Show overview
Eating the Fantastic has been publishing since 2016, and across the 10 years since has built a catalogue of 294 episodes. That works out to roughly 510 hours of audio in total. Releases follow a fortnightly cadence.
Episodes typically run over ninety minutes — most land between 1h 28m and 1h 56m — and the run-time is fairly consistent across the catalogue. None of the episodes are flagged explicit by the publisher. It is catalogued as a EN-language Arts show.
The show is actively publishing — the most recent episode landed 1 weeks ago, with 23 episodes already out so far this year. Published by Scott Edelman.
From the publisher
I've been going to science fiction, fantasy, horror, and comic book conventions since I was 15, and I've found that while the con which takes place within the walls of a hotel or convention center is always fun, the con away from the con—which takes place when I wander off-site with friends for a meal—can often be more fun. In fact, my love of tracking down good food while traveling the world attending conventions has apparently become so well known that one blogger even dubbed me "science fiction's Anthony Bourdain." So I've decided to replicate in podcast form one of my favorite parts of any convention—good conversation with good friends over good food. During each episode, I'll share a meal with someone whose opinions I think you'll want to hear, and we'll talk about science fiction, fantasy, horror, writing, comics, movies, fandom … whatever happens to come to mind. (There'll also be food talk, of course.) Please note—this will not be a pristine studio-recorded podcast, but one which will always occur in a restaurant setting, meaning that mixed in with our conversation will be the sounds of eating and drinking and reviewing of menus and slurping and background chatter and the servers popping in … in other words, it'll be as messy as life. And I hope you'll find it as entertaining, too.
Latest Episodes
View all 294 episodesEpisode 294: John Wiswell Has No Complaints
Episode 293: Barbara Krasnoff
Episode 292: Worldcon Donut Divertissment
Episode 291: Alexander Jablokov
Episode 290: Todd Sanders
Episode 289: Jamal Hodge
Episode 288: Kate Maruyama
Episode 287: Arley Sorg
Episode 286: Somto Ihezue
Episode 285: Mark L. Van Name
Episode 284: Octothorpe's John Coxon and Alison Scott
Episode 283: John Jarrold
Episode 282: Charles Stross
Episode 281: Paul McAuley
Episode 280: Considering Farah Mendlesohn

S1 Ep 279Episode 279: Alan Smale Rising
Tear into tacos with Alan Smale as we discuss the three projects he'd told me in 2019 he was going to write next (and what became of them), how what was originally intended to be a standalone novel turned into his latest trilogy, the synergy of writing an alternate history about the Apollo space program while working at NASA, how the constraints imposed by science helped improve his plot arc, the way astronaut personalities have changed across the decades, how to write alternate history to be entertaining both for those who know actual history and those who don't, the advice he wishes he could give his younger self, how we don't really dislike info dumps (only the ones which aren't done well), and much more.

S1 Ep 278Episode 278: Steven H Silver
Lunch on lamb with Steven H Silver as we discuss our shared status as record-breaking losers, my morbid suggestion about what he'll need to do upon my death, the reason he found The Silmarillion more interesting than The Lord of the Rings, how meeting Mel Brooks and other luminaries made him more at ease once he began attending science fiction conventions, the way a cancelled contest resulted in his first short fiction sale, what it was like to be in a writing workshop taught by Gene Wolfe, the allure of the alternate history subgenre (and how it differs from secret histories), what he learned publishing a novel in the middle of a global pandemic, the Easter eggs he scattered through After Hastings, and much more.

S1 Ep 277Episode 277: Salinee Goldenberg
Dig into Bangkok street duck with Salinee Goldenberg as we discuss what it was like having to deliver her second published novel on a deadline after having had her entire life to write the first, the Final Fantasy fanfic she wrote as a kid, why she's attracted more to novels than short stories, how getting critiqued in the gaming industry prepared her to deal with writing workshops, why she considers herself a recovering pantser, how writing the ending of her new novel was almost like being in a fever dream, why she likes reading bad reviews, how to know when it's necessary to kill your darlings, the way to write battle scenes so readers can follow the fight choreography, how being a guitarist in a punk rock band impacts her writing, and much more.

S1 Ep 276Episode 276: Liz Gorinsky
Savor sweet and sour beets with Liz Gorinsky as we discuss whether either of us would have turned out as you know us without having grown up in New York, the early ambitions to be a comic book editor, the legendary comic book couple who were her childhood neighbors, whether or not there's any difference between editing fiction and non-fiction, how to gracefully navigate the convention community, the first edit letter which made Liz nervous, what makes Liz realize a manuscript shows potential, how to cleanse your palate when reading slush to be sure what you think is good really is good, self-defining success as a writer, what told Liz it was time to take on the publisher role, the appeal of immersive theater, why LARPing isn't acting, what we might have told James Joyce if we were editing Ulysses, the many reasons whatever you're doing you should be doing for love, and much more.

S1 Ep 275Episode 275: Chris Kalb
Polish off pierogi with Chris Kalb as we discuss the comic book company and superheroes he and his brother created when they were just kids, why he once thought Chris Ware was his nemesis, the Batman comic which influenced him the most, how his father caused him to fall in love with Doc Savage, the secret origin of his romantic advice superheroine Breakup Girl, the sophistication of pulp era writing, one theory as to why Doc Savage never made it as a successful comic book series, the college comic strip which won him a Charles M. Schulz Award, the problem the slabbing of pulps has caused within the collecting community, the pulp premium so rare none may have survived, and much more.
