Imaginary Worlds

The stories we tell about the past can determine the way we understand the present. But what happens when we combine tales of magic and fantasy with some of the most traumatic chapters in history? I talk with novelists P. Djeli Clark, Nisi Shawl, and Zen Cho about how speculative fiction can be a useful tool to reimagine the legacy of colonialism and imperialism. Plus, we hear readings from actress Nneka Okoye. Books mentioned in this episode: A Master of Djinn by P. Djeli Clark Everfair by Nisi Shawl Sorcerer to The Crown by Zen Cho Babel, or The Necessity of Violence: An Arcane History of the Oxford Translators’ Revolution by R. F. Kuang (author of The Poppy War series) A Memory Called Empire by Arkady Martine Nisi also recommends: A Stranger in Olondria by Sofia Samatar The Dominion of the Fallen series by Aliette de Bodard The works of L Timmel Duchamp and Margaret Killjoy This episode is sponsored by Aspiration Zero credit card. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In part 2 of our mini-series on mentorships, we travel to a galaxy far, far away. Amy Richau (co-author of Star Wars; I am Your Father and other Star Wars-related books) talks about her favorite partnerships between the Jedi and other characters in the Star Wars found family. Blogger Angry Staff Officer explains why the rigid rules for Jedi mentorships may have led to the downfall of the Jedi Council. And Ryan Arey of ScreenCrush says we can see how the rival philosophies of The Jedi and The Sith would play out in the real world on the show Cobra Kai, which imagines the rivalries from The Karate Kid being passed down to the next generation. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the first of a two-part episode on mentors in fantasy genres, we look at the roles of superheroes and their protégées. Matt Fraction talks about the inspiration for his acclaimed comic book series Hawkeye: My Life as a Weapon, which was adapted into a Disney+ series. University of Oregon professor Ben Saunders explains why Peter Parker needs an endless series of mentors. Hellenic College Holy Cross professor Stamatia Dova explains why all these fantasy mentors can be traced back to the character of Mentor in The Odyssey. And Julie Nugent, senior VP of learning and advisory services at Catalyst, discusses how superhero mentorships reflect the way mentoring plays out in the workplace. This episode is sponsored by Aspiration Zero Credit Card. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

When the artist Cliff Chiang co-created the comic book series Paper Girls, about four suburban kids in the ‘80s who get caught up in forces that can break space and time, he thought they’d come up with something totally original. But soon after the comic book came out, Stranger Things debuted on Netflix. Both creative projects are part of a genre that’s more popular than ever: Kids on Bikes. I talk with Cliff about why he wanted Paper Girls to stand out from other Kids on Bikes stories. Screenwriter Stephany Folsom discusses how she adapted Paper Girls into an Amazon Prime Video live-action show by pitching it as “anti-nostalgia.” I also talk with game designers Jon Gilmour and Doug Levandowski about how they distilled the elements of Kids on Bikes stories into a role-playing game, and whether the genre is ready to outgrow its 1980s setting. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

It’s not often that I’m watching a TV show and I think, “I should ask the writers about that.” Luckily, I was in the same undergraduate film program as Henry Alonso Myers and Bill Wolkoff, who are writers and producers on the Star Trek series Strange New Worlds, and they were happy to chat. We cover the challenge of telling new stories about legacy characters like Spock and Uhura, the need for Star Trek to stay politically relevant, why Captain Pike is really into cooking and hijinks are the most logical course of action during a Vulcan courtship. This episode is sponsored by NordVPN. Grab the NordVPN exclusive deal at https://nordvpn.com/imaginaryworlds. Try it risk-free now with a 30-day money-back guarantee. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

I’ve long been fascinated by automatons – wind up mechanical beings that create the illusion of life. People have been making automatons for centuries, but how many automatons get to sing opera? This week’s episode comes from the podcast Aria Code from WQXR, WNYC Studios and The Metropolitan Opera. The show breaks down famous arias and looks at the meaning behind them. Host Rhiannon Giddens, along with Soprano Erin Morley, conductor Johannes Debus, machine learning researcher Caroline Sinders, and psychologist Robert Epstein explore Jacques Offenbach’s 1881 opera The Tales of Hoffmann and how its automated character Olympia echoes current day concerns about A.I. technology. This episode is sponsored by Nord VPN. Exclusive deal -- grab the NordVPN deal at https://nordvpn.com/imaginaryworlds. Try it risk-free now with a 30-day money-back guarantee! Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Our Flag Means Death is a hilarious anachronistic pirate comedy on HBO Max. But the backstory of its main characters is surprisingly real. I talk with pirate historian Jeremy Moss, Purdue professor Manushag Powell and Jamie Goodall, staff historian at the U.S. Army Center of Military History, about how the historical figure of Blackbeard used theatricality to become a media phenomenon, and why it was an easy transition for people to believe he was a fantasy character versed in the dark arts. And we look at whether the endearing portrayal of the bumbling “gentleman pirate” Stede Bonnet in Our Flag Means Death is leaving out a crucial aspect of his backstory. To learn more, check out these books: British Pirates in Print and Performance by Manushag N. Powell The Life and Tryals of the Gentleman Pirate, Major Stede Bonnet by Jeremy R. Moss Pirates of the Chesapeake Bay: From the Colonial Era to the Oyster Wars by Jamie L.H. Goodall This episode is sponsored by Mint Mobile, Squarespace and Riverside. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

When I began this podcast in September 2014, I couldn’t imagine myself someday celebrating 200 episodes of Imaginary Worlds. It feels like a momentous occasion, a moment to reflect and celebrate. So, I put together a super-sized episode where I check in on creative people that I’ve interviewed in the past. We also hear from listeners about where they listen to the show, and how those places evoke imaginary worlds for them. Featuring Caro Murphy, Jason Suran, Tim Lapetino, Shari Spiros of AdMagic, and Scot and Jane Noel of DreamForge magazine. You can learn more about Jason's show Reconnected here. This episode is sponsored by Backblaze and Squarespace. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mystery Science Theater 3000 or MST3K is back once again. The show was first created by Joel Hodgson, then a stand-up comedian who was ambivalent about the career path laid out in clubs or maybe a sitcom. His premise -- that he and a few robot pals are trapped by mad scientists on a spaceship and forced to watch bad movies – turned the show into a cult classic and helped define a snarky, self-aware sense of humor for pop culture in the ‘90s. I talk with Joel about why he left the initial run of the series, and how he's brought it back on his own streaming service called Gizmoplex. We also explore how his sense of humor has changed, and whether he might have been too harsh on some of the films they lampooned. This episode is sponsored by Mint Mobile and Squarespace. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

For the last 30 years, the real world has been catching up to Neal Stephenson’s vision of the future in his 1992 novel Snow Crash, which influenced the creators of Google Earth, Second Life, Oculus Rift and more. Now the centerpiece of the novel, a virtual world called The Metaverse, may become a daily part of our lives thanks to Facebook (renamed Meta) and other big tech companies. I talk with Meta’s director of A.I. policy Kevin Bankston, Silicon Valley engineer Stephen Pimentel, Australian National University School of Cybernetics director Genevieve Bell, Yale professor Lisa Messeri, and Grace Ng of the DAO Crash Punks about whether it’s a good idea to use a satirical cyberpunk novel as a blueprint for the future. Plus, actor Varick Boyd reads from Snow Crash. The section on Grace Ng has been updated to reflect the crypto market crash that happened after the episode originally aired in May 2022. This episode is sponsored by Backblaze, VAST Horizon, and Squarespace. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

There’s an old saying that everyone wants to live long, but no one wants to get old. The same can be applied to our favorite sci-fi fantasy franchises. As familiar faces return to Star Wars, Star Trek, and other movies and shows, some franchises have embraced stories about aging and mortality, while others have used digital technology to erase those issues with mixed results. In a roundtable discussion, I talk with Christina Valeo of Eastern Washington University, Shawn Taylor of San Francisco State University and podcaster and pastor JR Forasteros about who is aging well, or de-aging poorly. Spoiler alert, we discuss the Picard series and older Star Trek movies, The Mandalorian and The Book of Boba Fett, Spider-Man: No Way Home, Black Mirror, and Upload. This episode is sponsored by Mint Mobile, Podboard and Squarespace. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

One of the most common requests I've gotten over the years has been to do an episode about why so many autistic people are drawn towards science fiction, and these suggestions have come from listeners who are autistic or have autistic children. Fiction writer Ada Hoffmann, writer and professor Dora Raymaker, YouTube presenter Quinn Dexter, and author and professor Nick Walker, who co-runs the publishing company Autonomous Press, have each given this subject a lot of thought. Their experiences and perspectives as autistic sci-fi fans and creators overlapped in many ways, from the joy of complex worldbuilding, to identifying with fictional characters like Data or Spock, to wanting to imagine a future where aliens, humans and A.I. can coexist without a hierarchy of neurotypical perspectives. Featuring actress Shannon Tyo reading passages from Ada and Dora’s novels. Dora Raymaker’s new novel Resonance has just been published through Autonomous Press. Dora and Ada have also contributed short stories to Autonomous’ anthology series Spoon Knife. Quinn Dexter’s YouTube channel is Autistamtic. This episode is sponsored by Backblaze, Echoes of History: Ragnarök and Squarespace. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

100 years ago this month, the vampire film Nosferatu was released in Germany. Not long after, it was hit with a lawsuit – which the filmmakers lost – and every copy of the film was to be destroyed. At least one copy managed to survive, and decades later, Nosferatu became a worldwide classic. Part of what’s kept the film alive has been live orchestras who infuse this old vampire film with fresh blood and original scores. I talk with Philip Shorey of The Curse of the Vampire orchestra and Josh Robins of Invincible Czars about their different approaches to writing music for Nosferatu and how audiences have reacted to them. I also talk with Carnegie-Mellon professor Stephen Brockmann about which aspects of vampire lore originally came from Nosferatu as the filmmakers tried to change the Dracula story enough so they could avoid blood-sucking lawsuits. This episode is sponsored by Inked Gaming. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Russian invasion of Ukraine shocked the world, but this conflict was foreshadowed in Ukrainian and Russian speculative fiction. I talk with several fantasy writers in Ukraine about how they’ve used speculative fiction to break away from Russia’s sphere of influence, and why magic and folklore can be valuable tools to explore and defend their sense of national identity. I also talk with Ukrainian ex-pats in the U.S. about how Russian fantasy and sci-fi has grown increasingly imperialistic in recent years with fantasies of restoring a lost empire. Featuring Maria Galina, Borys Sydiuk, Volodymir Arenev, Svitlana Taratorina, Alex Shvartsman, and Anatoly Belilovsky. You can help donate to organizations resettling refugees like Direct Relief, Mercy Corps, International Medical Corps and Save the Children. This episode is sponsored by Brooklinen. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

It’s a future we’re all very familiar with. The rainy streets are full of neon dragons, noodle shops, and other Asian iconography mixed up and decontextualized amid sci-fi flourishes, but something is often missing: Asian people. In her video presentation “Asian futures, without Asians,” the artist and writer Astria Suparak breaks down dozens of films and TV shows, showing that there’s a shadow genre across different sci-fi franchises which presents a future that taps into old anti-Asian stereotypes at subtle levels of designing sets, costumes and even props. I also talk with University of Utah Professor David S. Roh about his book Techno-Orientalism, which looks at the psychology behind these kinds of futures, and what they have to say about current day anxieties in America. And Jason Concepcion, host of the podcast X-Ray Vision, discusses how he tries to engage with these types of worlds as a fan and as an Asian American. This episode is sponsored by Inked Gaming. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the sci-fi drama Beforeigners from HBO Nordic, Oslo is overrun with immigrants and refugees. But they haven’t come from other countries. They’re from the past. In fact, they’re from three specific eras: the Stone Age, the Viking age, and the Victorian age. No one knows why or how they came, but police detectives Lars Haaland and his partner Alfhildr Enginsdottir – who is a former Viking herself – are uncovering mysteries and conspiracies that might lead to the truth. The show was created by Eilif Skodvin and Anne Bjørnstad, and I was very happy that I got to talk with Anne about how they created the show, and why time travel turns out to be a great metaphor to explore issues of immigration and national identity. This episode is sponsored by Brooklinen and Realm. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Have you ever watched a movie or show, gotten sucked into a mystery and come up with your own idea of what is going to be revealed – only to find out that you’re wrong? Do you accept what’s now established as canon, or do you get attached to your own “headcanon?” We are living in the golden age of headcanon, especially in sci-fi fantasy, where many storytellers are following the template of J.J. Abrams and his Mystery Box approach. So, we did a call out to our listeners, to find out what headcanons they came up with or heard about, and why they think those headcanons work better than what ended up on screen, or on the page. Featuring Larry Brenner, Mark White, Josh Sawyer, Doug Tricarico, Chris Landon, and Judd Winick, who had the opportunity to turn his headcanon into canon. There aren’t major spoilers in this episode, but we discuss plot points in the Star Wars sequel trilogy, The Mandalorian, the first Matrix, Iron Man 2, Hawkeye, Star Trek: Into Darkness, Inspector Gadget, Citizen Kane, and Batman comics. This episode is sponsored by Inked Gaming and Realm. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Once upon a time, the funnies or the comics pages dominated newspapers – back when newspapers were the main source of information for most Americans. In those days, Walt Kelly and Al Capp were titans of the funnies. Their strips Pogo and Li’l Abner were cultural sensations. Both artists were groundbreaking in the way they incorporated satire into their fantastical worlds, back when the comics page was supposed to be an apolitical neutral zone. Even though their strips are not front and center in pop culture today, we are still feeling the ripple effects of what they accomplished. In part two, I talk with BYU professor Kerry Soper and comic book publisher and author Denis Kitchen about how Al Capp became a hero to the left and the right, while questioning who should be the subject of satire. Link to Denis Kitchen's book, "Al Capp: A Life to the Contrary" Link to Kerry Soper's book, "We Go Pogo" This episode is sponsored by Brooklinen. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Once upon a time, the funnies or the comics pages dominated newspapers – back when newspapers were the main source of information for most Americans. In those days, Walt Kelly and Al Capp were titans of the funnies. Their strips Pogo and Li’l Abner were cultural sensations. Both artists were groundbreaking in the way they incorporated satire into their fantastical worlds, back when the comics page was supposed to be an apolitical neutral zone. Even though their strips are not front and center in pop culture today, we are still feeling the ripple effects of what they accomplished. In part one, I talk with Mercer University professor Jay Black, BYU professor Kerry Soper and Harper College professor Brian Cremins about how Pogo met the enemy, and why he is us. Link to Jay Black's book, "Walt Kelly and Pogo: The Art of the Political Swamp" Link to Kerry Soper's book, "We Go Pogo" Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Marvel and DC are jumping into the multiverse with multiple movies and shows crossing over into parallels worlds with different versions of established characters while they’re merging IP from different franchises. It’s a win-win business strategy, but multiverses also bring up intriguing story possibilities of how we could’ve turned out differently if the circumstances of our lives were different, and what it would be like to meet your double. I covered those themes in my episode Doppelgängers 2.0, and I looked into one of the first cinematic multiverses, The Tommy Westphall universe, in my episode Inside the Snow Globe. Both episodes were from 2015, and since a lot of recent listeners probably never heard them, I’m presenting them again as a double feature. This episode is sponsored by Walker Books and BetterHelp. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The imagery of Christmas in most Western countries is of pure wholesomeness with Santa Claus or St. Nicholas, presents, candy, lights, etc. But in central Europe, there is another figure in the mix, the horned devilish-looking character called Krampus, who doles out punishment if you’re naughty instead of nice. I talk with Jules Linner and Christina Albert about why it was important for them as children to believe in St Nick’s dark companion. Krampus event organizer and author Al Ridenour, along with cultural anthropologist Matthäus Rest, explain the history of Krampus, and why he’s still an important part of German and Austrian culture today. Here's the link to Al’s book “The Krampus and the Old, Dark Christmas: Roots and Rebirth of the Folkloric Devil,” and Al’s podcast Bone and Sickle episode on Krampus. This episode is sponsored by Walker Books and BetterHelp. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Nathan Sawaya is one of the best-known LEGO Master Builders – people who can recreate just about anything out of LEGO. While he's worked with major franchises like DC, creating life sized superheroes, he's also an artist who makes original sculptures out of LEGO, including human figures that seem to be grappling with existential angst. I talk with Nathan about how making these LEGO figures has been a way to work through anxiety and depression. We also discuss why he left a law career to become a professional artist, and the practical lessons he’s learned along the way -- from when to glue the bricks together, to how to get his giant sculptures out the door. And we talk about the latest addition to his traveling show The Art of the Brick, where he built endangered species out of LEGO. This episode is sponsored by BetterHelp. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The world of tabletop role-playing games is much broader than Dungeons & Dragons, and there’s been a boom of DIY tabletop RPGs in the last decade. But as new players are coming on to the scene, they’re asking new questions about what defines a game, and what might be problematic about classic tabletop RPGs. Game master Timm Woods explains how new game systems are embracing genre and storytelling down to the moves your characters can make. I talk with independent game designers Emily Care Boss and Avery Alder about how game mechanics can reflect not just the lore of the game, but also social issues and inter-personal social dynamics. Plus, James Mendez Hodes explains how he works at a cultural consultant for game designers, and why orcs might need a makeover. This episode is sponsored by Realm and BetterHelp. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Many elements of modern horror movies and TV shows came from an unlikely source, a theater in Paris called The Grand Guignol. Beginning in the late 19th century, The Grand Guignol was inventing staples of the horror genre as they discovered how to scare audiences, and why people want to be scared. I talk with University of East Anglia professor and author Richard Hand and Wagner College professor Felicia Ruff about how we can trace the lineage of Psycho, American Horror Story and Sweeney Todd back to The Grand Guignol. Plus, Alex Zavistovich of the Molotov Theatre Group describes what it’s like to recreate Grand Guignol plays for a modern American audience. Alex also founded Poe Theatre on The Air which produces Edgar Allen Poe audio dramas like, “The System of Doctor Tarr and Professor Fether,” which is adapted from a short story by Poe that The Grand Guignol originally staged in 1908. This episode is sponsored by Realm and BetterHelp. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Frank Herbert’s Dune has been hailed as a pioneer of environmental science fiction, where the Fremen on the planet of Arakkis, have had to adapt to extreme weather conditions through technology and culture. I talk with Ian Schoenherr, the son of illustrator John Schoenherr, about how his father and Frank Herbert bonded over their love of nature. Although Veronika Kratz explains that Frank Herbert would be out of step with today's environmental movement. We’ll also hear from two entrepreneurs in water conservation that were inspired by Dune, Peter Yolles from the company WaterSmart and Daniel Fernandez of California State University Monterey Bay, whose fog catchers are similar to the type of technology the Fremen would use, if they lived on the West Coast. This episode is sponsored by BetterHelp. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Kasra Farahani has done concept art on a lot of big sci-fi fantasy films, and this year he took on his biggest job yet as the production designer for the Disney+ series Loki. Kasra’s sets became fan favorites, especially the way he depicted the sprawling intergalactic bureaucracy of the Time Variance Authority, or TVA. I talk with Kasra about how he got started in the industry, what design principles he learned working with Tim Burton’s go-to designer Bo Welch, why retro technology, especially from the 1970s, makes sense in sci-fi fantasy offices, and what those imaginary offices have to say about our workplaces in the real world. This episode is sponsored by Inked Gaming and BetterHelp. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Video games are an inherently visual medium that traditionally haven’t been very accessible to blind people. But there are plenty of blind players who enjoy games and want to lower the barriers to entry. I talk with blind accessibility advocates Liam Erven, Brandon Cole and Aaron Baker about how sound design can guide blind players through virtual worlds. In Aaron’s case, he designs audio games for his company VGStorm. Accessibility advocate Ian Hamilton describes the challenge of making virtual worlds open to everyone. And Emilia Schatz from Naughty Dog studios discusses her collaboration with Brandon Cole in making The Last of Us Part II the most accessible AAA game of all time. This episode is sponsored by Skillshare and BetterHelp. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Queer representation in children’s cartoons has never been better, but the road to get here has been fraught. I talk with podcaster Dawn H and journalist Sara Century about how the first type of queer representation they saw in cartoons came from Sailor Moon – or at least a highly edited and strangely dubbed English-language version that tried to scrub away all the queer content, somewhat unsuccessfully. And I talk with podcaster Thomas J. West and YouTube essayist Rowan Ellis about the history of queer-coded villains in Disney cartoons, and how the biggest entertainment company in the world still has a lot of catching up to do. This episode is sponsored by BetterHelp. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

An entire subgenre of samurai films, shows, manga, anime and games can be traced back to one person – a real life samurai named Miyamoto Musashi. He was not the first samurai to achieve fame, but his remarkable career of undefeated duals, and his unconventional style of fighting cemented Musashi’s legacy in the popular imagination for centuries. Chie Kutsuwada and Sean Michael Wilson discuss their manga adaptation of Musashi’s Book of Five Rings. Yale professor Aaron Gerow, and Darren Ashmore and Will Reed from iCLA explain why Musashi’s life story had a character arc that was irresistible to storytellers. And Stephanie Billman and I connect the dots from Musashi samurai tales to Westerns, Westworld, and Star Wars. This episode is sponsored by Skillshare and BetterHelp. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

If you’ve ever searched for my podcast, you probably came across a show with a similar title: Imaginary Advice. I quickly became a fan of Imaginary Advice because the host Ross Sutherland walks the line between fiction and reality, often playing a fictional version of himself doing slightly fantastical things. I talked with Ross about his creative process, and we hear an edited selection of his mini-series Ten Thousand Years, where he and writer Lenni Sanders imagine what if the happy ending from Groundhog Day had not been a game changer for Billy Murray’s character Phil Connors. What if it was just another day, and the days piled up for thousands of years? The episodes of Imaginary Advice we discussed are: https://soundcloud.com/ross-sutherland/45-seinfeld https://soundcloud.com/ross-sutherland/63-tony-gang-flame-war-5th-birthday-episode https://soundcloud.com/ross-sutherland/52-the-man-who-saw-tomorrow-4th-birthday-episode https://soundcloud.com/ross-sutherland/70-sex-and-the-city-the-return-part-1 https://soundcloud.com/ross-sutherland/71-sex-and-the-city-the-return-part-2 https://soundcloud.com/ross-sutherland/73-ten-thousand-years-part-2 This episode is sponsored by Skillshare and BetterHelp. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Every year, I like to play a full-length version of an interview from a previous episode where a lot of great material ended up on the proverbial cutting room floor. In 2019, I interviewed the comic book creators Jimmy Palmiotti and Amanda Conner about their three-year run on the Harley Quinn comic book series because the way they reinvented the character influenced her live action movie appearances, and the Harley Quinn animated series on HBO Max. Also, Jimmy and Amanda are a married couple, and I really appreciated the way their rapport and the sense of humor they share defines the worlds they create together. This episode is sponsored by BetterHelp. Our ad partner is Multitude. If you’re interested in advertising on Imaginary Worlds, you can contact them here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In superhero stories, the public is usually there to be saved by the heroes or killed by the villains. But as a journalist, I always wonder if these people are well informed enough about the threats to their lives, and who is protecting them. I talk with Maya Phillips of The New York Times, James Queally of The Los Angeles Times, and freelance reporter Sean Kelly about a range of fictional journalists from Lois Lane to Peter Parker, and whether their portrayals affect the way we view the news media in the real world. Plus, Petra Mayer of NPR, and journalist Liz Publika discuss why Spider Jerusalem is a model comic book reporter, even if he’s completely gonzo. And actress Mallory Kasdan reads the fanfiction story, “Can I Quote You on This” by Wix from Archive of Our Own about what happens when a more realistic journalist interviews The Avengers. Today’s episode includes minor spoilers for Falcon and The Winter Soldier, Daredevil, Superman and Lois, The Flash, and the graphic novel Watchmen. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Is it possible that we are living in an imaginary world? That is the premise of many science fiction stories, but some scientists have begun to wonder whether it’s not a fantasy. Perhaps what we think of as reality is a computer simulation and we’re basically just advanced versions of The Sims and don’t know it. I talk with video games entrepreneur Rizwan Virk about what advanced civilization might be lurking outside our reality, and how he draws upon real physics, The Matrix and Philip K. Dick to prove The Simulation Hypothesis in his book. And we’ll hear one of my favorite stories from the podcast Snap Judgment, where the journalist Stephanie Foo creates a version of herself in The Sims and discovers eerie parallels to her own life. “Sim Stephanie” was originally produced for Snap Judgment in 2014. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sci-fi and fantasy genres have come a long way from their pulp fiction and Saturday matinee origins to become respectable genres. But sometimes you just want to see something awesome, weird or shocking. That’s where genre films can deliver -- even if the movie isn’t good. I talk with five listeners about their favorite guilty pleasure films. Also, Lou Hare of the podcast Guilty Pleasures breaks down the difference between a guilty pleasure and a cult classic, and we discuss why ‘80s movies are a treasure trove of excess and bad taste. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Disco Elysium has been called one of the best role-playing video games of all time. It's won a slew of awards and it’s a worldwide best-seller -- which is odd because the game wasn’t put out by a big studio. It was made by a group of friends in Estonia who had very little experience making video games. And this detective game is just as much about politics and the existential nature of reality as it is about solving a murder. I talk with Justin Keenan, one of the few American writers on the crew, along with game critic Paul Walker-Emig and game developer and former critic Heather Alexandra about why Disco Elysium is a revolutionary game that also reflects the moment of history we’re living through. Today's episode is brought to you by Realm and BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email [email protected] or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

When Andy Weir wrote “The Martian,” he self-published the chapters to his website -- never expecting the story to become a best-selling book, or an Oscar-nominated Hollywood movie. His new novel, “Project Hail Mary,” is generating a lot of excitement, and he's already sold the movie rights. We talk about why he sometimes misses his old life as a cubicle dwelling engineer, the pressure of not being considered a one-hit wonder, his biggest pet peeves in sci-fi stories, and how far he’s willing to stretch his heavily scientific approach to imagine something much more fantastical. Today's episode is brought to you by BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email [email protected] or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

Illusions that mask the true nature of reality. Meditating to gain control over your mind and body. Sending your consciousness to other bodies. These are both tenants of Buddhism and science fiction. Professor Jim Clarke says the overlap is no accident, Buddhism has been influencing sci-fi fantasy creators for over a century. Novelists Ramez Naam and Yudhanjaya Wijeratne talk about how they incorporate Buddhism into their sci-fi stories and personal practices. Also, Reverend Landon Yamaoka discusses why his sect of Buddhism is in line with the troubled journey of Anakin Skywalker. Today's episode is brought to you by Realm and BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email [email protected] or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

Becky Chambers’ latest novel, “The Galaxy and The Ground Within,” is the final book in her Wayfarer series, which is about aliens, humans and AI trying to make their way through the galaxy and find common ground. Some of the characters in her books may seem fantastical and strange, but the conversations between them often revolve around familiar issues like identity, gender, family structure, and politics. We talk about why she’s closing this chapter in her writing career, even though the Wayfarer series could’ve gone on indefinitely, and what she has planned next. Today's episode is brought to you by BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email [email protected] or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sun Ra claimed to be an extraterrestrial being from Saturn who could teleport you to other planets with his music. That may or may not have been true, but he certainly was the leader of one of the most influential jazz ensembles of the 20th century, and he’s often called the father of Afrofuturism. I talk with artist Cauleen Smith and writer John Corbett about Sun Ra’s creative journey, and why he was light years ahead of his time. The musician Idris Ackamoor explains why Sun Ra was an inspiration for his band The Pyramids. And Ytasha Womack, author of fiction and non-fiction books about Afrofuturism, discusses why imagining the future is still a radical act. Today's episode is brought to you by BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email [email protected] or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

One year into this pandemic, it’s been a struggle to feel a connection with other people digitally. That’s why I was inspired to hear an episode from the show Science Friday about a community that refused to disband their virtual world. As reporter Daniel Peterschmidt explains to me, the staff of Science Friday had set up a virtual outpost in Second Life when it was a trendy thing to do in the mid-2000s. The show eventually left Second Life, but Daniel recently discovered their community of hardcore fans stuck together long after many people abandoned Second Life, and the group went through not-so virtual turmoil along the way. Today's episode is brought to you by SerialBox and BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email [email protected] or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

The 1982 movie Tron may seem outdated and even hokey today, but the film was more groundbreaking and prophetic than many people realize. I talk with Tron’s director Steven Lisberger about the challenge of making a movie about computers without the help of computers. Media scholars Lars Schmeink and Sherryl Vint discuss the influence of Tron on our understanding of virtual worlds and our place in cyberspace. Plus, writer Daniel Frey talks about why current sci-fi about Silicon Valley tends to be more “near future” than fantastical, including his novel The Future is Yours. Today's episode is brought to you by Serial Box and BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email [email protected] or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

The story of the brothers Grimm and how they came to publish a book of fairy tales has become something of a folk legend in itself. The conventional wisdom is that the Grimms collected their tales from village peasants, and the brothers always embraced the darkest elements of the tales. But as fairy tale scholars Jack Zipes and Ruth Bottigheimer explain, the real story of how the Grimms came across these tales -- and altered them -- is much more complicated and interesting. The Grimms were writing for a particular audience in their time, and the values they embedded in these tales have influenced us in ways we may not realize. Featuring readings by actor Jochen Werner. Today's episode is brought to you by Serial Box, BetterHelp and Sygnyl. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email [email protected] or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the 1950s and ‘60s, the vibrating sound of the Theremin instrument was synonymous with sci-fi movies like The Day the Earth Stood Still or horror shows like Dark Shadows to the point where the Theremin became a genre cliché. But a new generation of experimental pop musicians like Dorit Chrysler and Miles Brown (of the band Night Terrors) are using the Theremin to create otherworldly sonic landscapes. Also I talk with Albert Glinsky, biographer of Leon Theremin, about how the inventor of the Theremin lived a life that was more like a Kafkaesque science fiction tale. Check out Albert Glinsky’s book “Theremin: Ether Music and Espionage.” Today's episode is brought to you by Serial Box and BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email [email protected] or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

Betty Boop is a beloved cultural icon, but she was controversial in her heyday. I talk with Mark Fleischer – grandson of Betty Boop’s co-creator Max Fleischer – and Mark’s wife Susan Wilking Horan about how the character was created and why she still endures. I also talk with film critic Marya Gates and Professor Thomas Doherty about how the Hays Code, which censored Betty Boop, had a profound impact on the moral universe of Hollywood films, and why this defunct production code is still influencing movies up to this day, especially with fantasy entertainment. Today's episode is brought to you by BetterHelp and Amazon's Faraway Collection. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email [email protected] or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

The myth of Camelot runs deep in our culture. For over a thousand years, storytellers have felt compelled to tell the tale of King Arthur and add their own spin on the mythical legend. But we live in pretty cynical times where the idea of a wise and noble king feels like just as much of a fantasy as a boy pulling a magical sword from a stone. So why does the character of Arthur still endure? I talk with Arthurian scholars Martha Bayless, Elizabeth Archibald and Ingrid Nelson about why we can never forget that for one brief shining moment, there was a Camelot – even if there probably never was a Camelot. Today's episode is brought to you by Faraway Stories from Amazon, and BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email [email protected] or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

Every year, I like to play a full-length interview with a previous guest who had so much more to say than what I could fit into a particular topic. Last summer, I did an episode called Making Up Creatures where I talked with the creature designer Neill Gorton, who is best known for working on the reboot of Doctor Who and the BBC series Being Human. I talked with Neill about how he approached redesigning classic monsters he watched on Doctor Who as a child, why simplicity always beats spectacle when designing a new creature and what to focus on when working within a limited budget. Today's episode is brought to you by Faraway, a new short story collection from Amazon, CovertKit and BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email [email protected] or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

2020 has felt monstrous on so many levels. So, it’s no coincidence that two of the top grossing movies of the year were Jaws and Jurassic Park, mostly seen at drive-in theaters. Alex Shepard explains why the shark in Jaws embodied our feeling of a dread, and how the Mayor of Amity Island seemed to be the embodiment of every leader who dismissed the seriousness of COVID. Sean T. Collins explores whether the real villain of Jurassic Park was not the dinosaurs but capitalism. And I talk with journalist Rae Paoletta, along with my assistant producer Stephanie Billman, about the most insidious monster of 2020 -- the corrupt and adorable oligarch Tom Nook who put every Animal Crossing player in debt to him. Today's episode is brought to you by Wondery's podcast Little Stories Everywhere, ConvertKit and BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email [email protected] or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

Fan films allow filmmakers to tell stories set in the worlds of their favorite licensed characters, and fan films have taken off in recent years, thanks to affordable special effects and online distribution. Is that legal? Sort of. But the studios have learned it’s not worth upsetting their hardcore fans by suing them, according to copyright lawyer David Lizerbram. Indie Boom film festival director Anthony DeVito explains why he thinks fan films deserve the same respect as other indie productions. John Lim talks about playing Sulu on the bridge of The Enterprise circa 1966. And Rob Ayling breaks down his fan film, Living in Crime Alley, which puts The Dark Knight in precarious situation. Star Trek: New Voyages One Day I’ll Become Power/Rangers Unauthorized (Bootleg Universe) Bel-Air Living in Crime Alley Batman vs. Darth Vader (Alternative Ending) Today's episode is brought to you by ConvertKit and BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email [email protected] or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

Since we can’t pick up universal translators on The Enterprise or through the TARDIS, we have to rely on human translators to bring fantasy stories across cultures. We all know that something is always lost in translation, but what is gained when a story transitions from one language and culture to another? Chen Malul tells the story of Israeli pilots who translated The Hobbit while in captivity. Olga Zilberbourg remembers the Soviet version of The Wizard of Oz – which was very different from the original story. Emily Jin discusses the nuances of translating Chinese science fiction at a time when everyday life in China feels like sci-fi. And translators Gord Sellar and Jihyun Park explain how feminism revitalized SF literature in South Korea. Stories mentioned in this episode: National Center for the Preservation of Human Dignity The Flowering Today's episode is brought to you by ConvertKit and BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email [email protected] or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices

The anime series Cowboy Bebop is currently being turned into a live-action series for Netflix, but Cowboy Bebop doesn’t need to be Americanized. The original series was already an homage to Western films and movies. Authors Roland Kelts and Matt Alt talk about how Cowboy Bebop fits into a very Japanese tradition of adopting and even improving upon aspects of foreign cultures. Evan Minto of Anime News Network explains why the show was groundbreaking. And Eric Vilas-Boas and John Maher of Dot + Line discuss how Cowboy Bebop had a huge impact on them as kids, even though it took them decades to understand the characters. See You, Space Cowboy…. Matt Alt’s book “Pure Invention: How Japan’s Pop Culture Conquered the World.” Roland Kelt’s book, “Japanamerica: How Japanese Culture Has Invaded the U.S.” Today's episode is brought to you by Acorn TV and BetterHelp. Want to advertise/sponsor our show? We have partnered with AdvertiseCast to handle our advertising/sponsorship requests. They’re great to work with and will help you advertise on our show. Please email [email protected] or click the link below to get started. Imaginary Worlds AdvertiseCast Listing Learn more about your ad choices. Visit podcastchoices.com/adchoices