In Our Headphones

Lydmor - "Nevada" from the 2021 album Capacity on hfn music. This week's Songs of the Day were selected by KEXP DJ Kevin Cole, host of Drive Time, spotlighting artists playing the SPOT Festival in Aarhus, Denmark, May 6-7th.  Danish artist Lydmor [real name: Jenny Rossander] examines the space she's in on her fourth album Capacity, a Björk-inspired expression of futuristic electro-pop. On today's Song of the Day, she's joined by Faroese singer Eivør on guest vocals. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Les Filles de Illighadad - "Eghass Malan" from the 2017 album Eghass Malan on Sahel Sounds. This week's Songs of the Day were selected by KEXP DJ Kevin Cole, host of Drive Time, spotlighting artists playing the SPOT Festival in Aarhus, Denmark, May 6-7th.  Hailing from the secluded commune of Illighadad, located in central Niger, Les Filles de Illighadad tap into their "desert blues" heritage on their most recent album, Eghass Malan. The band breaks the mold of the typical male Tuareg guitarist with lead vocalist/musician Fatou Seidi Ghali, the first professional female Tuareg guitarist, and still one of a very few in general.  Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Verdens Sidste Idé - "Marianne" from the 2022 self-released album Strå. This week's Songs of the Day were selected by KEXP DJ Kevin Cole, host of Drive Time, spotlighting artists playing the SPOT Festival in Aarhus, Denmark, May 6-7th.  Danish pop band Verdens Sidste Idé [translation: The World's Last Idea] is a seven-member orchestra led by songwriter/frontman Asbjørn Hvelplund. They debuted with the full-length Den Indre By [translation: The Inner City] at the beginning of the COVID pandemic, but forged ahead during the global lockdown to create their sophomore full-length Strå [or Straw], just released in February.  Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

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Robert Glasper - "Why We Speak (feat. Q-Tip & Esperanza Spalding)," a 2022 single on Loma Vista / Concord. In 2012, jazz pianist Robert Glasper's fifth album, Black Radio, was a breakout success. It landed him the Grammy for Best R&B Album, while at the same time, hitting #1 on the Billboard jazz charts. The following year, Black Radio 2 was met with similar success, winning the Grammy for Best Traditional R&B Performance for the track "Jesus Children of America" featuring Lalah Hathaway and Malcolm-Jamal Warner. Now, in 2022, he's released the latest installment, Black Radio III, where he continues to defy categorization and embrace collaboration. Featured guests include India.Arie, Meshell Ndegeocello, Killer Mike, Common, Ty Dolla $ign, and on today's KEXP Song of the Day, Esperanza Spalding and Q-Tip. “When I’m working on Black Radio, I’m not interested in who’s the hot new artist at the time,” Glasper told Relix. “It’s more about people who are open to pushing the music. I’m interested in, ‘Are you actually talented? Do you actually work on your craft?’ Black Radio has become a bar. If you’re on Black Radio, you have to be a certain thing. Who really has something to say?” Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Sarah MK - "MITTOS (Make It To The Other Side)," a 2022 self-released single. Montreal-based soulstress Sarah MK shares an uplifting new single, the first from her sophomore full-length Wax & Gold, out later this month on April 27th. “I wrote this song a few years back for a friend of mine going through a difficult time in her life,” Sarah MK told the Tinnitist. “I just wanted her to know that no matter what she’s facing, she’s going to get through it and make it out. The song seems just as poignant now speaking to the whole world as we try to navigate living through a global pandemic.” Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Rell Be Free - "$FreeMunny" from the 2022 self-released album Sow What? (Phase 3). South Seattle-based musician/educator/entrepreneur Rell Be Free (real name: Jerrell Davis) returns this month with Sow What? (Phase 3). On this latest installment of the series, he teams up again with local producer Noah Coinflip for their atmospheric, mysterious sound.  Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Mala Suerte - "Habla Mierda de Mi" from the 2022 album Mala Suerte on Freakout Records. Back in October, KEXP shared the debut single from brand new PNW meets MEX supergroup Mala Suerte. Made up of members of Carrion Kids, Acid Tongue, Los Honey Rockets, and Grizzled Mighty, the band is an international fusion of spirited sounds and talents. Our Song of the Day, “Habla Mierda de Mi” takes the psychedelic sounds of Acid Tongue, the bluesy riffs of Grizzled Mighty, the grittiness of Carrion Kids, and firey intensity of Los Honey Rockets and throws them in a blender for a song that smacks you in the face. Sung en español by Miguel Servin, the title translates to “Talk Shit About Me,” which is exactly the kind of bratty, no-fucks-given attitude that you’d expect from this quartet. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Crows - "Garden of England" from the 2022 album Beware Believers on Bad Vibrations Records. London-based quartet Crows released their sophomore dark and fuzzy post-punk record Beware Believers in early April. Written during the summer of 2019, Song of the Day “Garden of England” takes its inspiration from the complicated and controversial Brexit elections. “This is straight-up our Brexit anthem,” frontman James Cox explains. “Don’t get me wrong, I couldn’t care less which way you voted, your vote, your choice. I just hated how much Brexit had become so ingrained in our day to day life. First thing I’d hear about when I woke up and the last thing I’d read before I went to sleep at night. It became all people spoke about. ‘Garden of England’ is more of a comment about the divisiveness it caused, splitting families, friends, widening the north-south divide and empowering nationalism. Public figures’ ability to lie publicly and not be held accountable, it’s just dangerous dog-whistle politics that doesn’t belong in the UK.” The song is accompanied by a video directed by Joe Hoffman and Phoebe May, with Hoffman explaining, “When chatting with a boxer mate one day, he mentioned a friend at his club who was a career ‘Journeyman’. He explained this was a boxer who was not skilled enough to go pro, but was all the same good enough to fight around that level. The Journeyman makes a career by being paid, often weekly, to lose fights (unbeknownst to many of the crowd). When up-and-coming boxers are looking to progress to the next stage of their career, they need an unbroken streak of say 12 wins. When they are nearing this streak after maybe 10 wins, the coach often doesn’t want to risk them losing at this point so they will employ a Journeyman to put on a good show, and ultimately lose the fight.” “I found this to be a fascinating concept,” he continues. “As I imagine it to be a real battle of the psyche for a Journeyman. They love the sport, but to partake and make a living in it they must fight to lose, and with this often lose the respect of their peers too. Many Journeymen work hard during the week, as low paid labourers or similar, and then will be paid a few hundred quid at the weekend to step into the losing ring. I’m sure it must be a battle in their head, but ultimately it will put food on the table and get them in the ring. The idea that he is a loser out of choice, and the fact he gets paid for it, brings into question who in this story is the actual loser? Is it the Contender? Is it the Journeyman? Or is it the crowd? I think maybe it’s all of them and none of them.” Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Francis of Delirium - "The Funhouse," a 2022 single on Dalliance Records. Fronted by 20-year-old dynamo Jana Bahrich, the Luxembourg-based band Francis of Delirium brings a moody, yet driving alt-rock sound to today's Song of the Day. On their latest single, Bahrich says she was inspired by the disarray we experience daily.  “'The Funhouse' is largely about how we are adapting to the chaos that is present in our everyday lives," she shared in a press release. "The way it can feel that the world is crashing down around us and in order to protect ourselves, we become numb to the sheer terror of it all. Sort of like walking through a funhouse and attempting to remain unphased by the mayhem that surrounds you.” Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Chaka Gettz - "Incinerate for KG" from the 2022 self-released Daytime Eraser EP. Ukrainian band Chaka Gettz admits: "If someday a series is made about us 🎬, then the beginning of the first series (our 2-year activity before the release of the first track) will not be very dynamic in visual terms. Probably, the director should just turn on the camera and shoot at an accelerated pace, as we play, compose, change and improve our songs day after day, sitting in our cozy studio in Kharkov (Ukraine) and looking for our sound 🎸." The young trio released their first single in late 2021, and have since self-released their debut EP Daytime Eraser, featuring three fun, frenetic '90s-inspired songs. It's no surprise that today's Song of the Day is dedicated to none other than indie-rock icon Kim Gordon.  Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Hello Mary - "Sink In," a 2022 self-released single. Today's Song of the Day comes from Brooklyn trio Hello Mary, who formed when band members Helena Straight (vocalist/guitarist), Mikaela Oppenheimer (bassist), and Stella Wave (drummer/vocalist) were still teenagers. They released their debut album Ginger back in 2020. Earlier this year, we were thrilled to premiere this latest single, along with its sister song "Stinge." As KEXP's Tia Ho reported, the singles were produced by Bryce Goggin, who brought his experience working with '90s guitar-heavy bands like Dinosaur Jr. and Pavement to the studio.  Wave told KEXP, “‘Stinge’ is a passion-filled, sad/angry song focusing on the polarizing emotions and back and forth feelings that come with nearing the end of a relationship (friend, romantic partner etc.), “Sink In” puts the relationship to rest. The feeling is less angry, and more accepting of the new state of things.”  She added that the two new tracks are "more mature on all fronts," adding, "Most of the songs on Ginger were written when Helena and Mikaela were 14 years old. The song writing, even though it can be catchy and fun, is pretty amateur in comparison to the new songs. Our ‘sound’ has become more unique since we have been playing together for longer. It’s more Hello Mary.” Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

The Black Tones - "The End of Everything," a 2022 single on Sub Pop. Seattle twin sibling duo The Black Tones made a splash in 2019 with their gritty debut full-length Cobain & Cornbread which saw Eva and Cedric Walker utilize blues, soul, and grunge to explore topics both light and heavy. While “Ghetto Spaceship” and “Mama! There’s a Spider in My Room” veered towards the former, songs like “The Key of Black (They Want Us Dead)” swung so dramatically towards the latter that it was clear the Walkers have important things to say. Since then, they’ve been using their art primarily just for that - to voice their concerns about the issues, be it political or personal, of the present moment. The George Floyd protests inspired them to write “My Name’s Not Abraham Lincoln” in the summer of 2020 and, most recently, the culmination of two years of personal anxieties, grief, and anger led to our Song of the Day, “The End of Everything.” Named after the book The End of Everything (Astrophysically Speaking) by Katie Mack, the song confronts the fact that, whether it’s the second coming of who or whatever you believe in, this will all end. A variety of gods and religious symbols - Jesus, Buddah, Allah, Confucious - are shouted out in the sludgey ‘90s-indebted scorcher that features vocals from former Talking Heads backing singer and member the 1970s disco group The Ritchie Family, Edna Holt. “This song is not a jab at religion or anything like that,” Eva Walker told American Songwriter in an interview. “This song is saying, it doesn’t matter what you believe in, the second coming of whoever or whatever, this is all going to be over and it feels like humans might be speeding up that process.” Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Quinton Brock - "There For You," a 2022 single on Shadow Panther. With an ambitious goal to “change rock music forever,” Quinton Brock is clearly not shy about his pursuits. The former singer of the bluesy surf rock duo The Get Money Squad has been slowly releasing singles under his government name over the past couple of years that prove he just might do it too. With a penchant for breezy R&B-tinged indie rock that’s typically played by artists of a paler complexion, Brock is on an ever-growing list of black artists reclaiming rock. Highly influenced by Sister Rosetta Tharpe, the lost godmother of rock and roll, who melded spiritual lyrics with electric guitar (shredding long before Elvis gyrated his way to becoming to the “King” of rock n’ roll), Brock similarly fuses genres. Our Song of the Day, “There For You,” utilizes surf rock guitar tones with R&B production for a sunny ditty about love. “This song is so close to me,” explains Brock. “An ode to a past love. The song fades out in the end the same way love sometimes fades away. Thanks for coming to my Ted Talk.” Watch the video for “There For You,” directed by Allen Jiang, at the link below. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Magdalena Bay - "Secrets (Your Fire)" from the 2021 album Mercurial World on Luminelle Recordings. Electro-pop duo Magdalena Bay share their struggles with social media on today's Song of the Day. “‘Secrets’ is about interconnectivity, privacy, and digital anxiety,” band members Mica Tenenbaum and Matthew Lewin shared in a press release. “It’s also about a need to keep sharing, to keep giving up more and more of yourself to faceless strangers in the hopes of making friends or fans.” Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Congotronics International - "Where's The One?," a 2022 single on Crammed Discs. Congotronics International is truly a global affair: this supergroup comprises members of Konono Nº1, Kasai Allstars, Deerhoof, Juana Molina, Wildbirds & Peacedrums, and Skeletons’ Matt Mehlan. Their forthcoming full-length, Where’s The One (due April 29th via Crammed Discs), was crafted over ten years, with files being emailed across four continents, sent from Kinshasa DRC, Buenos Aires, New Mexico, New York, Stockholm and Brooklyn.  “There was no rational explanation behind what was going on, it was just direct, immediate experience on both sides. Things you think are impossible just happen,” Vincent Kenis of Crammed Discs said in a press release (Kenis is the co-founder of Kasai Allstars and curator/producer of the Congotronics series). Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

TV Girl x Jordana - "Jump the Turnstile" from the 2021 album Summer's Over on Summer's Over. Los Angeles-based group TV Girl have a long history with NYC artist Jordana. The pair have toured together, and a collaborative EP seemed like a natural next step. Titled Summer’s Over, the seven-song release combines Jordana's heavenly voice with the west coast trio's sample-heavy style.  TV Girl set off for their first headlining European tour later this year, and Jordana releases her debut studio album, Face The Wall, on May 20th via Grand Jury. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

ODESZA - "The Last Goodbye (feat. Bettye LaVette)," a 2022 single on Foreign Family Collective/Ninja Tune. In Early February, ODESZA returned from a four-year hiatus to drop the cinematic soulful single, “The Last Goodbye.” Featuring reworked vocals from Bettye LaVette’s 1965 soul/R&B track “Let Me Down Easy,” the track is a six-minute spine-tingling epic blending the Grammy-nominated duo’s electronic grooves with LaVette’s heartwrenching vocals to stirring effect. “This song was born out of the concept of trying to bring these lasting, defining musical pieces like the 1965 release of “Let Me Down Easy” by Bettye LaVette into a modern and contemporary electronic setting,” explained Clayton Knight and Harrison Mills of the song. “The idea of bringing two worlds together, that at first seem distant, has always been something we’ve been drawn to. It was an absolute honor to be able to work with Bettye’s voice over the course of writing the track. She’s able to convey emotion with her vocal work unlike any other. To date, this has been one of the more fulfilling songs we’ve had the chance to work on as artists.” The song comes from ODESZA’s forthcoming fourth studio album of the same title, which according to a press release, is said to be their most ambitious and personal album to date and includes contributions from a number of notable artists including Låpsley, Ólafur Arnolds, Julianna Barwick, Izzy Bizu, and Charlie Houston. The video for “The Last Goodbye” artfully highlights the power of the instrumentation (including KEXP’s Eva Walker on bass!) and features archival footage of LaVette performing “Let Me Down Easy.” Watch it at the link below. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Rolling Blackouts Coastal Fever - "The Way It Shatters" from the 2022 album Endless Rooms on Sub Pop. In early February, Australian rockers Rolling Blackouts Coastal Fever announced their third studio album, Endless Rooms, due out May 6 via Ivy League/Sub Pop. Following up 2020’s acclaimed Sideways to New Italy, the record is described by the band as “almost an anti-concept album,” with the title reflecting “our love of creating worlds in our songs. We treat each of them as a bare room to be built up with infinite possibilities.” The first room to be shared by Rolling Blackouts C.F. and today’s Song of the Day is “The Way It Shatters.” Automatically, it’s clear that the extra time the band had during lockdown to work on their new record has paid off because the song is an expansive new step. Adding synth for the first time into their usual jangle-rock, the song is blistering but also has darker lyrical undertones, dealing with the human race and our various places within it.  The band had this to say about the song: “It’s about how ending up in your particular situation in life is the result of absolute randomness. If you happen to be born into wealthy Australia or happen to be born into a war zone in Syria. That’s just the way it shatters. So it’s when this good luck is mistaken for a sense of pride in one’s self or their country they become confused and deluded about what’s important. It’s when those on the other side of the luck scale are completely othered and considered not worthy.” The song comes with video by Nick Mckk, who also worked with RBCF on the videos for “Sideways To New Italy,” “Cameo,” “Cars In Space,” and “She’s There.” He had this to say about the video: “The new album has a night time feeling, so we wanted to explore shooting the whole thing from sundown. Fran [Keaney, vocals/guitar] had the idea of revisiting memories, of resetting groundhog day style, but each time we come back the world is a little different. The attraction of light works as a narrative device, coaxing Joe into this house of memories, and back out again.” Rolling Blackouts Coastal Fever are, at long last, embarking on an international tour this summer, with dates in the US starting in August. Catch them in Seattle on August 18th at Neumos. Watch the video for “The Way It Shatters” at the link below. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Body Type - "Buoyancy" from the 2022 album Everything is Dangerous But Nothing's Surprising on Poison City Records. You never know when creative inspiration will strike, and for Australian quartet Body Type, it was over text.  “'Buoyancy' started as a playful text message exchange between Annabel and me," bassist/vocalist Georgia Wilkinson Derums said of her bandmate, guitarist/vocalist Annabel Blackman. "In many ways, the song is about grappling with internal inconsistencies and moral ambiguities in an incoherent style. It’s had a few iterations – when I brought it to the group it had more of a slow Big Star spirit. Soph and Annabel made it more angular, more tongue in cheek with the guitar, which further injects the song with distorted meaning. It’s also a personal reminder that when certain things are rendered uncertain those you love are an eternal rudder.” Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Mitski - "The Only Heartbreaker" from the 2022 album Laurel Hell on Dead Oceans. Mitski's latest album, Laurel Hell, went through a few different phases during its creation. "This album has been a punk record at some point, and a country record," she told Rolling Stone. "Then, after a while, it was like, 'I need to dance.' Even though the lyrics might be depressing, I need something peppy to get me through this." Today's Song of the Day definitely fits the bill. "I needed that Breakfast Club dance-sequence music." Today's Song of the Day also marks the first time Mitski has teamed up with another songwriter: Dan Wilson, formerly of the band Semisonic. "I was just sitting on it forever. I have so many iterations of it. Nothing felt right," she told Apple Music. Wilson was able to give her the guidance she needed. "It turned out he's really good. He helped me solve so many of the problems and kind of lead me out of the labyrinth of it. And yeah, I'm really glad that I took that chance with him." Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

What is the Black Constellation? If you know, you'll want to listen to this podcast. If you don't, you'll want to listen, too. "Fresh off the Spaceship" is the newest podcast from KEXP, telling the story of the highly influential yet scarcely documented artist collective. The Black Constellation has included such varied musical acts as Shabazz Palaces, THEESatisfaction, Ya Tseen and Porter Ray. Hosted by KEXP's Larry Mizell Jr. and Martin Douglas, each episode in this 10-part series takes listeners on an audio journey connecting the stars of the Constellation, shedding light on their art and their ethos along the way. New episodes come out every Friday from March 18 - May 27, 2022. Find out more at KEXP.org/fresh-off-the-spaceship. Watch a video version of the trailer and explore more work from the artists of the Constellation on KEXP's Fresh off the Spaceship YouTube playlist.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Sudan Archives - "Home Maker," a 2022 single on Stones Throw. Leave it to Sudan Archives to make domestic life sultry and seductive. After making the move from Cincinnati to her current home of Los Angeles, the acclaimed violinist/vocalist/producer (real name: Brittney Denise Parks) turned to home making to feel more grounded. Her first new single in three years reflects that. “It took nesting — building a home, investing in partners that were worth my investment — to shake my anxiety and depression,” she said in a press release. “For me, homemaking is a service to mental health and coping with fear and isolation. This song is about the effort put into making a relationship work and giving love a place to live.” Check out the video at the link below, directed by Jocelyn Anquetil, and revisit her 2019 KEXP session, filmed at THING! Fest in Fort Worden, WA.  Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Acid Tongue - "Take Me To Your Leader (feat. Death Valley Girls)" from the 2021 album Arboretum on Freakout Records. This past November, local chairmen of psych-rock Acid Tongue dropped their celebrated third record Arboretum. Their most fully-formed album to date, Arboretum is a joyful, intoxicating psychedelic glam rock opus that employs the many friendships Guy Keltner and Ian Cunningham have made in the music scene for a highly collaborative effort. Our Song of the Day, “Take Me to Your Leader,” sees L.A.-based psych-garage group Death Valley Girls jump in for one of the most rousing tracks on the album. Furious and rollicking, the song blazes in with a message that essentially says, “If the country’s burning down, we might as well have fun while it lasts.” Something I can certainly get behind. Watch the VHS-style, cult-themed video by CULT NUG at the link below. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

King Hannah - "Big Big Baby" from the 2022 album I’m Not Sorry, I Was Just Being Me on City Slang. While the duo that make up King Hannah - Craig Whittle and Hannah Merrick - hail from Liverpool, the music they make feels more fitting for the deep American south. Taking inspiration from the dark, mystical elements of that region, the band makes smokey, heavy Americana with tinges of dusky, rambling post-rock. Our Song of the Day, “Big Big Baby,” epitomizes this, utilizing slow, ominous drums, fuzzy guitars, and Merrick’s sultry vocals for an ominous effect. But these tones belie the song’s darkly humorous lyrics. Lines like “I heard you got a lady pregnant, well I can only wish her well /‘Cause soon you’ll have a bigger baby, in the family than yourself” and “I hope you choke on a dumpling, at least that would be mildly fun” read as the punchlines of some harsh burns. The video for the song leans into the elements of the songs sound rather than lyrics, with Merrick slow dancing in a dark, slighted distorted room. The clip was directed by Whittle, proving the duo are a creative force to be reckoned with. Watch it at the link below. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

The Lazy Eyes - "Fuzz Jam" from the 2022 self-released album SongBook. Australian psych band The Lazy Eyes chose a fitting title for today's Song of the Day: the song is, indeed, a fuzzy jam, making it a fitting introduction to their forthcoming debut full-length SongBook, to be released on April 22nd. In an interview with Happy Mag, vocalist/guitarist Harvey Geraghty remembers the genesis of the track. "I’ve got a pretty random story about how this song started. I was brushing my teeth at home, and I was looking in the bathroom mirror and I was just like beatboxing to myself. I don’t know if anyone else does that, but like, you know, when people sing to themselves, I was just doing a bit of a beatbox." "And then I started doing that like rhythm, which is what the bass line is. And then I think I just went to my room and recorded it on the guitar. And then maybe a few days later, recorded a GarageBand demo to show the boys. But yeah, the bass line, it’s all based around the bass line. No pun intended." Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Death Valley Girls - "When I’m Free," a 2022 single on Suicide Squeeze. Earlier this year, Seattle's Suicide Squeeze Records released a split single featuring two bands off their roster: Death Valley Girls and Le Butcherettes. Side A features the Guadalajara-based Le Butcherettes covering an old DVG song titled "The Universe," and side B features a brand new track from Death Valley Girls, the psychedelic, introspective song "When I’m Free." In a press release, frontwoman Bonnie Bloomgarden shares, “We’ve talked a lot about trauma, mental health, and how hard it is to live in a human body! One concept that has really been helping during the daily struggle is the perspective shift – that things aren’t ‘happening to me,’ they’re ‘happening for me.’ Sometimes if you can, squint your eyes, alter your view, try to see experiences as opportunities to learn and grow! Sometimes that’s the best we can do!” Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Bambara - "Birds" from the 2022 Love On My Mind EP on Wharf Cat. Brooklyn-based band Bambara — a trio of twins Reid and Blaze Bateh with their childhood friend William Brookshire on bass — have just released their six-song mini-album, Love Is On My Mind, in advance of their European tour with IDLES.  On today's Song of the Day, Reid shares in a press release, “‘Birds’ compresses the events of many months into three and a half minutes, spanning time when the couple we follow throughout the record are growing closer. On the train, they fall in and out of sleep, reliving shared moments. Then a childhood memory bubbles up to the surface of the protagonist’s mind, revealing his complex relationship to the idea of love.” Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

King Khazm - "Gone Away From Here (feat. Abstract Rude, Moka Only & Myka 9)" from the 2022 album Return of a MAD on Fresh Chopped Beats / MADK Productions. For over 25 years, King Khazm has been using hip hop as a means to amplify not just his voice but the voices of many in the Seattle community. A multifaceted artist, community organizer, performer, and educator, Khazm first rose to prominence in 1995 when he founded MAD Krew, a hip hop crew that quickly evolved into an influential multimedia production company. While his prevalence on the scene has been long-lasting, full projects from the emcee have been slow to be unveiled. His last record, 2016’s Diaries of a Mad took nearly a decade to drop which is what makes his most recent release, Return of a MAD, all the more thrilling. Our Song of the Day, “Gone Away From Here” is a posse cut featuring Canada’s Moka Only and Los Angeles-based rappers Abstract Rude and Myka 9 and produced by Third Eye Bling (an incredible artist name, if I’ve ever heard one). The quartet take their turns on the mic to speak on their experiences with oppression and struggles to live within a racist society. The song comes with a video directed by Will Lemke that sees the emcees in the studio while pulling their influences off the shelves. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Billi Free & The Lasso - "Thrive, Despite" from the 2022 album Holy Body Roll on Mello Music Group. Holy Body Roll, released this March, is a collaborative record between New Mexico vocalist A. Billi Free and Michigan producer The Lasso that leans into the duo’s love for funk, pop, hip hop, and R&B for a record that’s free-flowing and boundaryless. Joined by The Lasso’s studio team made up of saxophonist The Saxsquatch, cellist Jordan Hamilton, and pianist Grayson Nye, Holy Body Roll is meant to serve as a “groove-filled guidebook for healing, the soundtrack to help you move from tear-streaming breakdown to full-body boogie.” Our Song of the Day, “Thrive, Despite,” embodies this both in title and spirit. Led by a jazzy piano line from Nye, the song morphs into a downtempo R&B track that has incredible warmth as A. Billi Free croons, “I know you carrying this weight /This thang so deep can’t touch the base /After you take a little break, get up and face another day.” “We’ve been building this project since late 2020,” explained Free in an interview. “We used this record to process difficult personal/collective feelings and embody the celebration of little victories with honest lyrics, layered vocals and a unique sonic homage to R&B, funk, rock and pop using our shared love of hip-hop as a foundation.” Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Samora Pinderhughes - "Masculinity (feat. Immanuel Wilkins)" from the 2022 album GRIEF on Stretch Music / Ropeadope. GRIEF is more than just an album — it's a third of "The Healing Project," a multimedia effort from composer/artist Samora Pinderhughes, which also includes a forthcoming digital archive and an exhibition, opening on March 24th at the Yerba Buena Center For The Arts in San Francisco. (Watch the accompanying film below, directed by filmmaker Christian Padron, and inspired by the black-and-white photography of Roy DeCarava.) A Juilliard-trained musician, Pinderhughes wrote all the songs on the LP, inspired by artists from the '60's and '70s, like Nina Simone, Bob Dylan, and Curtis Mayfield. He tells Bandcamp, “What I love about Nina’s Pastel Blues, and Dylan’s first three or four records, is that when you listen individually, each song is a whole world about different ideas. But when you put them together, you get a picture of the time period.” Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

K.ZIA - "JFMB" from the 2022 album Genesis on Groove Attack. Born in Berlin to a father from Martinique and a Belgo-Congolese mother (Marie Daulne, of the acclaimed Zap Mama), K.ZIA brings a worldliness to her debut full-length, Genesis. Not only does she adopt the alter ego of "Zia," a feistier version of her own self, but she sings for the first time in French, like on today's Song of the Day "JFMB" or "J’Fais Mes Bails." "So I’d translate J’fais mes bails into 'I do my thing,'" she told Essentially Pop. "Zia is someone that lives unapologetically. She knows her values and will not bend herself to try to explain or justify her ways to ignorant or close minded people who criticize and downgrade when they don’t understand the other. That’s the vibe of the song “des fois je fais des choses qui ne sont pas trop acceptés, je connais mes valeurs je ne vais pas m’éxcuser” – Sometimes I do things that aren’t quite accepted, I know my values I won’t apologize for it. While growing up in France very often I was perceived as strange, coming from an artistic background and having grown in foreign countries. Younger, i would try so hard to blend in, and detach myself from all these eccentric traits. Today, I no longer do that, this is what 'JFMB' is about." Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Yugen Blakrok & Kanif The Jhatmaster - "Pedestal," a 2022 single on I.O.T. Records. Hailing from the Eastern Cape, rapper Yugen Blackrok shot to stardom with her 2013 debut album Return of the Astro-Goth, landing three nominations in the South African Hip-Hop Awards for Best Lyricist, Best Newcomer, and Best Female Artist.​ Here in the States, she was a stand-out on 2018's Black Panther: The Album, appearing on the track "Opps" alongside heavy-hitters Kendrick Lamar and Vince Staples. Earlier this year, she returned with the single "Pedestal," which finds her reunited with long-time producer Kanif the Jhatmaster. In a press release, she states:  Concepts. Idols. Civilizations. We build and we destroy. ‘Pedestal’ is about building oneself and breaking the mould. Growing, expanding and still remaining true to the spark. The pedestal is a physical framework for the senses. Civilization after civilization, it carries the weight of great symbols and the foundation of cultural and social edifices. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Arlo Parks - "Softly," a 2022 single on Transgressive. This week's Song of the Day were selected by KEXP DJ Kevin Cole, host of Drive Time, in honor of International Women's Month. Re-listen to our kick-off day of programming, and explore articles and live sessions from some of our favorite female artists here.  Last year, Arlo Parks - the musical nom de plume of Anais Oluwatoyin Estelle Marinho - released her highly anticipated debut record Collapsed in Sunbeams. The intimate, compassionate lyricism combined with earworm pop musicality made the album an instant classic that was a KEXP favorite of 2021. Parks recently returned with the single “Softly,” which while bubbly and upbeat in tone, is, in reality, a heartbreaking story of a relationship on the verge of cessation. “‘Softly’ is a song about yearning, about how fragile you feel in the dying days of a relationship when you’re still desperately in love,” the Grammy-nominated singer - who’s up for Best New Artist and Best Alternative Music Album - explained in a statement. “The song is about how it feels to brace yourself before the blow of a break up and reminisce about the days where it all felt luminous.” The song was released alongside a video by Zhang and Knight that sees a cityscape disintegrate behind Parks. The directorial duo had this to say about the video: “For us ‘Softly’ explored the idea of wanting something that was once perfect to end in a gentle way, and we wanted to express this using the world surrounding Arlo. We were instinctively drawn to the warm toned, hazy nostalgia of the 1960s, as we loved the idea of something universally romantic being slowly stripped away throughout the film. We based the colors of the bricks, trims and doors on mid-century painting in order to bake this romanticism into everything. The production itself was a huge challenge, as everything was captured in-camera with each piece of the set built on wheels operated by several production crew. However, we knew it was all worth it when we saw the skyscrapers dancing around Arlo for the first time.” Arlo Parks will be in Seattle on Wednesday, March 23rd to play the Paramount supporting Clairo. The 64th Annual Grammy Awards ceremony will be held on Sunday, April 3rd. Watch the video for “Softly” at the link below. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

50 Foot Wave - "Staring Into the Sun," a 2022 single on Fire Records. This week's Song of the Day were selected by KEXP DJ Kevin Cole, host of Drive Time, in honor of International Women's Month. Re-listen to our kick-off day of programming, and explore articles and live sessions from some of our favorite female artists here.  Two years after the long-awaited 10th studio album from Throwing Muses, frontwoman Kristin Hersh is back with a new record from her heavier side project 50 Foot Wave. Titled Black Pearl, the record is out April 15th and follows the 2016 EP Bath White. Our Song of the Day is Black Pearl’s lead single “Staring Into the Sun.” Joined by Throwing Muses member Bernard Georges on bass and drummer Rob Ahler, Hersh creates a massively lush and gloomy soundscape for their first new music in six years. Featuring throbbing, droney, distortion-filled riffs, “Staring Into the Sun” is 50 Foot Wave at their most metal. Kristin Hersh is doing a long run of solo shows starting this March at SXSW and then jumping over to the UK and Europe into early Summer. Check out a full list of dates here and watch Hersh’s KEXP in-studio session from 2017 at the link below. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Adwaith - "ETO," a 2022 single on Libertino Records. This week's Song of the Day were selected by KEXP DJ Kevin Cole, host of Drive Time, in honor of International Women's Month. Re-listen to our kick-off day of programming, and explore articles and live sessions from some of our favorite female artists here.  Post-punk trio Adwaith have announced their sophomore full-length Bato Mato will be out July 1st via Libertino Records, their eagerly-awaited follow-up to their Welsh Music Prize-winning 2019 debut Melyn. The album's first single (and today's Song of the Day) was written the day after performing at the UU.Sound festival in the city of Ulan-Ude, Siberia in 2020. “We really wanted to write a heartfelt song about being infatuated with someone," the band said in a press release. "This isn't something we normally write about and we wanted to approach this song differently to our other ones. We felt inspired to write a big pop song." In fact, the entire album is colored by that impactful trip. Vocalist Hollie Singer shared in a press release, "Our journey through the Siberian and Mongolian wilderness influenced the writing and sound of the album to be as open and big as the limitless sky around us there." Bassist Gwenllian Anthony added, "It was a life changing trip that really inspired us to write this album. The barren landscape and brutalist architecture really seeped into these songs and the use of world instruments was heavily inspired by this journey." Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

LOTTA - "Léonard" from the 2021 Seafarer EP on Deadred Records. This week's Song of the Day were selected by KEXP DJ Kevin Cole, host of Drive Time, in honor of International Women's Month. Re-listen to our kick-off day of programming, and explore articles and live sessions from some of our favorite female artists here.  On her debut EP, Seafarer, Slovakian singer/songwriter LOTTA (real name: Dagmar Mišíková) presents four songs inspired by the seasons, with today's Song of the Day capturing the fading days of autumn. The release is a collaboration with producer/multi-instrumentalist STROON (real name: Dalibor Kocián), who says via a press release, "Some moments of cooperation were so inspiring and informative for me that I approach my work even more experimentally... I feel a personality about it. It's not structured pop, it's stories.” Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Clarissa Connelly - "Holler" from the 2020 self-released album The Voyager. This week's Song of the Day were selected by KEXP DJ Kevin Cole, host of Drive Time, in honor of International Women's Month. Re-listen to our kick-off day of programming, and explore articles and live sessions from some of our favorite female artists here.  Combining the technology of her Korg M1 synthesizer with inspiration from ancient lands, Copenhagen-based artist Clarissa Connelly crafts beautiful baroque pop songs, highlighting her diaphanous melodies with lyrics that sow the seeds of Celtic folklore. In fact, the album was released simultaneously with an app named Vandringen that spotlights these foregone Danish locations, not viewable on Google Maps.  "Many of the places are forgotten to some extent, at least when I was there back in 2018," Connelly told The Wire last year. "Since the pandemic, people’s interests have turned back to what’s around them in a really beautiful way. But I’ve always been interested in how the landscape was formed, either by humans or by the ice age pushing the soil back and forth creating mountains, or ice holes that become a lake two ice ages later. Imagining that timespan gives me a huge feeling of wanting to create. I’m fascinated by old buildings in cities – like a church, looking at the stones and wondering who built it – but they’re only maybe a thousand years old. Looking at these more ancient sites, the burial mounds and Viking fortresses, that’s even further back into history. I just get awestruck and want to sing or write about it." Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

BRoc - "Black Rainbow (feat. Porter Ray)," a 2022 self-released single. Brian Ovalles, AKA BRoc, is a Seattle-based producer and DJ who’s worked extensively with Central District Seattle MC Porter Ray. He is a part of the label/collective called Intratecque, family to the Black Constellation. Read the full post on KEXP.org Take a journey through the Black Constellation on KEXP's new podcast, Fresh off the Spaceship (coming March 18)Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Sevdaliza - "High Alone," a 2022 single on Twisted Elegance. It's been two years since her stunning sophomore release Shabrang, but Dutch-Iranian artist Sevdaliza re-emerges on the new EP, Raving Dahlia. On today's Song of the Day, she continues to explore the gothic electronic sound of those earlier releases, adding cinematic elements like the spoken-word piece against an ethereal harp background.  Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Fly Anakin - "Ghost (feat. Nickelus F)" from the 2022 album Frank on Lex Records Ltd. Described by Madlib as "one of the illest MCs," anticipation has been high for the debut full-length from Richmond, VA-based rapper/producer Fly Anakin. On March 11th, that release will drop, titled Frank, via Lex Records. He notes the album draws inspiration from the "classic R&B and Soul" his dad played for him when he was a child.  Today's Song of the Day features guest vocals from his "hero and mentor", as well as a fellow Richmond resident, Nickelus F, a seven-time "Freestyle Friday" champion on BET's weekly hip-hop show 106 & Park. Together, with Grammy-nominated producer Like (of Pac Div), they deliver a somber track befitting of the title "Ghost."  Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

High Pulp - "All Roads Lead to Los Angeles" from the 2022 album Pursuit of Ends on ANTI-. With today's Song of the Day, Seattle's experimental jazz septet High Pulp share a sneak preview of their forthcoming full-length Pursuit Of Ends, which will be released April 15th via ANTI- Records. The album draws inspiration from "bebop, punk rock, shoegaze, hip-hop, and electronic music," and came together in spite of the pandemic. “Having to start working remotely actually allowed us to try things that I don’t think we ever would have otherwise,” keyboard player Rob Homan says in a press release. “The process enabled us to walk the line between our more freewheeling, improvisatory jazz instincts and our more highly composed, electronic impulses, and what we ended up with was a really satisfying balance between the individual and the collective.” “We’re a bunch of outsiders who refused to be kept out,” adds drummer Bobby Granfelt. “We’ve never had an academic approach to jazz as most of us grew up playing in DIY bands, so it was the rawness and the energy and the absolute freedom of the music that called to us in the first place.” Check out the video at the link below (directed by Sara Jade Alfaro and starring Zaahira Joseph), and revisit the band's 2020 in-studio performance, filmed before the global shut-down. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Blue Lab Beats - "Motherland Journey (feat. Killbeatz & Fela Kuti)" from the 2022 album Motherland Journey on Blue Note / Blue Adventure. London-based duo Blue Lab Beats released their Blue Note Records debut last week with Motherland Journey, an album they described as "extremely special album to us."  “This album took us two-and-a-half years to finish, our longest process to make an album, but it was so worth it," they explain in a press release. "On this album you’ll hear many fusions of genres and inspirations that we gathered throughout that time frame and especially to work on so many of the songs during the first lockdown it was a test in itself. We had to figure out so many different ways to achieve what we exactly wanted sonically and having Blue Note to help us achieve that was an absolute blessing. Many of the vocal features and instrumentalists on this album are great friends of ours and it’s just so amazing to have family on this album.” Today's Song of the Day spotlights one of those amazing finds: the vocals of the late Afrobeat-pioneer Fela Kuti, taken from his song “Everything Scatter.”  “When we got confirmation to have Fela Kuti‘s vocals from his publishers in Nigeria we were honestly blown away that he could really feature on our tracks," they continue. "An absolute dream come true. When we got [collaborators] Poppy [Daniels] and Kaidi [Akinnibi] to play the horn line then we definitely got the song we wanted.” Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

F!RES - "The Lonely Sea" from the 2021 self-released album High Tide. Ballard-based band F!RES pay tribute to the late Shawn Smith on today's Song of the Day. The local legend had lent his distinctive vocals to bands like Brad, Satchel, Pigeonhed, and The Twilight Singers, as well as his solo material. And he also appears on the new F!RES full-length High Tide. "High Tide really is a love letter to Seattle and to the memory of our friend @shawnsmithsinger," the band wrote on their Instagram account. "Shawn was so giving of his talent and we were honored that he wanted to join us in the studio on some of the tracks." Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Cloud Cult - "One Way Out of a Hole," a 2022 single on Earthology Records. After a six-year hiatus, Cloud Cult return with the album Metamorphosis, to be released March 4th via their own Earthology Records. Like all albums from this orchestral-folk-rock group, nature plays a big role in the LP. Founding member/frontman Craig Minowa wrote and recorded the new album in the remote woods of Wisconsin, tracking the album from an old Amish cabin he converted to a recording studio. The sounds from outdoors can be heard throughout the songs on Metamorphosis. Cloud Cult return to Seattle on Saturday, August 27th at St. Mark's Episcopal Cathedral. Check out the video for today's Song of the Day at the link below, and enjoy a Throwback Thursday to the band's 2014 KEXP in-studio session.  Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Yard Act - "The Overload" from the 2022 album The Overload on Zen F.C. This might be the debut album from Leeds band Yard Act, but its members have been kicking around the scene for a while — frontman James Smith in Post War Glamour Girls, and bassist Ryan Needham as a member of Menace Beach. They're hardly the latest post-punk band to come out of the UK, but Smith brings a sarcastic sense of humor and gift for lyrics that sets them ahead of the pack.  "‘The Overload’ serves as an overture to the album," he says of today's Song of the Day to NME. "It’s written from the perspective of someone sitting in a pub overhearing snippets of all these different conversations from different characters and acting as a vessel, a medium even, for their own thoughts and opinions. That cut and paste approach means it’s hard to decipher where one person’s musings end and another’s statement begins, and that feels like a fairer representation of why human existence is at the point it is right now. Society doesn’t prevail because of the absolute, it struggles on in spite of it. It’s our ability to compromise which helps us to coexist." Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Dehd - "Bad Love" from the 2022 album Blue Skies on Fat Possum. Post-punk trio Dehd return this spring with Blue Skies, their fourth album overall, but their first for Fat Possum Records. Today's featured track finds the Chicago-based band channeling an '80s new wave vibe, calling to mind The Jesus & Mary Chain led by Dale Bozzio of Missing Persons.  “‘Bad Love’ is about recovering from love addiction and making a decision to stop choosing and aligning with people who aren’t your energetic match,” said vocalist Emily Kempf in a press release. “I wrote it for myself and for everyone who needed to hear a song about choosing new forms of love. It’s about chasing a relationship with oneself rather than an unhealthy one, one that just doesn’t quite fit, or a codependent one. Everyone experiences loneliness and everyone needs connection. I wished to reclaim loneliness for myself and others as something not embarrassing or to be a kept dark secret. I wanted to embrace loneliness and being alone, alchemizing it with friendship and behaviors with self that don’t involve romance or sex.” Blue Skies hits store shelves on May 27th, preceded by a May 5th appearance at Neumos in Seattle. Check out the video for the song at the link below, and revisit their Live on KEXP at Home session from 2020. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

The Head and the Heart - "Virginia (Wind in the Night)" from the 2022 album Every Shade of Blue on Warner. Beloved local band The Head and the Heart return this spring with their fifth full-length, Every Shade of Blue, recorded at Studio Litho here in Seattle, where they made their first two albums back in 2011 and 2013. “It was almost like coming back home,” guitarist/vocalist Jonathan Russell told Consequence of Sound. “We used the same engineer, Shawn Simmons. There was this balance of old and new, being familiar with the studio but bringing somebody much newer in his relationship with us.” On today's Song of the Day, Russell pays tribute to his home state. "Being from Virginia, for me this song represents a long and winding relationship to place – a place that is grounding. I’m often drawing on my life through symbolism as a way into someone else’s psyche,” he said via a press statement. “It’s part of my search for a deeper connection without having to compare our experiences directly. There is a reason this song has two titles. One is literal and one is symbolic. Not everyone is from Virginia, I know that. But I bet you have walked home and heard the wind in the night.” The Head and the Heart perform two nights – August 12th and 13th – at Marymoor Park. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Weep Wave - "Synthetic Dreams," a 2022 self-released single. Over the five years since we first covered Weep Wave, a lot has changed for the Seattle band. They went on to release their debut album, S.A.D., in 2019, a concept album based on the changing seasons and corresponding moods that take place over the course of a year in the Pacific Northwest, that KEXP’s Martin Douglas had a lot to say about. Since then, a series of lineup changes have occurred but the band, led by Dylan Fuentes, continues to constantly churn out a new single at least every six months or so. One of Weep Wave, currently a quartet,’s most recent singles is the synth-fueled, “Synthetic Dreams.” Putting aside their signature Modest Mousian guitar riffs for this one, the song is a stripped-down version of the band, utilizing ‘80s style synthesizers and a thrumming analog drum machine for a haunting and altogether different sound for the band. “It was interesting to write and record a style of song that’s pretty different from what we would normally do,” explains Fuentes. “With the synth there’s a lot of textures and tones that I can’t do with the guitar.” Weep Wave has big plans for 2022 including releasing a new EP and going on tour. Keep up with release dates and tour announcements here. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.