Gramophone Classical Music Podcast

This week's Gramophone Podcast explores the music by Gabriel Fauré for cello and piano to coincide with a beautiful new recording by Xavier Phillips and Cédric Tiberghien on La Dolce Volta - and the cellist and pianist join Editor Martin Cullingford to discuss it.

This week's topic is a new recording by Brecon Baroque of Bach's Goldberg Variations in a fascinating new arrangement by Chad Kelly who, together with violinist Rachel Podger, joins Editor Martin Cullingford to talk about it. This week's Podcast is published in association with Wigmore Hall.

Miloš's new album is a journey of music around the continent of Europe in the era of the Baroque, and is named an Editor's Choice in the current issue of Gramophone. Editor Martin Cullingford met up with the guitarist to talk about the story behind this beautiful recording, which is available on the Sony Classical label.

In this week's Gramophone Podcast we meet with Swedish violinist Johan Dalene, a former Gramophone Young Artist of the Year. He joins Editor Martin Cullingford to talk about his new release on the BIS label, 'Stained Glass', recorded with pianist Christian Ihle Hadland – a beautifully-performed programme of Ravel, Prokofiev, Pärt, Bacewicz and Boulanger.

In this special edition of the Gramophone Podcast, we explore the full list of winners from this year's Gramophone Classical Music Awards. Editor-in-Chief James Jolly, Editor Martin Cullingford and Deputy Editor Tim Parry talk through the Category Winners, the Special Awards, and of course the new Recording of the Year - complete with excerpts of every album.

The complete piano trios of Dvořák is the topic this week, as Editor Martin Cullingford catches up with pianist Boris Giltburg, violinist Veronika Jarůšková and the cellist Petre Jarůšek, who have just recorded them for Supraphon.

Jeremy Eichler's new book, Time's Echo, just out from Faber (HB; £25) tangles with memory – what we choose to remember, what to forget – as history takes hold, and he argues that music can become in many ways the most powerful form of memorial. To illustrate this argument, he engages with works by Richard Strauss, Arnold Schoenberg, Dmitri Shostakovich and Benjamin Britten. James Jolly caught up with him recently to talk about the book. The musical excerpts which appear on the podcast, with kind permission, are: Shostakovich Symphony No 13, 'Babi Yar' Nikita Storojev; CBSO & Choir / Okko Kamu (Chandos) Schoenberg A Survivor or from Warsaw Franz Mazura; CBSO & Chorus / Simon Rattle (Warner Classics) R Strauss Metamorphosen Sinfonia of London / John Wilson (Chandos) Britten War Requiem Soloists; Choristers of St Paul's Cathedral; LSO & Chorus / Richard Hickox (Chandos) This Gramophone Podcast is published in association with Wigmore Hall. Visit Wigmore Hall's webite for full details of this week's events.

The conductor William Vann discusses his superb new Chandos Records release of Parry's Prometheus Unbound, Gramophone's Recording of the Month, with Editor Martin Cullingford.

In a series of four Decca Icons podcasts, Gramophone's James Jolly explores the artistry of four major recording musicians with Rob Cowan, Jed Distler and Richard Fairman. Focusing on recordings in the Decca catalogue, the series turns the spotlight on Bernard Haitink, Vladimir Ashkenazy, Sir Georg Solti and, this week, Benjamin Britten. Each podcast is accompanied by a special Apple Music playlist. In this final podcast, James talks to the Financial Times and Gramophone critic Richard Fairman about this towering figure in British musical life. Britten recorded for Decca, as composer, pianist and conductor, for most of his adult life and left a peerless catalogue of recordings, including one of the classics of the gramophone, the War Requiem.

The latest in our series of composer podcasts focusses on Dmitri Shostakovich. Edward Seckerson joins Gramophone Editor Martin Cullingford to share his insights with us into one of the greatest of 20th-century musical figures, with a particular focus on his extraordinary symphonies and what they reveal about his life.

In this third in our series of Decca Icons podcasts, James talks to the critic and broadcaster Rob Cowan about the Hungarian-born Sir Georg Solti who made his first recording for Decca in 1947 and remained a Decca artist until his death in 1997, leaving an extraordinary recorded legacy. The podcast is accompanied by a special Apple Music playlist which you can find at Gramophone's website.

Jennifer Higdon wrote her Concerto for Orchestra for the Philadelphia Orchestra and its then-Music Director Wolfgang Sawallisch who gave the work its premiere in 2002. Since then it's been recorded by the Atlanta Symphony and, on a new Naxos album just out, by the Houston Symphony - both conducted by Robert Spano. The new recording finds the Concerto for Orchestra joined by a much newer work, Higdon's double percussion concerto, Duo Duel (2020), played by the artists who commissioned it, Svet Stoyanov and Matthew Strauss. James Jolly caught up with Jennifer Higdon to talk about the two works' beginnings, and about how the composer manages her amazingly busy schedule. This week's podcast is produced in association with the Lake George Music Festival where you can enjoy classical music among some of America's most spectacular scenery. Visit lakegeorgemusicfestival.com to find out more.

Rachel Barton Pine's new album pairs Shostakovich's Violin Concerto No 1 with a new work by Earl Maneein called Dependent Arising, a heavy metal-influenced concerto written especially for her. In this week's Gramophone Podcast the violinist tells Editor Martin Cullingford about the recording, and explores some of the links between the two genres of music, classical and heavy metal. The album - called Dependent Arising - is available from Cedille.

In a series of four Decca Icons podcasts, Gramophone's James Jolly explores the artistry of four major recording musicians with Rob Cowan, Jed Distler and Richard Fairman. Focusing on recordings in the Decca catalogue, the series turns the spotlight on Bernard Haitink, Vladimir Ashkenazy, Sir Georg Solti and Benjamin Britten. Each podcast is accompanied by a special Apple Music playlist. In this second podcast, James talks to the New York-based critic, composer, broadcaster and piano enthusiast Jed Distler about the Russian-born pianist and conductor, Vladimir Ashkenazy.

In the latest Podcast Gramophone Editor Martin Cullingford caught up with the multi Award-winning composer Tan Dun to explore his new work, Buddha Passion, available on Decca, and to hear his fascinating thoughts on composing, conducting and on music in general.

Hyperion Records, one of the most admired and successful of specialist classical music labels, is from today available on streaming services. The entire catalogue will be uploaded in stages over the next year, but the initial 200 albums released today feature every Hyperion recording to have received a Gramophone Award – and from that illustrious list, Editor-in-Chief James Jolly, Editor Martin Cullingford and Deputy Editor Tim Parry have chosen three of their favourite albums, topped up with a tenth, to discuss and to share on this week's Podcast. Find out what they've chosen, as we celebrate some superb recordings and a splendid label.

In a series of four Decca Icons podcasts, Gramophone's James Jolly explores the artistry of four major recording musicians with Rob Cowan, Jed Distler and Richard Fairman. Focusing on recordings in the Decca catalogue, the series turns the spotlight on Bernard Haitink, Vladimir Ashkenazy, Sir Georg Solti and Benjamin Britten. Each podcast is accompanied by a special Apple Music playlist. In this first podcast, Rob and James talk about the great Dutch conductor who, during a long career, headed up ensembles and opera house in Amsterdam, London, Glyndebourne, Dresden and Chicago, as well as being a much sought-after guest, and left a vast recorded catalogue.

This week's Podcast is another special long-length edition, for which Editor Martin Cullingford is joined by Rob Cowan, Gramophone's expert on historic and archive recordings and the author for 30 years now of our monthly feature devoted to the area, Replay. Why should we listen to historic recordings? What can we learn from them, and which artists, many decades on, still offer listeners such extraordinary joy and insight? Across more than 45 fascinating minutes Rob addresses these questions, and we play excerpts from some absolute highlights from the archives.

Following five acclaimed albums with the LSO and JoAnn Falletta for Naxos, the composer Kenneth Fuchs has released a new collection of his orchestral works with John Wilson's Sinfonia of London. Recorded at St Augustine's, Kilburn, in North London, by Chandos, the collection has just been issued. James Jolly caught up with Kenneth Fuchs just before last Christmas - and the day after recording sessions - to talk about the four works on the new album.

Gramophone's Orchestra of the Year is the only award voted for by our readers and music lovers worldwide. Each year, the magazine's editors produce a short list of 10 ensembles whose music-making, particularly on record, has made a particularly strong impression on our critics. In the second of two podcasts, Gramophone's Editor-in-Chief, James Jolly, talks to the broadcaster and critic Rob Cowan about these five superb ensembles. To vote for your chosen orchestra, head to the Awards page of our website before September 7.

Gramophone's Orchestra of the Year is the only award voted for by our readers and music lovers worldwide. Each year, the magazine's editors produce a short list of 10 ensembles whose music-making, particularly on record, has made a particularly strong impression our critics. In the first of two podcasts, Gramophone's Editor-in-Chief, James Jolly, talks to the Copenhagen-based critic and cultural commentator, Andrew Mellor, about five of the nominated ensembles. To vote for your chosen orchestra, head to the Awards page of our website, but before you do (and voting remains open until September 7), maybe wait until next week's podcast when James will be in conversation with Rob Cowan about the remaining five orchestras. And to help you make up your mind, you can listen to the specially created playlists on Apple Music Classical.

For his second album for Alpha Classics, again with his regular piano partner James Baillieu, the German baritone Benjamin Appl has put together a programme under the title 'Forbidden Fruit'. Musically it ranges widely, taking in songs in English, French and German, and all bound together by a theme, and then grouped under biblical verses. James Jolly caught up with singer and pianist by Zoom – Benjamin Appl in Switzerland and James Baillieu in the UK – to talk about the programme, whether audiences today demand such an approach and how concert-giving has changed since the dark days of the pandemic.

The July edition of Gramophone features a fascinating article by Handel expert Richard Wigmore, in which he focusses on six specific years spread throughout the composer's life to offer a fascinating insight into his art and his era. Last year Gramophone's Editor Martin Cullingford sat down with Richard to record a very special edition of the Gramophone Podcast - lasting more than an hour, it's filled with rich insight into Handel's music and some of its finest recordings. It's the perfect accompaniment to our cover story.

This week's Gramophone Podcast sees acclaimed viol player, and founding member of Fretwork, Richard Boothby join Editor Martin Cullingford to talk about his new album 'Music to hear...'. Featuring works by Alfonso Ferrabosco written for lyra viol and dating from 1609, it's available now on Signum Classics. We discuss the composer and his place in the London cultural life of his day, and the sort of instrument he actually wrote for - plus, hear some beautiful excerpts from the album.

This week's guest on the Gramophone Podcast is tenor Lawrence Brownlee, who joins Editor Martin Cullingford to talk about his new album 'Rising', recorded with pianist Kevin J Miller, and available now from Warner Classics. The beautifully-performed programme includes commissions from six African-American composers of the younger generation who were invited to set texts by writers of the Harlem Renaissance, as well as songs by 20th-century composers.

This week's Gramophone Podcast features the countertenor Reginald Mobley, who joins us to talk about his new album 'Because', a programme of Spirituals performed with jazz pianist Baptiste Trotignon, and available on the Alpha label. He tells Editor Martin Cullingford about recording these beautiful, and moving, works, what they mean to him and what he hopes they will mean to audiences.

The Gramophone Award-winning pianist Kirill Gerstein has recorded Rachmaninov's Second Piano Concerto with the Berliner Philharmoniker and Kirill Petrenko: it forms part of a twinned release, 'Rachmaninoff 150', from Platoon. James Jolly met up with Gerstein a couple of months ago in London to talk about playing the music of a composer who left us two recordings of the concerto as well as being one of the greatest pianists ever to have lived. The second part of the programme includes solo works, with the Corelli Variations forming the centrepiece.

Chandos was named Gramophone's Label of the Year at the 2022 Gramophone Classical Music Awards in October – a perfect excuse for a series of podcasts focusing on some of the label's key artists and the people who steer and shape the label. This month, James Jolly talks to the conductor Edward Gardner, Principal Conductor of the London Philharmonic and Chief Conductor of the Bergen Philharmonic; in August 2024 he will assume the Music Directorship of the Norwegian Opera and Ballet. His recorded catalogue for Chandos is extensive and is crowned by the 2020 release of Benjamin Britten's Peter Grimes, recorded in Bergen, which was voted Gramophone's Opera Award winner but also our Recording of the Year.

On this week's Gramophone Podcast we talk to tenor Karim Sulayman and guitarist Sean Shibe about their album 'Broken Branches', released today on the Pentatone label. Featuring music by composers including Dowland, Britten, and Takemitsu, as well traditional songs from the Middle East, it's a fascinating and highly personal project for them both. A podcast produced in association with Wigmore Hall.

James Newby's new album, 'Fallen to Dust', for BIS explores English song, and particularly English on the theme of death. Joined by the pianist Joseph Middleton, he offers cycles by Sir Arthur Somerville and Gerald Finzi, as well as songs spanning a century, including contemporary settings by Jonathan Dove and Errollyn Wallen. A former BBC New Generation Artist, a recipient of a 2022 Borletti-Buitoni Trust Award, a Rising Star for the Orchestra of the Age of Enlightenment and an ECHO Rising Star, Newby's career has taken off impressively. James Jolly met up with him earlier this week to talk about the new album. Gramophone Podcasts are given in association with Wigmore Hall.

Countertenor Alexander Chance – last year's winner of the International Handel Singing Competition – joins Gramophone Editor Martin Cullingford to talk about his debut album of English lute songs, 'Drop not, mine Eyes', recorded with lutenist Tony Carr and available from Linn.

Carlo Rizzi, Opera Rara's Artistic Director, has recorded Mercadante's Il Proscritto for Opera Rara, another rarity to add to the label's growing catalogue. A well-chosen line-up of singers, including Ramón Vargas, Iván Ayón-Rivas, Irene Roberts, Elizabeth DeShong, Sally Matthews, Goderdzi Janelidze and Susana Gaspa, are joined by the Britten Sinfonia and Opera Rara Chorus. James Jolly catches up with the conductor.

The French pianist Cédric Tiberghien has just released a new album, Variation[s], on Harmonia Mundi. It takes Beethoven's many sets of themes and variations for solo piano as its starting point, and weaves in major sets by others composers, in Vol 1 by Mozart, Schumann and Webern. James Jolly caught up with the pianist in New York, by Zoom, to talk about the project and find out his thinking on the programme of this first volume. Gramophone Podcasts are given in association with Wigmore Hall

Guitarist Raphaël Feuillâtre talks to Gramophone Editor Martin Cullingford about his debut album for Deutsche Grammophon, Visages Baroque, which weaves a programme of arrangements of music by French Baroque composers around two major pieces by Bach. This Gramophone Podcast is produced in association with Wigmore Hall.

Tom Poster is pianist and co-artistic director of the Kaleidoscope Chamber Collective, and in the latest in our series celebrating our Label of the Year Chandos Records, Editor Martin Cullingford talks to him about what defines the group and its aims, and about their three albums so far.

The two violinists of the Tippett Quartet – John Mills and Jeremy Issacs – tell Editor Martin Cullingford about the group's new recording of the three string quartets of Erich Korngold, released on the Naxos label.

Klaus Mäkelä's second recording for Decca finds him at the helm of his French orchestra, the Orchestre de Paris. They recorded Igor Stravinsky's The Rite of Spring and the complete Firebird ballet. James Jolly spoke to the conductor by Zoom when Klaus was in Cleveland conducting performances of Mahler's Fifth Symphony. Gramophone Podcasts are given in association with Wigmore Hall

The soprano Rachel Willis-Sørensen has just released an album of Richard Strauss, two late works – the Four Last Songs and the Closing scene from the opera Capriccio. On this new Sony Classical release she's joined by the Gewandhausorchester and Andris Nelsons. James Jolly caught up with her by Zoom to talk repertoire and the allure of Strauss's vocal writing. Gramophone Podcasts are given in association with Wigmore Hall.

The Venezuelan conductor Rafael Payare was appointed Music Director of the Orchestre symphonique de Montréal (Montreal SO) at the start of the 2022-23 season and one of their first projects together, Mahler's Fifth Symphony, has just been released by Pentatone. Rafael Payare was in London recently conducting a run of much-praised performances of Rossini's Il barbiere di Siviglia at Covent Garden, and Gramophone's James Jolly took the opportunity to catch up with him to talk about his work in Montreal and the new Mahler recording. Gramophone Podcasts are given in association with Wigmore Hall.

In this week's podcast, French mezzo soprano Lucile Richardot talks to Gramophone's Hattie Butterworth about Les heures claires, an album of the complete songs of Nadia and Lili Boulanger on the Harmonia Mundi label, and also about recording Scarlatti Cantatas with harpsichordist Philippe Grisvard, for Audax.

This week's Gramophone Podcast explores the life and works of Liszt, with a particular focus on his piano music. Editor Martin Cullingford is joined by Gramophone writer and expert on both Liszt and the piano, Jeremy Nicholas to discuss the composer's greatest works, and their greatest recordings. Visit Gramophone's website for details of the featured excerpts.

Pianist, composer and author Stephen Hough tells Editor Martin Cullingford about his latest book, a childhood memoir called Enough (published by Faber), his new recording of the music of Mompou, Música callada, and his String Quartet No 1, recently recorded by the Takács Quartet (both recordings available from Hyperion).

The pianist Frank Dupree's new album for Capriccio is his third devoted to the music of Kapustin: his previous concerto album, which included the Fourth Piano Concerto, made it to the short list in the Concerto category for last year's Gramophone Classical Music Awards, and this new release, as well as containing the Fifth Piano Concerto, also includes the Concerto for two pianos and percussion, and the Sinfonietta for two pianos, both works find Frank joined by Adrian Brendle, and Dominik Beykirch conducts the Berlin RSO in the Fifth Piano Concerto. James Jolly caught up with Frank to talk about how he discovered Kapustin's music and how it perfectly plays to his strengths as both a classical and jazz pianist.

Chandos was named Gramophone's Label of the Year at the 2022 Gramophone Classical Music Awards last October – a perfect excuse for a series of podcasts focusing on some of the label's key artists and the people who steer and shape the label. The conductor John Wilson, whose recordings feature regularly in Gramophone's monthly Editor's Choice listings, has amassed a sizeable catalogue for Chandos and it continues to grow with recordings with his own Sinfonia of London, the BBC Philharmonic and BBC Scottish Symphony Orchestra. James Jolly caught up with John recently to talk about the Sinfonia of London and the recording plans he has with them, as well as his series focusing on the music of Eric Coates, Aaron Copland and Richard Rodney Bennett.

Rosalind Ventris's new album for Delphian, 'SOLA', finds her in the company of both contemporary and 20th century women composers who wrote solo repertoire for the viola. An album like this, showcasing works for solo viola written by women, is the first of its kind, taking us through the folk landscapes of Amanda Feery and Sally Beamish to Elisabeth Lutyens's defiant style and a beautiful solo suite by Imogen Holst. Hattie Butterworth caught up with Rosie in Foyles to learn more about the album and why she thinks it's important to advocate for this music. Credits: Mixing and mastering - Katy Ehrlich Photo of Rosalind - Oxford Atelier

Today's Gramophone Podcast takes us through the world of Stephen Sondheim in the company of Edward Seckerson and Sarah Kirkup. Exploring the power of newer musicals and how to be a successful musical theatre writer, the contemporary world of musical theatre comes alive through discussions, stories and musical excerpts, including Wicked, SIX and The Secret Garden. Gramophone's sister publication, Musicals, will become a bi-monthly publication from March.

In this special in-depth exploration of the music of Handel, Richard Wigmore, Gramophone writer and Handel expert, talks to Editor Martin Cullingford about the composer, one of the most dominant cultural figures of 18th-century London life. From his early years in Germany and Italy, to his success in London with both opera and, later, oratorios, we trace the development of his extraordinary career and music, and hear excerpts from some of the finest recent recordings.

Chandos was named Gramophone's Label of the Year at the 2022 Gramophone Classical Music Awards in October – a perfect excuse for a series of podcasts focusing on some of the label's key artists and the people who steer and shape the label. In this third podcast, James Jolly met up with Chandos's Managing Director, Ralph Couzens, and the producer Brian Pidgeon who has made hundreds of recordings for Chandos. The conversation took place in St Augustine's, Kilburn, North London, during a run of recording sessions with the Sinfonia of London and John Wilson.

A Festival of Nine Lessons and Carols from King's College, Cambridge is one of the world's most famous choral occasions. Taking place on Christmas Eve in the iconic chapel, the reflective, moving and ultimately joyful journey through music and scripture is broadcast annually to millions. For this special edition of the Gramophone Podcast, Editor Martin Cullingford met with Director of Music Daniel Hyde to explore what makes this service so beloved, and to talk more generally about the acclaimed choir.

As is traditional, Gramophone's reviewers have named their favourite recordings of the year (in the December issue and online). Now Gramophone's Editor, Martin Cullingford, Reviews Editor, Tim Parry, and Editor-in-Chief, James Jolly, each nominate three albums that they've enjoyed over the past 12 months.