Left of the Projector

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This week we have the the trio that brought you The Menu episode, SmirkGently and Oslowe. We dip our toes into the Freddy Kruger franchise and tackle A Nightmare on Elm Street.Left of the Projector Linkshttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://www.instagram.com/the_red_gobbo/https://www.instagram.com/millennialmarxist1/https://leftoftheprojector.com

SCREAM Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

This week, in preparation of Spooky Season, we have an oldie, but a goodie!!Left of the Projector Linkshttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://www.instagram.com/the_red_gobbo/https://www.instagram.com/millennialmarxist1/https://leftoftheprojector.com

In this episode, we kick off our mini-series on Gareth Edwards with a deep dive into his indie film Monsters. We discuss its low budget, minimalist storytelling, and the themes of imperialism and capitalism woven into the narrative. Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

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I'm joined by Director Martin Melnick, Actors Shannon Beeby and Ryan Jonze to discuss the newly released film Lilly Lives Alone. You can find now on Dark Sky Films.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, I explore the 2002 film Punch Drunk Love with writer-director Portia. We discuss its significance during a period of economic uncertainty and its distinct departure from Paul Thomas Anderson's other works. Portia shares her connection to the film, highlighting Adam Sandler’s multifaceted portrayal of Barry Egan and the film's subversion of romantic comedy tropes. We analyze its artistic choices, standout performances, and motifs of connection and isolation, ultimately recognizing how Punch Drunk Love invites a deeper appreciation within Anderson’s filmography.https://www.newwoo.uk/https://www.instagram.com/portia_bh/https://www.threads.com/@portia_bhLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left of the Projector, we explore the iconic film 2001: A Space Odyssey, directed by Stanley Kubrick, and its profound themes regarding AI and humanity. Joined by Levi and Joey, we discuss the contrasting representations of artificial intelligence, specifically HAL 9000 and Harlan Ellison's AM, prompting reflections on consciousness and survival. We analyze Kubrick's artistic choices, including minimal dialogue and groundbreaking visual effects, and consider the monoliths as symbols of external influence in human evolution. Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left of the Projector, I chat with filmmaker Christopher Bell to dissect the film Contact, directed by Robert Zemeckis and inspired by Carl Sagan's work.Linktree:https://linktr.ee/christopherjasonbellMiss Me Yet:https://means.tv/programs/missmeyetAttention Shoppers:https://means.tv/programs/attention-shoppersFailed State trailer:https://vimeo.com/1045365473Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

So sit back, relax, and join Lotp, Este, and Ryan as they celebrate the summer vibes, campfire shenanigans, and comedic brilliance of Wet Hot American Summer, reminding us that it's Wain's world, and we're just living in it.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

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In this episode, I join Chris and Wythe from the Why We Roll Podcast to analyze David Cronenberg's cult classic Videodrome. We explore its themes of technology, media, and the human condition, discussing the film's initial reception and rise to cult status. We examine the character of Max Ren, played by James Woods, and the male gaze's implications on sexuality and power dynamics, as well as the film's philosophical layers surrounding identity.We also consider Cronenberg's body horror elements as metaphors for existential dilemmas, particularly as Max navigates the influence of Videodrome. The conversation draws parallels between the film and contemporary media technologies, questioning whether they enhance or diminish our humanity. We conclude by reflecting on the lasting impact of Videodrome and its relevance in today's media landscape.KickStarter for Dance MacabreWhy We Rollhttps://stillfleet.comhttp://stillfleet.com/danse https://bsky.app/profile/stillfleet.bsky.socialhttps://www.instagram.com/timespace.placeLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Friends of the show Smirk Gently and Hungry join me for the 200th episode extravaganza. No, not a clip show, new content!Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

This episode delves into Billy Wilder's classic film The Apartment, featuring Jack Lemmon and Shirley MacLaine. Joined by Kayte from Fangs for the Memory and Tender Subjects, we analyze the film's commentary on capitalism and personal relationships through Lemmon's character, C.C. Baxter. We discuss the contrasts between corporate life and personal sacrifice, highlight character dynamics, and list our top five office-themed movies. Kate shares insights on the film's development and its lasting relevance, showcasing Wilder's mastery in balancing humor with deeper themes of love and ambition within a capitalist society.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, I explore the Coen brothers' Inside Llewyn Davis alongside author and comedian Joshua Turk. We discuss Llewyn Davis, portrayed by Oscar Isaac, as he navigates the challenges of his music career amid 1961's New York City folk scene. The film examines themes of artistic ambition, isolation, and the complexities of human relationships as Llewyn grapples with rejection and personal connections. We analyze the significance of his choices and the recurring cat symbol, reflecting on the pursuit of dreams and the realities faced by artists today.Joshua TurekBooks: https://joshuaturek.com/buy-booksOn Tour: https://www.bandsintown.com/a/15579941https://www.instagram.com/joshuaturek/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Bringing back a classic episode for your listening pleasure.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left of the Projector, we explore the cultural impact of the 2001 film The Fast and the Furious, diving into its portrayal of car culture and masculinity. Joined by Zach, Connor, Bryant and Brandon from Cars and Comrades, we dissect the film's iconic racing scenes and memorable characters, debating the significance of vehicles like the Toyota Supra and Nissan Skyline. We examine the evolution of the franchise from street racing to grand action heists, and analyze themes of loyalty and exploitation through the lens of Dom Toretto and Brian O’Conner’s relationship. Additionally, we reflect on early 2000s fashion, memorable quotes, and the film's legacy, teasing exciting crossover potential for future installments.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left of the Projector, I analyze Ken Loach's 2006 film, The Wind That Shakes the Barley, which portrays the harsh realities of the Irish Civil War and its implications on contemporary global struggles. Joined by Jeremy and Justin from Proles Pod, we discuss the film's anti-imperialist narrative and how key dialogues reflect on historical and modern conflicts. We explore character motivations, particularly Damien’s inner conflict between personal ambition and revolutionary duty, and draw parallels to current socio-political issues. Our conversation also covers the film’s impacting visual and auditory elements, alongside its depiction of nationalism versus socialism within Ireland. As we reflect on the legacies of colonialism and the quest for justice, I encourage listeners to engage with the film's profound exploration of resistance and the ongoing costs of liberation.Proles Podhttps://www.patreon.com/c/ProlesPod/homehttps://x.com/ProlesPodhttps://www.instagram.com/prolespod/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

This week we take a little break from Andrei Tarkovsky and are covering two films by Luis Bunuel.Amanda Joy Moon:⁠⁠Instagram: https://www.instagram.com/amandajoymoon/ ⁠Etsy: https://www.etsy.com/shop/riotgrrrlprintz/?etsrc=sdt ⁠⁠TikTok⁠⁠: https://tiktok.com/@amandajoymoonRevLeft:https://www.revolutionaryleftradio.com/https://www.revolutionaryleftradio.com/guerrilla-historyhttps://www.revolutionaryleftradio.com/#/redmenace/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

This episode explores the 1954 film Godzilla as both a creature feature and a commentary on humanity post-nuclear disaster. Joined by Nat, Bill, and Levi, we discuss its cultural significance and evolving relevance, reflecting on personal experiences with its emotional themes. We analyze Dr. Serizawa's moral struggles, linking the film to Japan's post-war identity and historical trauma. Highlighting the blend of horror and humor, we invite listeners to connect Godzilla’s themes to contemporary issues, showcasing it as a lasting symbol of human fear and resilience.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left to the Projector, we analyze Episodes 4 through 6 of Andor Season 2 with Ward and Bill. We explore the emotional depth of Ghorman, where characters Bix and Andor confront their traumas amid revolution. Our discussion highlights the complexity of the Empire's portrayal in ISB meetings and the psychological impacts of hyper-vigilance on Cassian and Bix. We assess leadership themes and narrative manipulation within the revolutionaries, culminating in a critique of poor leadership during a heist. We conclude with excitement for upcoming episodes, emphasizing the series' profound exploration of rebellion, trauma, and social justice.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Kendra Dawsey:https://www.instagram.com/bossy_dawsey/https://letterboxd.com/bossy_dawsey/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Don't mind us saying 1-6 at the start, we cut us into 1-3.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In case you didn't know, there is this new film called Sinners and I'm joined by Brooke Obie, filmmaker and critic to discuss!Brooke Obiehttps://www.brookeobie.com/https://blackgirlwatching.substack.com/https://www.instagram.com/brookeobie/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Part 4 of the best of LotP brings me to Chapo Traphouse's Matt Christman and friend of the show AV (aka commie trucker). Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left of the Projector, I explore David Lynch's film, Twin Peaks: Fire Walk With Me, a prequel that examines the tragic story of Laura Palmer leading up to her death. Joined by filmmaker John Kennedy, we delve into Lynch's unique approach that blends psychological horror with human connection, examining the complex layers of trauma and abuse within Laura's character. Our conversation highlights how this film diverges from the series, revealing darker undertones and intricate symbolism. We analyze pivotal scenes, the impact of character dynamics, and the cultural commentary within the narrative, ultimately celebrating Lynch’s artistry in weaving horror, nostalgia, and identity into a compelling exploration of the human condition.Jonathan KennedyIG: https://www.instagram.com/getradifiedhttps://jonkennedy.net/https://www.threads.net/@getradifiedLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Back again with another Best ofLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, we analyze the 1997 sci-fi film Gattaca, directed by Andrew Niccol, alongside Wythe Marshall and Chris Pickett from the "Why We Roll" podcast. We examine the film's portrayal of a future shaped by genetic engineering and social stratification, contrasting 'valids' and 'in-valids' in a society that discriminates based on genetics. Our discussion highlights the film's casting choices and the moral ambivalence surrounding its individualistic narrative, embodied by Vincent's journey to overcome systemic barriers. We also reflect on the film's aesthetic and its critique of reliance on genetics, acknowledging its limitations in addressing classism. Why We Rollhttps://stillfleet.comhttp://stillfleet.com/danse https://bsky.app/profile/stillfleet.bsky.socialhttps://www.instagram.com/timespace.placeLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Part 3 of best of LotP is Boots Riley's biting satire Sorry to Bother You. Sadly, we aren't that far from this reality. Workers of the world unite.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

We take you back to the 90's and the era of tough guys in sweet roles.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Number 2 on the Best of LotP is a one of the greatest blockbusters of all time. The OG Jurassic Park. They've made many since, but this doesn't have Chris Pratt, so that makes it leagues better.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Ghostbusters is just a silly little comedy about why the EPA is actually the villain. Come hear Ash and Jon from Horror Vanguard podcast say why this is flawed and so much more.Horror Vanguardhttps://bsky.app/profile/thelitcritguy.bsky.socialhttps://bsky.app/profile/darrowvania.bsky.socialhttps://bsky.app/profile/horrorvanguard.bsky.socialhttps://bookshop.org/p/books/capitalism-a-horror-story-gothic-marxism-and-the-dark-side-of-the-radical-imagination-jon-greenaway/20692080?ean=9781914420887&next=tLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

My quick 5 min thoughts on Sinners. Spoiler Free. I should add, I can only share my thoughts here, but not the feelings that Coogler brings as a black film maker in a sea of white in Hollywood. Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Imitation is the sincerest form of flattery. Well, one of my favorite podcasts, Revolitionary Left, is running old episodes in a best of series. I've seen a number of new listeners, and want to do a top 10 countdown of episodes you may have missed the first time around.Please enjoy!Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, I explore the iconic 1975 film Dog Day Afternoon with guest Jake Flores, delving into its themes of class struggle and socio-economic issues of the 1970s. We analyze Sonny's character, who conducts a bank heist to fund his partner Leon's gender-affirming surgery, and discuss the film's impact on LGBTQ+ representation.Our conversation examines the media portrayal in the film, particularly the "Attica" scene's relevance to contemporary justice movements. By unpacking the film's climax, we highlight its stark reality within a decaying socio-economic landscape, emphasizing its enduring significance in discussions around identity, resistance, and the intersection of art and politics.Jake Floreshttps://podcasts.apple.com/us/podcast/pod-damn-america/id1271019505https://x.com/feraljokeshttps://x.com/WhyYouMadPodhttps://x.com/IDKYPodhttps://www.instagram.com/feraljokes/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left of the Projector, I’m joined by Smirk and Red to discuss the final two episodes of Season 2 of Severance. We analyze the emotional depth and intricate narrative of the finale, focusing on the character arcs of Mark, Gemma, and the Egan family within Lumen's oppressive corporate culture.We explore themes of control, moral ambiguity, and the duality of their 'Innie' and 'Outie' selves, while reflecting on the show's dark humor and symbolism. As we wrap up, we speculate on the unresolved themes of exploitation and identity, anticipating how they may evolve in future seasons. Ultimately, Severance challenges us to confront societal compartmentalization and the quest for wholeness.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

This week on Left of the Projector, Evan, Destiny, and Thomas dive into Pixar's WALL-E, exploring its themes of consumerism and alienation, while discussing its emotional depth and critique of capitalism. Tune in for insights on this timeless film!Closeted Historyhttps://www.instagram.com/closetedhistoryhttps://beacons.ai/closetedhistoryhttps://patreon.com/ClosetedHistoryhttps://www.youtube.com/@closetedhistoryThomas:https://linktr.ee/thomskyTikTok: https://www.tiktok.com/@leftistsquidwardLetterboxd: https://letterboxd.com/thomsky/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

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In this episode of Left at the Projector, we analyze Quentin Tarantino's Inglourious Basterds with guests Hugo and James Ray (aka @Jamesgetspolitical). We discuss standout performances and the film's controversial historical narrative.Hugo shares his admiration for Tarantino's blend of dark humor and WWII themes, while James raises concerns about historical accuracy but values the film's artistic approach to revenge.We explore character motivations, particularly Hans Landa's moral ambiguity, and examine key scenes that highlight tension. The conversation also touches on themes of vigilantism and anti-fascism, underscoring the film's cultural relevance today.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left of the Projector, we continue exploring Severance's second season, focusing on episodes five through eight. Red and Smirk Gently join me to analyze key character developments, particularly Gemma's complexities and the societal implications of severance as a solution to discomfort. We unpack the challenging dynamics between Mark S. and Helly, addressing themes of consent and identity, while also examining Milchick's role in corporate exploitation. Our discussion culminates in predictions for the season’s finale, inviting listeners to reflect on the series' commentary on reality, work, and control.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

It's Buffy time and with me are the Buffy experts, the hosts of Fangs for the Memories, Kayte and Leslie.Fangs for the Memories - Kayte and LeslieListen on Spotifyhttps://www.instagram.com/fangspodcast/https://www.instagram.com/kaytet/https://www.instagram.com/tendersubjectpod/https://www.kayteterry.com/https://x.com/kayteterryLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, we analyze the first season of "Andor," the prequel to Rogue One, with guests Bill and Ward. We discuss the show's unique approach to storytelling within the Star Wars universe, focusing on its complex portrayal of rebellion and oppression. Highlighting Cassian Andor's journey from marginalized thief to revolutionary, we examine themes of class struggle, corporate control, and character motivations. Key moments, like the Aldani heist, illustrate the blend of action and ideology. We encourage listeners to binge the season before our next discussion, promising deeper insights into this groundbreaking series. Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

I'm joined by E.T. Lyons to discuss Oscar winning A Real Pain. E.T. Lyonshttps://beacons.ai/etlyons https://www.instagram.com/e.t.lyons/https://letterboxd.com/etlyons/https://www.threads.net/@e.t.lyonsLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, I’m joined by Dan and Jared from the Concessions Podcast to explore the cultural significance of Beavis and Butthead Do America. We share personal connections to the film's absurd humor and discuss its satirical take on 90s American culture as Beavis and Butthead embark on their outrageous quest for a stolen TV.Our conversation covers the duo’s contrasting personalities, the film's impact on youth nihilism, and its standout voice cast. We reflect on the film's relevance today and whether new audiences can appreciate its unique blend of humor and societal critique. This episode celebrates the enduring charm and complexity of this iconic animated film.Concessions:https://pod.link/1700141653https://podcasts.apple.com/us/podcast/concessions-consider-the-bigger-picture/id1700141653https://twitter.com/DanConcedeshttps://www.threads.net/@jaredconcessionsLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

I am joined this week by Molly Rasberry to discuss Charlie Chaplin's great work Modern Times. The critiques of labor, alienation and so much more are on full display. Let us know what you think!Molly Rasberryhttps://x.com/RasberryRazzhttps://letterboxd.com/mbrasberry/https://mollywoodwrites.wordpress.com/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, we take a critical look at the film "Emilia Perez," an endeavor that has stirred significant debate due to its questionable narrative and representation. Joined by Griff and Chris from "Bring Out Your Dead," we dissect the film’s convoluted plot revolving around a Mexican cartel leader's journey of transition amidst the violence of the drug war. We highlight the controversies related to the film’s lack of authentic Mexican representation and the director Jacques Audiard's dismissive approach to Mexican culture. Our conversation unpacks the harmful stereotypes perpetuated by the film, particularly regarding trans women, and critiques its failed attempts at emotional resonance. We express disappointment in the film’s arbitrary musical numbers and underwhelming performances, particularly from Selena Gomez. Ultimately, we urge listeners to rethink their engagement with "Emilia Perez," advocating for cinema that embraces authentic narratives and empowers marginalized voicesBring Out Your Dead:https://www.instagram.com/bringoutyourdeadpod/https://pod.link/1706697539https://open.spotify.com/show/3Wsrp6l2a5JlXPJvG5Iwwg?si=3c5d62ed204a42a0Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector