of a fan local to the Columbus area. Brian Shaffer disappeared while out with friends in April of 2006, and 18 years later this has remained a cold case. Ed raises awareness to the situation, and it's something that has remained a pinned thread on the Ten Club forum to this day. The band plays a haunting version of Come Back in his honor that makes for one of the most powerful moments at this show. Thanks to our Patron, Travis Howell, for requesting this show and joining us to tell his story. Javier will join this episode to talk about how much he loves the sound of the 2010 tour (which is not very much at all) and will focus on Amongst The Waves and Marker In The Sand. Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

With some rumors swirling about Pearl Jam playing Australia this year for the first time since 2014, we thought now would be as good of a time as any to get into a show from down under. 2006 was the last time they played Australia without the help of the Big Day Out festival. For Melbourne, they were treated to three great shows in the same fashion that they had done in previous years, such as 1995 and 1998. While the performances are great from this show, there is one thing that will make this one go down in the annals of Pearl Jam history, and that is... Ed's butt cheeks. Yes, you read that right. Three nights in Melbourne means that shenanigans are bound to be had both after the shows and on the off day, which Ed had partaken in. During his escapades, he was informed of a traditional Australian drinking game in which you take a 50 cent coin, wedge it between your butt cheeks and then try and walk with it over to a cup and see if you can drop it in. In the spirit of a night three, Ed plays the game on stage to pretty hilarious results. Also, Stone takes a crack (ha....) at it as well. Aside from that, we have some great performances at this show. We'll end up talking about Jeff a lot who is prominent in the mix on such songs like Hail, Hail and Even Flow, and Javier's segments this week will focus heavily on the Telecaster sound during World Wide Suicide and Save You, as well as Mike's Ibanez (not Gibson) Flying V on Present Tense. Big thank you to our Patron, William Rees, who submitted this episode request and joins us to tell his story Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

This episode is manhandled by a recurring theme in which Pearl Jam has never attempted prior or since. On a 2006 night in Prague following a very memorable series of shows in Italy, the band balanced a main set sprint with a first encore where five songs all connected. As we are used to sometimes seeing the songs Better Man, Nothingman and Leatherman used together in what has been dubbed "The Man Trilogy", on this night the trilogy expanded it's tribe by adding in Dead Man and Man Of The Hour into what we dub as The Man Pentology. This is a one off instance which was never repeated in this group of five again, and we're excited to share it with you because it's things like this that seem to get forgotten about over time. Especially at a show that was not played in America. As mentioned, this is one of the fastest main sets you'll ever witness from the modern era clocking in at an hour and 8 minutes. When sets tend to trail on the faster side, that's all thanks to Matt Cameron's furious pace that he brought to the table during shows in this era. Songs like Sad, Daughter and Marker In The Sand were all revved up more than usual, and even the songs that already have that identity such as Last Exit, Whipping and Animal were all amped up a little more than usual. We'll work quick through this set, but not before taking a moment to feature some of our favorite songs, including a few Filthy Fills tossed in there. Check out this week's Gear Guru segments with Javier where he'll break down a phaser that McCready uses on Life Wasted, to talking about a pedal no longer featured on Stone's board that was implemented in this version of Insignificance. Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

The coldest show in Pearl Jam history located in East Troy, Wisconsin was so cold that it was dubbed the nickname 'The Ice Bowl'. When you think of cold weather areas, Wisconsin makes a lot of sense to have held the coldest show ever. But the second coldest show? If you had Birmingham, Alabama on your bingo card, I will assume you've cheated. Yes, you've heard correctly. On a cold night in April of 2003, Pearl Jam played in front of a smaller capacity crowd in 40 degree weather... in deep south Alabama. It's kind of crazy to say aloud, but the storyline for this show is how both band and crowd react to the situation, and the put together a very good show despite all that transpired. Our Patron Tasker Hewitt will join us for the episode to talk about his experience of being in the crowd on that night. The weather isn't the complete story here, because had they of sold well for original venue Birmingham-Jefferson Convention Complex Arena, they wouldn't have had to worry about the rough temperatures. The original plan was for them to play in the same arena which they played in 1998, a larger capacity building than the amphitheater they'd end up moving to, but tickets were not in very high demand and that's what forced the switch. This led to a great crowd full of hardcore fans that all filled up the GA ready to make it a memorable night. In ways it was. They have some great stretches of songs in which the band purposefully made sure that the crowd stay energetic, the best example being a stretch of Even Flow, Daughter and Better Man played as the 4th 5th and 6th songs of the night. There are some great moments in this set. We'll spend a lot of time on songs such as Thumbing My Way and Animal, and Black will be a massive discussion point as well. But if there is one thing to take away from this night, it's the way they ended this show. After Yellow Ledbetter, the band still has their instruments strapped in. A tease of Sweet Home Alabama from McCready at the end of Ledbetter would potentially make this crowd think there was more ahead. Instead, it was one of the weirdest troll jobs in the history of this band. Matt clicks his sticks four times, the band strums one note, and everyone walks off as if everything was normal. We'll get into this at full detail and try to figure out what the hell was going on. Javier returns to the show this week for segments focusing on both Even Flow and Black! Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

Welcome to the unofficial sixth season of Live On 4 Legs Podcast! While 2024 is gearing up to be a massive year for Pearl Jam and we plan to be there covering it every step of the way, we're still very excited to get you guys the weekly episodes covering all of your favorite shows throughout the history of this band. We're going to kick off the new year with a great show from the Binaural tour in 2000 located in Camden, New Jersey. This show took place near the end of the first North American leg, which had it's ups and downs due to it's proximity to the date of the Roskilde tragedy. By this point, the band had kind of found their own way out of the funk and strung together some excellent shows down the home stretch. This Camden show is a standout due to it's remarkable run from the middle of the main set straight through to the end. It kicks off with an electrifying Given To Fly, features a version of Better Man which we'll have tons of talking points about the tag, Present Tense's "twinkle", Spin The Black Circle's sheer speed and Black's ability to melt your soul. It was not the best show for Ed's voice, but everyone powered through it and the band had his back in times which he struggled. Another storyline from this night was the contingent of fans who brought signs for Breath with them, very similar to the moment at MSG on the previous tour, and for the only time during this entire tour year the band makes a setlist adjustment in order to play it. Also, what 80's metal songs were tagged at the end of Yellow Ledbetter? Stay tuned, the answer may surprise you... or may not. You can pretty much look that up. Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

It's the end of the year and time to relive the things we've accomplished in 2023. Only six shows from episodes covered this year ended up with a perfect 10 score from both parties, so we're bringing them all back for a little year in review before heading into a brand new year in 2024. Those six episodes are Mansfield night II 2003, Mansfield night III 2003, Birmingham 1998, Slim's 1993, Hartford 2013 and Chicago night I 2023. We'll play a clip from each of those episodes and talk about our personal favorite episodes this year, and we'll talk about your favorite episodes as well! And of course, what's an end of the year episode without giving you a little hint of what's to come for the Live On 4 Legs 2024 season?! All of that, and our two veteran's committee episodes get inducted voted by you the fans. Thanks for a great year! Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

It's our final episode for the 2023 season, and what better way to close out than finishing with a show from this tour year. In the last episode, we covered the night one show from Chicago, and this episode will take us to the second night at the United Center. This show had a lot to live up to in many people's eyes as night one was considered, at least by our panelists, as an instant classic show. The second night had to follow up on all of the stories, rarities and energy that made night one so special. And in ways it certainly did live up to it, but perhaps did it fail to capture the same magic as the show on September 5th did? We polled our social media followers and asked them what they thought the more impactful show was, and we'll share the result on the episode. There are a couple of big takeaways from this show. They involved the local sports teams into the night a little more and featured a version of Present Tense coming off the popularity of The Last Dance, and they also made an announcement that the Blackhawks would be retiring Chris Chelios' number. The rarities were once again in the mix as this crowd was treated to some of the more difficult songs to catch at a Pearl Jam show nowadays - Tremor Christ, Green Disease and Marker In The Sand. But there is a big elephant in the room to address that took a stranglehold over the second half of the show, and that is the contingent of Ten songs played. Compared to night one where Gigaton led the clubhouse with 4 songs off the album played, there were a whopping 8 songs from the Ten record on this night. Of course the majority of your crowd is going to love Ten, in this scenario the question needs to be asked - how much is enough? We're joined in this episode by our Gear Guru Javier Hervas, not just for a few sprinkled in segments, but for the entire episode! Javier and Randy sat with each other at this show and will share all of the stories of hanging out with friends, finding good records, taking shots of Malort, and of course, the performances. This includes a story about a nickname given to Randy by another fan at this show that a few people out there would probably not want to stick. All the answers will be found in the episode that we have made. Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

Let's finish off the year strong by covering the two night stay from this year's Chicago shows! We'll talk extensively about night 1 in this episode and discuss why this was in fact a true instant classic in the Pearl Jam catalog. It had a perfect mix of everything you want from a Pearl Jam show - electric performances, great crowd connection, incredible storytelling and of course ones for the serious collectors. Randy was at this show, which means he'll do his own fair share of storytelling about the moments that made a profound impact on him, and a little of the journey that took him from Connecticut to Chicago. Including one horrifying story about a bathroom in a Chicago dive bar... Being in Chicago, the show is of course a homecoming party for Ed. But this was the first instance where they played a show outside of Wrigley Field since 2009. So now you have a much more intimate crowd, how does the night go down? Well for starters, Release is going to end up being your opener, because that's always what happens there. Then you'll get a Bulls or Cubs reference, a few stories about his days living there as a child and maybe some shout outs to friends. Those things happened, but the night wasn't about any of that. It was a night to pay homage to family. Having attended his Aunt Sandy's funeral the day prior, Ed was feeling nostalgic for going back on some of the memories he had of his grandmother's apartment growing up. The story that unfolded from revisiting the old stomping grounds was an emotional high point on a night where there were many. We also got a Rearviewmirror dedication for beloved community member Frans Von Franquemont who lost his battle with cancer earlier this year. The Gear Guru warms up for his big full episode appearance next week by gushing over a rare type of pedal that Mike McCready used for Retrograde that was heard in the song Higher Ground, and talking about the bag of tricks Mike doled out in this edition of Even Flow. Visit the Concertpedia and check out our Best of 2023 Moments list! - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

This episode is our fifth and final in our run of celebrating 30 years of the Vs. era. We've decided to go backwards a little bit and veer away from the November/December shows by covering one from Vancouver when they opened up for Neil Young back in September from that year. After five years, this is our first opportunity to discuss a show that emanated from the Seattle's neighbor to the north, so we'll take some time to dig into the history of shows from there and find something special about each of them. For this show in 1993, it's only 16 songs, and suffers a bit from really bad acoustics in a big football stadium that did not meet expectations of ticket sales. Although Pearl Jam and Ed seemed ripe to take a jab at the place every opportunity they got, they made the most of it and gave the crowd a preview of half the Vs. record which was still over a month away from being released. This show was also the follow up to the legendary performances of Animal and Rockin' In The Free World at the VMA's, so we'll talk a little about the immediate impact of those two moments. Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

It's Groundhog Day... again! For the fifth time in seven episodes (and it'll be sixth in eight next week before getting to some 2023 shows) we're celebrating the 30th anniversary of the Vs. tour. The tour certainly had it's ups and downs, and while the last two episodes could be considered some of the down moments, this second night in Vegas is the follow up to a show that's pound for pound one of the best on this tour. The first night in Vegas featured a reunion of Green River, and the moment where Jeff and Stone joined Mark Arm and Steve Turner for the first time since 1987 seemed to re-energize the band. As they only had two more dates before ending the tour on a triple header back home in Seattle, you're able to tell that a little bit of the weight was lifted off their backs. It had been a year of growing pains, but on most nights they were able to put aside their struggle with fame to spend 90 minutes giving the crowd a show to remember. All of the positive energy was radiant on stage at this show with Jeff doing his signature zips and leaps across the stage and Ed's voice having that trademark ferocity for the era. We'll dig deep into songs like Go, Glorified G, Daughter, Garden, Blood, Porch and others that were the highlights from this night. We'll also react to the news announced by Matt Cameron that the new album is mixed and ready, and the Gear Guru segments this week will dig into an intro for Daughter that had a very 80s, Tears For Fears or Police sound to it, and will get into Mike's experimental, Sonic Youth inspired sound on the Porch solo. Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

Let's stick in 1993 for this episode and head over to Nacogdoches, Texas, a show that takes place only days after Ed's arrest in New Orleans that we talked about last week. This show yet again presents all of the trials and tribulations of being on tour in 1993. After playing nearly non-stop, and spending their off days working on and recording brand new music, the rigorous travel had finally gotten to the health of Dave Abbruzzese where he is needed to rush to the emergency room after the main set. This left for the band to improvise an encore without drums. We invite one of the most knowledgeable Pearl Jam minds onto the show that wrote THE book chronicling the history and timeline of Pearl Jam in PJ20, Jonathan Cohen. Jonathan joins us to give a little bit of context to the era and why the band had a difficult time dealing with their skyrocketing popularity, and what they did to seek the advice of rock 'n' roll's elder statesmen to help guide them through. We'll also talk a little bit about Pearl Jam's 2024 plans and what you can expect from a new album year! We'll spend some time on some interesting setlist decisions from this show, including the choice to open with the Daughter/Glorified G combination, Sonic Reducer in the middle of the main set and of course the decisions made without Dave on hand. The Gear Guru segments will break down both Yellow Ledbetter and Footsteps that were performed without drums at this show. Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

As we continue our ode to the 30 years of the Vs. tour this November, we're stopping at a show that's known for both what happened during the concert, and then what happened in the aftermath. The show is an unforgettable night from this tour highlighted by a very early rendition of Crazy Mary in which original songwriter, Victoria Williams, joins them to play guitar and sing, and long-time Pearl Jam producer, Brendan O'Brien, is called upon to play the B3. It's a moment that's etched in history, but perhaps gets overshadowed by the events that took place the following night. After a dispute with a fan in a New Orleans bar, Eddie Vedder was arrested for public drunkenness and disturbing the peace after spitting in the man's face. We'll take the early portion of the episode to discuss about the incident as we'll invite the 1993 American League Cy Young award winner, Jack McDowell, onto the show, who was there during the occurrence. We'll talk to Jack about his relationship with Eddie and how they met through their ex-wives, how Pearl Jam got his band V.I.E.W. bumped off a gig at CBGB's, how he and Ed convinced TV reporters that Ed was a White Sox call-up, and of course the New Orleans situation. Get to hear what he thought of the whole ordeal and how his night ended up after getting into it with the friend of the agitator that Ed had to deal with. There was only so much time that we had to share of his interview in this episode, but check out Patreon this week for the director's cut of the interview featuring stories about his band's V.I.E.W. and stickfigure, Pearl Jam's relationship with baseball and his current frustrations with baseball analytics that he likes to write songs about. As for the show, there are excellent performances that we'll get to dig into from Why Go, Footsteps, Porch, Rats, Blood and of course, Crazy Mary. We'll also discuss Release being an OTOTO Daughter tag and a wild sequence that featured Ed singing lyrics from Michael Jackson song "Ben" into a fierce, unrelenting rendition of Blood. Our Gear Guru segments this week will focus on some of the slide guitar features of Rats, and of course, the contrast of this version of Crazy Mary compared to what we know of it now. Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

1993 could be considered as one of the most important years in the history of Pearl Jam. Vs. sold over a million copies in a week, their popularity was skyrocketing to unprecedented heights where mainstream news sources like TIME Magazine wanted in on the hype. Believe it or not, we haven't dabbled in many 1993 shows on this podcast. That's why this entire month is dedicated to the tour year where we'll talk about some great shows that may get overlooked next to the all-timers such as Indio, Mudfest and others. This episode will take us to Ed's hometown in San Diego for the second of a two night stint that displayed the power and authenticity of the band in their sophomore year. A lot of the conversation here will be about Dave A and how comfortable he felt behind the kit during this time period. His heavy, bombastic style brought even more power and ferocity to the songs that had already claimed that identity. But he also made a song such as Release feel like a triumphant, exhilarating live experience that elevated every band member to match his intensity. The big story of this show comes within one of the most polished improv performances they'd ever attempt with a song that is known as Hold Me. We'll get into a deep discussion on how locked in the band was at this time that they were able to make these improvs feel like well rehearsed songs that could've been confused as b-sides. Porch and Once are also major highlights of this show to tune in for. Our Gear Guru segments this week feature Javier getting into whether Stone is using a Fuzz Pedal on Jeremy, how electric guitar works for a song like Small Town and what made the improv come all together to feel complete. Javier has a brand new single out called La Distancia under the artist name Panamericana. You can find the song on Apple Music and Spotify streaming platforms. Please go check it out! Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

One of the many reasons of how Pearl Jam has developed such a large following within their fanbase traveling near and far to their shows is that every single show is going to offer you something completely different than their last. Nearly everyone has a wish list of songs that they think they'll never hear live, but keep hope alive that some day they will finally be in the building on the night they play one. Those rarities are cherished by this community, and if you happen to be at the right show at the right time, you may see multiple rare tracks that they may not play on the rest of the tour. Charlottesville 2013 was that kind of show. With 3 dates left before the end of the east coast run that year, the band unloaded on songs from all different eras that automatically made this one of the most talked about shows of the year. The sets in 2013 were starting to grow longer without the appearance of an opener. Most shows pushed the 3-hour mark and delved into well beyond 30 songs played for each individual night. Charlottesville had a total of 35 songs that were played, and among the big talking points were songs like In My Tree, Grievance, Glorified G, Big Wave, Sad and the first appearance of Thumbing My Way since 2006. Those six performances alone created enough talking points for this to be recognized perhaps under the "instant classic" moniker. But there are many discussions to be had in this episode that could spell some of those pre-conceived notions. With 19 songs bunched in to a main set that lasted an hour and 25 minutes, there will be a lot of discussion here on how some of the flow and pacing felt a little bit off when attempting this enormous task. We'll discuss how that compares to the more recent era where there are less songs played, but more time to give each one it's moment to shine in a more methodical way. We'll hear from you guys on what type of Pearl Jam shows that you prefer to see, and we'll get three excellent segments from the Gear Guru this week - Stone's fingerpicking on Release, Mike using a monstrous Gretsch guitar on Glorified G, and he'll dig into why this version of Whipping desperately needed to be aborted towards the end. Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

This episode has been a long time coming. On its 10th anniversary, we are covering an absolute classic Pearl Jam show from Hartford, Connecticut in 2013. Randy has talked a lot about this show in the past, and this episode will be a platform for him to share his memories of his experience, and perhaps get up on a soapbox a little bit. This show is living proof that this small city in Connecticut is one of the best Pearl Jam crowds you can find. We'll talk about that extensively throughout the episode, but what you'll witness is every time the crowd cheers, Ed is completely beside himself. One massive standing ovation after Last Exit perfectly set the tone for what this night would end up being. While the crowd certainly is the #1 theme, it does share the #1 spot with the other important theme from this show. Less than a year after the fatal tragedy happened at Sandy Hook elementary school in Newtown, CT, this was Ed's first moment to be able to react publicly to what had took place. After meeting with fathers of kids who were killed earlier that day, he gave an impassioned speech standing up for gun control and pleading the crowd to continue being loud about it. Songs like Long Road and Come Back reflect the mood of this theme. Another theme that derives from Hartford shows is over one song that has connected the band to the city since 2010. What was once an OTOTO (one time, one time only) performance was now being brought back for a second time - the Van Halen rocker Ain't Talkin' Bout Love. This song will set up a bit of a contentious discussion in this episode about the idea of them playing it. On one side you'll hear praise for the band giving this city some special love for making it a theme, on the other side you'll notice pushback for covering a band they have no business covering. And if you enjoy that conversation, you'll probably love the segue into Got Some as well. Gear Guru segments this week will focus on Lighting Bolt era songs Let The Records Play and Yellow Moon, as well as a little Jeff Ament talk focusing on his fretless bass from Alone. Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

In celebration of the 30th anniversary of Pearl Jam's sophomore record, Vs., in this episode we're going back to where it all started. In the spring of 1993, the band set out to record the new record in the Northern California town of San Rafael. The process took two months to lay down all the tracks. At the end of the session, a surprise show was planned under the moniker of the David J. Gunn Band at a small San Francisco area venue called Slim's. It was on this night that the 500+ in attendance, both indoors and out, witnessed the dawning of the Vs. era. Nearly everything off of the album debuted, plus other songs that would end up being Lost Dogs or on Vitalogy. Animal, Go, Blood, Dissident, W.M.A., Rats, Rearviewmirror appeared for the first time in their infant stages, alongside Whipping and a little Bad Radio song titled Better Man. Hard To Imagine also claimed it's live debuted after being noodled and an improv all throughout the 1992 tour. An abridged version of Dirty Frank was played upon request, as was Alone that was also considered a deep cut by this point. While the beloved songs from Ten were played, they felt like an afterthought with all of the new material showcased. This is considered to be the first true surprise show in the history of the band, and with that came stories of how this show was almost canceled on multiple occasions and may not have happened if Cyndi Lauper was still set to perform that night. To give us the historical context of this show, we've invited on a Pearl Jam community legend, Kathy Davis, who watched this show from an open window. If you don't know Kathy, you should. She was a band archivist going all the way back to this era in 1993 putting together her zine called Footsteps. She'd later help take over with Two Feet Thick after Five Horizons parted ways. Her retelling of the night and how it all came about is more than enough reason to listen to this episode! Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

After a long year and a half battle of the world in a lockdown due to Covid-19, concerts were starting to slowly trickle back in by the end of 2021. Pearl Jam had missed their big opportunity to showcase Gigaton on a promotional tour in 2020, so when the opportunity to play four festival shows arose, with careful consideration they finally decided to kick off the new era. Three of the four shows took place at Eddie Vedder's curated Ohana Festival, which was originally set for one date until a second weekend was added with Pearl Jam headlining both nights. The show we're covering here is the final night of this run, which means it was a massive celebration with the band, the fans and all of the artists and friends that attended. Celebration is the theme for this night as every song felt like it had an injection of fun and enthusiasm. There wasn't a single low energy song featured on the set, and knowing it was the last night, they brought their a-game to create some memorable moments, especially Michael F. McCready (I'll leave it to you to figure out what the "F" stands for). Songs like Even Flow and Black had explosive elements to them, even more so than usual, while some highlights came as a complete surprise. For those who know the personalities on this podcast, you may be aware that there is one song on the rarer side that has followed Randy around throughout the years - All Night. For those dying to hear an answer on this, you'll be fulfilled and shocked by the conversation brought to the table. But the big highlight of the night came from Rockin' In The Free World where the wildest cast of characters (Taylor Hawkins, Brandi Carlile, Sleater-Kinney, Kelly Slater, John McEnroe, Patti Smith, Tim Robbins, Randy Johnson among others) throw a big time party where not one person stays six feet away from another. This week we invite our friend and Patron, Dakota Duvall, to the show to get his request fulfilled and tell his story about why he chose this show to get covered. And our Gear Guru segments for this week will focus on Quick Escape, Seven O'Clock and Life Wasted. Visit the Concertpedia - http://liveon4legs.com Contact the show - [email protected] Donate to the show - http://patreon.com/liveon4legs

One of the most special parts of a Pearl Jam show is when Ed and the band can recognize a story submitted by a local area fan and share it with the crowd. On the 2023 tour, we saw our fair share of those, ranging from requested songs to stories of heartbreak and loss. In what was one of the most memorable moments of the year, Ed received and read a poem from the poet laureate of Dallas about how influential the band had been to keeping him alive amidst family struggles and homelessness - one of the most emotional stories ever told at a Pearl Jam show. We're excited to welcome Joaquin Zihuatanejo onto the show to talk about how this improbable moment went down! He'll talk about how the moment almost never happened due to prior work commitments, and how a crazy connection within the Pearl Jam camp got his writing to the band. What turned from a night in the 200s section to a special moment in the history of this band is all documented in a wonderful conversation here. Check it out, and get the first hand knowledge how Joaquin's night went down! Visit the Concertpedia - http://liveon4legs.com Contact the show - [email protected] Donate to the show - http://patreon.com/liveon4legs

In 2005, Pearl Jam dedicated the month of September to tour across an area they've never touched from coast to coast - the great plains and prairies of Canada. 17 shows over 24 days led to some absolute classics from this band that may get forgotten over time, but that's part of why we're here is to keep the discussion alive! This show in Winnipeg that we're covering in this episode is a great example of a Canadian small town that never hosted Pearl Jam before this tour attempt, and the crowd ended up delivering big time. At the newly built arena that would later become the home of the reformed Winnipeg Jets, Pearl Jam happened to draw the largest capacity audience for the one year since it had been built. From the bootleg, you can tell that there isn't a single seat empty in the building. That led the band to pull out some surprises that you almost never get to see at normal shows, such as Better Man opening the night, Blood closing encore 1 after Alive, and Indifference opening the second encore. With plenty of Neil Young references and a wonderful moment where a fan got her request for Smile granted, nearly every song has their moment in the sun at this show. Lest we forget, a little flip phone call during Daughter that leads to a fun moment. Not only will we dig into the strength of the crowd here, but we'll have the Gear Guru step in and do a little breakdown on Stone during Not For You and Do The Evolution, and he'll also breakdown why Mike's modem was running at the end of Blood. Visit the Concertpedia and check out all of the 2023 show recaps - http://liveon4legs.com Contact the show - [email protected] Donate to the show - http://patreon.com/liveon4legs

With the 2023 tour in our rearviewmirror, we're pushing forward back as this episode features a great show from Prague at the end of the Lightning Bolt tour run. Seeing as we are now officially finished with the Gigaton run, we thought it would be a good idea to take both of these tour years and see how they compared before embarking on a new era. It's interesting to look at side by side because at the show in Prague, the crowd was treated to many crowd favorite rarities such as Tremor Christ, Brain Of J., Love Boat Captain and Help Help. That's not far off from what we were just treated to! Of course the sets were a little longer in 2018, but we're going to get into why certain things have needed to be adjusted as the band gets older. While people may remember 2018 for the Home/Away shows, the massive show in Rome or even the London make-up show, this Prague show should be right up there when people discuss the best of this year. The crowd was lively on big time favorites such as Corduroy and Do The Evolution, which means they were treated to some well deserved surprises later in the set. Two big highlights of this show include a version of Love Boat Captain that features an incredible jam/improv intro, and a tandem of The Beatles Help! transitioning into Riot Act deep cut Help Help. We'll also have a little Prague history for you that we'll discuss! Thanks go out to Ross Strothers for requesting this episode, you'll get to hear his story told. And the Gear Guru segments this week feature a discussion on Stone's tone during Tremor Christ and other songs, and Mike using a very unique pedal that created a sound in songs like Even Flow and Black that we didn't get to see presented in 2023. Visit the Concertpedia - http://liveon4legs.com Contact the show - [email protected] Donate to the show - http://patreon.com/liveon4legs

With a busy weekend covering the final three Pearl Jam shows of the 2023 tour, we've decided to make this week's episode a little bit on the shorter side so we could focus our attention on the Texas shows rather than spend nights heavily editing. So to do that, we had to go back to an era that had significantly smaller sets. Which is why we chose a show from the University of Kansas campus that took place as Pearl Jam was firmly on the rise back in May of 1992. With this little gathering marketed as "Day On The Hill" by the University, they paid the band $3,000 to play this show. It was booked back in January of 1992 when Alive was their only song in circulation, but as the next five months rolled around, no one in Lawrence, Kansas expected this show to be this huge. 18,000 students took over the little outdoor park venue as the band continued their meteoric ascension. Now it's pretty clear that what was documented from this day is actually an incomplete show. We'll get into the details of all that in the episode, but what we do get to see is your classic 1992 affair - the band bouncing around the stage at high energy, crowd surfers galore, songs played at full intensity and of course, stage climbing antics from one Eddie Vedder. The scene is very similar to one set a few months later at home in Seattle for the legendary Drop In The Park show. When Porch breaks into it's solo, Ed assesses the situation and climbs all the way up to the top of the stage to go swinging. It's always a sight to behold, and we'll break down every step of the journey. We'll also go through a summary of the tour up to the point of recording, and for those of you who like to study up beforehand, we release our entire rest of the year episode schedule for 2023! But most importantly, our Gear Guru is back! Javier will check in on versions of Why Go and Porch from this day. Visit the Concertpedia and check out all of the 2023 show recaps - http://liveon4legs.com Contact the show - [email protected] Donate to the show - http://patreon.com/liveon4legs

As the 2023 tour continues to move from north to south, we're gonna get you prepared for the Austin shows by covering the last non-festival show that was played in the Texas capital way back in 1995. This was a make-up show for the postponed date that stemmed from Ed's bout of food poisoning back at the Golden Gate Park show. This show in Austin had it's own fair share of controversies, including a set time change that threw a large portion of the fans off that thought that 7pm was the start to the show. This barnburner of a set will have two major talking points - Mike and Jack. Jack Irons was clearly in a groove after nine months of playing and traveling with the band, and while not every song had been fully polished just yet, you can see what spots Jack was having a major influence on and where he thrived the most. Mike on the other hand had numerous moments where his guitar solos shot out of the amps like a cannon on fire. We're gonna gush over Mike's presence on songs such as Go, Animal, Corduroy, Why Go, Even Flow, State Of Love And Trust, Immortality, Black and Porch. No shortage of conversation there! We'll kick off the episode addressing the recent Indianapolis show postponement and what this may mean for the rest of the 2023 tour. Visit the Concertpedia - http://liveon4legs.com Contact the show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

There are only about 20% of podcasts that make it past 14 episodes. 12% of all podcasts end after their first episode and another 6% don't make it past two. Which is why we are extremely proud to be here with you on the 5th anniversary of our podcast coming to life! As we started in 2018, it took a long time to develop a following and catch the ear of the Pearl Jam fan. While our resume with the show is lengthy, the only thing we need to be proud of is the support from those who have impacted this show throughout the duration it's been around. We'll share a little bit of our history, discuss our favorite accomplishments and talk to our wonderful friends who are vital to this podcast's existence. In this episode, you'll hear from: Matt Helbig - Original Co-Host Patrick Boegel and Brian Horwitz - Hallucinogenic Recipe Javier Hervas - The Live On 4 Legs Gear Guru Dave JanTausch - livefootsteps.org Aurelien Moureaux - LO4L Superfan Martin Higgins - Pearl Jam Scotland Tanya Kang - Pearl Jam Fan Portraits Chris Everett - liveon4legs.com Builder Kevin ORourke - Fundraiser For Cystic Fibrosis Enjoy the walk down memory lane, and more importantly, enjoy the shows! Read the Concertpedia Recaps from the Tour! - http://liveon4legs.com Contact the Show - [email protected] Donate to the Podcast and check out the Tour Reaction Episodes! - http://patreon.com/liveon4legs

It's tour time! We've been hyping it up for the last few months, and this episode is the last before the 2023 tour kicks off! We'll begin the episode talking about the possibilities of what may happen and whether or not there are new songs tossed into the mix. For up to date tour instant reaction episodes, please direct to our Patreon where that content can be found - http://patreon.com/liveon4legs But let's not bury this excellent show out of Alabama! Highly regarded as one of the best sounding bootlegs of 1998, it's a great show to have available in this high of quality. Having never been to this part of the deep south before, the band puts together an inspired performance where we argue the difficulty of choosing an MVP between Ed, Mike and Matt. Stellar performances here. We'll spend some time breaking down the laser show eminating from the Porch solo, a very aggressive Immortality, Footsteps in an unusual spot played middle of the set, and a powerful Given To Fly that sounds like a 2003 or 2006 version rather than 1998. But the moment that everyone will remember from this show is the Dueling Banjos intro leading way to Corduroy. Was it a little too on the nose for the location? Sad to say that we won't be hearing from Javier this week who needed to rest before making his way to St. Paul. But we do have Patrick and Brian from Hallucinogenic Recipe who will take a glimpse into the background behind this bootleg, and the switchover from cassette to CD-R that took place in the trader circuit during this year. Visit the Concertpedia for 2023 Tour Recaps - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show to receive the Instant Reaction Episodes from every show on this tour - http://patreon.com/liveon4legs

It's time for our third trip to the Steel City this year! After covering 2000 and 2003 in the spring, we're going to focus on the tour year that preceded those shows in 1998. Want to hear something kind of shocking? This was their first show in Pennsylvania since Lollapalooza 1992! With the 1994 and 1996 tours that traveled through the northeast, it's kind of insane that they never hit Pittsburgh or Philadelphia during that time frame. But they make it up to all of yinz by putting together an energetic show where Ed's intensity is all full force. And we get the live debut of No Way! With the 2023 tour now a week away, we'll spend some time discussing some of our thoughts about what could go down, suggesting that perhaps the Metallica method that was popularized this year may be an influence. But tying that into Pittsburgh, what's great about this show is that we have a soundcheck in our possession. We're discussing it at the right time because listening to it and hearing the rain and thunder rumbles makes you a little bit homesick for the live Pearl Jam atmosphere. Especially when Ed performs Throw Your Arms Around Me in the pre-set. The rest of the show features classic versions of songs like Black and Do The Evolution, as well as a Rearviewmirror that has a bridge unlike anything we've seen in a long time. We'll also talk about an Easter Egg from this show that's made the rounds over the years featuring Ed in a different perspective. Gear Guru segments this week will focus on Stone's vibrant solo on Brain Of J, Mike's energy on Alive and a glimpse into why No Way may have never worked out live as well as you'd might think. Visit the Concertpedia - http://liveon4legs.com Contact the show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

We've done extensive coverage of the 2003 Riot Act tour celebrating the 20th anniversary this year. Now it's time to celebrate the anniversary of another major tour in Pearl Jam history - 1998! We kick off a 3-episode Yield tour stretch with an outdoor festival show that took place in Barrie, right outside of Toronto. With Cheap Trick as the supporting act on tour at this time, there are multiple instances where the band gives a subtle nod to their rock heroes, including Mike using Rick Nielson's guitar for State Of Love And Trust. Our Patron Alex Sink joins us for this episode to tell his story of what went down that day. For a bootleg that had a tough time capturing the identity of the show and with no visual aides available, Alex is able to take us back to what that scene was like. A rowdy crowd of over 30,000 created dirt clouds and mud as the mosh pits were in full force on this one. And the band was clearly in a good mood after watching Cheap Trick on the side stage. Ed makes multiple mentions of how great this crowd was, and even addressed some of the craziest fans he had ever seen in the parking lot during an extended version of Leatherman. We also have the world debut of the Do The Evolution music video that happens at this show with the band performing while the images are shown on a screen behind them. If you love Matt Cameron, this may be the episode for you! Get ready for five moments that we've dubbed the 'filthy fills' that will be featured throughout this show! Our Gear Guru segments will featured Javier talking about the lack of overdrive pedal from this tour and how Mike would make adjustments on Even Flow and Yellow Ledbetter, and he'll also discuss Mike's using Rick Nielson's guitar during State Of Love And Trust. Visit the Concertpedia - http://liveon4legs.com Enter Our Raffle, Deadline is 9/2 - https://liveon4legs.com/product/door-prize-raffle-tickets/?fbclid=IwAR3Oacd-eI2fAgLow3hVg-5yU8dxW2Ga4ZxP1cvHNQnoTyCwf4tIdyQ4uDA Contact The Show - [email protected] Donate To The Show - http://patreon.com/liveon4legs

We are less than a month away from seeing Pearl Jam take the stage for nine shows in September, and there's possibly no bigger stage than the one set for Ed's hometown of Chicago. As Wrigley Field has dominated the tour runs for the last ten years, the band is finally returning to the United Center for the first time since 2009, which is the show we'll be digging into in this episode. It was right before the Backspacer record came out, and while not every song had been released yet, it was somewhat of a showcase for songs such as The Fixer, Got Some and Supersonic. With Randy in attendance for the night two of this back to back, he gives some insight as to what was going on this weekend and some of the buzz coming out of night one. As all Chicago shows are, this is a true homecoming for Ed where he will reference fond memories of his youth on multiple occasions. He ties it in nicely when classic Who songs Love Reign O'er Me and The Real Me are played due to spending lots of cold nights listening to them on his walkman waiting for the L train. He'll also tie in a story about some of his earliest loves of music coming in the form of listening to Motown and idolizing Michael Jackson, who had died that summer. There is a nice dedication to Michael during Ed's rendition of Needle and the Damage Done, and a version of Rats featuring a short intro tease of the Michael Jackson song that's referenced at the end, Ben. And of course, he'll give nod to the Bulls championship banners in the rafters. As Ed would deem this show to be an emotional ride from the very beginning, we'll get to hear those kind of songs such as Long Road, Come Back and Man Of The Hour utilized in this set. Many thanks to Patron Andy Lore who requested this show! Our Gear Guru segments this week will get into a buzzy Mike solo on Sad, how Given To Fly and other songs guitar tone on this tour felt flat, and how Stone's rigged strumming was the backbone for a fantastic version of Love Reign O'er Me. Visit the Concertpedia - http://liveon4legs.com Join up on our raffle raising funding for the Cystic Fibrosis Foundation - https://liveon4legs.com/product/door-prize-raffle-tickets/?fbclid=IwAR3Oacd-eI2fAgLow3hVg-5yU8dxW2Ga4ZxP1cvHNQnoTyCwf4tIdyQ4uDA Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

Toga! Toga! We're heading to upstate New York to cover Pearl Jam's last show to date at the Saratoga Performing Arts Center, aka SPAC. It's a widely popular venue, one in which jam bands such as Phish and Dave Matthews Band have frequented, and as Ed would mention in this show, it was an early Lollapalooza tour venue back in 1992 when they played alongside Soundgarden. Glad he kept the shirt. This show comes right off the heels of a major turning point from the Binaural tour - The Jones Beach shows. The legendary Daughter performance with the It's OK tag, forever enshrined on the Touring Band 2000 DVD, marked as a healing moment for the band during the toughest period in their history. This show getting off to a hot start was a sign that the band was starting to loosen up and learn how to have a little fun on stage again. Breakerfall, Whipping, Spin The Black Circle, Hail, Hail, Corduroy and In My Tree are the first six songs of the night, and they absolutely do not disappoint. Add in an experimental Rearviewmirror to close the main set and a combination of Black/Yellow Ledbetter to this night, there are a lot of signature moments that make this show stand out. Oh yeah, and the nudist lava lamp inventor... him too. We'll hear stories from our Patron, Andrew Famulare, as well as Patrick and Brian from Hallucinogenic Recipe who were both at this show in the same section, but didn't know each other at the time. They'll share their hilarious memory from this show from both perspectives. And our Gear Guru segments this week look into Stone's Rickenbacker impact on Breakerfall, an interesting octave change in the Spin The Black Circle chorus, and why the combo of Black and Ledbetter worked so well, including love for the Nobody's Fault But Mine Led Zepplin tag. Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

In this episode, Randy and John go where this podcast has (almost) never gone before... to the 2007 tour! While we covered Vic Theater in this podcast's infancy, we've never done the full dive into what's sort of a forgotten year in Pearl Jam history. Outside of the Vic and the Lollapalooza Chicago show, there were only 12 shows played on a European run that included mostly festival dates. The show we cover here happened in London, and was the first arena show there since 2000. Thank you to friend and Patreon, Simon Pountney, for requesting this! This show took place in the aftermath of a massive tour supporting the Self Titled record, featuring many songs from the album that don't get heard often today. We'll go in depth on Marker In The Sand, Parachutes, Comatose as some of the highlights from this night. We'll also address how in this era, the band turned up the RPMs and started playing many of their songs faster than usual. We'll talk about where it benefits and suffers inside this setlist. A show with a Ten Club heavy presence on the floor leads to a set chock full of fan favorites leaving songs like Even Flow, Black, Jeremy, Better Man, Daughter, Rearviewmirror and Corduroy off the setlist entirely. For our question of the week, we had something unique happen in this show where World Wide Suicide was played in the usual Alive spot. We asked you guys what other songs you thought would work well in that role before Rockin' In The Free World. And for the Gear Guru, it's time for some Javocado! Javier breaks down a trio of songs from the record including Comatose, Marker In The Sand and Inside Job. Visit the Concertpedia - http://liveon4legs.com Contact The Show - [email protected] Donate To The Show - http://patreon.com/liveon4legs

As we say goodbye to reliving the 20th anniversary of the Riot Act tour, there are so many other Pearl Jam anniversaries that need to be celebrated this year. Believe it or not, it's been a full decade since the 2013 Lightning Bolt tour, as well as the release of the record. In July of that year, the band revealed their plans for their 10th studio album release nearly days before the two big North American summer shows - Wrigley Field and London, Ontario. We all know how big of a deal that Wrigley show was. It was the first ballpark show of it's kind, heavy storms caused a two and a half hour delay leading to a show that didn't end until 2 am, and Bugs was played. Because of the hype leading up to Wrigley, the London show that preceded it became a bit of an after thought. For those unfamiliar, we'll tackle why this show deserves more love and appreciation from this fanbase that may have forgotten about it in the wake of Wrigley. Like Wrigley, this is a show that was never released as an official bootleg. So most of the stories and moments that are relived come directly from the less than 10,000 fans who were there in attendance in this intimate venue. We're lucky to be joined by two in this episode as Patron, Tim Fortescue, hops on to discuss why he requested this show, and filling in for John this week is Hallucinogenic Recipe co-host, Patrick Boegel, who also has great memories from this. A lot of the discussion here will come from this being the true kickoff to the new era, with a brand new rig, stage and lighting set up, setlist structure and new takes on old songs. It was the beginning of the nightly three song slow burn openers that came off as a massive surprise when the rarely opened with Present Tense kicked off this night. It was also the start of the slowburn encore in a way too, which was the most anticipated part of the set featuring some of the rarest songs in the catalog, IE: Parachutes and Man Of The Hour at this show. We'll also get to talking about the live debut of Mind Your Manners, a London Calling tease, amazing transitions between songs such as Modern Girl into Black, Dundas hookers on crack and experimental takes on two fan favorites - one that worked in Corduroy, and one that didn't in Daughter. As a bonus, we'll also ponder why Canadian hotels only have Garfield cartoons featured on their TVs. Our Gear Guru segments this week focus on the brand new rig set-up for 2013, the defining sound of Mind Your Manners and Alone featuring Mike's usage of a slide pick. Visit the Concertpedia - http://liveon4legs.com Contact the Show - [email protected] Donate to the Show - http://patreon.com/liveon4legs

Ladies and gentlemen, this is the big one. After two weeks of hype, we have now reached the third night of the Mansfield Experiment. Anybody who was there remembers it clearly - getting to the venue early for Pearl Jam to hit the stage around 5:30, witnessing them in the daylight, wanting to stand and cheer while the band eases in with an acoustic pre-set. It is almost inarguable that this show is the most important and celebrated within the history of this band, finishing a 3-night stand where a total of 97 unique songs were played. This show would feature 45 of those songs, the most that have ever been crammed into one Pearl Jam show to date. To accomplish this feet, they had to get creative due to strict curfews in the venue. so they decided to begin the night as their own opener to play a seated 12-song acoustic set to those lucky enough to arrive early. The set is one for the ages. Classic songs meant for the setting such as Long Road and Footsteps thrived and soared throughout the atmosphere, while extreme rarities such as All Those Yesterdays and Drifting are tossed in there to delight the collectors in the audience. While the opening set is the big story here, the band busted out 33 more songs on this night that included old songs, new songs, common and rare songs, songs being reintroduced and songs packaged together in clever fashion. We'll break down all of it in one of the longest episodes in the modern era of this podcast! Once again, thanks to everyone who sent in their stories, we'll share the final batch of them in this episode. Our Gear Guru segments this week will give you an overview of the acoustic set, discuss the strange tuning on Faithfull and break down a one of a kind version of Why Go featuring a riffy guitar intro. Visit the Concertpedia - http://liveon4legs.com Donate to the Show - http://patreon.com/liveon4legs

Continuing onward with our big summer series, this episode focuses on the second night of Pearl Jam's Mansfield Experiment. With the first night under their belt and the crowd coming into the show aware of the premise, the excitement was at an all-time high. While night 1 was a great introduction to the idea, this show's crowd is up for all of the surprises and answers when called upon for the big call and response moments. While there may be no acoustic set like night 3, the energy at this show was palpable, even though Ed came off a bit grumpy due to a lack of sleep the night prior. Although there were a few rarities spliced in to the night before, this show featured a few songs that you almost never heard at Pearl Jam shows during that era. The most eye opening one was Low Light. Of course Low Light has become a common staple of Pearl Jam sets in recent history, but coming into this show it had only been played one other time at the 2001 Bridge School show. We'll spend time breaking down how this turned into a classic song over time, and some of the pieces that aren't found in recent versions. Other big performances that we'll dive into are Release, Animal, Insignificance, Love Boat Captain, Rival, Rearviewmirror and amazing crowd responses on both Alive and Baba O'Riley. Once again, thank you to everyone who sent in their stories. We'll read another batch of them in the episode. And our Gear Guru segments will focus on the emergence of Low Light, the 2003 rendition of I Am A Patriot and a Jeff Ament driven Rearviewmirror. Purchase the Tour Shirt! - http://liveon4legs.com/2023tour Visit The Concertpedia - http://liveon4legs.com Donate to the Show - http://patreon.com/liveon4legs

Ladies and gentlemen of the Pearl Jam universe, it's here! Since the beginning of the year, we've been teasing this 10-episode recap of the 20th anniversary of the 2003 Riot Act tour, featuring the ultimate finale - all three shows from the Mansfield Experiment! To anyone who has never heard of this before, The Experiment was the band's opportunity with three nights scheduled just outside Boston to play nearly every song they knew without repeating anything. This led to three monster sets with the unpredictability of a normal Pearl Jam set heightened to a new extreme. We're gonna focus on the first night's setlist in this episode and spend time talking about how the idea for the experiment all came to be. The challenge of playing 97 different songs in the span of three nights might seem exciting to all of us, but for the band, it was a herculean task that came with some uncertainty. While some of the big setlist staples are tossed into this show like Go, Save You, I Am Mine, Even Flow and Porch, they had to balance all of that out with the lesser played material with songs like Get Right, Help Help, Evacuation and for the time, Smile injected into the set. All three shows have different identities, but all of the excitement from the fans who had heard the rumors gives this show an air of something special that would eventually turn into one of the most legendary runs in the history of Pearl Jam. Thank you to everyone for writing in these past few weeks and sharing your stories. We'll tell a few of them in this episode and spread the rest throughout the following two. Three Gear Guru segments this week will dig into a chaotic ending on Go, the 2003 alternate rendition of In My Tree and the rarely played Evacuation. Purchase The Tour Shirt - http://liveon4legs.com/2023tour Visit the Concertpedia - http://liveon4legs.com Donate to the Show - http://patreon.com/liveon4legs

Alpine Valley has been a staple of the Pearl Jam touring route going all the way back to Lollapalooza in 1992. In the seven instances in which they've played there, there's no lack of unforgettable shows and unforgettable moments. A few of the shows even have monikers that they go by such as PJ20, when they played there for their 20th anniversary, and the Ice Bowl in 2000 where they played a full show in freezing cold weather. In this episode, we're gonna go back to 25 years ago where they played their first headlining gig in East Troy. To help us tell the story, we've enlisted our Patron Aaron Redmon who requested this show. This was very early in Matt Cameron's tenure with the band, and there are some things that we'll hear out of Matt that show that he was still getting adjusted to being on tour with them. Songs like Do The Evolution and Brain Of J feature a harder edge than we're accustomed to today. This show will feature technical difficulties, botched lyrics and early indications that certain songs were ready to become massive crowd friendly moments. The two big moments to look out for are Black with a highly intense We Belong Together tag and Alive with an improv within the solo. With Alpine Valley being such a historic venue, we asked you to share your favorite moments from seeing shows there, which we'll share during our question of the week segment. And our Gear Guru segments this week will feature Mike's clean guitar sound on Even Flow, well deserved love for Jeff Ament and a tag of Jimi Hendrix's Machine Gun at the end of Yellow Ledbetter. Visit the Concertpedia - http://liveon4legs.com Purchase the Tour Shirt! - http://liveon4legs.com/2023tour Donate to the Show - http://patreon.com/liveon4legs

When you think about some of the more memorable performances in the history of Pearl Jam, a lot of them have a key factor in common. They develop from spontaneous moments that happen within the song. Fan interactions especially can help turn a performance of a song played over 500 times into an unforgettable moment. One of the other spontaneous facets that happens at Bonner Springs in 2003 is how the weather impacts the show. To open this night, the band gets acquainted with the crowd by playing Release under a sky of a torrential downpour of rain. Quickly after the "oh dear dad..." lyric, there is a bolt of lightning in the background in which the crowd audibly reacts to. As Ed is singing one of his autobiographical masterpieces, he looks up to the sky and says "hi dad". It's a moment forever etched into this band's legacy, and we'll talk about it in full detail during the rundown of this show. This show was an easy decision to cover during our continued run of 2003 show, but it was made easier due to the request sent in from our Patron, Chris Bigelow. Check out his story in the episode. After the big moment, we'll go over how the rest of the set fared and talk about a few Riot Act songs we have yet to cover on this run - Get Right and Help Help. There is a big what-if in this set - a written encore setlist of 16 song choices with two songs that could've potentially made their return after almost a decade of not being played. Listen in to find out what those songs were! We'll read your answers for question of the week which asked about some of your favorite concert memories in the rain, and our Gear Guru segment will focus on Mike's pedals from Immortality and how the country twang sound from Off He Goes is created. PURCHASE THE TOUR SHIRT! - http://liveon4legs.com/2023tour Visit the Concertpedia - http://liveon4legs.com Donate To The Show - http://patreon.com/liveon4legs