From Beneath the Hollywood Sign

From Beneath The Hollywood Sign is thrilled to welcome our newest sponsor, www.HappyMammoth.com. Use code BENEATH at checkout for 15% off of your entire first order! EPISODE 39 - “Father Knows Best: Classic Cinema's Best (and Worst!) Dads” - 06/10/2024 When you stop to think about the great fathers of classic cinema, Atticus Finch, the mild-mannered Southern lawyer in “To Kill A Mockingbird” (1962), has to be at the top of the list. But who else would be on that list? And what about the horrible fathers of old Hollywood? As you scramble to find that last-minute tie or cologne for dear old Dad for Father’s Day, make sure you check out this week’s episode, where Steve and Nan celebrate some of old Hollywood’s most memorable fathers — the good and the bad. SHOW NOTES: Sources: “20 Best and Worst Movie Fathers,” June 19, 2020, by David Fear, Rolling Stone.com “Noah Cross (John Huston) Character Analysis: Mad, Bad, and Dangerous to Know,” schmoop.com Yahoo.com RogerEbert.com IMDBPro.com; Wikipedia.com; Movies Mentioned: How Green Was My Valley (1941), starring Walter Pidgeon, Maureen O’Hara, Donald Crisp, Patric Knowles, Anna Lee, Roddy McDowell, Sara Allgood, and Barry Fitzgerald; Bicycle Thieves (1948), starring Vittorio De Sica, Enzo Staiola, and Lianella Carell; Splendor in the Grass (1961), starring Natalie Wood, Warren Beatty, Pat Hingle, Audrey Christie, Barbara Loden, Zorah Lampert, Sandy Dennis, and Phyllis Diller; The Heiress (1949), starring Olivia de Havilland, Montgomery Clift, Ralph Richardson, Miriam Hopkins, Vanessa Brown, and Mona Freeman; The Swiss Family Robinson (1960), starring John Mills, Dorothy McGuire, James MacArthur, Tommy Kirk, Kevin Corcoran, and Janet Munro; Shane (1953), starring Alan Ladd, Jean Arthur, Van Helfin, Brandon De Wilde, Jack Palance, Ben Johnson, Edgar Buchanan, Elisha Cook Jr, and Ellen Corby; Chinatown (1974), starring Jack Nicholson, Faye Dunaway, John Huston, Perry Lopez, Diane Ladd, and John Hillerman; Rebel Without A Cause (1955), starring James Dean, Natalie Wood, Sal Mineo, Dennis Hopper, Jim Backus, Corey Allen, Ann Doran, Nick Adams, William Hopper, and Edward Platt; Our Vines Have Tender Grapes (1945), starring Edward G. Robinson, Margaret O’Brien, Agnes Moorhead, James Craig, Jackie “Butch” Jenkins, Frances Gifford, Morris Carnovsky, and Sara Haden; --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 38 - “Ruth Roman: Star of the Month (June)” - 06/03/2024 RUTH ROMAN was more than a pretty face; she was a survivor! She survived childhood poverty, the fickle nature of Hollywood, the wrath of Alfred Hitchcock, several marriages, and the sinking of the luxury liner Andrea Doria in 1956. Yes, Roman was a warrior. This week, Roman is our Star of the Month for June. Join us as we take a look at her life and her long and fruitful career, where her versatility kept her working for five decades in great films such as “Good Sam” (1948), “The Window” (1949), “Strangers On A Train” (1951), and “The Far Country” (1954). SHOW NOTES: Sources: Femme Noir: Bad Girls of Film (1998), by Karen Burroughs Hannsberry; Ruth Roman: A Career Portrait (2022), by Derek Sculthorpe; “Stardom Seen for Ruth Roman,” December 11, 1949, by Hedda Hopper, The Los Angeles Times; “The Progress of a Rising Star: Ruth Roman,” May 1, 1950, Life Magazine; “Hollywood Hasn’t Changed Her,” May 17, 1950, by Lloyd L. Sloan, The Hollywood Citizen News; “Roman Holiday,” August 12, 1950, Look Magazine; Bachelor Girl Life Liked by Ruth Roman,” August 29, 1950, by Ruth Roman, The Los Angeles Evening Herald; “The Role I Liked Best,” November 4, 1950, by Ruth Roman, The Saturday Evening Post; “Ruth Roman Aiming at Film Personality,” November 26, 1950, by John L. Scott, The Los Angeles Times; “Film Star and Radio Executive Plan No Honeymoon,” December 18, 1950, by Louella Parsons, The LA Examiner; “Hollywood’s ROMAN Candle,” March 17, 1951, by Gladden Hill, Colliers Magazine; “6-Pound Boy Born To Ruth Roman,” November 13, 1952, The Hollywood Citizen News; “Matrimony, Motherhood Revive’s Ruth’s Career,” February 1, 1953, by Edwin Schallert, The Los Angeles Times; “Ruth Roman Saves Her Son,3, and Loses Dress,” July 27, 1956, by Ruth Roman, The Hollywood Citizen News; “Weeping Ruth Roman Reunited With Her Son,” July 28, 1956, The LA Examiner; “Hall To Leave Ruth Roman for Diana Lynn,” October 9, 1956, by Louella Parsons, The LA Examiner; “Ruth Roman says ‘I Do’ in Panama,” November 9, 1956, The Los Angeles Times; “SeeSaw Star Isn’t Tumbling,” May 13, 1959, by Margaret Harford, The Mirror News; “Annulment of Marriage Won by Ruth Roman,” August 11, 1961, The Los Angeles Times; “Ruth Roman Just Unsinkable Star,” October 30, 1963, by Hal Humphrey, The Los Angeles Times; “Passing Time Has Left Ruth Roman Untouched,” January 10, 1971, by Jim Meyer, The Miami Herald ; “Ruth Roman,” April 1973, by Don Stance, Film Fan Monthly Magazine; “Ruth Roman: The Ride of a New Roman Empire,” January 1986, Los Angeles Magazine; “Ruth Roman, 75, Glamorous and Wholesome Star, Dies,” September 11, 1999, by William Honan, The New York Times; IMDBPro.com; Wikipedia.com; Movies Mentioned: Stage Door Canteen (1943); Ladies Courageous (1944); Since You Went Away (1944); Song of Nevada (1944); Jungle Queen (1945); You Came Along (1945); Incendiary Blonde (1945); Gilda (1946); The Big Clock (1948); Good Sam (1948); Belle Starr's Daughter (1948); The Window (1949); Champion (1949); Beyond The Forest (1949); Always Leave Them Laughing (1949); Barricade (1950); Colt .45 (1950); Three Secrets (1950); Dallas (1950); Lightning Strikes Twice (1951); Strangers On A Train (1951); Tomorrow Is Another Day (1951); Invitation (1952); Mara Mara (1952); Young Man With Ideas (1952); Blowing Wild (1953); The Far Country (1954); Down Three Dark Streets (1954); Great Day In The Morning (1956); Rebel In Town (1956); 5 Steps To Danger (1956); Bitter Victory (1957); Desert Desperados (1959); Love Has Many Faces (1965); Go Ask Alice (1973); The Baby (1973); The Killing Kind (1973); Impulse (1974); Day Of The Animals (1977); --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 37 - “Memorial Day Movies” - 05/27/2024 War is Hell. As our nation prepares to honor the brave men and women who lost their lives defending our freedom on Memorial Day, Steve and Nan offer up a special episode where they will discuss a few war-themed films that have resonated with them over the years. Their choices cover everything from the Civil War to World War II. SHOW NOTES: Sources: 100 Great War Movies: The Real History Behind the Films (2018), by Robert J. Niemi; 101 War Movies You Must See Before You Die (2009), by Steven Jay Schneider; Hollywood War Movies, 1937-1945 (1996), by Michael S. Shull and David Edward Wilt; IMDBPro.com; Wikipedia.com; Movies Mentioned: Sergeant York (1941), starring Gary Cooper, Walter Brennan, Joan Leslie, Margaret Wycherly, George Tobias, June Lockhart, Dickie Moore, Ward Bond, and ,Noah Beery, Jr; Mrs. Miniver (1942), starring Greer Garson, Walter Pidgeon, Teresa Wright, Dame May Witty, Richard Ney, Reginald Owen, and Henry Travers; So Proudly We Hail (1943), starring Claudette Colbert, Paulette Goddard, Veronica, Lake, George Reeves, Sonny Tufts, Barbara Britton, Mary Treen, Cora Witherspoon, and Walter Abel; 12 O’Clock High (1949), starring Gregory Peck, Dean Jagger, Millard Mitchell, Gary Merrill, Hugh Marlowe, John Kellogg, Richard Anderson, Robert Patten, and Lawrence Dobbin; Operation Petticoat (1959), starring Cary Grant, Tony Curtis, Dina Merrill, Joan O’Brien, Arthur O’Connell, Marion Ross, Gavin MacLeod, and Dick Sergeant; Shenandoah (1965), starring James Stewart, Patrick Wayne, Glenn Corbett, Phillip Alford, Doug McClure, Rosemary Forsythe, Katharine Ross, Harry Carey, Jr, Strother Martin, and George Kennedy; --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 36 - “Classic Hollywood Clones: The Remaking of a Movie Star” - 05/20/2024 SHOW NOTES: They say that imitation is the highest form of flattery. That may not be the case when it came to the star system of old Hollywood. When an actor like CLARK GABLE or GRETA GARBO or ROCK HUDSON emerged as a star, every studio in town tried to capitalize and create their own version. For every MARILYN MONROE, there’s a dozen CLEO MOOREs. Often studios would groom an actor with similar looks and skills to be a “threat” to bigger stars who become difficult to work with, or get older and less appealing, or refuse to appear in assigned films. Most of the stars groomed as a threat to a bigger star usually faded into obscurity, but others learned to get out of the looming shadow of the big star and carve out a career of their own. So this week, we pay tribute to the stars who got their starts by being groomed to replace another star. Sources: Jayne Mansfield: A Biography (1973), by May Mann; Clark Gable: A Biography (2005), by Warren G. Harris; Marilyn Monroe: The Private Life of a Public Icon (2018), by Charles Casillo; Ingrid Bergman: My Story (1980), by Ingrid Bergman; High Society: The Life of Grace Kelly (2017), by Jay Jorgensen and Manoah Bowman; IMDBPro.com; Wikipedia.com; --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 35 - “The Mystery Behind the Columbia Pictures’ Torch Lady and MGM’s Leo, the Lion” - 05/13/2024 Every major Hollywood studio has its recognizable logo. Paramount has its “mountain of stars,” 20th Century Fox has its roving klieg lights, and RKO has its radio towers. But two of the most famous studio logos have to be MGM’s “Leo, the lion” and Columbia’s regal “torch lady.” In this week’s episode, Steve and Nan dive into the history of these two iconic symbols of Hollywood excellence. From the image design to the models used to the roaring lions, we will tell you how these two ever-evolving images came to represent two of Hollywood’s finest movie studios. SHOW NOTES: Sources: “The Story Behind Columbia Pictures’ Iconic Logo: How Photographer Found Model for 1992 Shoot,” One 8, 2023, by Tommy McArdle, People magazine; “The Complete History of the Columbia Pictures Logo,” by Rachel Smith, Hatchwise.com; “The Story of the Most Famous Lion,” April 17, 2107, by Kat Escher, Smithsonian Magazine; “The Brief History of the MGM Lion,” June 25, 2022, www.silvescreenings.org; “The MGM Lion,” April 15. 2020, The Vernacular; IMDBPro.com; Wikipedia.com; --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In “It’s A Wonderful Life,” BEULAH BONDI played the most loving mother to JAMES STEWART. Ma Bailey is the epitome of sweetness, kindness, and supportiveness so it’s quite shocking when we meet the Ma Bailey who would have existed had George Bailey not been born. She’s cold, bitter, and unkind. It gives Bondi the wonderful opportunity to play two versions of the same character, which she does flawlessly. So to celebrate Mother’s Day, Nan and Steve are taking a page from Bondi’s playbook as they discuss the good and bad mothers of classic cinema. SHOW NOTES: Sources: Moms in the Movies (2014), by Richard Corliss; Actresses of a Certain Character (2007), by Axel Nissen; Irene Dunne: First Lady of Hollywood (2006), by Wes D. Gehring; Shelley: Also Known as Shirley (1981), by Shelley Winters; Gene Tierney: Self Portrait (1979), by Gene Tierney and Mickey Herkowitz; “Mrs. Miniver: The film that Goebbels Feared,” February 9, 2015, by Fiona Macdonald, February 9, 2015, BBC.com; "Greer Garson, 92, Actress, Dies; Won Oscar for 'Mrs. Miniver’,” April 7, 1996, by Peter B. Flint, New York Times; “Stella Dallas,” August 6, 1937, New York Times Film Review; “Barbara Stanwyck, Actress, Dead at 82,” Jan. 22, 1990, by Peter B. Flint, New York Times; “1989 Kennedy Center Honors, Claudette Colbert,” Kennedy-Center.org; “Moving Story of War Against Japan: ‘Three Came Home’,” by Bosley Crowther, Feb. 21, 1950, New York Times Film Review; “Queen of Diamonds: Angela Lansbury on ‘The Manchurian Candidate’,” 2004; “Manchurian Candidate: Old Failure, Is Now A Hit,” by Aljean Harmetz, February 24, 1988, New York Times; “Jo Van Fleet,” by Dan Callahan, May 10, 2017, Film Comment; “Pacific’s largely forgotten Oscar winner made impact on screen,” March 3, 2024, University of the Pacific; IMDBPro.com; Wikipedia.com Movies Mentioned: The Grapes of Wrath (1940), starring Henry Fonda, Jane Darwell, John Carradine, and Charley Grapewin; The Ox-Bow Incident (1943), starring Henry Fonda, Dana Andrews, Mary Beth Hughes, Henry Morgan, Jane Darwell, Anthony Quinn, and William Eythe; Mrs. Miniver (1942), starring Greer Garson, Walter Pidgeon, Teresa Wright, Henry Travers, and Richard Ney; Leave Her To Heaven (1945), starring Gene Tierney, Cornel Wilde, Jeanne Crain, Vincent Price, Mary Phillips, and Darryl Hickman; The Manchurian Candidate (1962), starring Lawrence Harvey, Frank Sinatra, Janet Leigh, and Angela Lansbury; The Manchurian Candidate (2004), starring Denzel Washington, Meryl Streep, Live Schreiber, and Jeffrey Wight; Gaslight (1944), starring Ingrid Bergman, Charles Boyer, Joseph Cotten, and Angela Lansbury; I Remember Mama (1948), starring Irene Dunne, Philip Dorn, Barbara Bel Geddes, Oscar Homolka, Ellen Corby, Sir Cedric Hardwicke, and Barbara O’Neil; Stella Dallas (1937), starring Barbara Stanwyck, Anne Shirley, John Boles, Barbara O’Neil, and Alan Hale; Stella (1990), starring Bette Midler, Trini Alvarado, John Goodman, Stephen Collins, Marsha Mason, and Eileen Brennan; White Heat (1949), starring James Cagney, Virginia Mayo, Edmond O’Brien, Steve Cochran, Margaret Wycherly, Fred Clark, and John Archer; The Little Foxes (1941), starring Bette Davis, Herbert Marshall, Teresa Wright, Patricia Collinge, Dan Duryea, and Richard Carlson; The Ten Commandments (1956), starring Charlton Heston, Anne Baxter, Yul Brynner, Edward G. Robinson, Yvonne DeCarlo, Martha Scott, John Derek, Debra Paget, Vincent Price, and John Carradine; Three Came Home (1950), starring Claudette Colbert. Sessue Hayakawa, and Patric Knowles; A Patch of Blue (1965), starring Sidney Poitier, Elizabeth Hartman, Shelley Winters, Wallace Ford, Ivan Dixon, and Elizabeth Fraser; East of Eden (1955), starring James Dean, Julie Harris, Raymond Massey, and Jo Van Fleet --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 33 - “Zachary Scott: Star of the Month (May)” - 04/29/2024 Suave, debonaire, and effortlessly charming, ZACHARY SCOTT is best known for his role in MICHAEL CURTIZ's film noir classic Mildred Pierce (1945). As the duplicitous, silver-tongued charmer Monte Beragon, he romances Mildred, played by JOAN CRAWFORD (in her Oscar-winning role), and Mildred's daughter, Veda (ANN BLYTH). This became Scott's signature role: the sexy cad who was usually at his best swindling, seducing, or being a general scoundrel. It was always fun watching Scott's dastardly ways unfold. He could rock a tux, looked naked without a martini in his hand, and always had a cigarette close by. He was so magnetic that he could even make film-goers feel sorry for him. While he seldom got to play the good guy, when he did, as in what is perhaps one of his best roles in JEAN RENOIR's The Southerner (1945), you realize the versatility that he seldom had the opportunity to display. With a career that included over 40 films and dozens of television roles, ZACHARY SCOTT is our Star of the Month. SHOW NOTES: Sources: Zachary Scott: Hollywood’s Sophisticated Cad (2009), by Ronald L. Davis; “Actor Zachary Scott, Leading Man for 3 Decades, Dies of Brain Tumor,” October 4, 1965, Akron Bacon Journal “Who Was Zachary Scott?” www.zachtheatre.org; “Zachary Scott’s Guilded Cage,” Spring 2020, by Farren Smith Nehme, www.filmnoirfoundation.org; IMDBPro.com; Wikipedia.com; Movies Mentioned: Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, Zachary Scott, Jack Carson, Eve Arden, Bruce Bennett, Lee Patrick, and Butterfly McQueen; The Southerner (1945), starring Zachary Scott, Betty Field, Beulah Bondi, Norman Lloyd, J. Carroll Naish, Jay Gilpin, Jean Vanderwilt, Blanche Yurka, and Percy Kilbride; The Mask of Dimitrios (1944), starring Zachary Scott, Faye Emerson, Peter Lorre, and Sydney Greenstreet; Hollywood Canteen (1944), starring Bette Davis, John Garfield, Joan Crawford, Joan Leslie, Dane Clark, Joe E, Brown, Barbara Stanwyck, Id Lupino, Sydney Greenstreet, and Jack Benny; Danger Signal (1945), starring Zachary Scott, Faye Emerson, Mona Freeman, Richard Erdman, Rosemary DeCamp, and Joyce Compton; Her Kind Of Man (1946), starring Zachary Scott, Dane Clark, Janis Page, and Faye Emerson; The Unfaithful (1947), starring Ann Sheridan, Lew Ayres, Zachary Scott, and Eve Arden; Stallion Road (1947), starring Ronald Reagan, Alexis Smith, and Zachary Scott; Cass Timberlane (1947), starring Spencer Tracy, Lana Turner, Zachary Scott, Tom Drake, Mary Astor, Margaret Lindsay, and Albert Dekker; Ruthless (1948), starring Zachary Scott, Louis Hayward, Diana Lynn, Sydney Greenstreet, Lucille Bremer, and Martha Vickers; Whiplash (1948), staring Dane Clark, Alexis Smith, Zachary Scott, Eve Arden, S.Z. Sakall, Jefferey Lynn, and Alan Hale Jr; Flamingo Road (1949), starring Joan Crawford, Zachary Scott, Sydney Greenstreet, David Brian, Virginia Huston, Gladys George, and Fred Clark; Shadow On The Wall (1950), starring Ann Sothern, Zachary Scott, John McIntire, Gigi Perreau, Kristine Miller, and Nancy Davis; Born To Be Bad (1950), starring Joan Fontaine, Zachary Scott, Joan Leslie, Robert Ryan, and Mel Ferrer; Stronghold (1951), starring Veronica Lake, Zachary Scott, and Rita Meceda; The Secret of Convict Lake (1951), starring Glenn Ford, Gene Tierney, Zachary Scott, Ethel Barrymore, Ann Dvorak, Barbara Bates, and Janette Nolan; Dead On Course (1953), starring Zachary Scott and Kay Kendall; Flame of the Islands (1955), staring Yvonne DeCarlo, Howard Duff, and Zachary Scott; Violent Stranger (1957), starring Zachary Scott, and Faith Domergue; --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 32 - “The Mary Astor Purple Diary Scandal” - 04/22/2024 One of the most scandalous trials in early Hollywood history involved actress MARY ASTOR, who had made a name for herself playing virginal ingenues and good girls. Mary, who had kept a diary for most of her life, found her words used as a sensationalized weapon against her in her quest to regain custody of her 4-year-old child in 1936 after her acrimonious divorce from her doctor husband. The trial made worldwide headlines. Her sexy, salacious diary entries showed the world a more sensual side to our virginal Mary, and, in many ways, helped propel her career into the stratosphere. Listen as we discuss Mary Astor, her life, her career, and her shocking purple diaries that took center stage in a Los Angeles courtroom. SHOW NOTES: Sources: Mary Astor: My Story (1960), by Mary Astor; Mary Astor: A Life on Film (1972), by Mary Astor; The Purple Diaries: Mary Astor and the Most Sensational Hollywood Scandal of the 1930s (2016), by Joseph Egan; Mary Astor’s Purple Diary: The Great American Sex Scandal of 1936 (2106), by Edward Sorel; IMDBPro.com; Wikipedia.com; Movies Mentioned: Beau Brummell (1924), starring John Barrymore and Mary Astor; Dodsworth (1936), starring Walter Huston, Ruth Chatterton, Paul Lukas, and Mary Astor; Red Dust (1932), starring Clark Gable, Jean Harlow, and Mary Astor: The Prisoner of Zenda (1937), starring Ronald Colman, Douglas Fairbanks Jr. Madeleine Carroll, Mary Astor, David Niven, Raymond Massey, and C. Aubrey Smith: The Maltese Falcon (1941), starring Humphrey Bogart, Mary Astor, Sydney Greenstreet, Peter Lorre, Lee Patrick, and Elisha Cook Jr; The Palm Beach Story (1942), starring Claudette Colbert, Joel McCrea, Mary Astor, and Rudy Vallee; Act of Violence (1948), starring Van Heflin, Robert Ryan, Janet Leigh, Mary Astor, and Phyllis Thaxter; Little Women (1949), starring June Allyson, Elizabeth Taylor, Janet Leigh, Margaret O’Brien, Mary Astor, and Peter Lawford; Hush…Hush, Sweet Charlotte (1964), starring Bette Davis, Olivia de Havilland, Joseph Cotten, Agnes Moorhead, Mary Astor, Victor Buono, Cecil Kellaway, and Bruce Dern; --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 31 - “The Turner Classic Movies Film Festival Preview” - 04/15/2024 From April 18th through the 21st, the 15th Annual TCM Classic Film Festival will be held in Hollywood. Steve and Nan were fortunate enough to be invited to be a part of the media that covers the festival this year. To get everyone in the mood, we have a special episode about all the festival and everything you need to know. We will give you an overview of what to expect, and we’ll let you know who is scheduled to attend. In addition, we talk about several movies being shown this year that we are especially excited about. SHOW NOTES: Sources: TCM.org IMDBPro.com; Wikipedia.com; Movies Mentioned: Silence of the Lambs (1991) - Starring Jodie Foster, Anthony Hopkins, Scott Glenn, Ted Levine, Brooke Smith, Diane Baker; Pulp Fiction (1994) — Starring John Travolta, Samuel L. Jackson, Uma Thurman, Bruce Willis, Eric Stoltz, Amanda Plummer, Tim Roth, Christopher Walken, and Harvey Keitel; Lady Sings The Blues (1972) - Starring Diana Ross, Billy Dee Williams, Richard Pryor, Scotsman Crothers, Tracee Lyles, Isabel Sanford, and Kay Lewis; The Big House (1930) - Starring Robert Montgomery, Chester Morris, and Wallace Beery; The Good Fairy (1935) — Margaret Sullavan, Herbert Marshall, Frank Morgan, Reginald Owen, and Cesar Romero; The Night Has A Thousand Eyes (1948) — Edward G. Robinson, Gail Russell, John Lunch, Virginia Bruce, and William Demarest; The Model and the Marriage Broker (1952) — Jeanne Crain, Thelma Ritter, and Scott Brady; The Prisoner of Shark Island (1949) —Starring Warner Baxter, Gloria Stuart, John Carradine, Harry Carey, Francis Ford, John McGuire, and Paul Fix; Westward The Women (1951) — starring Robert Taylor, Denise Darcel, Hope Emerson, John McIntire, and Julie Bishop; --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 30 - “Robert Walker: Old Hollywood’s Tragic Boy Next Door” - 04/08/2024 No one played sensitive, lost souls quite like ROBERT WALKER. However, he is best known for playing one of the most complicated, psychopaths in film history, Bruno Antony in ALFRED HITCHCOCK’s masterpiece “Strangers On A Train” (1951). His journey from playing sensitive innocents to playing Bruno is reflective of his troubled, turbulent life, and the heartbreak from which he never recovered. This week, we’ll discuss the artistry and the tragedy of this incredible actor. SHOW NOTES: Sources: Star-Crossed: The Story of Robert Walker and Jennifer Jones (1986), by Beverly Linet; Portrait of Jennifer (1995), by Edward Z. Epstein; Showman: The Life of David O. Selznick (1992), by David Thomson; Hollywood On The Couch: A Candid Look at the Overheated Love Affair Between Psychiatrists and Moviemakers (1993), by Marc Green and Stephen Farber; “Biography of Robert Walker,” April 1951, Paramount Pictures; “I Know Myself Now”, by Marva Anderson, July 1950, Movieland Magazine; “Actor Walker Dies After Drug Dosage,” August 3, 1951, by Gladwin Hill, New York Times; “Robert Walker: A Great Star Lost,” August 15, 1999, by David Thomson, The Independent On Sunday (London); “An Affair to Forget?” March 1998, by Nick Clooney, American Movie Classics Magazine; “Utahn’s Rising Career in Films Came to a Sudden Tragic End,” July 23, 1999, by E. Hunter Hale, Deseret News; “Robert Walker, Jr. ‘Star Trek’ Actor and Son of Superstars, Dies at 79,” December 6, 2019, The Hollywood Reporter; IMDBPro.com; Wikipedia.com; Movies Mentioned: Strangers On A Train (1951), starring Robert Walker, Farley Granger, Ruth Roman, Leo G. Carroll, Pat Hitchcock, and Kasey Rogers; New Frontier (1939), starring John Wayne and Phylis Isley (Jennifer Jones); Dick Tracy’s G-Men (1939), starring Ralph Byrd and Phylis Isley (Jennifer Jones); Winter Carnival (1939), starring Ann Sheridan, Richard Carlson, and Helen Parrish; These Glamour Girls (1939), starring Lana Turner, Lew Ayres, Marsha Hunt, Ann Rutherford, Mary Beth Hughes, Richard Carlson, and Jane Bryan; Dancing Co-Eds (1939) staring Lana Turner, Richard Carlson, Ann Rutherford, Lee Bowman, and Artie Shaw; The Song of Bernadette (1943), starring Jennifer Jones, Charles Bickford, Vincent Price, Anne Revere, William Eythe, Lee J. Cobb, and Gladys Cooper; Bataan (1943), Staring Robert Taylor, George Murphy, Thomas Mitchell, Desi Arnaz, and Robert Walker; Madame Curie (1943), starring Greer Garson, Walter Pidgeon, Henry Travers, and Robert Walker; See Here Private Hargrove (1944), staring Robert Walker and Donna Reed; Since You Went Away (1945), starring Claudette Colbert, Jennifer Jones, Shirley Temple, Joseph Cotten, and Robert Walker; Thirty Seconds Over Tokyo (1944), starring Spencer Tracy, Van Johnson, and Robert Walker; The Clock (1945), starring Judy Garland and Robert Walker; Her Highness and the Bell Boy (1945), starring June Allyson, Hedy Lamarr, and Robert Walker; The Sailor Takes A Wife (1945), starring June Allyson and Robert Walker; Til The Clouds Roll By (1946); Robert Walker, June Allyson, Judy Garland, Kathryn Grayson, Van Heflin, Van Johnson, Lucille Bremer, Cyd Charisse, and Angela Lansbury; One Touch of Venus (1948), starring Robert Walker, Ava Gardner, Tom Conway, and Eve Arden; Please Believe Me (1950), starring Deborah Kerr, Robert Walker, Peter Lawford, and Mark Stevens; The Skipper Surprises His Wife (1950), starring Robert Walker and Joan Leslie; Vengeance Valley (1951), starring Burt Lancaster, Joanne Dru, and Robert Walker; My Son John (1952), staring Helen Hayes, Robert Walker, and Van Heflin; --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 29 - “Jan Sterling: Old Hollywood Star of the Month” - 04/01/2024 Our “Star of the Month” is the fabulous JAN STERLING, who was married to our March “Star of the Month,” PAUL DOUGLAS. Blonde, beautiful, and often deadly on screen, Sterling started in theatre, but made a name for herself portraying tough dames, femme fatales, and sexy seductresses in films such as “Caged,” “Ace In the Hole” and “The High and the Mighty.” However, her upbringing was quite different from these wayward women she played so convincingly; she was actually from a very wealthy and prominent family. She had a stellar career, but many heartbreaks off camera. This week, we discuss the life and career of this most memorable lady. SHOW NOTES: Sources: Jan Sterling: Everything You Need To Know (2014), by Billy Vasquez; The Encyclopedia of Film Actors (2003), by Barry Monush; The Illustrated Who’s Who of the Cinema (1983), by Ann Lloyd and Graham Fuller; Quinlan’s Illustrated Registry of Film Stars (1986), by David Quinlan; “Jan Sterling, 82, Blonde Actress Who Made Film Noir A Specialty” Obituary, March 29, 2004, The New York Times; IMDBPro.com; Wikipedia.com; Movies Mentioned: Tycoon (1947), starring John Wayne, Laraine Day, and Anthony Quinn; Johnny Belinda (1948), starring Jane Wyman, Lew Ayres, and Agnes Moorhead; Caged (1950), starring Eleanor Parker, Agnes Moorhead, and Faye Emerson; Appointment With Danger (1950), starring Robert Walker and Joan Leslie; The Mating Season (1950), starring Gene Tierney, John Lund, and Thelma Ritter; Ace In The Hole (1951), starring Kirk Douglas; Rhubarb (1951), starring Ray Miland; Flesh and Fury (1952), starring Tony Curtis; Sky Full of Moon (1952), starring Carleton Carpenter, Jan Sterling, Keenan Wynn, and Elaine Stewart; Split Second (1953), starring Stephen McNally; Pony Express (1953), starring Charlton Heston and Rhonda Fleming; The Vanquished (1953), starring John Payne and Coleen Gray; Alaska Seas (1954), starring Robert Ryan; The High and the Mighty (19543), starring John Wayne, Robert Stack, Claire Trevor, and Laraine Day; Woman’s Prison (1955), starring Ida Lupino, Phyllis Thaxter, Audrey Totter, and Howard Duff; Female on the Beach (1955), starring Joan Crawford and Jeff Chandler; The Harder They Fall (1956), starring Humphrey Bogart and Rod Steiger; 1984 (1956), starring Edmond O’Brien and Michael Redgrave; The Female Animal (1958), starring Hedy Lamar, Jane Powell, and George Nader; Kathy O (1958), starring Dan Duryea and Patty McCormick; High School Confidential (1958), starring Russ Tamblyn and Mamie Van Doren; Love In A Goldfish Bowl (1961), staring Fabian, Tommy Sands, and Majel Barrett; The Incident (1967), Starring Martin Sheen, Beau Bridges, and Tony Musante; The Minx (1969), starring Robert Roden and Shirley Parker; First Monday in October (1981), Starring Walter Matthau and Jill Clayburgh; --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 28 - “Golden Era Stars in 1970s Disaster Films” - 03/25/2024 Just when many classic films stars thought they were finished in showbiz, a wonderful thing happened — 1970s disaster movies! Producers like IRWIN ALLEN and JENNINGS LANG shepherded in an exciting, over-the-top, new genre that capitalized on our fears. They also smartly cast many classic film actors in these movies, providing familiar faces who added comfort and emotional investment. These films proved not only lucrative for these golden era stars, but kept them in the public eye longer and often revived careers. Listen this week as we talk about our favorite film icons as they are shaken, flipped, torched, and dropped from the sky in the great 70s disaster films. SHOW NOTES: Sources: Charlton Heston: Hollywood’s Last Icon (2017), by Marc Eliot; Burt Lancaster: An American Life (2000), by Kate Buford Trust Me: A Memoir (2011), by George Kennedy Steps In Time: An Autobiography (2008), by Fred Astaire; Master of Disaster: Irwin Allen - The Disaster Years (2009), by John William Law; Disaster Movies: The Cinema of Catastrophe (2006), by Stephen Keane; Disaster Movies: A Loud, Long, Explosive, Star-Studded Guide To Earthquakes, Floods, Meteors, Sinking Ships, Twisters, Viruses, Killer Bees, Nuclear Fall Out, and Alien Attacks in the Cinema (2006), by Glen Kay and Michael Rose; The Stewardess Is Flying The Plane: American Films of the 1970s (2005), by Ron Hogan and Peter Bogdanovich; IMDBPro.com; Wikipedia.com; Movies Mentioned: Airport (1970) - Burt Lancaster, Dean Martin, George Kennedy, Van Helflin, & Helen Hayes; Straight Jacket (1964) - Joan Crawford, Diane Baker, & George Kennedy; The Sons of Katie Elder (1965) - John Wayne, Dean Martin, & George Kennedy; The Sin of Madame Claudet (1931) - Helen Hayes, Robert Young, & Lewis Stone; The Strange Love of Martha Ivers (1946) - Barbara Stanwyck, Van Heflin, Lizabeth Scott & Kirk Douglas; Johnny Eager (1942) - Robert Taylor, Lana Turner, & Van Heflin; Act of Violence (1949) - Van Heflin, Robert Ryan, Janet Leigh, & Mary Astor; Earthquake (1974) - Charlton Heston, Ava Gardner, George Kennedy, Geneviéve Bujold, Lorne Green, Barry Sullivan, Lloyd Nolan, and Monica Lewis; Touch of Evil (1958) - Charlton Heston, Orson Welles, & Janet Leigh; The Hucksters (1947) - Clark Gable, Deborah Kerr, & Ava Gardner; Autumn Leaves (1956) - Joan Crawford, Cliff Robertson, & Vera Miles; Michael Shayne: Private Detective (1940) - Lloyd Nolan & Marjorie Weaver; Jeopardy (1953) - Barbara Stanwyck, Barry Sullivan, & Ralph Meeker; The Towering Inferno (1974) - Paul Newman, Steve McQueen, Faye Dunaway, William Holden, Fred Astaire, & Jennifer Jones; The Swarm (1978) - Michael Caine, Katharine Ross, Richard Widmark, Olivia de Havilland, Ben Johnson; --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 27 - “Dona Drake: What Price Fame” - 03/18/2024 Latina star DONA DRAKE, who signed a contract with Paramount Pictures in 1941, was many things — singer, dancer, actress, bandleader, musician — but one thing she wasn’t, as it turned out, was Latin! While Paramount promoted their new discovery as a spitfire Latina born in Mexico City, Drake was, in fact, an African-American woman from Florida who pretended to be Latin, going so far as to learn Spanish fluently, in order to have a better chance at a Hollywood career. Listen to this fascinating story of one woman who went undercover just so she wouldn’t have to play the maid. SHOW NOTES: Sources: Biography of Dona Drake (Paramount Contact Player), September 1942, Paramount Studios; “Dona Drake Tells Marriage,” September 9, 1944, by Hedda Hopper, The Los Angeles Times; “Daughter Born to Dona Drake,” August 8, 1951, The Hollywood Citizen-News; www.swingcityradio,com; www.glamourgirlsofthesilverscreen.com; IMDBPro.com; Wikipedia.com; Movies Mentioned: Strike Me Pink (1936), starring Eddie Cantor, Ethel Merman, Sally Eilers, and William Frawley; Aloma Of The South Seas (1941), starring Dorothy Lamour, Jon Hall; Louisiana Purchase (1941), starring Bob Hope, Vera Zorina, and Victor Moore; Road to Morocco (1942), starring Bob Hope, Bing Crosby, and Dorothy Lamour; Star Spangled Rhythm (1942), starring Bob Hope, Bing Crosby, Dorothy Lamour, Fred MacMurray, Paulette Goddard, Dick Powell, Eddie Bracken, Alan Ladd, Mary Martin, Betty Hutton, Marjorie Reynolds, and Veronica Lake; Salute For Three (1943), starring Macdonald Carey and Betty Jane Rhodes; Let's Face It (1943), staring Bob Hope, Betty Hutton, and Eve Arden; Hot Rhythm (1944), starring Robert Lowery, Tim Ryan, and Irene Ryan; Without Reservations (1946), starring John Wayne, Claudette Colbert, and Don DeFoe; Dangerous Millions (1946), starring Kent Taylor; Another Part of The Forest (1948), starring Fredric March, Dan Duryea, Edmond O’Brien, Ann Blyth, Florence Eldridge, John Dall, and Betsy Blair; So This Is New York (1948), starring Henry Morgan, Rudy Vallee, and Virginia Grey; Beyond The Forest (1949), starring Bette Davis, Joseph Cotten, David Brian, Ruth Roman; The Girl From Jones Beach (1949), starring Virginia Mayo, Ronald Reagan, and Eddie Bracken; Kansas City Confidential (1952), starring John Payne, Colleen Gray, and Preston Foster; The Bandits of Corsica (1953), starring Richard Greene, Paula Raymond, Raymond Burr; Son Of Belle Star (1953), starring Keith Larsen, Peggie Castle, and Regis Toomey; Down Laredo Way (1953) starring Rex Allen and Slim Pickens; Princess of the Nile (1954), starring Debra Paget, Jeffrey Hunter, and Michael Rennie; --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 26 - “Oscar Fever: A Brief History of the Academy Awards” - 03/10/2024 The winners. The losers. The speeches. The gowns. The glamour. The cringey moments. Nothing toys with a film lovers’ emotions like the pageantry of the Academy Award ceremony…or the Oscars, as it has become known. Somewhere, right now, there are people still arguing over whether GRACE KELLY deserved to win the Best Actress Oscar in 1955 for “The Country Girl” over JUDY GARLAND for “A Star Is Born.” The Oscars breeds its own drama. We’ve had streakers, protests, Rob Lowe dancing with Snow White, stolen Oscar statues, mixed up winner’s envelopes, and even a slap heard round the world. Join us in a very special episode that dives into the history, controversies, and fun facts of the Oscars. SHOW NOTES: Sources: Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears (2023), by Michael Schulman; Inside Oscar: The Unofficial History of the Academy Awards (1986), by Mason Wiley and Damien Bona; The Real Oscar: The Story Behind The Academy Awards (1981), by Peter H. Brown; Seventy-Five Years of the Oscars: The Official History of The Academy Awards (2003), by Robert Osborne; Oscar Dearest (1987), by Peter H. Brown and Jim Pinkston; The Film Encyclopedia (1994), By Ephraim Katz; Leonard Maltin’s Movie Encyclopedia (1994), by Leonard Maltin; “The Academy’s Guide to Movies, Academy of Motion Picture Arts and Sciences,” A.frame.oscars.org; “The Silent Oscars,” February 8, 2014, moviessilently.com; “… It’s the Oscars that Got Small,” March 7, 2023, by Alexandra Jacobs, New York Times; “The House That Mr. Mayer Built: Inside the Union-Busting Birth of the Academy Awards,” February 21, 2014, by David Thomson, Vanity Fair; IMDBPro.com; Wikipedia.org; --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 25 - “Paul Douglas: Star of the Month” - 03/04/2024 In a new feature, we are highlighting a “Star of the Month” where we will dive into the life, career, and legacy of a single performer. To kick things off in this episode, we’ll be discussing the great PAUL DOUGLAS. You may not know his name, but you certainly know his face. With his somewhat craggy mug that usually sported a hang-dog look, he made a career at playing gruff, tough guys who were usually softies underneath, as he does so perfectly as LINDA DARNELL’s rough-around-the-edges businessman husband in “A Letter To Three Wives” (1949). So listen in and learn about this most excellent actor. SHOW NOTES: Sources: The Encyclopedia of Film Actors (2003), by Barry Monush; The Illustrated Who’s Who of the Cinema (1983), by Ann Lloyd and Graham Fuller; Quinlan’s Illustrated Registry of Film Stars (1986), by David Quinlan; “Paul Douglas, 52, Film Star, Dead,” September 12, 1959, The New York Times; IMDBPro.com; Wikipedia.com; Movies Mentioned: A Letter to Three Wives (1949), starring Jeanne Crain, Ann Southern, Linda Darnell, Kirk Douglas, Paul Douglas, Jeffrey Lynn, Thelma Ritter, Connie Gilchrist; Born Yesterday (1950), starring Judy Holiday, Broderick Crawford, and William Holden; Adam’s Rib (1949), starring Katharine Hepburn, Spencer Tracy, Judy Holiday, Jape Emerson, David Wayne, Jean Hagen, Tom Ewell; It Happens Every Spring (1949), starring Paul Douglas, Jean Peters, and Ray Milland; Everybody Does It (1949), starring Paul Douglas, Linda Darnell, Charles Coburn, Celeste Holm; The Big Lift (1950), starring Paul Douglas, Montgomery Clift, Cornell Borchers; Panic In The Streets (1950), starring Paul Douglas, Richard Widmark, Barbara Bel Geddes; Fourteen Hours (1951), starring Paul Douglas, Richard Basehart, Barbara Bel Geddes, Agnes Moorhead, Robert Keith, Grace Kelly, Debra Paget, Jeffrey Hunter; Angels In The Outfield (1951), starring Paul Douglas, Janet Leigh, and Keenan Wynn; We're Not Married (1952), starring Ginger Rogers, Fred Allen, Paul Douglas, Marilyn Monroe, Eve Arden, Victor Moore, Eddie Bracken, Mitzi Gaynor, David Wayne, Louis Calhern, Zsa Zsa Gabor, James Gleason, Paul Stewart, Jane Darwell; Green Ice (1954), staring Stewart Granger, Grace Kelly, Paul Douglas, John Ericsson; Clash By Night (1952), starring Barbara Stanwyck, Robert Ryan, Paul Douglas, Marilyn Monroe, Keith Andes, J. Carroll, Naish; Executive Suite (1954), starring William Holden, June Allyson, Barbara Stanwyck, Paul Douglas, Fredric March, Walter Pidgeon, Shelley Winters, Louis Calhern, Nina Foch, Dean Jagger; The Solid Gold Cadillac (1956), starring Judy Holiday, Paul Douglas, Fred Clark, Neva Patterson, Arthur O’Connell; The Mating Game (1959), Debbie Reynolds, Tony Randall, Paul Douglas, Fred Clark, Una Merkel, Philip Ober, Charles Lane; --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 24 - “The Hollywood Studio Club: Where The Good Girls Lived” - 02/26/2024 During the early days of Hollywood, hordes of young women pilgrimaged West to try to break into the movie business. And like sheep to slaughter, there were just as many men in Hollywood ready to take advantage of these young, inexperienced, and vulnerable young women. However, the Hollywood Studio Club, a hotel for women, run by women, tried to give these women a safe haven in the storm. Started by a librarian and nurtured by movie star MARY PICKFORD, among others, this hotel provided a safe place to live and helped nurture the budding careers of future Hollywood Stars such as MAUREEN O”SULLIVAN, LINDA DARNELL, DOROTHY MALONE, DONNA REED, KIM NOVAK, MARILYN MONROE and SHARON TATE. In this episode we’ll explore the history and legacy of this very special place in Hollywood History. SHOW NOTES: Sources: "Film Girls Ask New Home: Studio Club of Hollywood to Campaign for Building Fund Middle of Next Month,” February 10, 1923, Los Angeles Times "Building of Studio Club Is Assured: Norma Talmadge Donates $5000 Toward New Home for Film Girls,” February 14, 1925, Los Angeles Times "Studio Club Dedicates New Home,” May 8, 1926, Los Angeles Times “Few Girls From Club Win Fame,” May 22, 1938, Los Angeles Times “Boardinghouse of Broken Hearts,” September 19,1958, Saturday Evening Post "Studio Club Fighting to Save Home,” November 13, 1970, Los Angeles Times. November 13, 1970. “The Lost History of L.A.’s Women-Only Hollywood Studio Club,” December 10, 2019, by Cari Beachamp, Vanity Fair “Marie Windsor, Femme Fatale and Queen of the B's, Dies at 80,” December 14, 2000, by Douglas Martin, The New York Times Hollywoodland (2003), by David Wallace Ayn Rand and the World She Made (2009), by Anne C. Heller Rita Moreno: A Memoir (2011), by Rita Moreno Sharon Tate: A Life (2016), by Ed Sanders The Girl: Marilyn Monroe, The Seven Year Itch, and the Birth of an Unlikely Feminist (2018), by Michelle Morgan Julia Morgan: An Intimate Portrait of an Trailblazing Architect (2022), by Victoria Kastner IMDBPro.com; Wikipedia.com; --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 23 - “I Coulda Been a Contender: Classic Casting That Almost Happened” - 02/19/2024 It is well documented that the film “Gone With The Wind” started filming before an actress was cast in the lead role of Scarlett O’Hara. Producer DAVID O. SELZNICK made a spectacle out of who would win the coveted role. It became a national obsession. He considered everyone from TALLULAH BANKHEAD to BETTE DAVIS to LUCILLE BALL. He eventually narrowed the field to three finalists: PAULETTE GODDARD, JOAN BENNETT, and JEAN ARTHUR. But in the eleventh hour, a new contender, an unknown Brit named VIVIEN LEIGH, swept in and won the role. Listen as we discuss, debate, and guffaw over other casting choices that almost happened in some of your favorite film classics. SHOW NOTES: Sources: Hollywood’s First Choices: How The Greatest Casting Decisions Were Made (1994), by Jeff Burkhart and Bruce Stuart; Casting Might Have Beens (2005), by Eila Mell; Jean Arthur: The Actress Nobody Knew (2004), by John Oller; George Raft: The Man Who Would Be Bogart (2015), by Stone Wallace; Life is a Banquet (1974), by Rosalind Russell; Joan Crawford: The Enduring Star (2009), by Peter Cowie; Michael Curtiz: A Life in Film (2021), by Alan Rode; Judy Holliday (1982), by Will Holtzman; Close-up on Sunset Boulevard: Billy Wilder, Norma Desmond, and the Dark Hollywood Dream (2002), by Sam Staggs Montgomery Clift: Beautiful Loser (1992), by Barney Hoskyns; Mike Nichols: A Life (2021), by Mark Harris; IMDBPro.com; Wikipedia.com; Movies Mentioned: Scarface (1932), starring George Raft, Paul Muni, Ann Dvorak, and Boris Karloff; Dead End (1937), starring Silvia Sidney, Joel McCrea, Humphrey Bogart, Wendy Barrie, and Claire Trevor; The Maltese Falcon (1941), starring Humphrey Bogart, Mary Astor, Peter Lorre, Sydney Greenstreet, Elisha Cook, Jr, and Lee Patrick The Maltese Falcon (1931), starring Ricardo Cortez and Bebe Daniels; High Sierra (1941), starring Humphrey Bogart, Ida Lupino, Joan Leslie, Alan Curtis, Cornel Wilde, Arthur Kennedy, Willie Best, Elisabeth Risdon, and Henry Travers; His Girl Friday (1940), starring Cary Grant, Rosalind Russell, and Ralph Bellamy; Twentieth Century (1934), starring John Barrymore and Carole Lombard; Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, Jack Carson, Zachary Scott, Eve Arden, Bruce Bennett, and Lee Patrick; Sunset Boulevard (1950), starring Gloria Swanson, William Holden, Erich von Stroheim, and Nancy Olson; From Here To Eternity (1953); starring Burt Lancaster, Deborah Kerr, Montgomery Clift, Frank Sinatra, Donna Reed, and Ernest Borgnine; Who’s Afraid of Virginia Wolf (1966), starring Elizabeth Taylor, Richard Burton, George Segal, and Sandy Dennis; Butch Cassidy and the Sundance Kid (1969), starring Paul Newman, Robert Redford, and Katharine Ross;#023: "I COULDA BEEN A CONTENDER!" --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 22 - “Cupid’s Epic Fails” - 02/12/2024 Cupid has been stirring things up in Hollywood ever since the very first camera rolled. And when he gets it right, we get CLARK GABLE and CAROLE LOMBARD, JOEL McCRAE and FRANCES DEE, and PAUL NEWMAN and JOANNE WOODWARD. But when Cupid gets it wrong…well, let’s just say it ain’t pretty. In this episode, Steve and Nan discuss some Hollywood couplings that should never have happened. SHOW NOTES: Sources: Ernie: The Autobiography (2009), by Ernest Borgnine; Merman: An Autobiography (1978), by Ethel Merman, with George Eells; Child Star: An Autobiography (1988), by Shirley Temple Black; Shirley Temple: American Princess (2017), by Anne Edwards; On The Good Ship Hollywood (2010), by John Agar, as told to L.C. Van Savage; Jackie Coogan: The World’s Boy King (2007), by Diana Serra Cary; Jackie Coogan: American's First Child Superstar (2017), by Leslie Wolfson; Betty Grable: The Girl With The Million Dollar Legs (2007), by Tom McGee; Pin Up: The Tragedy of Betty Grable (1987), by Spero Pastos; Paulette: The Adventurous Life of Paulette Goddard (1985), by Joe Morella & Edward Z. Epstein; So Far, So Good: A Memoir (1994), by Burgess Meredith; IMDBPro.com; Wikipedia.com; --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 21 - “Love Is In The Air” - 02/05/2024 Let’s face it, Valentine’s Day can be a mixed bag. Either you’re blissfully in love and the day is a romantic dream, or, you are not in love and part of you wants to stomp all the roses and put the chocolate bon-bons in a sling shot and pummel Cupid. Whatever your head space this Valentine’s Day, Steve and Nan have a movie for you. Listen in as they share some of their favorite romantic movies to get you in the mood, or give you something to aspire to next year. These movies have a perky female plumber, WWII vets returning from war, and even a wealthy dying woman aboard an ocean liner — something for everyone! SHOW NOTES: Sources: The Great Romantic Films (1974), by Lawrence J. Quick; Halliwell’s Film and Video Guide (1987), by Leslie Halliwell; The MGM Story (1982), by John Douglas Eames; The Warner Brothers Story (1980), by Clive Hirschhorn; They Dreamed of Home (1943), by Niven Busch; “Till The End of Time: The Post World War II Drama That Deserves More Recognition,” July 30, 2022, by Patrick Fogerty, www.collider.com; IMDBPro.com; Wikipedia.com; Movies Mentioned: ’Til We Meet Again (1940), starring Merle Oberon, George Brent, Pat O’Brine, Geraldine Fitzgerald, Bonnie Barnes, and George Reeves; Cluny Brown (1946), starring Jennifer Jones, Charles Boyer, Helen Walker, Peter Lawford, Una O’Connor, Richard Haydn, Reginald Gardiner, Reginald Own, Margaret Bannerman, Sara Allgood, C. Aubrey Smith, Florence Bates, and Ernest Cossart; The Clock (1945), starring Judy Garland, Robert Walker, James Gleason, Lucile Gleason, Keenan Wynn, Ruth Brady, and Marshall Thompson; Enchantment (1948), starring David Niven, Teresa Wright, Evelyn Keyes, Farley Granger, Jayne Meadows, Leo G. Carroll, Phillip Friend, Henry Stevenson, Shepperd Strudwick and Gigi Perreau; Till The End Of Time (1945), starring Guy Madison, Dorothy McGuire, Robert Mitchum, Bill Williams, Tom Tully, Ruth Nelson, Jean Porter, William Gargan, Selena Royale, and Johnny Sands; Brief Encounter (1945), starring Celia Johnson, Trevor Howard, Noël Coward, Joyce Carey, Cyril Raymond, Stanley Holloway, Margaret Barton, Henrietta Vincent, and Everly Gregg; --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 20 - “Greg Bautzer: Hollywood’s Legal Lothario” - 01/29/2024 Long before notorious trials like O.J. SIMPSON's made momentary celebrities out of legal eagles like JOHNNIE COCHRAN, ROBERT SHAPIRO and ROBERT KARDASHIAN, there was attorney GREG BAUTZER. From the working class docks of San Pedro, this ambitious Golden Boy with movie-star good looks and a brilliant legal mind became the most trusted confidante of the elite of Hollywood. Not only was he a peerless power broker for the likes of HOWARD HUGHES and KIRK KERKORIAN, but he also dated the most eligible Hollywood actresses, including LANA TURNER, DOROTHY LAMOUR, GINGER ROGERS and JOAN CRAWFORD. This week, we explore the cases, the women, and the life of this legal Lothario. SHOW NOTES: Sources: The Man Who Seduced Hollywood: The Life & Loves of Greg Bautzer, Tinseltown’s Most Powerful Lawyer (2013), by B. James Gladstone “Greg Bautzer Weds Actress Dana Winter,” June 11, 1956, The Los Angeles Times “Dana Wynter, Husband Back In Hollywood,” June 11, 1956, The Hollywood Citizen News “Actress Sues Greg Bautzer For Divorce,” September 1, 1967, The Los Angeles Herald Examiner “A Conversation With Greg Bautzer,” December 1984, The Hollywood Reporter “Services Thursday for Attorney Gregson Bautzer,” October 27, 1987, Variety “Greg Bautzer, Attorney for Film Stars, Dies,” October 27, 1987, by William Overhand, The Los Angeles Times “Gone With The Winds,” July 1988, by Paul McNamara, Los Angeles Magazine “Howard Hughes and the Original Power Lawyer,” May 31, 2013, by B. James Gladstone, The Hollywood Reporter IMDBPro.com Wikipedia.com --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 19 - “Fallen Angel: The Helen Walker Story” - 01/22/2024 Cast as ALAN LADD’s leading lady in her film debut, Massachusetts-born HELEN WALKER was destined for Hollywood greatness. With her deep voice, coolly blonde good looks, and immense talent, she were perfect for Hollywood of the 1940s. However, her rising star abruptly came crashing to earth after a tragic accident sent her life into a downward spiral of despair and alcoholism. This is a cautionary tale of the dark side of fame. Listen to her compelling and tragic story on this week’s episode. SHOW NOTES: Sources: Hollywood’s Hard Luck Ladies (2020), by Laura Wagner Femme Noir: Bad Girls of Film (2012), by Karen Burroughs Hannesberry “Biography of Helen Walker,” 1946, 20th Century Fox Studios “Low Down on Cinderella,” March 1946, by Robbin Coons, Motion Picture Magazine “Actress Hurt As Car Upset, Killing Soldier,” January 3, 1947, The Los Angeles Times “Actress Faces $150,000 Suit in Accident,” March 6, 1947, The Los Angeles Daily News “Helen Walker Faces Trail Over Fatal Crash,” March 26, 1947, Citizen News “Helen Walker Cleared in Hitchhiker’s Death,” April 4, 1947, The Los Angeles Times “Louella Parsons In Hollywood,” June 5, 1949, by Louella Parsons, The Los Angeles Examiner “Helen Walker, Film Actress, Sheds Fur Buyer,” June 9, 1952, The Los Angeles Daily News “Helen Walker Dies of Cancer at 47,” March 12, 1968, The Los Angeles Times “Helen Walker Dies on Coast, Film Actress in 40s and 50s, March 12, 1968, The New York Times “Screen Time: Return to ‘Nightmare Alley’ - The Tumultuous Life of Worcester Starlet Helen Wallker," March 3, 2022, by Craig S. Semon, Worcester Magazine IMDBPro.com Wikipedia.com Stars/Movies Mentioned: HELEN WALKER: Lucky Jordan (1942), The Good Fellows (1943), Abroad With Two Yanks (1944), Brewster's Millions (1945), Murder, He Says (1945), Murder In The Music Hall (1946), Cluny Brown (1946), Her Adventurous Night (1946), The Homestretch (1947), Nightmare Alley (1947), Heaven Only Knows (1947), Call Northside 777 (1948), My Dear Secretary (1949), Impact (1949), My True Story (1951), Problem Girls (1953), The Big Combo (1955); ROBERT F. BLUMOFE: Yours, Mine, and Ours (1968), Bound For Glory (1976); H. BRUCE “LUCKY” HUMBERSTONE: Wake Up Screaming (1941), Pin-Up Girl (1944); --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 18 - “The Scene Stealers (Male)” - 01/015/2024 Films of Hollywood’s Golden Era are often brightened and made all the better by the fantastic character actors who show up playing fathers, grandfathers, bankers, farmers, chefs, clerks, bosses, and neighbors. The moment you hear the distinctive voice of WALTER BRENNAN, not only do you know it’s him, but you know the film will have at least one interesting element. Last week we paid tribute to the ladies, this week we are giving the wonderful male character actors their due. Join us as we discuss their distinctive lives and careers. SHOW NOTES: Sources: The “It’s A Wonderful Life” Book (1986), by Jeanine Basinger and Leonard Maltin Disney Voice Actors: A Biographical Dictionary (2011), by Thomas S. Hischak Also Starring… Forty Biographical Essay on the Greatest Character Actors Of Hollywood’s Golden Era, 1930-1965 (2012), by Cynthia Brideson and Sara Brideson Illustrated Encyclopedia of Movie Character Actors (1986), by David Quinlan The Name Below The Title (2018), by Rupert Alistair The Film Encyclopedia (1994), By Ephraim Katz Leonard Maltin’s Movie Encyclopedia (1994), by Leonard Maltin IMDBPro.com Wikipedia.com Stars/Movies Mentioned: HENRY TRAVERS — It’s A Wonderful Life (1946), Mrs. Miniver (1942), You Can’t Take It With You (1938), High Sierra (1941), On Borrowed Time (1939), Our Town (1940), The Invisible Man (1933), Dark Victory (1939), Dodge City (1939), The Bells of St. Marys (1945), Shadow Of A Doubt (1943); CHARLES LANE — Smart Money (1931), It’s A Wonderful Life (1946), Mr. Deed’s Goes To Town (1936), You Can’t Take It With You (1938), Mr. Smith Goes To Washington (1939), Arsenic and Old Lace (1944), State Of The Union (1948), The Great Profile (1940), Ball Of Fire (1941), The Music Man (1962), The Computer Wore Tennis Shoes (1995); FRANKLIN PANGBORN — Exit Smiling (1926), Wild Poses (1933), The Bank Dick (1940), Easy Living (1937), Christmas In July (1940), Hail The Conquering Hero (1944); FRED CLARK — The Jackpot (1950), How To Marry A Millionaire (1953), A Place In The Sun (1951), Boys Night Out (1962); GUY KIBBEE — Stolen Heaven (1931), Gold Diggers of 1933 (1933), Captain Blood (1935), Mary Jane’s Pa (1935), Captain January (1936), Our Town (1940), Rain (1932), 42nd Street (1933), Little Lord Fauntleroy (1936), It’s A Wonderful World (1939), Mr. Smith Goes To Washington (1939), Miss Annie Rooney (1942); STERLING HOLLOWAY — Casey At The Bat (1927), Remember The Night (1940), Star Spangled Rhythm (1942), Bambi (1942), Life Begins At Forty (1935), The Blue Bird (1940), Cheers For Miss Bishop (1941), Dumbo (1941), Alice In Wonderland (1951), The Jungle Book (1967), The Aristocats (1970); --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 17 - “The Scene Stealers (Female)” - 01/08/2024 In the film Mildred Pierce (1945), EVE ARDEN manages to steal almost every scene she’s in. And, while talking with JOAN CRAWFORD’s Mildred about her spoiled, bratty daughter, Veda (ANN BLYTH), she even delivers the film’s most iconic line, “Personally, Veda's convinced me that alligators have the right idea. They eat their young.” That is the power of a skilled character actress. Their scenes might be limited, and their names may not be above the title, but with the lift of an eyebrow, the purse of a lip, or the widening of their eyes, they can pull focus and make you forget all about the stars. In this week’s episode, we discuss the illustrious careers and lives of some of the finest character actresses to ever work in film. SHOW NOTES: Sources: Beulah Bondi: A Life On Stage and Screen (2021), by Axel Nissen Mary Wickes: I’ve Seen That Face Before (2016), by Steve Taravella Illustrated Encyclopedia of Movie Character Actors (1986), by David Quinlan The Name Below The Title (2018), by Rupert Alistair The Film Encyclopedia (1994), By Ephraim Katz Leonard Maltin’s Movie Encyclopedia (1994), by Leonard Maltin IMDBPro.com Wikipedia.com Stars / Movies Mentioned: BEULAH BONDI —It’s a Wonderful Life (1946), Finishing School (1934), Penny Serenade (1941), Remember The Night (1940), The Gorgeous Hussey (1936), Of Human Hearts (1938). Make Way For Tomorrow (1937) ELIZABETH PATTERSON — The Boy Friend (1927), Remember The Night (1940), Tarnished Lady (1931), Bill of Divorcement (1933), No Man Of Her Own (1932), Tobacco Road (1941), The Cat and the Canary (1939), The Cat Creeps (1930), Sing You Sinners (1938), I Married A Witch (1942), Hail The Conquering Hero (1944), Little Women (1949) VIRGINIA CHRISTINE — Edge of Darkness (1943), The Mummy’s Curse (1944), The Killers (1946), The Killers (1964), Guess Who’s Coming To Dinner (1967), The Men (1950), Cyrano De Bergerac (1950), High Noon (1952), Not As A Stranger (1955) SARA HADEN — The Andy Hardy series (1941 - 1958), The Bishop’s Wife (1947), Spitfire (1934), Captain January (1936), The Shop Around The Corner (1940), Come Back Miss Phipps (1941), Our Vines Have Tender Grapes (1945), Undercover of Night (1934) MARY WICKES — The Man Who Came To Dinner (1942), Now Voyager (1942), White Christmas (1954), The Music Man (1962), The Trouble With Angels (1966), Sister Act (1992). Sister Act 2: Back In the Habit (1993), Postcards From The Edge (1990) LOUISE BEAVERS — Holiday Inn (1942), Mr. Blandings Builds His Dream House (1948), Imitation of Life (1934), Uncle Tom’s Cabin (1927), What Price Hollywood (1931), She Done Him Wrong (1933), 42nd Street (1933), Reform School (1939) --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 16 - “Beginner’s Luck” - 01/01/2024 To win an Oscar sometimes takes decades of hard work and dedication to your craft — just ask PAUL NEWMAN, GERALDINE PAGE, and JESSICA TANDY. In fact, when Newman finally won the Oscar in 1987 for “The Color of Money,” after being nominated six times previously, he didn’t even bother to show up to the ceremony. “It’s like chasing a beautiful woman for 80 years,” he told the Associated Press. “Finally, she relents and you say, ‘I’m terribly sorry. I’m tired.’” However, there is a small group of actors who didn’t have to chase that beautiful Oscar for 80 years. They won for their very first film. This week we take a look at this rarified group. SHOW NOTES: Sources: Inside Oscar: The Unofficial History of the Academy Awards (1986), by Mason Wiley and Damien Bona The Real Oscar: The Story Behind The Academy Awards (1981), by Peter H. Brown Seventy-Five Years of the Oscars: The Official History of The Academy Awards (2003), by Robert Osborne Oscar Dearest (1987), by Peter H. Brown and Jim Pinkston The Film Encyclopedia (1994), By Ephraim Katz Leonard Maltin’s Movie Encyclopedia (1994), by Leonard Maltin IMDBPro.com Wikipedia.com Stars/Movies Mentioned: GALE SONDERGAARD — The Wizard of Oz (1939), Anthony Adverse (1936), The Mark Of Zorro (1940), The Letter (1940), Sherlock Holmes and the Spider Woman (1943), The King of Siam (1946); KATINA PAXINOU — For Whom The Bell Tolls (1943), Mourning Becomes Electra (1947); HAROLD RUSSELL — The Best Years of Our Lives (1946), Inside Moves (1980); MERCEDES McCAMBRIDGE — All The King’s Men (1949), Lightning Strikes Twice (1951), Johnny Guitar (1954), Giant (1956), Touch Of Evil (1958), The Exorcist (1973); SHIRLEY BOOTH — Come Back Little Sheba (1952), About Mrs. Leslie (1954); EVA MARIE SAINT — On The Waterfront (1955), A Hatful of Rain (1957), Raintree County (1957), North By Northwest (1959); JO VAN FLEET — East of Eden (1955), The Rose Tattoo (1955), I’ll Cry Tomorrow (1955), Four Queens and a King (1956), Gunfight At The Okay Corral (1957), Wild River (1960), Cool Hand Luke (1967); JULIE ANDREWS — Mary Poppins (1964), The Sound Of Music (1965), Thoroughly Modern Millie (1967), Darling Lil (1970), The Pink Panther (1967), The Pink Panther Strikes Again (1976), 10 (1979), Victor/Victoria (1982); BARBRA STREISAND — Funny Girl (1968), Hello Dolly (1969), On A Clear Day You Can See Forever (1970), The Owl and the Pussycat (1970); --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 15 - “Old Movies For A New Year” - 12/25/2023 There’s something about New Year’s Eve and assessing the past year that is bittersweet, yet cathartic. It’s a time of self-evaluation, introspection, and assessment. In case you’re looking for the perfect film to match the myriad of emotions you may be feeling as you reflect, regret, or seek revenge in anticipation of the new year ahead, we’ve got four that should get you in the mood for 2024. And NEVER forget…There’s GOT to be a morning after! SHOW NOTES: Sources: Film Noir Guide: 745 Films of the Classic Era, 1940-1959 (2011), by Michael Keaney Disaster Movies: A Loud, Long, Explosive, Star-Studded Guide To Earthquakes, Floods, Meteors, Sinking Ships, Twisters, Viruses, Killer Bees, Nuclear Fall Out, and Alien Attacks in the Cinema (2006), by Glen Kay and Michael Rose The Stewardess Is Flying The Plane: American Films of the 1970s (2005), by Ron Hogan and Peter Bogdanovich Great Directors (1986), by Ted Sennett “The Ultimate New Years Eve Movie: Repeat Performance, 1947,” December 31, 2016, Classic Film Aficionados “Repeat Performance, starring Joan Leslie, Louis Hayward and Tom Conway, a Murder Study Being Shown At Rivoli,” July 2, 1047, by Bosley Crowther, The New York Times “The Moon’s Our Home,” January 19, 2015, by R. Emmett Sweeney, mubi.com The Criterion Collection TCM.com IMDBPro.com Wikipedia.com --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 14 - “…And Your Little Dog, Too!” - 12/18/2023 From RIN TIN TIN to LASSIE to TRIGGER, to TONTO, from the 1974 film "Harry and Tonto," who can resist those cute, furry little nuggets who can straight-out steal a scene right out from under the most-trained Shakespearean thespian with the wag of a tail, the flop of an ear, or the purr of a cry? In this episode, Steve and Nan explore some of the four-legged stars who have won the hearts of millions during the classic era of film. SHOW NOTES: Sources: Great Animals of the Movies (1980), by Edward Edleson Four Feet To Fame: A Hollywood Dog Trainers Journey (2017), by Bob Weatherwax I, Toto: The Autobiography of Terry, The Dog Who Was Toto (2013), by Willard Carroll Me Cheeta: My Life in Hollywood (2010), by Cheeta, as told to James Lever www.americacomesalive.com www.womansworld.com IMDBPro.com Wikipedia.com --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 13 - Scram Kid…You Bother Me - 12/11/2023 As W.C. FIELDS famously said, "Never work with children or animals." Of course, he was probably referring to their ability to steal a scene or their unpredictability. But what would cinema be without child performers? From SHIRLEY TEMPLE to MICKEY ROONEY to NATALIE WOOD to MARY BADHAM, so many incredibly talented tots danced across the silver screen and into our hearts during Hollywood's golden era. This week we’ll be taking a look at the lives and careers of a few of our favorites. SHOW NOTES: Sources: Growing Up On Set: Interviews With 39 Former Child Actors of Classic FIlm and Television (2002), by Tom and Jim Goldrup Child and Youth Actors: Filmography of Their Entire Careers (1988), by David Dye www.virginiaweidler.net “Edith Fellows, a 1930s Child Star Tracked by Dickensian Woes, Dies at 88,” July 2, 2011, by Margalit Fox, The New York Times “Marcia Mae Jones, 83, TV Film Actress” (Obituary), September 7, 2007, The Los Angeles Times “Former Child Actor Bobs Watson Dies,” June 28, 1999, The Los Angeles Times “Yes, Virginia, There Is a Fan Club,” January 20 2017, by Jacob deNobel, The Baltimore Sun “Butch Jenkins - A Child Star at 9, Retired at 10,” April 23, 1978, The Washington Post IMDBPro.com Wikipedia.com --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

While chestnuts roasting on that open fire and sleigh bells ringing are nice, nothing gets you in the mood for the holidays like a good ole seasonal movie. Well, get ready to unwrap an early present from Steve and Nan as they share their favorite lesser-known holiday films. And along the way, they discuss everything from Clarence the Angel, French nuns, boxing nuns, ROBERT MITCHUM’s drug bust, and millionaires tossing money out of their Park Avenue apartment window. Don’t miss this holiday spectacular! SHOW NOTES: Sources: Christmas in The Movies (2023), by Jeremy Arnold Christmas In Classic Films (2022), by Jacqueline T. Lynch Great Movie Directors (1986), by Ted Sennett There Really Was A Hollywood (1984), by Janet Leigh Robert Mitchum: A Biography (1984), by George Eells Showman: The Life of David O. Selznick (1992), by David Thomson IMDBPro.com Wikipedia.com TCM.com --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ireland-born MAUREEN O’HARA was not only one of the silver screen's great actresses, she was also a strong independent woman who did not suffer fools gladly. When Confidential magazine, a tabloid known for false stories and unethical journalistic practices, came for her in 1957, she fought back with a vengeance. Her efforts, along with DOROTHY DANDRIDGE, ROBERT MITCHUM, LIZABETH SCOTT, and a bevy of other stars, helped stop the scandal-crazed magazine in its sleazy tracks. Read all about the events and trial that would shocked a nation. SHOW NOTES: Sources: ’Tis Herself, (2005), by Maureen O’Hara, with John Nicolletti Searching For John Ford, (2011), by Joseph McBride Confidential Confidential: The Inside Story of Hollywood’s Notorious Scandal Magazine (2008), by Samantha Barbos Shocking True Story: The Rise and Fall of Confidential, America’s Most Scandalous Magazine (2010), by Henry E. Scott “The Continental Magazine Trial: An Account” (2010), by Douglas O. Linder, University of Kansas City Law School Review “Confidential’s Reign of Terror,” April 1, 2003, by Neal Gabler, Vanity Fair “The Press: Putting the Papers to Bed,” April 26, 1957, Time magazine “Magazine Raises Obscenity Issues,” August 21, 1957, by Gladwin Hill, The New York Times “Hollywood Flashback: In 1957 the ‘Confidential’ Trail Scandalized Hollywood,” April 4, 2022, by Seth Abramovitch, The Hollywood Reporter wikipedia.com IMDBPro.com --------------------------------- http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Actor STEVE COCHRAN’s life was like a page out of the American macho man’s handbook. Raised in Wyoming where he was once a cowhand, he carved a memorable career in Hollywood playing gangsters, villains, adulterers, and bad boys in great films like “The Best Years of Our Lives” and “White Heat.” But in a case of art imitating life, this rowdy, randy actor’s personal life was just as chaotic and dramatic as his film roles. Find out how his love of women, booze, and trouble proved to be his Achilles heel. Sources: Bad Boys: The Actors of Film Noir, (2003), by Karen Burroughs Hannsberry “Lonely Lochinvar (Steve Cochran),” July 1953, by Hyatt Downing, Photoplay magazine “Dark Magnetism,” 1952, Photoplay Annual magazine “The Gossips Scare Steve Cochran,” April 20, 1957, by Burt Ranier, Picturegoer magazine “Steve Cochran,” November 1975, by Michael R. Pitts, Films In Review “Actor Steve Cochran Found Dead On Yacht,” June 28, 1965, Desert Sun newspaper “Steve Cochran’s Death Is Laid To Lung Infection, Paralysis,” June 28, 1965, The Fresno Bee “Funeral Service Is Held On Coast for Steve Cochran,” July 2, 1965, The New York Times wikipedia.com IMDBPro.com --------------------------------- http://www.airwavemedia.com; Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

As we continue our exploration of famous siblings who thrived during the Golden Era of Hollywood, we’ll discover that you are definitely not your brother’s keeper, especially when we discuss the lives, careers, and relationship of a famous film noir actor and his movie star beefcake brother. We’ll also discuss a couple of brassy blonde comediennes who ruled the silver screen in the 1930s and 40s and a pair of beautiful and talented Italian sisters who took Hollywood by storm in the 1950s, but who had very different outcomes. SHOW NOTES: Sources: Lawrence Tierney: Hollywood’s Real-Life Tough Guy (2022), by Burt Kearns Joan Blondell: A Life Between Takes (2007), by Matthew Kennedy Pier Angeli: A Fragile Life (2015), by Jane Allen “The Bridge Is Love,” August 1955, by Ida Zeitlin, Photoplay magazine “Pier Angeli: Nobody’s Baby Now,” June 1954, by Jack Wade, Modern Screen magazine “La Bella Rosa: Marisa Pavan,” March 1956, by Don Allen, Photoplay magazine “Will They Revive An Old Hollywood Feud (Pier Angeli and Marisa Pavan),” May 1956, Movie Life magazine “Honeybee Gillis (Gloria Blondell),” January 8, 1955, TV Viewer magazine Wikipedia.com IMDBPro.com --------------------------------- http://www.airwavemedia.com; Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ever since Cain killed Abel — or, to put it in old Hollywood terms, ever since JOAN FONTAINE rebuffed OLIVIA DE HAVILLAND at the 1941 Oscar ceremony — sibling relationships have been complicated. In this episode we take a look at famous Hollywood siblings, some of whom you may know, others who may be a complete surprise. We’ll discuss the operatic singing superstar and her ghoulish TV star sister, the suave urbanite brothers who played bad guys and heels with equal aplomb, and a quartet of singing sisters from the Midwest who melted hearts in the 1940s. But, rest assured, unlike Cain and Abel (or Joan and Olivia), not all of these siblings relationships were as toxic. SHOW NOTES: Sources: Hollywood Enigma: Dana Andrews (2012), by Carl Rollyson Dana Andrews: The Face of Noir (2014), by James McKay Jeanette MacDonald Autobiography: The Lost Manuscript (2004), by Sharon Rich Memoirs of a Professional Cad (1960), by George Sanders A Long Way From St. Petersburg: The Tom Conway Story (2016), by C.E. Parkinson “Dana Andrews, Film Actor of 40s, Is Dead At 83,” December 19, 1992, by Richard Severa, The New York Times “S.W.A.T Star Steve Forrest Dies at 87,” May 22, 2013, by Mike Barnes, The Hollywood Reporter “Priscilla Lane; Singer, Actress in 30s and 40s - Obituary,” April 7, 1995, by Myrna Oliver, The Los Angeles Times “Lola Lane: Acted in 1930s and 40s - Obituary,” June 25, 1981, The New York Times “George Sanders: Film Villain, a Suicide,” April 26, 1972, by John Darnton, The New York Times Wikipedia.com IMDBPro.com --------------------------------- http://www.airwavemedia.com; Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Halloween has always been a special time for classic movies. From the early Universal Studios monster films to the psychological thrillers of ALFRED HITCHCOCK to the gory blood-bathes of the 1980s slasher films, Hollywood understood that people love to be frightened. In this Halloween episode, hosts Steve and Nan share some of the perhaps lesser-known scary movies to enjoy this Halloween season. Some are really great; some...not so much. But they all have a special place in Steve and Nan’s demented little hearts. So pull the covers up tight, keep the lights on and ignore that thump in the night as they explore a few fun eerie movies. SHOW NOTES: Sources: Les Diaboliques: French Film Guide (2005), by Susan Hayward; Simone Signoret: The Star As Cultural Sign (2004), by Susan Hayward; Nostalgia Isn’t What It Used to Be (1979), by Simone Signoret; “Reviews: Diabolique,” February 17, 1995, by Roger Ebert, www.rogerebert.com; “Director John Hancock Reflects On ‘Let’s Scare Jessica To Death’,” October 20, 2021, Harbor Country News; “Simone Signoret Dies at 85 in France,” October 1, 1985, The New York Times; “Remembering Jessica: An Interview with Mariclare Costello,” July 2011, The Terror Trap; “On The Prowl,” March 12, 2006, by Roger Ebert. www.rogerebert.com; “The Pretty World: The Films of Val Lewton,” October 4, 2019, by Alexander Nemerov, The Criterion Collection; “Reviews: Carnival of Souls,” October 27, 1989, by Roger Ebert, www.rogerebert.com; Wikipedia.com; IMDBPro.com; --------------------------------- http://www.airwavemedia.com; Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Actress CAROLE LANDIS was a rising star in the 1940s, but her bright light was short-lived. She came from a troubled background and learned early that her looks and sex appeal were valuable commodities that could help her dreams of fame come true. She scratched and clawed her way to Hollywood stardom only to find the dream was hollow. Her quest for love led her to all the wrong men. Her ill-fated love affair with the very-married star REX HARRISON drove her to her untimely death at age 29. Ruled a suicide at the time, years later, Landis’ family thinks otherwise. Today, she serves as a cautionary tale about the dark side of the Hollywood dream. SHOW NOTES: Sources: Carole Landis: A Tragic Life In Hollywood (2005), by E.J. Fleming; Carole Landis: A Most Beautiful Girl (2008), by Eric Gans; Buzz: The Life and Art of Busby Berkeley (2011), by Jeffrey Spivak; Fatal Charm: The Life Of Rex Harrison (1993), by Alexander Walker; Change Lobsters and Dance (1976) by Lilli Palmer; Lovely Me: The Life of Jacqueline Susann (1996), by Barbara Seaman; Morbid Curiosity: The Disturbing Demises of the Famous and Infamous (2009), by Alan W. Petrucelli; “Carole Landis Does Not Want to Be The Ping Girl,” June 17, 1940, Life magazine; “Meet The New Carole Landis,” November 1943, Silver Screen Magazine, by Gladys Hunt; “Harrison Tells Story of Long Friendship With Actress,” July 7, 1948, L.A. Examiner; “Schmidlapp Shocked at Wife’s Death,” July 6, 1948, L.A. Examiner; “Mystery Cloaks Last Hours of Carole Landis,” July 7, 1948, Los Angeles Times; “Scores Attend Funeral of Carole Landis,” July 11, 1948, Oakland Tribune, by Aline Mosby; “Carole Landis,” November 1973, Film Fan Monthly, by Kirk Crivello; “Was Carole Landis Murdered?”, July 8, 2011, www.CaroleLandisOfficial.com, by Tammy Powell; “The Ping Girl: The Story of Carole Landis,” August 21, 2018, Vintage Leisure; “The Astonishing Life and Tragic Death of Carole Landis,” December 3, 2022, Cinema Scholars, by Ben McVay; www.imdb.com; www.glamourgirlsofthesilverscreen.com --------------------------------- http://www.airwavemedia.com; Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

The name ANNE REVERE may not ring a bell to many today, but during the 1940s, the Broadway-trained, Tony-winning actress, who was a descendant of Revolutionary War hero Paul Revere, was one of the most revered character actresses in Hollywood. She won the Best Supporting Actress Oscar in 1944 for National Velvet and left an indelible mark on the landscape of film as Gregory Peck’s sympathetic mother in Gentleman’s Agreement in 1947. Learn about her life, career, and the shameful witch hunt of an obsessed Wisconsin Senator looking to make a name for himself that ended her brilliant Hollywood career. _________________________________________ Sources: The Film Encyclopedia (1994), By Ephraim Katz; Leonard Maltin’s Movie Encyclopedia (1994), by Leonard Maltin; The Hollywood Motion Picture Blacklist: Seventy-Five Years Later (2022), by Larry Ceplair; Un-American Hollywood: Politics and Film in the Blacklist Era (2007), by Peter Stanfield, et. al; Tender Comrades: A Backstory of the Hollywood Black List (2012), by Patrick McGilligan and Paul Buhle; “Anne Revere Begins Again” by Robert Fray, After Dark magazine, December 1970; “Anne Revere Bio,” Spartacus Educational, by John Simon; “Horse Sense: What I Learned About Bring A Mother From ‘National Velvet’s’ Arminty Brown,” by Dana Stevens, Slate.com, April 11, 2014; “Anne Revere, 87, Actress, Dies; Was Movie Mother of Many Stars,” by Peter B. Flint, The New York Times, December 19, 1990; imdb.com; _____________________________________________ http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

When you drive through Beachwood Canyon, don't be fooled by the droves of tourists vying for the perfect shot of the Hollywood sign or the beautiful stone gates of the village that lead to storybook houses covered with ivy and brilliant bougainvillea. The canyon has had its share of strange, and often dark, Hollywood history including religious cults, suicides, and a love triangle murder that involved popular and prolific Hollywood actor PAUL KELLY. Join us as we explore the happenings that occurred “from beneath the Hollywood sign." _________________________________________ Sources: Hollywood Sign: Fantasy and Reality of an American Icon (2011) by Leo Braudy; Hollywoodland (Images of America) (2011) by Mary Mallory; Peg Entwistle and the Hollywood Sign Suicide (2013) by James Zeruk; Peter Duel: A Biography (2105) by Paul Green; “Jury Convicts Man of Stalking Madonna,” by Andrea Ford, The Los Angeles Times, January 9, 1996; "Hollywood Actor Killed, Rival Held," New York Times, April 19, 1927; "Coroner's Jury Finds Kelly Killed Raymond," Associated Press, April 21, 1927; "Paul Kelly's Trial for Murder Starts," Associated Press, May 9, 1927; "Testifies Kelly Was Aggressor," Associated Press, May 11, 1927; "Miss Mackaye Denies Nights in Kelly's Flat," Associated Press, May 17, 1927; "Japanese Houseboy on Stand Reveals Secrets of Paul Kelly and Dorothy Mackaye," Los Angeles Times, May 17, 1927; "Kelly on the Stand Admits Fist Fight," Associated Press, May 18, 1927; "Kelly Guilty, Asks New Trial," Los Angeles Times, May 26, 1927; "Kelly Sentenced to From One to 10 Years at San Quentin," June 1, 1927; "Dorothy Mackaye Gets 1 to 3 Years," Associated Press, July 2, 1927; "Dorothy Mackaye Leaves Prison," Associated Press, Jan. 1, 1929; "Kelly Will Be Paroled Next Friday," Los Angeles Times, July 20, 1929; "He's Heading for Comeback Trail," Los Angeles Times, Aug. 3, 1929; "Paul Kelly to Wed Widow of Raymond," New York Times, Feb. 11, 1931; "Actress Pens Prison Story," by Grace Kingsley, Los Angeles Times, Aug. 12, 1932; "Dorothy Mackaye, Former Actress, Dies of Auto Injuries Received Near Ranch," Los Angeles Times, Jan. 6, 1940; “Paul Kelly, Actor on Stage and Screen Dies,” The New York Times, November 7, 1956; __________________________________________ http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Everyone in old Hollywood can probably be connected by whom they dated, married, or slept with. Two of the most desirable lovers of the era were LANA TURNER and AVA GARDNER, both Hollywood superstars who shared a friendship, similar backgrounds, and many romantic partners, including a husband. Join us as we connect the romantic dots through old Hollywood using Lana and Ava’s little black books as our guide. __________________________________________ Sources: The Lady, The Legend, The Truth: Lana (1982) by Lana Turner; Lana: The Life and Loves of Lana Turner (1995) by Jane Ellen Wayne; Detour: A Hollywood Story (1988) by Cheryl Crane; Movie Star & The Mobster: Lana Tuner, Johnny Stompanato and Homicide in the Pink Bedroom (2016) by John William Law; Ava: My Story (1990) by Ava Gardner; Ava Gardner: Love is Nothing (2006) by Lee Server; Ava Gardner: The Secret Conversations (2014) by Peter Evans; Scarlett O’Hara’s Younger Sister: My Lively Life In and Out of Hollywood (1977) by Evelyn Keyes; The Man Who Seduced Hollywood: The Life and Loves of Greg Bautzer, Tinseltown’s Most Powerful Lawyer (2013) by James Gladstone; Artie Shaw: The King of Clarinet: His Life and Times (2011) by Tom Nolan; The Life and Times of Mickey Rooney (2015) by Richard Lertzman; ________________________________________ http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Planted firmly in the middle of Hollywood is the Knickerbocker Hotel, a big, boxy, building with a faded facade appearing like a sad relic from a gayer time. Only the illuminated block letters of its sign that light up the Hollywood night sky hint at the lively history of this Hollywood landmark that BETTE DAVIS, MAUREEN O’SULLIVAN, and DICK POWELL once called home. From affairs to arrests to seances to suicides, we take a deep dive into the sordid past of this once grand dame of Hollywood. _________________________________________ Sources: The Story of Hollywood: An Illustrated History (2005), by Gregory Paul Williams; www.paulrwilliamsproject.org; “Off the Boulevard of Broken Dreams: The Knickerbocker Hotel’s Haunted History,” by Hadley Meares, KCET.com, June 19, 2015; “Doom and Board: Four Ghost Stories From Four of LA’s Most Famous Haunted Hotels,” by Christine Wolfram, Los Angeles Magazine, October 5, 2015; Doris Day: Her Own Story (1976), by Doris Day and A.E. Hotchner; wikipedia.com; _________________________________________ http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hollywood’s Oscar ceremony is like the Super Bowl for cinema lovers. But beyond the clothes, the speeches, and the musical numbers, it’s all about the winners. And some leave us scratching our heads. Did How Green Was My Valley really deserve the Best Picture Oscar over Citizen Kane in 1941? How did CARY GRANT and MYRNA LOY never win competitive Oscars? And who the hell is LUISE RAINER, and how did she rob IRENE DUNNE and BARBARA STANWYCK of their Oscars? Join STEVE CUBINE, writer of the Emmy-Award winning series Break A Hip, and NAN MCNAMARA, renowned actress and director, as they discuss some of the most baffling Oscar fumbles in the history of the Academy Awards. ___________________________________________ Sources: Inside Oscar: The Unofficial History of the Academy Awards (1986), by Mason Wiley and Damien Bona; They Didn’t Win The Oscar (1980), by Bill Libby; The Real Oscar: The Story Behind The Academy Awards (1981), by Peter H. Brown; Seventy-Five Years of the Oscars: The Official History of The Academy Awards (2003), by Robert Osborne; Oscar Dearest (1987), by Peter H. Brown and Jim Pinkston; The MGM Stock Company (1973), by James Robert Parish & Ronald L. Bowers; The Film Encyclopedia (1994), By Ephraim Katz; Leonard Maltin’s Movie Encyclopedia (1994), by Leonard Maltin; imdb.com; ____________________________________________ http://www.airwavemedia.com Please contact [email protected] if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

When you want Tyrone Power instead of Tom Hardy, Jennifer Jones instead of Jennifer Lawrence, or Robert Mitchum rather than Robert Pattinson, then FROM BENEATH THE HOLLYWOOD SIGN is the gin joint for you. Each week, writer and producer STEVE CUBINE and actress NAN MCNAMARA explore, discuss, and dissect the magical, mysterious, amusing, and sometime bizarre tales of Old Hollywood. So sit back and revisit a time when the pictures were still big and everyone was ready for their close-up. Learn more about your ad choices. Visit megaphone.fm/adchoices