History of Japan

The Taiheiki is arguably one of the most dismissed works of literature in Japanese history, doomed to always exist solely in comparison to the far more highly regarded Heike Monogatari. But even so, there's a lot to draw the interest of the interested historian. So, what can we learn about medieval Japan from its most famously "eh" work of literature? Show notes here.

This week: the manga industry during World War II. Plus some thoughts on the development of shojo manga, and finally a look at Tezuka Osamu and the ways in which his work helped create the manga market that exists today. Show notes here.

Histories of manga tend to skip from the colorful woodblocks of the Edo period directly to the post-WWII industry we'd recognize today. But what do we lose when we do that? And what do we gain when we do investigate the century or so that lies between those two moments? Show notes here.

This week: manga is today one of the most ubiquitous forms of entertainment in Japan. But the idea of comics as we might understand them has a much longer history. So how did we get from there to here--what, in other words, is the origin of Japanese manga/ We'll look today at the earliest known examples as we try to understand the origins of manga as a form. Show notes here.

This week, we're tackling the most legendary samurai in Japanese history: Miyamoto Musashi. Why is he so famous, what do we actually know about him, and why is there such a big gap between the story most are familiar with and what our actual sources have to say? Show notes here.

This week, we cover how the legend of Yoshitsune as told in Gikeiki describes his demise. Which is how his tale ends, unless of course you know the truth: that Yoshitsune actually escaped to Hokkaido, became a god, and then left for the mainland to become Genghis Khan. Wait, what? Show notes here.

This week, we come to the text that more than any other helps build the Yoshitsune legend: Gikeiki. Here, at long last, we see the legend of Yoshitsune taking a form that a modern audience might recognize--and in the process, beginning to diverge pretty substantially (though not entirely) from the historical record. Show notes here.

This week, the Yoshitsune legend finds its legs with Heike Monogatari--one of the most epic works in Japanese history. Except that while Yoshitsune is a bigger deal here than he is in Azuma Kagami, he's still far from the main character....so where does he show up, what changes does Heike make from the Azuma Kagami version, and what's still missing from our hero's story? Show notes here.

Note: I made a mistake recording this episode but did not have time to go back and fix it. It's episode 614! This week, we're starting a three-part series on the evolution of Minamoto no Yoshitsune from historical figure to national legend. This week: what do we know for sure about one of the most famous samurai in Japan, and what do our oldest available sources have to say about him? Show notes here.

This week, we're covering one of the most titanic names in Japanese literature--Natsume Soseki--and the work that propelled him to fame. How did the tale of a sardonic, anonymous cat transform a relatively unknown literature professor into arguably the most famous writer in modern Japanese history? Show notes here.

This week: Japanese Manchuria comes crashing down as a combination of poorly planned colonial policies and a worsening war situation see imperial power on the mainland collapse. Plus: what do we learn about the nature of empire from a long, in-depth look at Manchuria? Show notes here.

This week: some reflections on the hollow nature of Manchurian "independence", and on what kept the state going if so few of its own residents believed in its promises. Show notes here.

This week on the podcast: the Japanese presence in Manchuria was never particularly large, even at its height. So how did Japanese rule in Manchuria last as long as it did? And what of the resistance? Show notes here.

In the last episode of 2025: a bomb "mysteriously" goes off just outside Mukden during the evening of September 18, 1931. Less than six months later, Manchuria becomes an "independent country." Japan's government loses complete control over the army, all over the issue of its new "Manchurian Lifeline." And suddenly, for some reason, the last emperor of China is back! Show notes here.

As Japan enters the 1920s, national policy becomes increasingly liberalized--but Manchuria remains a holdout of extremists who, if anything, begin to take a more aggressive position on the "China Problem." How did that happen--and how did that aggressive position, seemingly overnight, become normalized back in Japan proper? Show notes here.

This week: Japan's military and civilian leaders find themselves at a crossroads in Manchuria in the 1910s, as views begin to split around what the point of Japan's presence there even is. As Russia and China collapse into civil war, the new liberal post-WWI order will see the beginnings of a very different vision of what Japan's purpose on the Asian mainland even is. Show notes here.

This week: after the Russo-Japanese War, Japan inherited a rather unusual arrangement in Manchuria, which would become the basis of its empire in the region. But how, exactly, would that new empire function? And why, precisely, did it come attached to a corporation, of all things? Show notes here.

This week, we're turning our attention to possibly the most unique of Japan's colonial ventures during the imperial era: Manchuria. Most know about Manchuria because of its role in the turbulent politics of the 1930s, but Japanese involvement in the region goes back quite a bit further. But first, what even is Manchuria in the first place? Show notes here.

For a long time, the bureaucracy--in all its elitist, meritocratic glory--has taken a great deal of the credit for Japan's postwar economic miracle. But how much of that credit does it actually deserve? Plus, some ruminations on the post-1990s fate of the bureaucracy and its general history. Show notes here.

This week: the Meiji Bureaucracy, in all its glory. How did the system actually work? What sorts of people did it attract? And what happened when the United States tried to reform the system after 1945? Show notes here.

In America, when we think of bureaucracy, it doesn't conjure the best associations. In Japan, meanwhile, the bureaucracy has a long history as one of the central organs of the state. So, how did that happen, and why has the bureaucracy--rather uniquely among Japanese institutions--survived as long as it has? Show notes here.

One of the questions I get asked a lot is about grad school: what's it like, who's it for, what applications are like, and so on. But I've been out of academia for almost 10 years, so it's hard to say what things are like today. Fortunately, a listener and friend was willing to hop on and share her far more recent experiences! Thanks again to Charlotte for sharing her story. Show notes here.

Here we are again, my friends! It's been two years since our last Q and A, and now it's time for a new one. Thank you all for your questions, and here's to another 100. Show notes here.

This week, we're talking about one of the oddest moments of the final years of feudalism: a spontaneous outbreak of dancing and religious worship collectively referred to as the "Ee Ja Nai Ka" movement. What was it, what motivated it, and how much can we even answer those questions to begin with? Show notes here.

This week, we're finishing our time with Kawai Koume by looking at how life in Wakayama had changed by the mid-1870s. Feudalism is no more, Confucianism is a historical relic, and the samurai class are in the midst of being consigned to the dustbin of history; so what is Koume thinking and doing as she's watching the world she grew up with vanish in the final years of her life? Show notes here.

This week, the Kawai family has finally made good in the world of feudal Wakayama--just in time for that world to come down around their ears. How did the family finally make it to the top, and what was it like for them to watch the shogunate and the samurai class itself implode? Show notes here.

After a long hiatus, the diary of Kawai Koume picks back up in 1853, a year of absolutely no world-shaking importance in Japanese history whatsoever-wait, I'm hearing from our producers that, in point of fact, some pretty crazy things are about to go down. And Kawai Koume, like many others, is frantically going to be trying to follow the latest news about it all while living her own life as best she can--and dealing with more than her share of tragedies. Show notes here.

This week, we'll look at the first chunk of Kawai Koume's diary, which deals with life in the 1830s--or as she knew it, the Tenpo Era. What can we learn about the lives of samurai and commoners in Wakayama during the final decades before the great crises that would end feudalism in Japan? Show notes here.

This week, we're starting a new miniseries focused on the life of Kawai Koume, a samurai woman living in Wakayama in the early 1800s. Today is going to be all about framing her life--what do we know about her upbringing, and about the city she grew up in during the twilight years of Japanese feudalism? Show notes here.

This week, we wrap up our series on Hiroshige with a few lingering questions about his career. How much does his "artistic borrowing" really matter? What's his relationship to Hiroshiges II and III? What about his second marriage and daughter? And ultimately, what makes him so damn famous--and what can we learn from that? Show notes here.

This week, we're covering Hiroshige's emergence as an artist, which took 20 years after he finished his apprenticeship in the Utagawa school. Why the long gap? And what changed to finally allow him to break out artistically? Show notes here.

This week, we're starting a new miniseries on the life of one of the most famous artists in Japanese history: Utagawa Hiroshige. We'll start off this week with a general discussion of the world of ukiyo-e during the late 1700s before moving into Hiroshige's early life and his entry into the world of woodblock printing. Show notes here.

This week on the podcast, something completely different! I'm getting some help talking about poetry from Mike Freiling, whose new translation of Hyakunin Isshu, entitled One Hundred Poems of Old Japan, will be out just a little over a week from now. We'll talk tanka vs. haiku, how translation works, and share a few favorites from one of Japan's most classic poetic compilations. Show notes here.

Our final episode in this miniseries brings conspiracism in Japan to the present day, as we discuss a wave of antisemitic conspiracy theorists from the 80s and 90s and the impact of the internet on conspiracism in Japan and around the world. Finally, we'll look at how things stand today, and go over some final thoughts on conspiracism in general. Show notes here.

This week, we're covering the postwar "Red Scare" in Japan, which has roots going back to the early 20th century but which was boosted during the postwar era by right-wing politicians and even members of the American occupation government. That conspiracy would, in turn, help shape both prewar and postwar politics on a profound level. Show notes here.

This week, conspiracism takes a new twist in Japan, from paranoid worries about Christianity to paranoid beliefs in "Western encirclement". How did this new form of conspiracism help drive Japan's descent into fascism, empire, and eventually the self-destructive decisions of the Second World War? Show notes here.

This week, we explore the "Christian conspiracies" of Edo Period Japan. Working backwards from the Osaka Incident of 1827, when a group of supposed Christian spirit mediums were uncovered as a part of a fraud investigation, we'll look at how Christianity was transformed from an actual religion into an evil spiritual threat to the foundations of Japan itself. Show notes here.

Japan's "Christian Century" is the source of many fascinating aspects of Japanese history, from modern firearms to tenpura. But there's one more way that the century from 1543-1639 shaped Japan--as the source of its first conspiracist moment! Show notes here.

This week, something a bit different: the start of a history of conspiracy theories in Japan. This first episode is mostly framing: what is conspiracism as a mindset, and how is it different from actual conspiracies? Show notes here.

This week: we take a look at the genre of the yakuza movie, or ninkyo eiga, which started off as a branch of the samurai film genre before becoming very much its own thing--and, for a decade or so in the 1960s and 1970s, dominating the Japanese box office. Show notes here.

This week: we take a look at postwar samurai film/jidaigeki in order to understand better the trajectory of the most influential genre in the history of Japanese film. Why did jidaigeki, a staple of pre-1945 film, storm back with a vengeance to the big screen after the end of World War II? What makes post-1945 samurai films distinctive or unique? And what about their relationship to another archetype of international film: the American Western? Show notes here.

This week, we're starting a history of the most famous genre in the history of Japanese film: the jidaigeki, and its related genre of the ninkyo eiga. This week: what do we know about early jidaigeki, and how do they fit into the wider history of early Japanese film? Show notes here.

This week: we wrap up the miniseries with the end of Akebono's career, as the first gaijin yokozuna takes his post-dohyo trajectory in a very different direction from the other yokozuna before him (or at least, from most of the other yokozuna before him). Plus some final thoughts on sumo today. Show notes here.

This week: Akebono becomes a yokozuna, and finds himself burdened with new expectations on and off the dohyo. Plus, a brief foray into pay and compensation for rikishi, and a final section on one of the most infamous moments of the 64th yokozuna's career. Show notes here.

This week: in the span of just a few years, Akebono goes from a rookie in sumo to one of its most prominent names, and alongside Konishiki one of the Americans dominating in the top division. But unlike Konishiki, he has the potential to go one step further. So, how does a guy from Waimanalo become the first non-Japanese citizen ever to claim the title of yokozuna? Show notes here.