In Our Time: Culture

Melvyn Bragg and guests discuss Shakespeare's best known, most quoted and longest play, written c1599 - 1602 and rewritten throughout his lifetime. It is the story of Hamlet, Prince of Denmark, encouraged by his father's ghost to take revenge on his uncle who murdered him, and is set at the court of Elsinore. In soliloquies, the Prince reveals his inner self to the audience while concealing his thoughts from all at the Danish court, who presume him insane. Shakespeare gives him lines such as 'to be or not to be,' 'alas, poor Yorick,' and 'frailty thy name is woman', which are known even to those who have never seen or read the play. And Hamlet has become the defining role for actors, men and women, who want to show their mastery of Shakespeare's work. The image above is from the 1964 film adaptation, directed by Grigori Kozintsev, with Innokenty Smoktunovsky as Hamlet.WithSir Jonathan Bate Provost of Worcester College, University of OxfordCarol Rutter Professor of Shakespeare and Performance Studies at the University of WarwickAndSonia Massai Professor of Shakespeare Studies at King's College LondonProducer: Simon Tillotson.

Melvyn Bragg and guests discuss one of the great composers, who was born into a family of musicians in Bonn. His grandfather was an eminent musician and also called Ludwig van Beethoven. His father, who was not as talented as Beethoven's grandfather, drank heavily and died when Beethoven was still young. It was his move to Vienna that allowed him to flourish, with the support at first of aristocratic patrons, when that city was the hub of European music. He is credited with developing the symphony further than any who preceded him, with elevating instrumental above choral music and with transforming music to the highest form of art. He composed his celebrated works while, from his late twenties onwards, becoming increasingly deaf.(Before the live broadcast, BBC Radio 3's Breakfast programme played selections from Beethoven, with Essential Classics playing more, immediately after, on the same network.)With Laura Tunbridge Professor of Music and Henfrey Fellow, St Catherine's College, University of OxfordJohn Deathridge Emeritus King Edward Professor of Music at King's College LondonAndErica Buurman Senior Lecturer in Music, Canterbury Christchurch UniversityProducer: Simon Tillotson.

Melvyn Bragg and guests discuss Herman Melville's (1819-1891) epic novel, published in London in 1851, the story of Captain Ahab's pursuit of a great white sperm whale that had bitten off his leg. He risks his own life and that of his crew on the Pequod, single-mindedly seeking his revenge, his story narrated by Ishmael who was taking part in a whaling expedition for the first time. This is one of the c1000 ideas which listeners sent in this autumn for our fourth Listener Week, following Kafka's The Trial in 2014, Captain Cook in 2015 and Garibaldi and the Risorgimento in 2016.With Bridget Bennett Professor of American Literature and Culture at the University of LeedsKatie McGettigan Lecturer in American Literature at Royal Holloway, University of LondonAndGraham Thompson Associate Professor of American Studies at the University of NottinghamProducer: Simon Tillotson.

Melvyn Bragg and guests discuss the life and impact of Germaine de Staël (1766-1817) who Byron praised as Europe's greatest living writer, and was at the heart of intellectual and literary life in the France of revolution and of Napoleon. As well as attracting and inspiring others in her salon, she wrote novels, plays. literary criticism, political essays, and poems and developed the ideas behind Romanticism. She achieved this while regularly exiled from the Paris in which she was born, having fallen out with Napoleon who she opposed, becoming a towering figure in the history of European ideas.With Catriona Seth, Marshal Foch Professor of French Literature at the University of OxfordAlison Finch, Professor Emerita of French Literature at the University of Cambridgeand Katherine Astbury, Associate Professor and Reader in French Studies at the University of Warwick.Producer: Simon Tillotson.

Melvyn Bragg and guests discuss the context and impact of Pablo Picasso's iconic work, created soon after the bombing on 26th April 1937 that obliterated much of the Basque town of Guernica, and its people. The attack was carried out by warplanes of the German Condor Legion, joined by the Italian air force, on behalf of Franco's Nationalists. At first the Nationalists denied responsibility, blaming their opponents for creating the destruction themselves for propaganda purposes, but the accounts of journalists such as George Steer, and the prominence of Picasso's work, kept the events of that day under close scrutiny. Picasso's painting has gone on to become a symbol warning against the devastation of war.With Mary Vincent Professor of Modern European History at the University of SheffieldGijs van Hensbergen Historian of Spanish Art and Fellow of the LSE Cañada Blanch Centre for Contemporary Spanish Studies andDacia Viejo Rose Lecturer in Heritage in the Department of Archaeology at the University of Cambridge Fellow of Selwyn CollegeProducer: Simon Tillotson.

Melvyn Bragg and guests discuss Aphra Behn (1640-1689), who made her name and her living as a playwright, poet and writer of fiction under the Restoration. Virginia Woolf wrote of her: ' All women together, ought to let flowers fall upon the grave of Aphra Behn... for it was she who earned them the right to speak their minds'. Behn may well have spent some of her early life in Surinam, the setting for her novel Oroonoko, and there are records of her working in the Netherlands as a spy for Charles II. She was loyal to the Stuart kings, and refused to write a poem on the coronation of William of Orange. She was regarded as an important writer in her lifetime and inspired others to write, but fell out of favour for two centuries after her death when her work was seen as too bawdy, the product of a disreputable age. The image above is from the Yale Center for British Art and is titled 'Aphra Behn, by Sir Peter Lely, 1618-1680' With Janet Todd Former President of Lucy Cavendish College, Cambridge UniversityRos Ballaster Professor of 18th Century Literature at Mansfield College, University of Oxfordand Claire Bowditch Post-doctoral Research Associate in English and Drama at Loughborough UniversityProducer: Simon Tillotson.

In a programme first broadcast in 2017, Melvyn Bragg and guests discuss Emily Bronte (1818-1848) and her only novel, published in 1847 under the name 'Ellis Bell' just a year before her death. It is the story of Heathcliff, a foundling from Liverpool brought up in the Earnshaw family at the remote Wuthering Heights, high on the moors, who becomes close to the young Cathy Earnshaw but hears her say she can never marry him. He disappears and she marries his rival, Edgar Linton, of Thrushcross Grange even though she feels inextricably linked with Heathcliff, exclaiming to her maid 'I am Heathcliff!' On his return, Heathcliff steadily works through his revenge on all who he believes wronged him, and their relations. When Cathy dies, Heathcliff longs to be united with her in the grave. The raw passions and cruelty of the story unsettled Emily's sister Charlotte Bronte, whose novel Jane Eyre had been published shortly before, and who took pains to explain its roughness, jealousy and violence when introducing it to early readers. Over time, with its energy, imagination and scope, Wuthering Heights became celebrated as one of the great novels in English.The image above is of Laurence Olivier as Heathcliff and Merle Oberon as Cathy on the set of the Samuel Goldwyn Company movie 'Wuthering Heights', circa 1939.WithKaren O'Brien Professor of English Literature at the University of OxfordJohn Bowen Professor of Nineteenth Century Literature at the University of Yorkand Alexandra Lewis Lecturer in English Literature at the University of AberdeenProducer: Simon Tillotson.

Melvyn Bragg and his guests discuss the Central Asian polymath al-Biruni and his eleventh-century book the India.Born in around 973 in the central Asian region of Chorasmia, al-Biruni became an itinerant scholar of immense learning, a master of mathematics, medicine, astronomy and many languages. He corresponded with the age's greatest scientist, Avicenna, and made significant contributions to many fields of knowledge.In 1017 al-Biruni became a member of the court of the ruler Mahmud of Ghazna. Over the course of the next thirteen years he wrote the India, a comprehensive account of Hindu culture which was the first book about India by a Muslim scholar. It contains detailed information about Hindu religion, science and everyday life which have caused some to call it the first work of anthropology.With:James MontgomeryProfessor of Classical Arabic at the University of CambridgeHugh KennedyProfessor of Arabic in the School of Oriental and African Studies at the University of LondonAmira BennisonSenior Lecturer in Middle Eastern and Islamic Studies at the University of CambridgeProducer: Thomas Morris.

Melvyn Bragg and guests discuss Alexander Pushkin's verse novel, the story of Eugene Onegin, widely regarded as his masterpiece. Pushkin (pictured above) began this in 1823 and worked on it over the next ten years, while moving around Russia, developing the central character of a figure all too typical of his age, the so-called superfluous man. Onegin is cynical, disillusioned and detached, his best friend Lensky is a romantic poet and Tatyana, whose love for Onegin is not returned until too late, is described as a poetic ideal of a Russian woman, and they are shown in the context of the Russian landscape and society that has shaped them. Onegin draws all three into tragic situations which, if he had been willing and able to act, he could have prevented, and so becomes the one responsible for the misery of himself and others as well as the death of his friend.With Andrew Kahn Professor of Russian Literature at the University of Oxford and Fellow of St Edmund HallEmily Finer Lecturer in Russian and Comparative Literature at the University of St Andrewsand Simon Dixon The Sir Bernard Pares Professor of Russian History at University College LondonProducer: Simon Tillotson.

Melvyn Bragg and guests discuss the life and works of Christine de Pizan, who wrote at the French Court in the late Middle Ages and was celebrated by Simone de Beauvoir as the first woman to 'take up her pen in defence of her sex.' She wrote across a broad range, and was particularly noted for challenging the depiction of women by famous writers such as Jean de Meun, author of the Romance of the Rose. She has been characterised as an early feminist who argued that women could play a much more important role in society than the one they were allotted, reflected in arguably her most important work, The Book of the City of Ladies, a response to the seemingly endless denigration of women in popular texts of the time.The image above, of Christine de Pizan lecturing, is (c)The British Library Board. Harley 4431, f.259v.With Helen Swift Associate Professor of Medieval French at the University of Oxford and Fellow of St Hilda's CollegeMiranda Griffin Lecturer in French and Fellow of St Catharine's College, Cambridgeand Marilynn Desmond Distinguished Professor of English and Comparative Literature at Binghamton UniversityProducer: Simon Tillotson.

To celebrate Melvyn Bragg’s 27 years presenting In Our Time, five well-known fans of the programme have chosen their favourite episodes. Comedian Frank Skinner has picked the episode on the life and work of the poet Emily Dickinson and recorded an introduction to it. (This introduction will be available on BBC Sounds and the In Our Time webpage shortly after the broadcast and will be longer than the version broadcast on Radio 4). Emily Dickinson was arguably the most startling and original poet in America in the C19th. According to Thomas Wentworth Higginson, her correspondent and mentor, writing 15 years after her death, "Few events in American literary history have been more curious than the sudden rise of Emily Dickinson into a posthumous fame only more accentuated by the utterly recluse character of her life and by her aversion to even a literary publicity." That was in 1891 and, as more of Dickinson's poems were published, and more of her remaining letters, the more the interest in her and appreciation of her grew. With her distinctive voice, her abundance, and her exploration of her private world, she is now seen by many as one of the great lyric poets. With Fiona Green Senior Lecturer in English at the University of Cambridge and a Fellow of Jesus CollegeLinda Freedman Lecturer in English and American Literature at University College LondonandParaic Finnerty Reader in English and American Literature at the University of PortsmouthProducer: Simon Tillotson.Reading list:Christopher Benfey, A Summer of Hummingbirds: Love, Art and Scandal in the Intersecting Worlds of Emily Dickinson, Mark Twain, Harriet Beecher Stowe, and Martin Johnson Heade (Penguin Books, 2009)Jed Deppman, Marianne Noble and Gary Lee Stonum (eds.), Emily Dickinson and Philosophy (Cambridge University Press, 2013)Judith Farr, The Gardens of Emily Dickinson (Harvard University Press, 2005)Judith Farr, The Passion of Emily Dickinson (Harvard University Press, 1992)Paraic Finnerty, Emily Dickinson’s Shakespeare (University of Massachusetts Press, 2006)Ralph William Franklin (ed.), The Master Letters of Emily Dickinson (University Massachusetts Press, 1998)Ralph William Franklin (ed.), The Poems of Emily Dickinson: Variorum Edition (Harvard University Press, 1998)Linda Freedman, The Myth of the Fall in Nineteenth-Century Literature (Oxford University Press, 2025), especially chapter 3.Linda Freedman, Emily Dickinson and the Religious Imagination (Cambridge University Press, 2011)Gudrun Grabher, Roland Hagenbüchle and Cristanne Miller (eds.), The Emily Dickinson Handbook (University of Massachusetts Press, 1998)Alfred Habegger, My Wars are Laid Away in Books: The Early Life of Emily Dickinson (Random House, 2001)Ellen Louise Hart and Martha Nell Smith (eds.), Open Me Carefully: Emily Dickinson’s Intimate Letters to Susan Huntington Dickinson (Paris Press, 1998)Virginia Jackson, Dickinson’s Misery: A Theory of Lyric Reading (Princeton University Press, 2013)Thomas H. Johnson (ed.), Emily Dickinson: Selected Letters (first published 1958; Harvard University Press, 1986)Thomas H. Johnson (ed.), Poems of Emily Dickinson (first published 1951; Faber & Faber, 1976)Thomas Herbert Johnson and Theodora Ward (eds.), The Letters of Emily Dickinson (Belknap Press, 1958)Benjamin Lease, Emily Dickinson’s Readings of Men and Books (Palgrave Macmillan, 1990)Mary Loeffelholz, The Value of Emily Dickinson (Cambridge University Press, 2016)James McIntosh, Nimble Believing: Dickinson and the Unknown (University of Michigan Press, 2000)Marietta Messmer, A Vice for Voices: Reading Emily Dickinson’s Correspondence (University of Massachusetts Press, 2001)Cristanne Miller (ed.), Emily Dickinson's Poems: As She Preserved (Harvard University Press, 2016)Cristanne Miller, Reading in Time: Emily Dickinson in the Nineteenth Century (University of Massachusetts Press, 2012)Elizabeth Phillips, Emily Dickinson: Personae and Performance (Pennsylvania State University Press, 1988)Eliza Richards (ed.), Emily Dickinson in Context (Cambridge University Press, 2013)Richard B. Sewall, The Life of Emily Dickinson (first published 1974; Harvard University Press, 1998)Marta L. Werner, Emily Dickinson’s Open Folios: Scenes of Reading, Surfaces of Writing (University of Michigan Press, 1996)Brenda Wineapple, White Heat: The Friendship of Emily Dickinson and Thomas Wentworth Higginson (Anchor Books, 2009)Shira Wolosky, Emily Dickinson: A Voice of War (Yale University Press, 1984)This episode was first broadcast in May 2017.Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the people, ideas, events and discoveries that have shaped our worldIn Our Time is a BBC Studios production

Melvyn Bragg and guests discuss Katsushika Hokusai (1760-1849), the Japanese artist whose views of Mt Fuji such as The Great Wave off Kanagawa (pictured) are some of the most iconic in world art. He worked as Japan was slowly moving towards greater contact with the outside world, trading with China and allowing two Dutch ships to dock each year. From these ships he picked up new synthetic colours and illustrations with Western compositions, which he incorporated in his traditional wood block prints. The quality of his images helped drive demand for prints among the highly literate Japanese public, particularly those required to travel to Edo under feudal obligations and who wanted to collect all his prints. As well as the quality of his work, Hokusai's success stems partly from his long life and career. He completed some of his most memorable works in his 70s and 80s and claimed he would not reach his best until he was 110.With Angus Lockyer Lecturer in Japanese History at SOAS University of LondonRosina Buckland Senior Curator of Japanese Collections at the National Museum of ScotlandAnd Ellis Tinios Honorary Lecturer in the School of History, University of LeedsProducer: Simon Tillotson.

Melvyn Bragg and guests discuss Elizabeth Gaskell's novel North and South, published in 1855 after serialisation in Dickens' Household Words magazine. It is the story of Margaret Hale, who was raised in the South in the New Forest and London's Harley Street, and then moves North to a smokey mill town, Milton, in Darkshire. As well as Margaret's emotional life and her growing sense of independence, the novel explores the new ways of living thrown up by industrialisation, and the relationships between 'masters and men'. Many of Margaret Hale's experiences echo Gaskell's own life, as she was born in Chelsea and later moved to Manchester, and the novel has become valued for its insights into social conflicts and the changing world in which Gaskell lived.With Sally Shuttleworth Professor of English Literature at the University of OxfordDinah Birch Pro-vice Chancellor for Research and Professor of English Literature at the University of LiverpoolAndJenny Uglow Biographer of Elizabeth GaskellProducer: Simon Tillotson.

Melvyn Bragg and guests discuss Seneca the Younger, who was one of the first great writers to live his entire life in the world of the new Roman empire, after the fall of the Republic. He was a Stoic philosopher, he wrote blood-soaked tragedies, he was an orator, and he navigated his way through the reigns of Caligula, Claudius and Nero, sometimes exercising power at the highest level and at others spending years in exile. Agrippina the Younger was the one who called for him to tutor Nero, and it is thought Seneca helped curb some of Nero's excesses. He was later revered within the Christian church, partly for what he did and partly for what he was said to have done in forged letters to St Paul. His tragedies, with their ghosts and high body count, influenced Shakespeare's Titus Andronicus and Hamlet, and Kyd's Spanish Tragedy. The image above is the so-called bust of Seneca, a detail from Four Philosophers by Peter Paul Rubens.WithMary Beard Professor of Classics at the University of CambridgeCatharine Edwards Professor of Classics and Ancient History at Birkbeck, University of LondonandAlessandro Schiesaro Professor of Classics at the University of ManchesterProducer: Simon Tillotson.

In a programme first broadcast in 2017, Melvyn Bragg and guests discuss the Northamptonshire poet John Clare who, according to one of Melvyn's guests Jonathan Bate, was 'the greatest labouring-class poet that England has ever produced'. Clare worked in a tavern, as a gardener and as a farm labourer in the early 19th century and achieved his first literary success with Poems Descriptive of Rural Life and Scenery. He was praised for his descriptions of rural England and his childhood there, and his reaction to the changes he saw in the Agricultural Revolution with its enclosures, displacement and altered, disrupted landscape. Despite poor mental health and, from middle age onwards, many years in asylums, John Clare continued to write and he is now seen as one of the great poets of his age.With Sir Jonathan Bate Provost of Worcester College, University of OxfordMina Gorji Senior Lecturer in the English Faculty and fellow of Pembroke College, Cambridgeand Simon Kövesi Professor of English Literature at Oxford Brookes UniversityProducer: Simon Tillotson.

Melvyn Bragg and guests discuss Four Quartets, TS Eliot's last great work which he composed, against a background of imminent and actual world war, as meditations on the relationship between time and humanity. With David Moody Emeritus Professor of English and American Literature at the University of YorkFran Brearton Professor of Modern Poetry at Queen's University, BelfastAndMark Ford Professor of English and American Literature at University College LondonProducer: Simon TillotsonJeremy Irons will be reading TS Eliot's greatest poems, from Prufrock to The Waste Land to Four Quartets, across New Year's Day here on Radio 4.

This image: Joseph Mallord William Turner, The Fighting Temeraire, 1839 (c) The National Gallery, LondonMelvyn Bragg and guests discuss "The Fighting Temeraire", one of Turner's greatest works and the one he called his 'darling'. It shows one of the most famous ships of the age, a hero of Trafalgar, being towed up the Thames to the breakers' yard, sail giving way to steam. Turner displayed this masterpiece to a public which, at the time, was deep in celebration of the Temeraire era, with work on Nelson's Column underway, and it was an immediate success, with Thackeray calling the painting 'a national ode'.With Susan Foister Curator of Early Netherlandish, German and British Painting at the National GalleryDavid Blayney Brown Manton Curator of British Art 1790-1850 at Tate Britainand James Davey Curator of Naval History at the National Maritime MuseumProducer: Simon Tillotson.

"He who saw the Deep" are the first words of the standard version of The Epic of Gilgamesh, the subject of this discussion between Melvyn Bragg and his guests. Gilgamesh is often said to be the oldest surviving great work of literature, with origins in the third millennium BC, and it passed through thousands of years on cuneiform tablets. Unlike epics of Greece and Rome, the intact story of Gilgamesh became lost to later generations until tablets were discovered by Hormuzd Rassam in 1853 near Mosul and later translated. Since then, many more tablets have been found and much of the text has been reassembled to convey the story of Gilgamesh, king of Uruk the sheepfold, and Enkidu who the gods created to stop Gilgamesh oppressing his people. Together they fight Humbaba, monstrous guardian of the Cedar Forest, and kill the Bull of Heaven, for which the gods make Enkidu mortally ill. Gilgamesh goes on a long journey as he tries unsuccessfully to learn how to live forever, learning about the Great Deluge on the way, but his remarkable building works guarantee that his fame will last long after his death.With Andrew George Professor of Babylonian at SOAS, University of LondonFrances Reynolds Shillito Fellow in Assyriology at the Oriental Institute, University of Oxford and Fellow of St Benet's HallandMartin Worthington Lecturer in Assyriology at the University of CambridgeProducer: Simon Tillotson.

Melvyn Bragg and guests discuss the changes in the intellectual world of Western Europe in the 12th Century, and their origins. This was a time of Crusades, the formation of states, the start of Gothic architecture, a reconnection with Roman and Greek learning and their Arabic development and the start of the European universities, and has become known as The 12th Century Renaissance.The image above is part of Notre-Dame de la Belle-Verrière, Chartres Cathedral, from 1180.WithLaura Ashe Associate Professor of English at Worcester College, University of Oxford Elisabeth van Houts Honorary Professor of European Medieval History at the University of Cambridge and Giles Gasper Reader in Medieval History at Durham UniversityProducer: Simon Tillotson.

Melvyn Bragg and guests discuss Animal Farm, which Eric Blair published under his pen name George Orwell in 1945. A biting critique of totalitarianism, particularly Stalinism, the essay sprung from Orwell's experiences fighting Fascists in Spain: he thought that all on the left were on the same side, until the dominant Communists violently suppressed the Anarchists and Trotskyists, and Orwell had to escape to France to avoid arrest. Setting his satire in an English farm, Orwell drew on the Russian Revolution of 1917, on Stalin's cult of personality and the purges. The leaders on Animal Farm are pigs, the secret police are attack dogs, the supporters who drown out debate with "four legs good, two legs bad" are sheep.At first, London publishers did not want to touch Orwell's work out of sympathy for the USSR, an ally of Britain in the Second World War, but the Cold War gave it a new audience and Animal Farm became a commercial as well as a critical success.Featuring: Steven Connor - Grace 2 Professor of English at the University of CambridgeMary Vincent - Professor of Modern European History at the University of SheffieldRobert Colls - Professor of Cultural History at De Montfort UniversityProducer: Simon TillotsonFirst broadcast on BBC Radio 4 in September 2016.

Melvyn Bragg and guests discuss William Blake's collection of illustrated poems "Songs of Innocence and of Experience." He published Songs of Innocence first in 1789 with five hand-coloured copies and, five years later, with additional Songs of Experience poems and the explanatory phrase "Shewing the Two Contrary States of the Human Soul." Blake drew on the street ballads and improving children's rhymes of the time, exploring the open and optimistic outlook of early childhood with the darker and more cynical outlook of adult life, in which symbols such as the Lamb belong to innocence and the Tyger to experience.WithSir Jonathan Bate Provost of Worcester College, University of OxfordSarah Haggarty Lecturer at the Faculty of English and Fellow of Queens' College, University of CambridgeAndJon Mee Professor of Eighteenth-Century Studies at the University of YorkProducer: Simon Tillotson.

Melvyn Bragg and guests discuss the Muses and their role in Greek mythology, when they were goddesses of poetry, song, music and dance: what the Greeks called mousike, 'the art of the Muses' from which we derive our word 'music.' While the number of Muses, their origin and their roles varied in different accounts and at different times, they were consistently linked with the nature of artistic inspiration. This raised a question for philosophers then and since: was a creative person an empty vessel into which the Muses poured their gifts, at their will, or could that person do something to make inspiration flow? WithPaul Cartledge Emeritus Professor of Greek Culture and AG Leventis Senior Research Fellow at Clare College, University of CambridgeAngie Hobbs Professor of the Public Understanding of Philosophy, University of SheffieldAndPenelope Murray Founder member and retired Senior Lecturer, Department of Classics, University of WarwickProducer: Simon TillotsonImage: 'Apollo and the Muses (Parnassus)', 1631-1632. Oil on canvas. Nicolas Poussin (1594-1665).

Melvyn Bragg and guests discuss Tess of the d'Urbervilles by Thomas Hardy, originally serialised in The Graphic in 1891 and, with some significant changes, published as a complete novel in 1892. The book was controversial even before serialisation, rejected by one publisher as too overtly sexual, to which a second added it did not publish 'stories where the plot involves frequent and detailed reference to immoral situations.' Hardy's description of Tess as 'A Pure Woman' in 1892 incensed some Victorian readers. He resented having to censor some of his scenes in the early versions, including references to Tess's baby following her rape by Alec d'Urberville, and even to a scene where Angel Clare lifted four milkmaids over a flooded lane (substituting transportation by wheelbarrow).The image above, from the 1891 edition, is captioned 'It Was Not Till About Three O'clock That Tess Raised Her Eyes And Gave A Momentary Glance Round. She Felt But Little Surprise At Seeing That Alec D'urberville Had Come Back, And Was Standing Under The Hedge By The Gate'.With Dinah Birch Professor of English Literature and Pro-Vice-Chancellor for Research and Impact at the University of LiverpoolFrancis O'Gorman Professor of Victorian Literature at the University of LeedsAndJane Thomas Reader in Victorian and early Twentieth Century literature at the University of HullProducer: Simon Tillotson.

Melvyn Bragg and guests discuss Elizabeth Barrett Browning's epic "Aurora Leigh" which was published in 1856. It is the story of an orphan, Aurora, born in Italy to an English father and Tuscan mother, who is brought up by an aunt in rural Shropshire. She has a successful career as a poet in London and, when living in Florence, is reunited with her cousin, Romney Leigh, whose proposal she turned down a decade before. The poem was celebrated by other poets and was Elizabeth Barrett Browning's most commercially successful. Over 11,000 lines, she addressed many Victorian social issues, including reform, illegitimacy, the pressure to marry and what women must overcome to be independent, successful writers, in a world dominated by men. With Margaret Reynolds Professor of English at Queen Mary, University of LondonDaniel Karlin Winterstoke Professor of English Literature at the University of BristolAndKaren O'Brien Professor of English Literature at King's College LondonProducer: Simon Tillotson.

Melvyn Bragg and guests discuss the poetry of Rumi, the Persian scholar and Sufi mystic of the 13th Century. His great poetic works are the Masnavi or "spiritual couplets" and the Divan, a collection of thousands of lyric poems. He is closely connected with four modern countries: Afghanistan, as he was born in Balkh, from which he gains the name Balkhi; Uzbekistan from his time in Samarkand as a child; Iran as he wrote in Persian; and Turkey for his work in Konya, where he spent most of his working life and where his followers established the Mevlevi Order, also known as the Whirling Dervishes.With Alan Williams British Academy Wolfson Research Professor at the University of ManchesterCarole Hillenbrand Professor of Islamic History at the University of St Andrews and Professor Emerita of Edinburgh UniversityAnd Lloyd Ridgeon Reader in Islamic Studies at the University of GlasgowProducer: Simon Tillotson.

Melvyn Bragg and guests discuss Tristan and Iseult, one of the most popular stories of the Middle Ages. From roots in Celtic myth, it passed into written form in Britain a century after the Norman Conquest and almost immediately spread throughout northern Europe. It tells of a Cornish knight and an Irish queen, Tristan and Iseult, who accidentally drink a love potion, at the same time, on the same boat, travelling to Cornwall. She is due to marry Tristan's king, Mark. Tristan and Iseult seemed ideally matched and their love was heroic, but could that excuse their adultery, in the minds of medieval listeners, particularly when the Church was so clear they were wrong?WithLaura Ashe Associate Professor of English at Worcester College, University of OxfordJuliette Wood Associate Lecturer in the School of Welsh at Cardiff UniversityAndMark Chinca Reader in Medieval German Literature at the University of CambridgeProducer: Simon Tillotson.

"Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her." So begins Emma by Jane Austen, describing her leading character who, she said, was "a heroine whom no-one but myself will much like." Melvyn Bragg and guests discuss this, one of Austen's most popular novels and arguably her masterpiece, a brilliantly sparkling comedy of manners published in December 1815 by John Murray, the last to be published in Austen's lifetime. This followed Sense and Sensibility (1811), Pride and Prejudice (1813) and Mansfield Park (1814), with her brother Henry handling publication of Northanger Abbey and Persuasion (1817). With Janet Todd Professor Emerita of Literature, University of Aberdeen and Honorary Fellow of Newnham College, CambridgeJohn Mullan Professor of English at University College, LondonAndEmma Clery Professor of English at the University of Southampton.Producer: Simon Tillotson.

Melvyn Bragg and guests discuss the life and work of Hans Holbein the Younger (1497-1543) during his two extended stays in England, when he worked at the Tudor Court and became the King's painter. Holbein created some of the most significant portraits of his age, including an image of Henry VIII, looking straight at the viewer, hands on hips, that has dominated perceptions of him since. The original at Whitehall Palace was said to make visitors tremble at its majesty. Holbein was later sent to Europe to paint the women who might be Henry's fourth wife; his depiction of Anne of Cleves was enough to encourage Henry to marry her, a decision Henry quickly regretted and for which Thomas Cromwell, her supporter, was executed. His paintings still shape the way we see those in and around the Tudor Court, including Cromwell, Thomas More, the infant Prince Edward (of which there is a detail, above), The Ambassadors and, of course, Henry the Eighth himself.WithSusan Foister Curator of Early Netherlandish, German and British Painting at the National GalleryJohn Guy A fellow of Clare College, University of CambridgeAndMaria Hayward Professor of Early Modern History at the University of SouthamptonProducer: Simon Tillotson.

Born near Mexico City in 1907, Frida Kahlo is considered one of Mexico's greatest artists. She took up painting after a bus accident left her severely injured, was a Communist, married Diego Rivera, a celebrated muralist, became friends with Trotsky and developed an iconic series of self-portraits. Her work brings together elements such as surrealism, pop culture, Aztec and Indian mythology and commentary on Mexican culture. In 1938, artist and poet Andre Breton organised an exhibition of her work in New York, writing in the catalogue, "The Art of Frida Kahlo is a ribbon around a bomb." She was not as widely appreciated during her lifetime as she has since become, but is now one of the most recognised artists of the 20th century. WithPatience Schell Chair in Hispanic Studies at the University of AberdeenValerie Fraser Emeritus Professor of Latin American Art at the University of EssexAndAlan Knight Emeritus Professor of the History of Latin America at the University of OxfordProducer: Simon Tillotson.

The story of Jane Eyre is one of the best-known in English fiction. Jane is the orphan who survives a miserable early life, first with her aunt at Gateshead Hall and then at Lowood School. She leaves the school for Thornfield Hall, to become governess to the French ward of Mr Rochester. She and Rochester fall in love but, at their wedding, it is revealed he is married already and his wife, insane, is kept in Thornfield's attic. When Jane Eyre was published in 1847, it was a great success and brought fame to Charlotte Bronte. Combined with Gothic mystery and horror, the book explores many themes, including the treatment of children, relations between men and women, religious faith and hypocrisy, individuality, morality, equality and the nature of true love. WithDinah Birch Professor of English Literature and Pro-Vice-Chancellor for Research at the University of LiverpoolKaren O'Brien Vice Principal and Professor of English Literature at King's College LondonAndSara Lyons Lecturer in Victorian Literature at the University of KentProducer: Simon Tillotson.

Rabindranath Tagore was the first non-European to win a Nobel Prize for Literature. He has been called one of the outstanding thinkers of the 20th century and the greatest poet India has ever produced. His Nobel followed publication of Gitanjali, his English version of some of his Bengali poems. WB Yeats and Ezra Pound were great supporters. Tagore was born in Calcutta in 1861 and educated partly in Britain; King George V knighted him, but Tagore renounced this in 1919 following the Amritsar Massacre. A key figure in Indian nationalism, Tagore became a friend of Gandhi, offering criticism as well as support. A polymath and progressive, Tagore painted, wrote plays, novels, short stories and many songs. The national anthems of India and Bangladesh are based on his poems. WithChandrika Kaul Lecturer in Modern History at the University of St AndrewsBashabi Fraser Professor of English Literature and Creative Writing at Edinburgh Napier UniversityAndJohn Stevens Leverhulme Postdoctoral Fellow at SOAS, University of LondonProducer: Simon Tillotson.

Melvyn Bragg and his guests discuss the life and work of the 18th-century novelist, playwright and diarist Fanny Burney, also known as Madame D'Arblay and Frances Burney. Her first novel, Evelina, was published anonymously and caused a sensation, attracting the admiration of many eminent contemporaries. In an era when very few women published their work she achieved extraordinary success, and her admirers included Dr Johnson and Edmund Burke; later Virginia Woolf called her 'the mother of English fiction'.With Nicole Pohl Reader in English Literature at Oxford Brookes UniversityJudith Hawley Professor of Eighteenth-Century Literature at Royal Holloway, University of LondonandJohn Mullan Professor of English at University College London. Producer: Simon Tillotson.

Melvyn Bragg and his guests discuss the Greek poet Sappho. Born in the late seventh century BC, Sappho spent much of her life on the island of Lesbos. In antiquity she was famed as one of the greatest lyric poets, but owing to a series of accidents the bulk of her work was lost to posterity. The fragments that do survive, however, give a tantalising glimpse of a unique voice of Greek literature. Her work has lived on in other languages, too, translated by such major poets as Ovid, Christina Rossetti and Baudelaire.WithEdith Hall Professor of Classics at King's College, LondonMargaret Reynolds Professor of English at Queen Mary, University of Londonand Dirk Obbink Professor of Papyrology and Greek Literature at the University of Oxford Fellow and tutor at Christ Church, OxfordProducer: Simon Tillotson.

Melvyn Bragg and his guests discuss the epic poem Beowulf, one of the masterpieces of Anglo-Saxon literature. Composed in the early Middle Ages by an anonymous poet, the work tells the story of a Scandinavian hero whose feats include battles with the fearsome monster Grendel and a fire-breathing dragon. It survives in a single manuscript dating from around 1000 AD, and was almost completely unknown until its rediscovery in the nineteenth century. Since then it has been translated into modern English by writers including William Morris, JRR Tolkien and Seamus Heaney, and inspired poems, novels and films.With:Laura Ashe Associate Professor in English at the University of Oxford and Fellow of Worcester CollegeClare Lees Professor of Medieval English Literature and History of the Language at King's College LondonAndy Orchard Rawlinson and Bosworth Professor of Anglo-Saxon at the University of OxfordProducer: Thomas Morris.

Melvyn Bragg and guests discuss Pieter Bruegel the Elder's painting of 1559, 'The Fight Between Carnival And Lent'. Created in Antwerp at a time of religious tension between Catholics and Protestants, the painting is rich in detail and seems ripe for interpretation. But Bruegel is notoriously difficult to interpret. His art seems to reject the preoccupations of the Italian Renaissance, drawing instead on techniques associated with the new technology of the 16th century, print. Was Bruegel using his art to comment on the controversies of his day? If so, what comment was he making? CONTRIBUTORSLouise Milne, Lecturer in Visual Culture in the School of Art at the University of Edinburgh and Edinburgh Napier UniversityJeanne Nuechterlein, Senior Lecturer in the Department of History of Art, University of YorkMiri Rubin, Professor of Medieval and Early Modern History and Head of the School of History at Queen Mary, University of LondonProducer: Luke Mulhall.

Melvyn Bragg and guests discuss Franz Kafka's novel of power and alienation 'The Trial', in which readers follow the protagonist Joseph K into a bizarre, nightmarish world in which he stands accused of an unknown crime; courts of interrogation convene in obscure tenement buildings; and there seems to be no escape from a crushing, oppressive bureaucracy.Kafka was a German-speaking Jew who lived in the Czech city of Prague, during the turbulent years which followed the First World War. He spent his days working as a lawyer for an insurance company, but by night he wrote stories and novels considered some of the high points of twentieth century literature. His explorations of power and alienation have chimed with existentialists, Marxists, psychoanalysts, postmodernists - and Radio 4 listeners, who suggested this as our topic for listener week on In Our Time.GUESTSElizabeth Boa, Professor Emerita of German at the University of Nottingham Steve Connor, Grace 2 Professor of English at the University of Cambridge Ritchie Robertson, Taylor Professor of the German Language and Literature at the University of OxfordProducer: Luke Mulhall.

Melvyn Bragg and guests discuss Aesop. According to some accounts, Aesop was a strikingly ugly slave who was dumb until granted the power of speech by the goddess Isis. In stories of his life he's often found outwitting his masters using clever wordplay, but he's best known today as the supposed author of a series of fables that are some of the most enduringly popular works of Ancient Greek literature. Some modern scholars question whether he existed at all, but the body of work that has come down to us under his name gives us a rare glimpse of the popular culture of the Ancient World.WITHPavlos Avlamis, Junior Research Fellow in Classics at Trinity College at the University of OxfordSimon Goldhill, Professor of Greek Literature and Culture at the University of CambridgeLucy Grig, Senior Lecturer in Classics at the University of EdinburghProducer: Luke Mulhall.

Melvyn Bragg and his guests discuss the life and work of Rudyard Kipling. Born in Bombay in 1865, Kipling has been described as the poet of Empire, celebrated for fictional works including Kim and The Jungle Book. Today his poem 'If--' remains one of the best known in the English language. Kipling was amongst the first writers in English to develop the short story as a literary form in its own right, and was the first British recipient of a Nobel Prize for Literature. A literary celebrity of the Edwardian era, Kipling's work for the Commonwealth War Graves Commission played a major role in Britain's cultural response to the First World War.Contributors:Howard Booth, Senior Lecturer in English Literature at the University of ManchesterDaniel Karlin, Winterstoke Professor of English Literature at the University of BristolJan Montefiore, Professor of Twentieth Century English Literature at the University of KentProducer: Luke Mulhall.

Melvyn Bragg and his guests discuss Virginia Woolf's novel Mrs Dalloway. First published in 1925, it charts a single day in the life of Clarissa Dalloway, a prosperous member of London society, as she prepares to throw a party. Writing in her diary during the writing of the book, Woolf explained what she had set out to do: 'I want to give life and death, sanity and insanity. I want to criticize the social system, and to show it at work at its most intense.' Celebrated for its innovative narrative technique and distillation of many of the preoccupations of 1920s Britain, Mrs Dalloway is now seen as a landmark of twentieth-century fiction, and one of the finest products of literary modernism.With:Professor Dame Hermione Lee President of Wolfson College, OxfordJane Goldman Reader in English Literature at the University of GlasgowKathryn Simpson Senior Lecturer in English Literature at Cardiff Metropolitan University.

Melvyn Bragg and his guests discuss the Bluestockings. Around the middle of the eighteenth century a small group of intellectual women began to meet regularly to discuss literature and other matters, inviting some of the leading thinkers of the day to take part in informal salons. In an age when women were not expected to be highly educated, the Bluestockings were sometimes regarded with suspicion or even hostility. But prominent members such as Elizabeth Montagu - known as 'the Queen of the Bluestockings', and author of an influential essay about Shakespeare - and the classicist Elizabeth Carter were highly regarded for their scholarship. Their accomplishments led to far greater acceptance of women as the intellectual equal of men, and furthered the cause of female education.With:Karen O'Brien Vice-Principal and Professor of English at King's College LondonElizabeth Eger Reader in English Literature at King's College LondonNicole Pohl Reader in English Literature at Oxford Brookes UniversityProducer: Thomas Morris.

Melvyn Bragg and his guests discuss the Rubaiyat of Omar Khayyam. In 1859 the poet Edward FitzGerald published a long poem based on the verses of the 11th-century Persian scholar Omar Khayyam. Not a single copy was sold in the first few months after the work's publication, but after it came to the notice of members of the Pre-Raphaelite Brotherhood it became enormously influential. Although only loosely based on the original, the Rubaiyat made Khayyam the best-known Eastern poet in the English-speaking world. FitzGerald's version is itself one of the most admired works of Victorian literature, praised and imitated by many later writers.With:Charles Melville Professor of Persian History at the University of CambridgeDaniel Karlin Winterstoke Professor of English Literature at the University of BristolKirstie Blair Professor of English Studies at the University of StirlingProducer: Thomas Morris.

Melvyn Bragg and his guests discuss The Tale of Sinuhe, one of the most celebrated works of ancient Egyptian literature. Written around four thousand years ago, the poem narrates the story of an Egyptian official who is exiled to Syria before returning to his homeland some years later. The number of versions of the poem, which is known from several surviving papyri and inscriptions, suggests that it was seen as an important literary work; although the story is set against a backdrop of real historical events, most scholars believe that the poem is a work of fiction.With:Richard Parkinson Professor of Egyptology and Fellow of Queen's College at the University of OxfordRoland Enmarch Senior Lecturer in Egyptology at the University of Liverpool.Aidan Dodson Senior Research Fellow in the Department of Archaeology and Anthropology at the University of BristolProducer: Thomas Morris.

Melvyn Bragg and his guests discuss Laurence Sterne's novel Tristram Shandy. Sterne's comic masterpiece is an extravagantly inventive work which was hugely popular when first published in 1759. Its often bawdy humour, and numerous digressions, are combined with bold literary experiment, such as a page printed entirely black to mark the death of one of the novel's characters. Dr Johnson wrote that "Nothing odd will do long. Tristram Shandy did not last" - but two hundred and fifty years after the book's publication, Tristram Shandy remains one of the most influential and widely admired books of the eighteenth century.With:Judith Hawley Professor of Eighteenth-Century Literature at Royal Holloway, University of LondonJohn Mullan Professor of English at University College LondonMary Newbould Bowman Supervisor in English at Wolfson College, University of Cambridge.Producer: Thomas Morris.

Melvyn Bragg and his guests discuss Shakespeare's play The Tempest. Written in around 1610, it is thought to be one of the playwright's final works and contains some of the most poetic and memorable passages in all his output. It was influenced by accounts of distant lands written by contemporary explorers, and by the complex international politics of the early Jacobean age.The Tempest is set entirely on an unnamed island inhabited by the magician Prospero, his daughter Miranda and the monstrous Caliban, one of the most intriguing characters in Shakespeare's output. Its themes include magic and the nature of theatre itself - and some modern critics have seen it as an early meditation on the ethics of colonialism.With:Jonathan Bate Provost of Worcester College, OxfordErin Sullivan Lecturer and Fellow at the Shakespeare Institute, University of BirminghamKatherine Duncan-Jones Emeritus Fellow of Somerville College, OxfordProducer: Thomas Morris.

Melvyn Bragg and his guests begin a new series of the programme with a discussion of the French polymath Blaise Pascal. Born in 1623, Pascal was a brilliant mathematician and scientist, inventing one of the first mechanical calculators and making important discoveries about fluids and vacuums while still a young man. In his thirties he experienced a religious conversion, after which he devoted most of his attention to philosophy and theology. Although he died in his late thirties, Pascal left a formidable legacy as a scientist and pioneer of probability theory, and as one of seventeenth century Europe's greatest writers. With:David Wootton Anniversary Professor of History at the University of YorkMichael Moriarty Drapers Professor of French at the University of CambridgeMichela Massimi Senior Lecturer in the Philosophy of Science at the University of Edinburgh.Producer: Thomas Morris.

Melvyn Bragg and his guests discuss the invention of radio. In the early 1860s the Scottish physicist James Clerk Maxwell derived four equations which together describe the behaviour of electricity and magnetism. They predicted the existence of a previously unknown phenomenon: electromagnetic waves. These waves were first observed in the early 1880s, and over the next two decades a succession of scientists and engineers built increasingly elaborate devices to produce and detect them. Eventually this gave birth to a new technology: radio. The Italian Guglielmo Marconi is commonly described as the father of radio - but many other figures were involved in its development, and it was not him but a Canadian, Reginald Fessenden, who first succeeded in transmitting speech over the airwaves.With:Simon Schaffer Professor of the History of Science at the University of CambridgeElizabeth Bruton Postdoctoral Researcher at the University of LeedsJohn Liffen Curator of Communications at the Science Museum, LondonProducer: Thomas Morris.

Melvyn Bragg and his guests discuss the Romance of the Three Kingdoms, widely regarded as one of the greatest works of Chinese literature. Written 600 years ago, it is an historical novel that tells the story of a tumultuous period in Chinese history, the 2nd and 3rd centuries AD. Partly historical and partly legend, it recounts the fighting and scheming of the feudal lords and the three states which came to power as the Han Dynasty collapsed. The influence of Romance of the Three Kingdoms in East Asia has been likened to that of Homer in the West, and this warfare epic remains popular in China today.With:Frances Wood Former Lead Curator of Chinese Collections at the British LibraryCraig Clunas Professor of the History of Art at the University of OxfordMargaret Hillenbrand University Lecturer in Modern Chinese Literature at the University of Oxford and Fellow of Wadham CollegeProducer: Victoria Brignell.

Melvyn Bragg and his guests discuss Queen Zenobia, a famous military leader of the ancient world. Born in around 240 AD, Zenobia was Empress of the Palmyrene Empire in the Middle East. A highly educated, intelligent and militarily accomplished leader, she claimed descent from Dido and Cleopatra and spoke many languages, including Egyptian. Zenobia led a rebellion against the Roman Empire and conquered Egypt before being finally defeated by the Emperor Aurelian. Her story captured the imagination of many Renaissance writers, and has become the subject of numerous operas, poems and plays.With:Edith Hall Professor of Classics at King's College, London Kate Cooper Professor of Ancient History at the University of Manchester Richard Stoneman Honorary Visiting Professor in the Department of Classics and Ancient History at the University of Exeter.Producer: Thomas Morris.

Melvyn Bragg and his guests discuss the work of the anthropologist Claude Lévi-Strauss. One of twentieth-century France's most celebrated intellectuals, Lévi-Strauss attempted to show in his work that thought processes were a feature universal to humans, whether they lived in tribal rainforest societies or in the rich intellectual life of Paris. During the 1930s he studied native Brazilian tribes in the Amazonian jungle, but for most of his long career he preferred the study to the field. He was the leading exponent of structuralism, a school of thought which was influential for decades, and was involved in a famous debate with his friend Jean-Paul Sartre, who resisted many of his ideas. His books about the nature of myth, human thought and kinship are now seen as some of the most important anthropological texts written in the twentieth century.With:Adam Kuper Visiting Professor of Anthropology at Boston University Christina Howells Professor of French at Oxford University Vincent Debaene Associate Professor of French Literature at Columbia UniversityProducer: Thomas Morris.

Melvyn Bragg and his guests discuss the Icelandic Sagas. First written down in the 13th century, the sagas tell the stories of the Norse settlers of Iceland, who began to arrive on the island in the late 9th century. They contain some of the richest and most extraordinary writing of the Middle Ages, and often depict events known to have happened in the early years of Icelandic history, although there is much debate as to how much of their content is factual and how much imaginative. Full of heroes, feuds and outlaws, with a smattering of ghosts and trolls, the sagas inspired later writers including Sir Walter Scott, William Morris and WH Auden.With:Carolyne Larrington Fellow and Tutor in Medieval English Literature at St John's College, OxfordElizabeth Ashman Rowe University Lecturer in Scandinavian History at the University of CambridgeEmily Lethbridge Post-Doctoral Researcher at the Árni Magnússon Manuscripts Institute in ReykjavíkProducer: Thomas Morris.