Jazz Library

A product of the M-Base revolution and then a major artist on the Blue Note label, Geri Allen is one of the most accomplished female pianists in jazz. In this programme, recorded in front of an audience at London's Purcell Room, she joins Alyn Shipton to pick the highlights from her recorded work.

Vibraphonist Gary Burton was a teenage prodigy and his four mallet style revolutionised his instrument's playing technique. Prior to his 2010 London Jazz Festival concert, he joined Alyn Shipton in front of an audience on the South Bank to pick his favourite recordings including work with Carla Bley, Chick Corea and Pat Metheny.

Singer Norma Winstone joins Alyn Shipton to select her best recordings, looking back to her early days with Michael Garrick, her long associations with John Taylor and Kenny Wheeler, and at songs for which she has written lyrics herself, including her renowned collaboration with Jimmy Rowles on The Peacocks.

From his meteoric rise to fame with Benny Goodman to his small group records with Billie Holiday, pianist Teddy Wilson was one of the stars of the swing era. Pianist Martin Litton joins Alyn Shipton to select the best examples of Wilson's work, including his own short-lived big band, his solo recordings, and many latterday trios.

Clifford Brown died in a car crash at 25, robbing the jazz world of one of its most talented and original trumpeters. To mark the 80th anniversary of Brown's birth, author Tom Perchard joins Alyn Shipton to pick the highlights of his recordings. The programme centres on the Clifford Brown / Max Roach Quintet, but also includes a wide variety of other material including discs with Sarah Vaughan and with a string orchestra.

Martial Solal is one of France's most highly acclaimed jazz musicians. Prior to his solo appearance at this year's London Jazz Festival (in association with Radio 3) he talks to Alyn Shipton about his long recording career and also the Martial Solal International Piano Competition that takes place this month in Paris. His selection of albums ranges from solo piano to his current large ensemble the Newdecaband. He also talks about his long associations with American jazz musicians Lee Konitz and Paul Motian.

American singer Mark Murphy is one of the most versatile vocalists in jazz. A master of scat and vocalese, he is also a renowned interpreter of ballads and standards. British singer Ian Shaw joins Alyn Shipton to consider Murphy's finest records, from his early work such as 'That's How I Love The Blues' to his vocalese masterpiece 'Stolen Moments'.

Trumpeter, composer, arranger and bandleader Thad Jones was a hugely influential musician. In this programme Guy Barker and Alyn Shipton discuss his finest work, including many discs under his own name, records with Count Basie and Charles Mingus, and records made by the big band he co-led with Mel Lewis.

Fred Anderson, who died in June, was a founder member of the AACM in Chicago and ran the city's famous club, the Velvet Lounge. Alyn Shipton visited him at the site of his historic club before it was demolished in 2006, and talked to Anderson about his best recordings.The music features Joe Jarman, Muhal Richard Abrams and Anderson's long-term collaborator, the drummer Hamid Drake.

Jimmy Woode was one of a dynasty of jazz musicians from Boston, where he began his career with the likes of Charlie Parker and Sidney Bechet. He joined Alyn Shipton during one of his last visits to the UK before his death, to select his finest records, including examples of his work with Ellington, and with the Kenny Clarke/Francy Boland band with whom he played after settling in Europe at the end of the 1960s.

Wynton Kelly was one of the most individual pianists in jazz, famous for his work with Miles Davis, Dizzy Gillespie and Wes Montgomery. He also led his own trio - often with fellow Miles Davis sidemen Paul Chambers (bass) and Jimmy Cobb (drums) who played with him on "Kind of Blue". Tim Richards guides Alyn Shipton through Kelly's impressive catalogue of recordings.

Richard Pite joins Alyn Shipton to pick the best discs by the founder of modern jazz drumming, Max Roach. They include pieces by many of Roach's own groups.

Despite a recording career that lasted only from 1924 to 1931, Bix Beiderbecke changed the way jazz soloists played. An influence on a par with Louis Armstrong or Sidney Bechet, his discs had an immediate and long-lasting effect. Ian Smith joins Alyn Shipton to explore the legend of the tragically short-lived Beiderbecke, and to choose his key recordings, including his small group masterpieces "Singing the Blues" and "I'm Coming Virginia" plus his later work with the big bands of Jean Goldkette and Paul Whiteman. Beiderbecke's piano compositions are also discussed, and his pioneering use of the language of French impressionism in jazz.

Ahead of the launch of his Later Works at this year's Gateshead International Jazz Festival at the Sage, Stan Tracey joined Alyn Shipton to look back at his recording career. As well as work with visiting Americans such as Zoot Sims, Ben Webster and Sonny Rollins, Stan discusses his fascination with Duke Ellington, his own big bands and quartets, his suite Alice in Jazzland, and the story behind his most recent recordings.

Clarinettist, soprano, alto and tenor saxophonist Tony Coe is one of Britain's most brilliant jazz musicians, the first non-American to be awarded the "jazz Oscar" by Denmark's "Jazzpar" prize committee. In this programme he joins Alyn Shipton to select his finest recordings, including work by his own groups, as well as with Franz Koglmann, Neil Ardley and the Kenny Clarke / Francy Boland Big Band. Coe also has strong views about the sound of the soprano saxophone and clarinet, and provides an illuminating commentary as to how he approaches playing these instruments.

As a vocalist, Shirley Horn was expert at lending subtle treatment to old jazz standards. She was also a fine pianist, and in this week's Jazz Library singer Christine Tobin discusses the American's intimate trio sound as well as Horn's work with some of the finest big bands of the 1960s. Taking time out to raise a family, Horn returned in the 1980s and 1990s to make some of her finest recordings, including the Grammy-winning I Remember Miles.

Benny Powell grew up in New Orleans to the sound of marching bands and jazz in the air. He joined Lionel Hampton in the 1940s and went on to be a key member of the 1950s Count Basie Orchestra, staying for several years. He joins Alyn Shipton to pick highlights from his records with both leaders, plus examples of his work with Duke Ellington and also his long-running association with pianist Randy Weston, which fuses jazz and African music.

Bassist Arvell Shaw was the longest-serving member of Louis Armstrong's All Stars. As well as picking his finest discs with Armstrong (including the big band recordings) in an interview recorded in 2001, he guides Alyn Shipton through his best work with Sidney Bechet, Teddy Wilson, Benny Goodman, and Earl Hines.

Barney Kessel is one of the most prolific recording artists in jazz, yet one of the least well-known names. Fellow guitarist John Etheridge delves into Kessel's extensive catalogue to explore his legacy and help Alyn Shipton suggest the essential Kessel recordings, including early efforts with Charlie Parker, his pioneering years with Oscar Peterson and his dazzling triumphs as a West Coast studio player.

In later life, reclusive and swathed in a jewelled scarf, Peggy Lee had come a long way from her origins as a jazz singer. In this programme, Gwyneth Herbert, herself a fine interpreter of Lee's songs, explores the singer's earlier work, with Benny Goodman, as a broadcasting artist and as a pure jazz singer. As well as Peggy Lee standards such as Why Don't You Do Right and Fever, there are many examples of her jazz excellence in lesser known songs.

Despite a lifelong battle with narcotics, harrowingly related in his book "Straight Life", Art Pepper was one of the finest alto saxophonists in jazz. In this programme, British saxophonist Alan Barnes joins Alyn Shipton to choose Pepper's finest recordings, and also reveals the American's remarkable talents on the clarinet, on the tenor saxophone, and as a composer.

Duke Ellington's biographer Harvey Cohen joins Alyn Shipton to select highlights from the 1920s and 30s recordings.From the Cotton Club to national icon, author Harvey Cohen traces Ellington's finest output from the decade starting in 1928. He guides Alyn Shipton through jungle music, the first extended works and the finest Ducal small groups, as well as offering insights from his recent book 'Duke Ellington's America'.

PIanist Michael Garrick died in November 2011. In this archive interview, he joins Alyn Shipton to look back over a fifty year span of some of the finest big band and small group records in British jazz.Whether inspired by Hobbits, Thomas Hardy or J M Barrie, Garrick's musical settings were some of the most imaginative and colourful in jazz. His music took inspiration from a huge variety of sources, ranging from Indian and Burmese music and literature to English folksongs and novels. A brilliant pianist, Garrick was also known for his pioneering work with Don Rendell and Ian Carr, for his poetry and jazz sessions, and for continuing to lead groups large and small against all commercial odds for over half a century.

Joe Henderson was one of the finest tenor saxophonists in jazz. Fellow saxophonist Julian Siegel joins Alyn Shipton to assess Henderson's catalogue of discs from his early Blue Note days to his final triumphs playing the music of Strayhorn and Jobim. The programme also includes part of an archive interview with Henderson.Joe Henderson's career falls into two distinct parts, his early days as a young lion, recording with the cream of 1960s modern jazz players for Blue Note, and his remarkable comeback after his celebrated trio disc "The State of the Tenor" in 1985, which led to a new international touring career. He discusses this later stage of his career with Alyn Shipton in a Radio 3 interview from the mid-1990s and the rest of his catalogue is assessed by Julian Siegel, a frequent UK poll winner who has been greatly influenced by Henderson.

Bassist Steve Swallow joins Alyn Shipton in front of an audience at the Cheltenham Jazz Festival.A specialist on the electric bass, Swallow looks back at his early days on the acoustic instrument and talks about the wide variety of his work over a forty-year period.Significant partnerships include reed-player Jimmy Giuffre, trumpeter Art Farmer, the Gary Burton Quartet (with whom Swallow came to England many times) and fellow-Cheltenham Jazz Festival star John Scofield.

This month, Chicago-born pianist Ramsey Lewis celebrates his 75th Birthday and the recent release of Songs From The Heart, his latest trio recording. This acoustic format has been a central component of Lewis' sixty-year career, bringing chart success in 1965 with 'The In Crowd', a track recorded live at Washington D.C.'s Bohemian Caverns where the audience's whoops and claps became, in Ramsey's words, the 'fourth member of the band'. But, as Alyn Shipton finds out in this programme, Lewis' catalogue of discs is richly varied, including interpretations of Beatles ballads, forays into fusion (with the help of Earth, Wind & Fire) and a large-scale gospel album alongside his many trio outings. A natural storyteller, Lewis remembers his father introducing him to the virtuosity of Art Tatum (prompting the question: 'Dad, who are they?') and, in conversation with Alyn Shipton, he describes how Western Classical tradition holds an important position in his musical thinking.

Prior to his appearance at the 2010 Cheltenham Jazz Festival, guitarist John Scofield joins Alyn Shipton to choose key albums from his extensive recorded catalogue. As well as his most recent disc, Piety Street, he chooses discs with Medeski Martin & Wood, Joe Lovano, Pat Metheny and Gary Burton.Scofield is one of the most famous jazz guitarists on the planet. As he tells Alyn Shipton in this programme, he was once more popular in Europe than in the USA, but that all changed after his albums A-Go-Go and Bump, which put him firmly at the centre of the dance-based "jam-band" movement. So in this programme as well as sampling his work with jazz heavyweights such as Gary Burtion, Charlie Haden and Billy Higgins, we also hear him in full flight with members of Sex Mob, Deep Banana Blackout and Medeski, Martin & Wood.

Bassist Ron Carter is one of the most influential and revered instrumentalists in jazz, famous for his work with Miles Davis's 1960s quintet. He joins Alyn Shipton to select the highlights of his recording career, ranging from his work with Miles to string orchestras and his current quartet.Producer: Alyn Shipton.

Trombonist Al Grey (1925 - 2000) was one of the most distinctive soloists in big band jazz, working with many of the most famous swing orchestras. In an archive interview, recorded just before his death 11 years ago, Al selects his key recordings with, among others, Count Basie, Lionel Hampton and Dizzy Gillespie.With his gap-toothed grin, pith helmet and extrovert trombone style, Al Grey was one of the most colourful characters in jazz. He and Alyn Shipton first met when Radio 3 broadcast Lionel Hampton's Golden Men of Jazz, for whom Al was musical director. They kept in touch, and not long before Al's death in March 2000, Alyn visited him at his home in Great Neck Long Island to pick the trombonist's favourite recordings from his voluminous catalogue.

Celebrating Ornette Coleman's 80th birthday in March 2010, Alyn Shipton was joined by Scottish saxophonist Paul Towndrow to select the key recordings by Coleman, the saxophonist who developed free jazz in the late 1950s and early 1960s.

Jazz Library pays tribute to the drummer Ed Thigpen who died in January. He was such a consummate percussionist that he was known as "Mr Taste". A lynch-pin of the bands of Ella Fitzgerald, Dinah Washington and Oscar Peterson, Thigpen joined Alyn Shipton during one of his last visits to Britain to select the recorded highlights of his career.

The British-born pianist Marian McPartland has become an American national treasure, not least through her long-running radio show Piano Jazz. In this edition of Jazz Library she joins Alyn Shipton to celebrate her 92nd birthday next month, and to select the highlights both from her recordings with her own trio, and also from available CDs of her radio series.Producer: Alyn Shipton.

Pianist Keith Tippett is a musician of extraordinary breadth and vision. His projects range from the vast 50-piece orchestra Centipede - so large it had its own private plane for touring - to introspective improvised solo concerts. He joins Alyn Shipton to pick the highlights of a recorded catalogue that spans over forty years, and which not only contains his ensembles large and small, but several surprises as well.Keith Tippett is one of Britain's most inventive musicians, although nowadays he something of a prophet without honour in his own land, celebrated in Europe, but performing infrequently at home. This edition of Jazz Library demonstrates just what local audiences have been missing, in a fascinating spread of music in which Tippett handles sprawling big bands with the same sureness of touch as he applies to his own piano playing. The programme includes his large groups Tapestry, Ark and Centipede, his current band Mujician, the celebratory Dedication Orchestra which commemorates the cream of South African jazz players, and Keith's long musical partnership with his wife, Julie Tippetts, who was formerly known as the pop singer Julie Driscoll, with her top ten hit for Brian Auger "Wheels on Fire".

On 6 February 2010, Sir John Dankworth died aged 82. In this special edition of Jazz Library, Alyn Shipton introduces an archive interview in which John Dankworth selected some of his finest recordings. These range from his work with the Johnny Dankworth Seven and his big band to the settings he wrote for Cleo Laine, as well as music composed for films and television.

Erroll Garner was one of the most distinctive and original pianists in jazz. To select his finest recordings, Alyn Shipton is joined by the young British pianist Neil Cowley. The programme includes examples of Garner's earliest stride style, covers the emergence of his own individual jazz voice, and features his most popular album "Concert by the Sea". Producer Alyn Shipton.

Focusing on the jazz side of Bing Crosby, Gwyneth Herbert joins Alyn Shipton to pick Bing's jazziest recordings, ranging from his Paul Whiteman days to the swing bands of Buddy Bregman and Billy May, and including Bing's immortal discs with Louis Armstrong.

One of the highlights of 2009's London Jazz Festival was pianist Stefano Bollani's residency at Kings Place, where the Italian gave solo performances as well as concerts in duo, trio and quintet settings. Recorded in front of an audience at the festival, Alyn Shipton talks to Bollani about his varied recording career, including his latest trio outing for ECM.

Swing guitarist Lawrence Lucie died in 2009, aged 101. Not long before his death, Lucie met Alyn Shipton in New York to look back over his remarkable career, which not only included stints with Fletcher Henderson, Lucky Millinder and Benny Carter, but a long stay in Louis Armstrong's orchestra. Lucie was also the longest surviving member of Jelly Roll Morton's band, and he looks back on his work with the self-styled "inventor of jazz".

Few people did more to promote the cause of jazz in Britain than Graham Collier, who died on September 9th. He led a succession of pioneering ensembles over the last 45 years, and was a key figure in Jazz Education. Collier was still actively writing and composing right up until the time of his death. In this special memorial edition of Jazz Library, Alyn Shipton presents an archive interview with Collier, who selected highlights from his long career, from early triumphs such as Down Another Road to his last issued album Directing 14 Jackson Pollocks.

Critic and pianist Brian Priestley joins Alyn Shipton to select recording highlights from the career of drummer, vibraphonist and pianist Lionel Hampton, one of the greatest musicians of the swing era. Including his work with Benny Goodman, his many studio recordings from the 1930s and the regular working bands he led from the 1940s for the rest of his life.

Recorded in front of an audience at the 2009 London Jazz Festival, British saxophonist John Surman joins Alyn Shipton to look back over his recording career. As one of the country's finest saxophonists, Surman's copious output since the 1960s includes many gems, and among those discs explored in the programme are those by his long-running quartet, his partnership with drummer Jack DeJohnette, and his work with the Norwegian singer Karin Krog.

Looking forward to her appearance at the 2009 London Jazz Festival, Cleo Laine joins Alyn Shipton to select some of the finest recorded performances from her distinguished career.DISC 1 Title: Just a Sittin' and A Rockin' Artist: Cleo Laine Composer: Ellington, Strayhorn, Gaines Album: I Hear Music Label: Salvo (Union Square) Number BX403 CD3 Track 13 Personnel: Cleo Laine (vocals), Clark Terry (trumpet), Mark Whitfield (guitar) John Dankworth Orchestra.DISC 2 Title: Mr and Mississippi Artist: Cleo Laine with the Johnny Dankworth Seven Composer: Gordon Album: I Hear Music Label: Salvo (Union Square) Number: BX403 CD1 Track 8 Personnel: Cleo Laine (vocals), Jimmy Deuchar (trumpet), John Dankworth (alto sax), Don Rendell (tenor sax), Bill Le Sage (vibes), Joe Muddell (bass), Eddie Taylor (drums). 4 March 1952.DISC 3 Title: Easy Living Artist: Cleo Laine with the Johnny Dankworth Seven Composer: Rainger/Robin Album: I Hear Music Label: Salvo (Union Square) Number: BX403 CD1 Tr 6 Personnel: as above. 6 May 1953.DISC 4 Title: A Child Is Born Artist: Cleo Laine Composer: Jones/Wilder Album: Christmas at the Stables Label: Audio B Number: 5011 Personnel: Cleo Laine, voc; John Dankworth, ss; John Horler, p; Malcolm Creese, b; Allan Ganley, d; Andy Panayi, fl; Chris Garrick, vn; Matt Skelton, perc. 1999.DISC 5 Title: PIerrot Lunaire Artist: Cleo Laine, Nash Ensemble - Elgar Howarth (conductor) Composer: Schoenberg Album: Cleo Laine sings Pierrot Lunaire and songs by Charles Ives Label: RCA Number: LRL1 5058 Personnel: Cleo Laine, voc; Nash Ensemble - Elgar Howarth (conductor)DISC 6 Title: Summertime Artist: Cleo Laine and Ray Charles Composer: George and Ira Gershwin, Heyward and Hayward Album: I Hear Music Label: Salvo Number BX 403 CD 3 Track 10 Personnel: Cleo Laine and Ray Charles, with studio orchestra from the original RCA album Porgy and Bess.DISC 7 Title: He Was Beautiful Artist: Cleo Laine and John Williams Composer: Myers, Laine Album: I Hear Music Label: Salvo Number BX 403 CD 3 Track 12 Personnel: Cleo Laine, voc; John Williams, g. 1976.DISC 8 Title: Shall I Compare thee to a Summer's Day Artist: Cleo Laine Composer: Shakespeare, Laine, Dankworth Album: I Hear Music Label: Salvo Number: BX 403 CD 3 Track 5 Personnel: Cleo Laine, voc. Personnel not listed.DISC 8 Title: Oh Tell me The Truth About Love Artist: Cleo Laine Composer: Auden/Dankworth Album: I Hear Music Label: Salvo Number BX 403 CD 3 Track 6 Personnel: Cleo Laine, voc; John Dankworth, cl, arr., dir. Personnel not listed.DISC 9 Title: Bill Artist: Cleo Laine Composer: Kern/Wodehouse/Hammerstein Album: I Hear Music Label: Salvo Number: BX 403 CD 3 Track 8 Personnel: Cleo Laine and John Dankworth Orchestra, Carnegie Hall, 1974.DISC 10 Title: No One Is Alone Artist: Cleo Laine and Jacqui Dankworth Composer: Sondheim Album: I Hear Music Label: Salvo Number: BX 403 CD 4 Track 2 Personnel: Cleo Laine, voc; Jacqui Dankworth, voc; ensemble arr and cond. John Dankworth.DISC 11 Title: It was a Lover and His Lass Artist: Cleo Laine Composer: Shakespeare/Young Album: I Hear Music Label: Salvo Number: BX 403 CD 3 Track 10 Personnel: as for disc 8.

To choose the finest recordings by Stan Getz, Alyn Shipton is joined by the great saxophonist's biographer Dave Gelly. Together, they pick the critical high points of Getz's work, from the 1940s Woody Herman Orchestra, through to his many small groups, and by way of the bossa nova craze to his final quartet of the 1980s.

To mark jazz violinist Stuff Smith's centenary year in 2009, Alyn Shipton meets fiddle player Chris Garrick to celebrate one of the most unusual instrumentalists in jazz. They chart a course through the available recordings, from the 52nd Street days of Stuff's Onyx Club Boys to his latter-day triumphs as a soloist in Europe, and also present new releases of previously unavailable material.

Until his untimely death in 2009, Rashied Ali was widely regarded as the doyen of free jazz drummers. He made his name in John Coltrane's quartet and went on to a wide range of musical activity in the forty-two years since Coltrane's death.More of a colourist than a rhythm player, Rashied Ali changed the role of jazz drumming for ever. In a candid interview with Alyn Shipton he explains the importance of John Coltrane to his life and work, and selects the finest records they made together, before also selecting highlights of his discs with Marion Brown, Archie Shepp, Eddie Henderson and his own bands.

Looking forward to guitarist Bill Frisell's appearance at the 2009 London Jazz Festival, Alyn Shipton is joined by Phil Robson to select Frisell's finest recordings. Spanning from 1984 to the present, his discs encompass a huge range of styles and effects, pushing forward the boundaries of what it is possible to achieve on the guitar.

Chris Barber is one of Britain's best-loved bandleaders. He joins Alyn Shipton to select highlights of his recordings from 1953 to the present, not only featuring his own bands, but also his collaborations with Sister Rosetta Tharpe, Louis Jordan, John Lewis and many other visiting Americans.

Singer Carmen McRae was a protegee of Billie Holiday but soon grew beyond that early influence to develop her own distinctive musical personality. Singer Christine Tobin joins Alyn Shipton to pick the highlights from the more than 60 albums that McRae made before her death in 1994.

The jazz composer and theorist George Russell was a major innovator in jazz for over 50 years. In an archive interview with Alyn Shipton, Russell looks back at the highlights of a recorded repertoire that began with Dizzy Gillespie's big band and went on to encompass modal jazz and the dawn of jazz rock fusion.George Russell was a ceaseless experimenter - spending most of his life writing his theoretical masterwork on Lydian Modal theory - but on the way writing extended compositions for Dizzy Gillespie in the 1940s, introducing Miles Davis and John Coltrane to modal jazz in the '50s, and mixing world jazz and rock with Jan Garbarek and Terje Rypdal in the 60s. His Living Time Orchestra ran from the '70s to the present decade and included innovative soloists from both sides of the Atlantic. In conversation with Alyn Shipton, who visited Russell at his home near the New England Conservatory in Boston, the composer looks back at what he considers the highlights of his work, and at his standard compositions such as All About Rosie and Ezz-Thetic.

Pianist and composer Carla Bley joins Alyn Shipton to choose her essential records, from the jazz opera Escalator Over the Hill via her various big bands, to her current small groups.