Don’t Push Pause

It’s our 3rd Anniversary! The massively exhilarating science-fiction thriller, THE TERMINATOR (1984), served as a launching pad for everyone involved with the production. Dive behind-the-scenes of this legendary ‘80s blockbuster & discover what makes it one of the most popular action films of all-time. Discussions include: The origin of & artistry behind THE TERMINATOR, how the streamlined story came to fruition, James Cameron’s vision & selling the story; conjuring an imaginative crew, casting stories, studio expectations & production difficulties; visceral, multi-layered special effects, heavy-hitting score, the long-lasting franchise & favorite moments. THE TERMINATOR (1984) // Arnold Schwarzenegger, Linda Hamilton, Michael Biehn; Dir. James Cameron. Picks of the Week: Lindsay’s Pick, CONAN THE BARBARIAN (1982) // Arnold Schwarzenegger, James Earl Jones; Dir. John Milius. Justin’s Pick, COMMANDO (1985) // Arnold Schwarzenegger, Alyssa Milano, Rae Dawn Chong; Dir. Mark L. Lester. MurrayMoment // The same year THE TERMINATOR was released, Billy had the biggest smash hit of his career, as well as a major movie letdown. Find out how 1984 was an emotional rollercoaster for our boy. Final Thoughts on THE TERMINATOR. Next Episode: DAZED AND CONFUSED! Please rate, review & subscribe on your podcast platform of choice! Complete Episode Archive, Videos & Store: www.dontpushpausepodcast.com Facebook @dontpushpause Instagram @dontpushpausepodcast Twitter @dontpushpause Subscribe on YouTube, Don’t Push Pause Podcast Email us: [email protected] Hosts: Justin Johnson & Lindsay Reber // Music: Matt Pace // Announcer: Mary Timmel // Logo: Beau Shoulders May 11, 2021

A Special Journey Through the Evolution of Marijuana in Movies! Next Episode: Third Anniversary of DPP! THE TERMINATOR (1984) Rate, review & subscribe! Complete Episode Archive, Videos & Store: www.dontpushpausepodcast.com Facebook @dontpushpause Instagram @dontpushpausepodcast Twitter @dontpushpause Subscribe on YouTube, Don’t Push Pause Podcast Email us: [email protected] Hosts: Justin Johnson & Lindsay Reber // Music: Matt Pace // Announcer: Mary Timmel // Logo: Beau Shoulders Be Kind and Rewatch! // April 20, 2021

DEAD PRESIDENTS gave a voice to Vietnam veterans who experienced the atrocities of war, only to return home & find the struggle was not over. This intense coming of age journey continues to cut to the core, while being a uniquely realistic depiction of Black Americans during the post-war 1970s. ***Discussions include*** Capturing the Black experience before/during/after the Vietnam War; the director’s visions for the film, plus positives & drawbacks of loosely adapting true stories, truth vs. fiction, pacing & visual style; interweaving genres to blend a serious story into an entertaining film; strength of the cast & unpacking the main characters; the film’s incredible soundtrack, release & critical reception. DEAD PRESIDENTS (1995). Larenz Tate, Keith David, Chris Tucker, N’Bushe Wright, Freddy Rodriguez, Rose Jackson // Directed by Albert Hughes & Allen Hughes. ***Picks of the Week*** Lindsay’s Pick, SET IT OFF (1996). Jada Pinkett, Vivica A. Fox, Queen Latifah, Kimberly Elise // Directed by F. Gary Gray. Justin’s Pick, LOVE JONES (1997). Larenz Tate, Nia Long, Isaiah Washington, Lisa Nicole Carson, Bill Bellamy // Directed by Theodore Witcher. ***MurrayMoment*** Comparing the journey in DEAD PRESIDENTS to Billy’s labor of love, THE RAZOR’S EDGE, plus the process of adapting a novel into a screenplay. ***Final Thoughts on DEAD PRESIDENTS.*** Next Episode: 4/20 SPECTACULAR STONER SPECIAL! Please rate, review & subscribe on your podcast platform of choice! (For real, it totally helps us!) Complete Episode Archive, Videos & Store: www.dontpushpausepodcast.com Facebook @dontpushpause Instagram @dontpushpausepodcast Twitter @dontpushpause Subscribe on YouTube, Don’t Push Pause Podcast Email us: [email protected] Hosts: Justin Johnson & Lindsay Reber // Music: Matt Pace // Announcer: Mary Timmel // Logo: Beau Shoulders Be Kind and Rewatch! // March 30, 2021

A year of recording remotely prepared us for an epic battle of genre-bending proportions! Time to rediscover the creative genius behind the martial arts adventure, BIG TROUBLE IN LITTLE CHINA! **Discussions** Reinventing the story’s origin, inspiration, uniqueness, significant rewrites, & John Carpenter’s influence; atypical heroes, martial arts integration & cultural sensitivity; special effects, set production, pacing, atmosphere & multi-layered tones; character strengths & cast breakdown; audience, marketing, release & second life of; the synth-driven score & film’s theme song. BIG TROUBLE IN LITTLE CHINA (1986) // Kurt Russell, Dennis Dun, Kim Cattrall, James Hong, Victor Wong // Directed by John Carpenter. ***Picks of the Week*** —Lindsay’s Pick, POLICE ACADEMY (1984) // Steve Guttenberg, Kim Cattrall, Michael Winslow, Bubba Smith // Directed by Hugh Wilson. —Justin’s Pick, USED CARS (1980) // Kurt Russell, Jack Warden, Gerrit Graham, Deborah Harmon // Directed by Robert Zemeckis. ***MurrayMoment*** Inspired by BIG TROUBLE’s constant dampness, we visit a rainy day save by Billy. ***Final Thoughts on BIG TROUBLE IN LITTLE CHINA.*** Next Episode: DEAD PRESIDENTS (1995)! +Please rate, review & subscribe on your podcast platform of choice! (For real, it totally helps us!) Complete Episode Archive, Videos & Store: www.dontpushpausepodcast.com +Follow us on Facebook @dontpushpause +Follow us on Instagram @dontpushpausepodcast +Follow us on Twitter @dontpushpause +Subscribe on YouTube, Don’t Push Pause Podcast +Email us: [email protected] Hosts: Justin Johnson & Lindsay Reber // Music: Matt Pace // Announcer: Mary Timmel // Logo: Beau Shoulders

Deconstructing what makes THE FLY (1986) a renowned sci-fi classic with a truly transformative love story & one of best remakes of all time. *Discussions* The original short story, differences from the original ‘58 film, plus FLY sequels; the unimaginable search for a director/screenwriter; saving a turbulent production; intimate nature of the film, blending humanistic themes & primal fears with body horror in a love story; unique casting stories & character evolutions; favorite special effects moments, technological feats & the hauntingly emotional score. THE FLY (1986) // Jeff Goldblum, Geena Davis, John Getz // Directed by David Cronenberg. **Picks of the Week** —Lindsay’s Pick, EARTH GIRLS ARE EASY (1988) // Geena Davis, Julie Brown, Jeff Goldblum, Damon Wayans, Jim Carrey // Directed by Julien Temple. —Justin’s Pick, VIBES (1988) // Cyndi Lauper, Jeff Goldblum, Peter Falk, Julian Sands // Directed by Ken Kwapis. **MurrayMoment** A comparison between the love stories in THE FLY & Billy’s ‘88 film, SCROOGED. **Final Thoughts on THE FLY.** Next Episode: BIG TROUBLE IN LITTLE CHINA (1986)! +Please rate, review & subscribe on your podcast platform of choice! (For real, it totally helps us!) Complete Episode Archive, Videos & Store: www.dontpushpausepodcast.com +Follow us on Facebook @dontpushpause +Follow us on Instagram @dontpushpausepodcast +Follow us on Twitter @dontpushpause +Subscribe on YouTube, Don’t Push Pause Podcast +Email us: [email protected] Hosts: Justin Johnson & Lindsay Reber Music: Matt Pace Announcer: Mary Timmel Logo: Beau Shoulders February 16, 2021

We’re celebrating the 30th Anniversary of THE SILENCE OF THE LAMBS & fleshing out what makes this film nothing short of brilliant. **Discussions include** Adaptation of the novel to screenplay; production evolution, casting lead roles & FBI involvement; revamping of a traditional hero story through a female perspective & unconventional cinematography; themes, atmosphere, stylistic choices & popularizing true crime stories; actor commitments to the film’s integrity; sound/score, make-up & special effects; reception, controversy & awards; the Hannibal Lecter film series & the continuation the iconic film’s legacy. SILENCE OF THE LAMBS (1991), Jodie Foster, Anthony Hopkins, Scott Glenn, Ted Levine. Directed by Jonathan Demme. ***Picks of the Week*** -Lindsay’s Pick: MAGIC (1978), Anthony Hopkins, Ann-Margret, Burgess Meredith. Directed by Richard Attenborough. -Justin’s Pick: THE EDGE (1997), Anthony Hopkins, Alec Baldwin, Elle Macpherson, Harold Perrineau. Directed by Lee Tamahori. ***MurrayMoment*** Billy’s dive into the culinary arts with his cookbook, Cooking with Toast. ***Final Thoughts on SILENCE OF THE LAMBS.*** Next Episode: THE FLY (1986!) +Please rate, review & subscribe on your podcast platform of choice! (For real, it totally helps us!) Complete Episode Archive, Videos & Store: www.dontpushpausepodcast.com +Follow us on Facebook @dontpushpause +Follow us on Instagram @dontpushpausepodcast +Follow us on Twitter @dontpushpause +Subscribe on YouTube, Don’t Push Pause Podcast +Email us: [email protected] Hosts: Justin Johnson & Lindsay Reber Music: Matt Pace // Announcer: Mary Timmel // Logo: Beau Shoulders January 2021

We’re closing out Dolly December with Ms. Parton’s debut film! Not many films can hold social relevance for 40 years. But in 1980, NINE TO FIVE was not only a big boost to a movement, it also gave a voice to those oppressed in the workforce. A labor of love & sneakily subversive, this influential film was groundbreaking at the time & continues to inspire today. ▶️Synopsis: Three female co-workers unite over unequal treatment in the workplace, especially at the hands of their tyrannical & sexist male boss. When one of the women thinks she poisoned him, the trio form a plan to improve their working conditions & turn the tables on their corrupt boss. ⏩⏩Discussions include: Real-life inspiration, origin of the film & Jane Fonda spearheading the project; collaborative writing, story evolution, type of comedy, fantasy sequences; uniquely weaving in of social commentary; securing the cast, character breakdowns & memorable supporting roles; the infectious, smash hit theme song; long-lasting legacy, further incarnations, subsequent documentaries, plus favorite moments from the film. **Starring Lily Tomlin, Dolly Parton, Jane Fonda, Dabney Coleman. Directed by Colin Higgins.** ▶️**PICKS OF THE WEEK** —Lindsay’s Pick, ALL OF ME (1984): After a failed transmigration, the soul of a wealthy woman becomes trapped inside her estate planner. With her only controlling one side of his body, the two must work together to get her soul into the intended person. **Starring Steve Martin, Lily Tomlin. Directed by Carl Reiner.** —Justin’s Pick, CLOAK AND DAGGER (1984): Using videogames to escape reality, an imaginative boy finds real-life adventure after witnessing a murder & receiving government secrets, forcing him to go on the run. **Starring Henry Thomas, Dabney Coleman. Directed by Richard Franklin.** ▶️MURRAYMOMENT: Billy and Lily Tomlin’s involvement with an unaired pilot of the docuseries, WIRED IN. And Lindsay was able to speak with the two legendary documentarians behind the series. ▶️FINAL THOUGHTS: A super-caffeinated scene, seeing Lily Tomlin in an airport bathroom & the lawsuit against Dolly Parton over NINE TO FIVE’s theme song. ▶️Next Up: January 2021, THE SILENCE OF THE LAMBS (1991)!

Perhaps no other film better illustrates laughter through pain than the timeless classic, STEEL MAGNOLIAS (1989). This true story is not only a moving, cathartic expression, but also celebrates life & immortalizes a tragic, yet universally relatable journey. ▶️Synopsis: Set in Natchitoches, Louisiana, six women are brought together by a local salon, not only to have their hair & nails done, but to share their lives with one another, including a mother & her diabetic daughter’s desire to live life without constraints. Together, these women go through the best & most difficult of times, further solidifying their lifelong bond. ⏩⏩Discussions include: Writer Robert Harling’s adaptation of true events, writing process & collaboration with director Herbert Ross; main & supporting cast, character breakdowns, blocking choreography, usage townsfolk; clever story evolution, dedication to accuracy, balancing narrative & character development; on-location filming, recreating a real-life community, unused soundtrack, favorite moments & lasting legacy of the film. **Starring Sally Field, Dolly Parton, Shirley MacLaine, Daryl Hannah, Olympia Dukakis, Julia Roberts. Directed by Herbert Ross.** ▶️**PICKS OF THE WEEK** —Lindsay’s Pick, BOYS ON THE SIDE (1995): After responding to an ad seeking a road trip partner, two women begin a cross-country trek, resulting in rescuing a friend from an abusive relationship & forming unexpectedly deep connections. **Starring Whoopi Goldberg, Mary-Louise Parker, Drew Barrymore. Directed by Herbert Ross.** —Justin’s Pick, POSTCARDS FROM THE EDGE (1990): Following a stint in rehab, an actress in recovery attempts to reenergize her career, while also ordered to live with a responsible adult — her competitive, yet legendary actress mother. **Starring Shirley MacLaine, Meryl Streep, Dennis Quaid. Directed by Mike Nichols.** ▶️MURRAYMOMENT: How Billy’s father, Edward Murray, relished laughter in their household, a trait which helped the family cope & laugh through tears when he passed away. ▶️FINAL THOUGHTS: Shirley MacLaine’s secret to crying & Sally Field’s dedication while filming the funeral scene, as well as the Steel Magnolias TV pilot. ▶️Next Up: DOLLY DECEMBER: 9 TO 5 (1980)!

Expanding a comedy sketch into a full-length feature film is always a gamble. When WAYNE’S WORLD hit theaters in 1992, the film’s instant success was not only a surprise, but also catapulted careers & paved the way for even more Saturday Night Live films. By appealing to a mass audience & departing from predictable humor, WAYNE’S WORLD continues to be a beloved comedy classic. ▶️Synopsis: Two music-oriented best friends, Wayne and Garth, produce a late-nite, cable access entertainment TV show called Wayne’s World. Seeing an opportunity to exploit the show, a slick TV producer attempts to commercialize the underground program, while also trying to schmooze Wayne’s ultra cool, musician girlfriend. ⏩⏩Discussions include: Evolution & development of Wayne & Garth, from conception to SNL’s effect; director’s background, influence & filmmaking style; writing the film, structuring commentary with story & atypical humor; cast, cameos & character breakdowns; musical influences & cultural impact; behind-the-scenes tidbits, audience, reception, sequel & subsequent SNL movies. **Starring Mike Myers, Dana Carvey, Tia Carrere, Rob Lowe. Directed by Penelope Spheeris.** ▶️**PICKS OF THE WEEK** —Lindsay’s Pick, CONEHEADS (1993): Stranded on Earth after crash landing, three cone-headed extraterrestrials are forced to assimilate to human life, while also trying to avoid governmental deportation. **Starring Dan Aykroyd, Jane Curtin, Michelle Burke. Directed by Steve Barron.** —Justin’s Pick, AIRHEADS (1994): Determined to have their demo played on the radio, an aspiring & desperate band resort to holding a radio station hostage with water guns. **Starring Brendan Fraser, Adam Sandler, Steve Buscemi. Directed by Michael Lehmann.** ▶️MURRAYMOMENT: Find out the origin of a well-known WAYNE’S WORLD catchphrase through another legendary SNL duo, Billy & Gilda Radner. ▶️FINAL THOUGHTS: Two scenes Myers wanted cut from WAYNE’S WORLD, Justin’s acquisition of his Wayne’s World hat & rethinking the intensity of the head-banging to Queen car scene. ▶️Next Up: DOLLY DECEMBER: STEEL MAGNOLIAS (1989)!

Alexander Payne’s ELECTION (1999) breaks down politics in the most basic of ways. Through sharp critique, biting satire & layered performances, the fresh relevance of this film rings true in its relatability. ELECTION’s brutal honesty & exposure of human imperfections makes it one of the most provocative comedies fo the ‘90s. ▶️Synopsis: Feeling that an over-achieving high school student needs to be sidelined, a well-liked teacher convinces a popular jock to join the race for student body president. In doing do, multiple feuds come to the forefront as everyone’s morals and ethics are tested. ⏩⏩Discussions include: The real-life inspirations for ELECTION, adapting the novel for film & pre-production journey; layered writing style & visual translation; themes & filming techniques; main character breakdowns & relatability; Payne’s dedication to detail with casting choices, rewrites, filming locations, set design & costuming; visual cues, metaphors, use of edgy, dark humor; critical reception & marketing. **Starring Reese Witherspoon, Matthew Broderick, Jessica Campbell, Chris Klein. Directed by Alexander Payne.** ▶️**PICKS OF THE WEEK** —Lindsay’s Pick, BILOXI BLUES (1988): An autobiographical tale of a young man’s observations & experiences while in boot camp during WWII. **Starring Matthew Broderick, Christopher Walken, Corey Parker. Directed by Mike Nichols.** —Justin’s Pick, YOU CAN COUNT ON ME (2000): In a story about reevaluating one’s life, an independent single mother becomes the beacon of strength & growth for her brother who drifts back into her life. **Starring Laura Linney, Mark Ruffalo, Matthew Broderick, Rory Culkin. Directed by Kenneth Lonergan.** ▶️MURRAYMOMENT: Billy’s turn as Franklin D. Roosevelt in HYDE PARK ON HUDSON, how he came to be involved, prep work for the role & anecdotes from the film’s cast. ▶️FINAL THOUGHTS: The decision to reshoot ELECTION’s climax. ▶️Next Up: WAYNE’S WORLD!

Considered one of the all-time best horror movies, George A. Romero’s DAWN OF THE DEAD (1978) is a landmark achievement in moviemaking. Artistically combining social commentary, storytelling & game-changing visuals, the essence of DAWN is still emulated to this day. It is the zombie movie to which all others are compared. When there is no more room in hell, the dead will walk the Earth... and Romero is the only one who can properly guide us. ▶️Synopsis: Society is in the midst of chaos as an ever-growing epidemic of the dead rising & attacking the living is taking over. Brought together by circumstances, a foursome seek refuge in a mall, but find the outside world is impossible to avoid. ⏩⏩Discussions include: A brief history on zombie films & beginnings of Romero’s career; origin, script, pre-production & community vibe of DAWN; unique story structure, filming techniques, realism, intended tones, themes & spirit of the film; strength of characters/cast; original ending, Tom Savini’s inspiration for makeup/effects, reception, advertising, impact & the film’s unsettling score; Romero’s subsequent “Of The Dead” films & DAWN’s 2004 remake. **Starring Ken Foree, Gaylen Ross, David Emge, Scott Reiniger. Directed by George A. Romero.** ▶️**PICKS OF THE WEEK** —Lindsay’s Pick, CHILDREN SHOULDN’T PLAY WITH DEAD THINGS (1972): Six theatre actors head out to a deserted island cemetery wherein they enact a ritual to raise the dead. **Starring Alan Ormsby, Anya Ormsby, Valerie Mamches. Directed by Bob Clark.** —Justin’s Pick, THE DARK HALF (1993): A high-brow author is exposed for writing bestselling, gumshoe thrillers under an alias. While attempting to squash his secret career, the murderous character in his book comes to life. **Starring Timothy Hutton, Michael Rooker, Amy Madigan. Directed by George A. Romero.** ▶️MURRAYMOMENT: Anecdotes from the production of THE DEAD DON’T DIE, plus an unforgettably classic Billy story. ▶️FINAL THOUGHTS: Some more love given to DAWN’s Gaylen Ross & the film’s director, along with Romero’s lost film, THE AMUSEMENT PARK (1973). ▶️Next Up: ELECTION (1999)!

Not only did GINGER SNAPS (2000) challenge typical horror movie tropes, but it was also a vibrant kick to the werewolf genre. This Canadian film is a true testament to satire & sharp creativity being able to depict the horrific transformations of youth through the modern metamorphosis of the werewolf. Though only celebrating its 20th anniversary, GINGER SNAPS has “cult classic” written all over it. ▶️Synopsis: United in their morbid discontentment with life, Brigitte and Ginger are two sisters with an intensely close bond. When the onset of puberty strikes the same night as Ginger being attacked by a werewolf, their connection is tested as Brigitte tries to save her sister before the transformation becomes final. ⏩⏩Discussions include: Origin, script development, blending of horror, the macabre, dark humor, relatable metaphor & emotions; brief history of the werewolf genre, how GINGER SNAPS fits in, stands apart & intentionally challenges multiple tropes; visual intensity, special effects & animal deaths in the film; production challenges & morality controversy; the positively charged vibe between the lead actors, plus supporting cast; release, reception, resurgence and rabid fan base; sequels & some of our favorite scenes. **Starring Emily Perkins, Katharine Isabelle, Mimi Rogers. Directed by John Fawcett.** ▶️**PICKS OF THE WEEK** —Lindsay’s Pick, IT (1990): Taking place in the ‘60s & ‘90s, seven adolescent outsiders are bonded through mutual torment by their worst fears manifested in a child-killing clown. When the murders start happening again, they return to their hometown to confront childhood traumas & end the reign of terror. **Starring Tim Curry, Jonathan Brandis, Emily Perkins, John Ritter. Directed by Tommy Lee Wallace.** —Justin’s Pick, WOLFEN (1981): After a string of grisly murders go unsolved, a NYC police detective’s path leads him to thinking a mythical, wolf-like creature may be responsible. **Starring Albert Finney, Diane Venora, Edward James Olmos, Gregory Hines. Directed by Michael Wadleigh.** ▶️MURRAYMOMENT: A look back at The Toronto International Film Festival declaring Sept. 5th the Official Bill Murray Day. ▶️FINAL THOUGHTS: Perkins and Isabelle starring in X-FILES episodes, Vancouver love & giving some recognition to a recent werewolf film, LATE PHASES. ▶️Next Up: DAWN OF THE DEAD (‘78)!

Sometimes movie sequels are lackluster or go off the rails, but rarely do they attempt a franchise reinvention. With original Exorcist writer in full control, William Peter Blatty created a new crop tension-building scares with the unconventional, THE EXORCIST III. An often overlooked film, this unsettling story cranks out the creeps and ties in the original blockbuster without being a knockoff, but it wasn’t an easy task to accomplish. ▶️Synopsis: A string of killings lead a police lieutenant to a psychiatric ward where he finds his faith tested, along with uncanny similarities between a dead serial killer & a familiar priest who supposedly died during an infamous exorcism. ⏩⏩Discussions include: How Blatty began his writing career, leading up to The Exorcist, then to the novel which inspired EXORCIST III; backstory, development & methodical emotional escalation of the story, plus drastic reshoots/rewriting of the film’s ending; intentionally extreme tonal shifts & usage of humor; uniquely abstract & ambient synth-heavy score; cast performances & bit parts; reception over the years, resurrected original ending, on-set stories & our favorite scenes. **Starring George C. Scott, Ed Flanders, Brad Dourif, Jason Miller. Directed by William Peter Blatty.** ▶️**PICKS OF THE WEEK** —Lindsay’s Pick, CHILD’S PLAY II (1990): The serial killer living inside a doll named Chucky is reanimated, out for revenge & determined to possess the body of his previous victim. **Starring Alex Vincent, Brad Dourif, Christine Elise. Directed by John Lafia.** —Justin’s Pick, THE FIRST POWER (1990): A detective must track a serial killer put to death, then resurrected by Satan & given supernatural powers. **Starring Lou Diamond Phillips, Tracy Griffith, Jeff Kober. Directed by Robert Resnikoff.** ▶️MURRAYMOMENT: On Sister Nancy Murray, Billy’s older sibling, becoming a nun, the reaction of her family, her acting career and shared family traits. ▶️FINAL THOUGHTS: Reshooting EXORCIST III’s climax, plus THE X-FILES and SEVEN connections to the film. ⏩Next Up: GINGER SNAPS (2000)!

ALMOST FAMOUS has not aged a day since its release in 2000. Writer/director/producer Cameron Crowe is known for films which speak to romantic or nostalgic sensibilities. ALMOST FAMOUS gave him the opportunity to tell an unconventional & endearing story from his youth. This cinematically poetic love letter to music shepherds a coming of age story on the road with a touring band & a teenager clinging to his morals while carving his path into journalism. Timeless & inspiring, this story is alllllmost completely true. ▶️Synopsis: In 1973, a 15-year-old music journalist went on tour with an up-and-coming rock band. While uncovering intimate truths about the music world, interpersonal & romantic relationships, he tries not to involve himself in the story, which is headed for the cover of Rolling Stone. ⏩⏩Discussions include: A brief history on Crowe’s career pre-ALMOST FAMOUS; origin of the script, influences, blurring together fact & fiction; musical guidance on songwriting & authenticity; journalism, realism, fandom & heart of the film; the vibrant cast & character breakdowns, plus casting stories & Crowe’s style of emotional manipulation, creating a mood & mixing tones; the “Bootleg Cut,” critical & box office reception, along with the film’s extreme rewatchability. **Starring Patrick Fugit, Billy Crudup, Kate Hudson, Frances McDormand. Directed by Cameron Crowe.** ▶️**PICKS OF THE WEEK** —Lindsay’s Pick, DESERT BLUE (1998): Driven by a need to posthumously complete his father’s desert waterpark, a young man falls for a stranded out-of-towner and lets her into his unfamiliar, small town world. **Starring Brendan Sexton III, Kate Hudson, Christina Ricci, Casey Affleck. Directed by Morgan J. Freeman.** —Justin’s Pick, SINGLES (1992): Set during Seattle’s grunge-era, this story follows people living in one apartment complex, all in a state of change, experiencing effects of past relationships on current ones and searching for companionship. **Starring Bridget Fonda, Campbell Scott, Kyra Sedgwick, Matt Dillon. Directed by Cameron Crowe.** ▶️MURRAYMOMENT: Firsthand details on musician Laena Geronimo’s weekend hanging out with Billy at 2010’s South By Southwest. ▶️FINAL THOUGHTS: A serendipitous moment Hudson shared with her mom, Goldie Hawn, and the awesome “Stairway to Heaven” deleted scene in ALMOST FAMOUS. ▶️EXTENDED CUT: A peek into the Laena Geronimo’s band FEELS’ second album, Post Earth, with the incendiary track, “Find a Way.” ▶️ Next Up: THE EXORCIST III!

Imagine paying your dues in an unforgiving entertainment world for over 10 years, then becoming an international sensation almost overnight. That was Jim Carrey’s life in 1994. ACE VENTURA: PET DETECTIVE garnered much attention for everyone involved, but this bizarre detective comedy was an extreme gamble with great deal of thought beneath the surface. ▶️Synopsis: When the mascot for the Miami Dolphins is kidnapped, a pet detective named Ace Ventura is hired to solve the crime. After immersing himself in the case & subsequent kidnapping of the team’s all-star quarterback, Ventura finds himself in a twisted tale of the revenge. ⏩⏩Discussions include: Origin & revisions of the ACE script; Carrey and director Tom Shadyac’s backstories, creative contributions & how the film affected their careers; use of framing & editing to meld together multiple styles of humor with a detective story; lowdown on the cast, reception of the film, cultural impact, deconstructing ACE’s controversial third act & a ton of behind-the-scenes moments. **Starring Jim Carrey, Sean Young, Courteney Cox, Tone Loc. Directed by Tom Shadyac.** ▶️**PICKS OF THE WEEK** —Lindsay’s Pick, THE MASK (1994): A sweet, all-around “nice guy” comes upon a mysterious mask which awakens the extreme version of himself. A live-action, vibrant comic book come to life! **Starring Jim Carrey, Cameron Diaz, Peter Greene. Directed by Chuck Russell.** —Justin’s Pick, DUMB AND DUMBER (1994): Idiotic best friends come across a suitcase of money, leading the duo on a cross-country adventure to find the beautiful woman who left the briefcase behind. **Starring Jim Carrey, Jeff Daniels, Lauren Holly. Directed by Peter Farrelly.** ▶️MURRAYMOMENT: A trip back to Billy being part of a guerrilla investigative journalism team called TVTV who went behind-the-scenes of 1976 Super Bowl X. ▶️FINAL THOUGHTS: ACE cinemaphotographer Julio Macat’s usage of a bonus camera on set & the impact of ACE’s vernacular. ▶️Next Up: ALMOST FAMOUS (2000)!

Arnold Schwarzenegger’s name is synonymous with celebrated action movies. Before Paul Verhoeven’s TOTAL RECALL (1990) became a massive blockbuster, Schwarzenegger had to fight for it to become a reality. A film with a deeper-than-average plot, dedicated cast/crew and impressively imaginative special effects, TOTAL RECALL is still an extraordinary sci-fi spectacular. ▶️Synopsis: Set in 2084, an everyday man seeks out an adventure of a lifetime. But a botched virtual vacation to Mars makes him the key figure of a non-stop chase concerning a conflict between a rebellion and a corrupt government holding the planet hostage. You decide whether it’s a dream or reality. ⏩⏩Discussions include: TOTAL RECALL’s 10+ year development, initial procurement of the 1966 story, rewrites, influences & early pre-production; the search for the proper director & careful casting choices; placement in Schwarzenegger & Verhoeven’s careers, their personal influences on the production; prophetic, political and violent elements; the film’s visual aesthetic, including practical special effects, miniatures, models, use of light/colors, detailed sets/locations; marketing, critical/audience reception, awards & legacy of; behind the scenes tidbits, favorite scenes & what makes the film so darn enjoyable. **Starring Arnold Schwarzenegger, Rachel Ticotin, Sharon Stone, Michael Ironside, Ronny Cox. Directed by Paul Verhoeven.** ▶️**PICKS OF THE WEEK** —Lindsay’s Pick, SCANNERS (1981): A security company looking weaponize telekinetic powers dispatches their most powerful human experiment in order to stop a renegade and a rebellion. **Starring Stephen Lack, Jennifer O’Neill, Patrick McGoohan, Michael Ironside. Directed by David Cronenberg.** —Justin’s Pick, KINDERGARTEN COP (1990): A brawny cop goes undercover as a kindergarten teacher to catch a dangerous criminal seeking out his ex-wife and estranged son. **Starring Arnold Schwarzenegger, Penelope Ann Miller, Pamela Reed, Linda Hunt. Directed by Ivan Reitman.** ▶️MURRAYMOMENT: Remembering the time when (and why) Billy popped up in the otherworldly family comedy, nothin-but-net mega hit, SPACE JAM. ▶️FINAL THOUGHTS: TOTAL RECALL’s initial MPAA rating, inventive fight sequences, renaming Schwarzenegger’s character because of a political connection and Jerry Goldsmith’s score of the film. ▶️Coming Up: ACE VENTURA: PET DETECTIVE (1994)!

In 1991, writer/director John Singleton provided a window into a world ignored by mainstream cinema with this groundbreaking film. Through prolific storytelling filled with heart, emotion and honesty, Singleton shed an eye-opening light upon the lives of those familiar to him. A big-budget film studio took a chance on a first-time filmmaker, which resulted in one of the most poignant films to come out the 1990s, BOYZ N THE HOOD. ▶️Synopsis: This coming-of-age story follows a young man sent to live with his father in South Central Los Angeles. With dominant gang culture and oppression being a part of every day life, staying above violence is either not a thought or an every day struggle, but impossible to ignore. ⏩⏩Discussions include: An overview of Singleton’s films and contributions; the development of BOYZ; studio involvement with Singleton’s steadfast vision; social commentary and richly thematic messages about life, self, family/friend dynamics; using interweaving tones throughout the film for realism; finding the perfect ensemble for a complex story, plus behind-the-scenes casting moments; reception and praise for the film, as well as discussing many of our favorite scenes. **Starring Cuba Gooding, Jr., Ice Cube, Morris Chestnut, Laurence Fishburne. Directed by John Singleton.** ▶️**PICKS OF THE WEEK** —Lindsay’s Pick, HIGHER LEARNING (1995): This film weaves together the lives of three college freshmen as they struggle with their identities and are challenged by outside influences, both positive and negative. **Starring Omar Epps, Kristy Swanson, Ice Cube, Michael Rapaport. Directed by John Singleton.** —Justin’s Pick, DEEP COVER (1992): A cop goes undercover to infiltrate a growing drug ring and finds himself conflicted after getting caught up in the industry. **Starring Laurence Fishburne, Jeff Goldblum, Charles Martin Smith. Directed by Bill Duke.** ▶️MURRAYMOMENT: A look back on when Billy took revenge on a heckler in the middle of a Second City stage show. ▶️FINAL THOUGHTS: Singleton not telling the cast of BOYZ about a planning shooting and the film’s original score mixed with contemporary music. ▶️ Next Up: TOTAL RECALL (1990)!

PRETTY WOMAN was the movie blockbuster which not only helped define romantic comedies, but also changed the landscape of the genre. Since the film’s release 30 years ago, fashion and culture may have changed, but this good-hearted tale still leaves us feeling like fairytale fantasies can exist. ▶️Synopsis: A wealthy businessman hires a sex worker to escort him to multiple social functions while facilitating a business deal. Over time, the two discover they have more in common that previously realized, resulting in something neither was looking for — love. ⏩⏩Discussions include: A brief history of the romantic comedy genre; the drastic overhaul of PRETTY WOMAN’s initial script, including character tweaking, setups and plot devices; director Garry Marshall’s influence on the film; intentionality of character dynamics and intimacy within the film; importance of casting and chemistry between actors; reaction to the film upon its release, as well as comtemporarily; the impressive soundtrack and behind-the-scenes factoids about filming. **Starring Julia Roberts, Richard Gere, Hector Elizondo, Laura San Giacomo, Jason Alexander. Directed by Garry Marshall.** ▶️**PICKS OF THE WEEK** —Lindsay’s Pick, CONSPIRACY THEORY (1997): When a highly intelligent, conspiracy theorist cabbie chooses to let a government official into his world, his seemingly paranoid ideas begin ringing dangerously true. **Starring Mel Gibson, Julia Roberts, Patrick Stewart, Cylk Cozart. Directed by Richard Donner.** —Justin’s Pick, STEPMOM (1998): A terminally-ill woman’s journey in dealing with her ex-husband’s new partner becoming a secondary mother to her children and an all-round fixture in their lives. **Starring Susan Sarandon, Julia Roberts, Jena Malone, Ed Harris. Directed by Chris Columbus.** ▶️MURRAYMOMENT: Billy surprises a stranger’s bachelor party with some concise marriage advice. ▶️FINAL THOUGHTS: A funny continuity issue in PRETTY WOMAN, the legendary jewelry box-snap scene, Gere’s piano skills in the film, along with he and Marshall’s jam session at the film’s wrap party. ▶️ Next Up: BOYZ N THE HOOD (1991)!

By writing, directing and co-starring in THAT THING YOU DO!, Tom Hanks committed himself to create a solid film about a band’s rise and fall in the music industry. Offering up a sincerely charming, what-if story, Hanks combined one heck of a formidable cast with a driving, inspirational story and an unforgettable soundtrack. No matter what decade in which the film is set, it continues to still strike a chord with audiences over 25 years later. ▶️Synopsis: Set in the 1960s, The Wonders are a small-town band who unexpectedly hit it big after a new drummer joins the group. Faced with an exciting journey ahead, the band doesn’t look back, but find strong personalities and sustainable success are a difficult combo. ⏩⏩Discussions include: Hanks’ inspiration for the film, approach to storytelling, personal connection, placement in his career and being an actor’s director; the original music behind the movie; character breakdowns with an impressive, chemistry-driven ensemble cast; the formation of The Wonders and realistic depictions of being in a band; importance of the supporting cast; and the extended cut vs. the theatrical release of the film. **Starring Tom Everett Scott, Liv Tyler, Johnathon Schaech, Steve Zahn, Ethan Embry, Tom Hanks. Directed by Tom Hanks.** ▶️**PICKS OF THE WEEK** —Lindsay’s Pick, THE MONEY PIT (1986): After a young couple buys a suspiciously affordable, fixer-upper mansion, they discover the problems go deeper than ever imagined. **Starring Tom Hanks, Shelley Long, Alexander Godunov. Directed by Richard Benjamin.** —Justin’s Pick, SUBURBIA (1996): Wasting most of their days away, a group of teens have their world affected when a hometown friend becomes a rock star and comes to visit. **Starring Jayce Bartok, Amie Carey, Giovanni Ribisi, Steve Zahn. Directed by Richard Linklater.** ▶️MURRAYMOMENT: How Billy’s 2015 film ROCK THE KASBAH helped motivate positive change through music. ▶️FINAL THOUGHTS: The rumored inspiration behind “Del Paxton” of THAT THING YOU DO! and Ethan Embry’s embarrassing on-set sickness. ▶️NEXT UP: PRETTY WOMAN (1990)!

Over the last 30 years, TREMORS (1990) has remained an impressively hair-raising monster movie, having garnered a steady following and still inspiring contemporary sequels. It’s one big mutha which appeals to any age and warrants going behind-the-scenes to understand why its boldness sets it apart from other films of the creature-feature genre. ▶️Synopsis: Physically barred from leaving town, two small town handymen stumble upon mysterious deaths and begin to link the grotesque killings to unprecedented, massively monstrous creatures living in the ground. ⏩⏩Discussions include: The origin story of TREMORS and how a writing duo’s friendship rolled into a directorial feature debut; crafty and gooey practical effects, miniatures, puppetry, evolution of the Graboid creatures and strength of the script; humor, tone and creation of a small town vibe living a terrifying reality; a deep dive into character dynamics and this solid ensemble cast; favorite scenes, marketing, audience reception and the TREMORS franchise. **Starring Kevin Bacon, Fred Ward, Finn Carter, Michael Gross, Reba McEntire. Directed by Ron Underwood.** ▶️**PICKS OF THE WEEK** —Lindsay’s Pick, RAISING CAIN (1992): This stylish, melodramatic thriller weaves together multiple personality disorder and clinical experimentation on children for a true psychological mind warp. **Starring John Lithgow, Lolita Davidovich, Steven Bauer. Directed by Brian De Palma.** —Justin’s Pick, THE RELIC (1997): After a series of grisly murders, a detective and a biologist must track down a mythical monster stalking and killing people in the Chicago Field Museum. **Starring Penelope Ann Miller, Tom Sizemore, Linda Hunt. Directed by Peter Hyams.** ▶️MURRAYMOMENT: Cutting to the root of Billy’s love for beloved musician, John Prine. ▶️FINAL THOUGHTS: The two different scores for TREMORS and the film’s effect on Bacon’s career. ▶️NEXT UP: THAT THING YOU DO!

No other film captures the truthful pain of adolescence as well as Todd Solondz’s WELCOME TO THE DOLLHOUSE (1995). By showing us harsh realities through heartbreaking humor, writer/director Solondz gives us a darkly comedic, layered look into the provocative world of Dawn “Wienerdog.” The universal appeal of this film is undeniable and gives a voice to the kids who go unseen. ▶️Synopsis: Plagued by bullying at school and being the forgotten middle child at home, an awkward pre-teen, Dawn Wiener, falls for an unattainable hunk while also carrying on a secret relationship with her main tormentor at school. ⏩⏩Discussions include: Solondz’s inspirations for DOLLHOUSE, how it was made and where it fits in with his other films; recurring themes and the impact of jarring slurs; the complexity of the characters and gifted performances by a predominantly young cast; story layering and Solondz’s use of dark humor; critical reception, lasting effects on the film’s main star and Dawn becoming an icon for underdogs. **Starring Heather Matarazzo, Brendan Sexton III, Matthew Faber, Eric Mabius. Directed by Todd Solondz.** ▶️**PICKS OF THE WEEK** —Lindsay’s Pick, HAPPINESS (1998): This extremely dark and bold, uncomfortable comedy intertwines three sisters’ lives, each diving into subplots involving unfulfillment, boredom and perversion. **Starring Jane Adams, Lara Flynn Boyle, Dylan Baker, Philip Seymour Hoffman. Directed by Todd Solondz.** —Justin’s Pick, STORYTELLING (2001): Split into disconnected stories, this dysfunctional dark comedy involves a female college student victimized by her professor and a high school boy being followed by a documentary filmmaker. **Starring Selma Blair, Mark Webber, Leo Fitzpatrick, Paul Giamatti. Directed by Todd Solondz.** ▶️MURRAYMOMENT: How Billy plays the Defender of the Bullied as Tripper in MEATBALLS (1979). ▶️FINAL THOUGHTS: How DOLLHOUSE helped Matarazzo realize her real-life gayness, the film being a perfect introduction to Solondz’s other films, some favorite scenes involving Dawn Wiener and the importance of music in the film. **Subscribe now to not miss an episode!**

No parents. No rules. No problem, right? Chris Parker and Sue Ellen Crandell are two teens forced into roles they never asked for — saving their own skins and watching after some youngins. The Season 3 Opener takes a closer looks at these beloved teen comedies— ADVENTURES IN BABYSITTING and DON’T TELL MOM THE BABYSITTER’S DEAD! ▶️ADVENTURES IN BABYSITTING, (1987): After her date-night plans fall through, Chris takes a babysitting job looking after a brother/sister duo and their hormone-happy friend. But when her best friend needs to be rescued, Chris has no choice but to take the kids into the big city, with nothing but trouble following close behind. **Starring Elisabeth Shue, Keith Coogan, Anthony Rapp, Maia Brewton. Directed by Chris Columbus.** ▶️DON’T TELL MOM THE BABYSITTER’S DEAD, (1991): A crotchety babysitter comes to watch after five kids, then almost immediately drops dead. Refusing to have their summer plans ruined, the oldest sister, Sue Ellen, decides to fake-it-til-you-make-it by getting a job in the fashion world, provide for her the bratty siblings and maybe fall in love along the way. **Starring Christina Applegate, Joanna Cassidy, Keith Coogan, Josh Charles. Directed by Stephen Herek.** ⏩⏩Discussions include: Origin, development and inspirations for DON’T TELL MOM and ADVENTURES’ storylines; the extremely opposite writing processes, script changes and intelligent plot motivators for both films; refreshing/rethinking formulaic plots; cultural influences and flipping of conventional gender roles; the expansive cast for both films, importance of an engagingly strong female lead and solid supporting cast; brief histories on DON’T TELL MOM and ADVENTURES’ directors; box office release; how these lengthy-titled films are vastly different in their storytelling, types of comedy and soundtracks, plus a ton of memorable moments and behind-the-scenes action thrown in! **Picks of the Week will be back in Episode 55!** ▶️MURRAYMOMENT: Billy’s surprising feelings on working with 11-year-old, Jaeden Lieberher Martell, in ST. VINCENT (2014). ▶️FINAL THOUGHTS: Some of our favorite things that stick out about DON’T TELL MOM and ADVENTURES. ▶️NEXT UP: WELCOME TO THE DOLLHOUSE (1995)!

The Season Two Finale is here! GOODFELLAS (1990) is one of the most beloved Martin Scorsese films. By using exhilarating visuals and condensed, fast-paced storytelling, this monumental mob chronicle never loses its boldness. Scorsese’s artistic integrity brings to life this terrifyingly honest and engaging portrayal of a blue collar crime world. ▶️Quick ‘lil Season Two Blooper Reel! ▶️Synopsis: This is the true story of Henry Hill being molded by the mob, starting out as a kid and moving up the ranks. With the world working for him and living a life of excess, Hill spirals down into a world of drugs, unraveling his marriage, success and turning on the crime family who created him. ⏩⏩Discussions include: The collaborative adaptation of transforming this novel to film, truth vs. fiction, Scorsese’s connection and ability to capture an intricate reality via stylistic influences, rapid-fire storytelling, voiceovers, tonal changes and trustworthy relationships with his actors and editor; use of purposeful violence; how spot-on casting captured true-to-life performances; memorable scenes and an overview of Scorsese’s gangster-heavy film career. **Starring Ray Liotta, Robert De Niro, Joe Pesci, Lorraine Bracco, Paul Sorvino. Directed by Martin Scorsese.** ▶️**PICKS OF THE WEEK** —Lindsay’s Pick, CAPE FEAR (1991): A lawyer knowingly withholds evidence, resulting in his dangerous client’s imprisonment. After he’s released, the vendetta-having, convicted sex offender stalks and seeks to ruin his former attorney’s life and family. **Starring Robert De Niro, Nick Nolte, Jessica Lange, Juliette Lewis. Directed by Martin Scorsese.** —Justin’s Pick, GRACE OF MY HEART (1996): A newly-discovered singer/songwriter finds her footing in the music industry, encountering professional and personal roadblocks, all resulting in an eventual payoff. **Starring Illeana Douglas, John Turturro, Matt Dillon, Eric Stoltz, Patsy Kensit. Directed by Allison Anders.** ▶️MURRAYMOMENT: Multiple pizza-related stories lead us to the time Scorsese’s mom, Catherine, made her legendary homemade pizza for Billy. ▶️FINAL THOUGHTS: GOODFELLAS losing to Dances With Wolves at the Oscars and the film’s murderous, yet moving montage to “Layla.” ▶️Thank you to everyone for listening, downloading, following and interacting with us for this podcast! Our gratitude runs deep. We’ll be back on June 2nd, 2020, with our Season Three opener — The Babysitter Double Feature!

In the 1980s, teen comedies established character tropes and found their future superstars. BETTER OFF DEAD... (1985) catapulted John Cusack to leading man status, even if the film didn’t reach blockbuster heights. This satirical black comedy was an unapologetic, absurdist dive into the teen psyche, which has only gained popularity throughout the years. BETTER OFF DEAD... continues to stand out from other ‘80s movies and leaves us with endless memorable moments. ▶️Synopsis: Devastated after being dumped for the popular high school jock, Lane Meyer can’t find a reason to live. In between multiple suicide attempts, he begins a friendship with a French exchange student who reminds him there is more life to live. ⏩⏩Discussions include: The true story behind the unusually satirical, BETTER OFF DEAD; how a first-time, feature film director/writer got his break; expanding the teen comedy genre, including an atypical leading man and traversing the teen experience; the tone/black humor used within the film; cast discussion, including the well-developed relationships with supporting characters; critical reception, music, animation/claymation and, of course, throwing in our favorite scenes and classic lines from the film. **Starring John Cusack, Diane Franklin, Curtis Armstrong. Directed by Savage Steve Holland.** ▶️**PICKS OF THE WEEK** —Lindsay’s Pick, TERRORVISION (1986): In this oddball sci-fi/horror/comedy, a family’s new TV satellite installation becomes an invitation for a monstrous alien from another world. **Starring Diane Franklin, Mary Woronov, Gerrit Graham, Chad Allen. Directed by Ted Nicolaou.** —Justin’s Pick, ONE CRAZY SUMMER (1986): Bailing on post high school plans, two best friends decide to have a carefree summer, but end up helping a fledging musician’s family estate and, in turn, inspiring future life goals. **Starring John Cusack, Joel Murray, Bobcat Goldthwait, Demi Moore. Directed by Savage Steve Holland.** ▶️MURRAYMOMENT: Billy’s experience living through the 2016 Chicago Cubs’ World Series win, with a little tear-jerking memory thrown in. ▶️FINAL THOUGHTS: Cusack’s unexpected reaction at the premiere of BETTER OFF DEAD..., his most recent feelings on the film, effect on Holland’s career and long-lasting fandom for this inoffensively rare 80s film. ▶️NEXT UP: DPP TWO-YEAR ANNIVERSARY with GOODFELLAS (1990)!

LADIES AND GENTLEMEN, THE FABULOUS STAINS (1982) is a criminally underseen film. Ahead of its time, THE STAINS was dedicated to depicting the gritty nature of the music world on the cusp of a new decade. For never having a theatrical release, this film’s relentlessly empowering nature has ensured its steady climb to cult status. ▶️Synopsis: Surrounded by a male-dominated music scene, an all-female teenage band, The Stains, join an on-going tour with jaded, aging rockers and a brassy UK punk band. While perfecting their sound and look, The Stains discover the turmoil that accompanies becoming a media sensation. ⏩⏩Discussions include: Music industry truths about fandom, band realities, power of the media and the ‘70s-‘80s music scene convergence; writer Nancy Dowd’s inspiration for the script backed by punk expert, Caroline Coon, plus their on-set problems and creative differences with director Lou Adler’s vision; the underage cast mixed with famous musicians; original ending vs. the theatrically released version; messages derived from the film, the influence on real-life musicians and how this atypical teen journey of THE STAINS steadily grew into a cult favorite. **Starring Diane Lane, Laura Dern, Marin Kanter, Ray Winstone. Directed by Lou Adler.** ▶️**PICKS OF THE WEEK** —Lindsay’s Pick, UNFAITHFUL (2002): A suburban couple’s marriage is upended when one partner has a chance encounter and lustful affair with a stranger, resulting in an unexpected turn of events. **Starring Diane Lane, Richard Gere, Olivier Martinez. Directed by Adrian Lyne.** —Justin’s Pick, SATISFACTION (1988): After graduating high school, an all-female rock ‘n roll band set out to land an important summer gig, but find the road to success will be a bumpy one. **Starring Justine Bateman, Julia Roberts, Liam Neeson. Directed by Joan Freeman.** ▶️MURRAYMOMENT: We get to the bottom of the romantic rumors between Billy and actor/musician Jenny Lewis which flooded the internet in 2015. ▶️FINAL THOUGHTS: An unfunny prank on the set of THE STAINS and absence of drugs in the film. ▶️NEXT UP: BETTER OFF DEAD (1985)!

James Cameron’s THE ABYSS was a technological marvel in 1989. For many, the film remains a mystery, overshadowed by other Cameron films which reaped the benefits of THE ABYSS’ monumental achievements. Having nearly missed the late-1980s underwater movie wave, THE ABYSS played a massively integral part in Cameron’s career. For our 50th Episode, we’re diving into what made this nearly unimaginable film not only possible, but a feat still awe-inspiring 30 years later. Synopsis: A team of underwater oil rig workers are enlisted to seek out a sunken nuclear submarine. Battling weather problems from above and Navy Seals with an alternative mission, the civilian team discovers an alien species looking to make contact. Discussions include: Aspects of underwater filmmaking, including immense difficulties, dangers and unforeseen challenges; training and hardships faced by the cast and crew; Cameron’s perfectionism and methodical troubleshooting; newly invented technology/special effects; differences between the theatrical and extended cuts of the film; use of *real* underwater breathing liquid; Cameron’s personal influence on the script and use of purposeful sexism; what hindered the film’s release; our love of the cast and why this ambitious movie is so unrelentingly intense.**Starring Mary Elizabeth Mastrantonio, Ed Harris, Michael Biehn. Directed by James Cameron.** **PICKS OF THE WEEK** —Lindsay’s Pick, ANACONDA (1997): A documentary film crew falls prey to an opportunistic, snake-hunting stranger, while being stalked by giant Amazonian anacondas. **Starring Jennifer Lopez, Ice Cube, Jon Voight, Owen Wilson. Directed by Luis Llosa.** —Justin’s Pick, STRANGE DAYS (1995): Before the dawn of a new millennium, this flashy, neo-noir thriller follows a shady Los Angeles ex-cop/grifter selling visions of the future and uncovering what dangers lay ahead. **Starring Juliette Lewis, Angela Bassett, Ralph Fiennes, Tom Sizemore. Directed by Kathryn Bigelow.** MURRAYMOMENT: Behind the scenes snippets of Billy’s time filming The Life Aquatic with Steve Zissou. FINAL THOUGHTS: Marketing and reception of THE ABYSS, in relation to other underwater movies released around the same time. NEXT UP:LADIES AND GENTLEMEN, THE FABULOUS STAINS (1982)!

Working a uniquely ingenious comedian into a director’s feature film debut could be seen as a risk. But PEE-WEE’S BIG ADVENTURE (1985) turned into an impressively ambitious film for Paul Reubens and Tim Burton, as they created one of the most iconic films of the decade. Standing the test of time and continuing to capture hearts, this strangely charming film is renowned as one of the most beloved comedies for all ages. ▶️Synopsis: When his prized, one-of-a-kind bike is stolen, the quirky, naively positive Pee-wee Herman stops at nothing to track it down, leading him on the quest of his life and meeting one eccentric person after another. ⏩⏩Discussions include: The origination, development of and hype around Pee-wee Herman; the rise, fall and resurgence of Paul Reubens’ career; creation and evolution of BIG ADVENTURE’s script, including Tim Burton adding an imaginative spin on the film while also cutting corners; the unusually memorable supporting cast; reception of the film; spirit, humor and what makes BIG ADVENTURE appeal to a wide audience; Big Top Pee-wee, Pee-wee’s Big Holiday and the Pee-wee’s Playhouse TV series are also discussed. **Starring Paul Reubens, Elizabeth Daily, Mark Holton, Diane Salinger. Directed by Tim Burton.** ▶️**PICKS OF THE WEEK** —Lindsay’s Pick, BUFFY THE VAMPIRE SLAYER (1992): A seemingly superficial high school girl comes to realize her true life calling is to save the world from vampires. **Starring Kristy Swanson, Luke Perry, Donald Sutherland, Paul Reubens, Rutger Hauer, David Arquette. Directed by Fran Rubel Kuzui.** —Justin’s Pick, HOUSEGUEST (1995): Stuck with a substantial unpaid mob debt, a cunning con man hustles his way into a naive, affluent family. **Starring Sinbad, Phil Hartman, Kim Greist. Directed by Randall Miller.** ▶️MURRAYMOMENT: Find out how Paul Reubens fits into the 1978 Saturday Night Live cast’s summer hiatus. ▶️FINAL THOUGHTS: Origin of the legendary tequila dance, a frequent misconception during BIG ADVENTURE’S biker scene and Pee-wee’s love of animals, including our podcast darling, Darla the Dog. ▶️NEXT UP: THE ABYSS (1989)!

TRUE ROMANCE proves love stories come in many forms. Though it has many diehard fans nowadays, the film was not a smash hit in 1993. Quentin Tarantino penned this incredibly personal story, yet handed over creative control to one of his favorite directors, Tony Scott. Jam-packed with a massively well-known cast, this fantasy love story cleverly intertwines the snowballing effect of two people leaving their lives behind, only to have a world of turbulence to follow. ▶️Synopsis: Clarence, a comic book store nerd, and Alabama, a sex worker, fall in love over the course of one night. After Clarence kills Alabama’s pimp and unknowingly steals a suitcase of narcotics, the two head off into the sunset with the hopes of starting a new life together, but find getting away isn’t all that easy. ⏩⏩Discussions include: The creative relationship between Scott and Tarantino, including how it began, then the blending of writing and directing styles; how the script’s original structure was altered; breaking down the believably intriguing major and minor characters of the cast; the MPAA controversy; the finished, alternate ending and why it was omitted; truth vs. fantasy, along with how typical tropes were challenged within this romance/action/crime genre-blender; initial reception and favorite moments of the film; usage of dark humor, violence, music and Elvis as functions in the story. **Starring Christian Slater, Patricia Arquette, Gary Oldman, Christopher Walken, Dennis Hopper, Brad Pitt, James Gandolfini, Michael Rapaport, Val Kilmer. Directed by Tony Scott.** ▶️**PICKS OF THE WEEK** —Lindsay’s Pick, BEYOND RANGOON (1995): While on vacation in Burma following a personal tragedy, an American woman becomes involved with political and societal repression during the 8888 Uprising against militant violence and injustices. **Starring Patricia Arquette, U Aung Ko, Frances McDormand. Directed by John Boorman.** —Justin’s Pick, FROM DUSK TILL DAWN (1996): After a murderous bank robbery, two brothers kidnap a family and head to Mexico for refuge. But when the group stalls out at an unsuspecting vampire bar, they must band together to fight their way out. **Starring George Clooney, Quentin Tarantino, Harvey Keitel, Juliette Lewis. Directed by Robert Rodriguez.** ▶️MURRAYMOMENT: Find out about Jon Favreau’s recording session with Billy and Christopher Walken for THE JUNGLE BOOK soundtrack, followed by a night on the town in New Orleans. ▶️FINAL THOUGHTS: Tony Scott excluding a dog death in TRUE ROMANCE, along with high notes from the film’s soundtrack. ▶️NEXT UP: PEE WEE’S BIG ADVENTURE (1985)!

MISERY (1990) proves subtle terror can be just as effective as straight up horror. Marking the second collaboration between legendary author Stephen King and director Rob Reiner, MISERY grips audiences of every kind, leaving behind hauntingly iconic images. Thirty years later, this critically-acclaimed and disturbingly enjoyable film is still one of the most memorable psychological thrillers around. And also makes us rethink how to use a typewriter and a sledgehammer. ▶️Synopsis: A renowned author has a near-fatal car accident, only to be rescued by a nurse claiming to be his number one fan... and who holds him captive with no intention of ever letting him leave. ⏩⏩Discussions include: Adapting of King’s novel for the screen and the differences therein; themes behind the story and why Reiner was drawn to MISERY; the cast and working dynamic between Bates and Caan; themes, tone and the film as a character study; the vicious ending, behind the scenes production and special effects. **Starring Kathy Bates, James Caan, Richard Farnsworth. Directed by Rob Reiner.** ▶️**PICKS OF THE WEEK** —Lindsay’s Pick, FRIED GREEN TOMATOES (1991): An unfulfilled housewife befriends and becomes inspired by an elderly woman who recounts tall tales from her youth and the story of two best friends. **Starring Kathy Bates, Jessica Tandy, Mary Stuart Masterson, Mary-Louise Parker, Cicely Tyson. Directed by Jon Avnet.** —Justin’s Pick, DOLORES CLAIBORNE (1995): A housekeeper is accused of murdering her employer, so her daughter begins to investigate the situation, only to uncover shocking revelations about their family’s past. **Starring Kathy Bates, Jennifer Jason Leigh, David Strathairn. Directed by Taylor Hackford.** ▶️MURRAYMOMENT: Billy, James Caan, Benicio del Toro and Robert Duvall take a little trip to Cuba. ▶️FINAL THOUGHTS: Addressing any confusion about the Misery books discussed, Lauren Bacall and Barry Sonnenfeld. ▶️NEXT UP: TRUE ROMANCE (1993)!

Mary Harron’s first feature-length film, I SHOT ANDY WARHOL (1996), made a big splash during the heyday of ‘90s independent films. Seamlessly blending historical figures, events and some fiction, Harron crafted a gritty, true-to-life depiction of an almost forgotten moment in time. This critically acclaimed, indie darling made its mark in queer cinema, even upsetting some who lived through the experience, yet still remains a gripping, non-exploitative remembrance of the beginning of the end for two very real people. ▶️Synopsis: Based on a true story, this narrative follows fringe culture activist Valerie Solanas’ life, radical feminist writings and introduction to Andy Warhol, leading to her attempted murder of the legendary artist. ⏩⏩Discussions include: Background on counter-culture, creative minds, Valerie Solanas and Andy Warhol; how writer/director Mary Harron researched and developed the focus for this true story; deciphering fact from fiction; the film’s style, setting and inspiration; Lili Taylor’s of embodiment of the Solanas role, along with an impressive supporting cast; Solanas’ writings and contemporary relevance; the reaction to making a movie about a real-life attempted murder. **Starring Lili Taylor, Jared Harris, Martha Plimpton, Stephen Dorff. Directed by Mary Harron.** ▶️**PICKS OF THE WEEK** —Lindsay’s Pick, DOGFIGHT (1991): After trying to make amends for a mean-spirited game, a Vietnam solider and young woman end up falling in love over the course of one night. **Starring Lili Taylor, River Phoenix. Directed by Nancy Savoca.** —Justin’s Pick, RUNNING ON EMPTY (1988): After becoming accustomed to being fugitives, a married couple’s son begins to pull away from his family as he comes of age. **Starring Christine Lahti, Judd Hirsch, Martha Plimpton, River Phoenix. Directed by Sidney Lumet.** ▶️MURRAYMOMENT: After crashing the biggest private party New York had ever seen, what were the first words Billy ever uttered to Andy Warhol? ▶️FINAL THOUGHTS: Shout-out to Donovan Leitch; The Velvet Underground and Yo La Tengo’s connection to I SHOT ANDY WARHOL; personal thoughts on Solanas’ motive for murder and reemergence of her script, Up Your Ass. ▶️NEXT UP: MISERY (1990)!

John Carpenter’s THE THING got a bad rap when it was released in 1982. Though a special effects marvel and unique to the science-fiction/horror genre, it is now considered a well-respected, beloved cult film. Isolation and paranoia had not reached such monstrous, cinematic proportions until this landmark achievement in Carpenter’s career. And nearly 40 years later, THE THING still holds strong as a brilliant, deliberately atmospheric display of well-rounded artistry. ▶️Synopsis: Set in Antarctica, a team of researchers are infiltrated and attacked by a shape-shifting, body assimilating creature that takes over the camp one person at a time. ⏩⏩Discussions include: THE THING’s source material and how Carpenter re-envisioned the story; how tone and pacing create the mood of this ensemble film; Rob Bottin’s visceral special effects, Dean Cundey’s cinematography and the expansive set design; pre-production cast bonding and character interplay; physical challenges faced by cast and crew; Carpenter’s relationship with THE THING star, Kurt Russell; behind-the-scene tidbits, along with Justin and Lindsay’s favorite scenes. **Starring Kurt Russell, Keith David, Wilford Brimley. Directed by John Carpenter.** ▶️**PICKS OF THE WEEK** —Lindsay’s Pick, BREAKDOWN (1997): In this taught, cautionary tale, a woman is kidnapped in the middle of nowhere by a mysterious trucker driver, leaving her husband to stop at nothing to track her down. **Starring Kurt Russell, Kathleen Quinlan, J.T. Walsh. Directed by Jonathan Mostow.** —Justin’s Pick, ELVIS (1979): This made-for-tv movie condenses the biggest life moments of music legend, Elvis Presley — from high school to his rise to stardom, relationship with his parents, marriage and segueing into acting. **Starring Kurt Russell, Shelley Winters, Bing Russell. Directed by John Carpenter.** ▶️MURRAYMOMENT: Revisiting the commercially unsuccessful Billy film, LARGER THAN LIFE (1996), which also featured THE THING’s Keith David, and why this movie deserves another chance. ▶️FINAL THOUGHTS: Ennio Morricone’s score mixing with Carpenter’s musical contributions for THE THING; critical reception and open-ended climax to the film; THE THING as an AIDS epidemic metaphor; some love for canine actor, Jed the dog. ▶️NEXT UP: I SHOT ANDY WARHOL (1996)!

The outlaw journey of THELMA AND LOUISE was fresh in 1991, yet is still remarkably relevant almost 30 years later. Both visually stunning and packed with symbolism, this film was unafraid to focus on female friendship with a feminist backbone, along with the female experience in an unsupportive world. Beautifully crafted and atmospheric, THELMA AND LOUISE remains eerily timely and believable, while being empowering and forever iconic. ▶️Synopsis: Two best friends set out for a weekend road trip, which quickly turns into numerous unforeseen events snowballing into an ultimate, life-altering resolution. ⏩⏩Discussions include: First-time screenwriter Callie Khouri’s path to creating THELMA AND LOUISE; director Ridley Scott’s stylized grit and aesthetics; the film’s initial release, surrounding controversy and what it meant for women in film; the cast and evolving character breakdowns; how humor and plots devices interact with the film’s narrative; personal thoughts on the actual vs. alternate endings, along with fun facts sprinkled all throughout. **Starring Geena Davis, Susan Sarandon, Harvey Keitel, Brad Pitt. Directed by Ridley Scott.** ▶️**PICKS OF THE WEEK** —Justin’s Pick, KALIFORNIA (1993): While on a road trip researching serial killings, a writer/photographer couple unknowingly pick up a psychopath and his naive girlfriend. **Starring Brad Pitt, Juliette Lewis, David Duchovny, Michelle Forbes. Directed by Dominic Sena.** —Lindsay’s Pick, THE CLIENT (1994): After witnessing a suicide of a mafia lawyer, an 11-year-old boy hires an attorney to protect him from being used as a pawn to take down a mafia family. **Starring Brad Renfro, Susan Sarandon, Tommy Lee Jones, Mary-Louise Parker. Directed by Joel Schumacher.** ▶️MURRAYMOMENT: Geena Davis’ recounting of her unusual and disarming audition for Bill Murray’s film, QUICK CHANGE. ▶️FINAL THOUGHTS: George Clooney’s bitterness over losing Brad Pitt’s role in THELMA AND LOUISE; the Geena Davis Institute on Gender in Media. ▶️NEXT UP: THE THING (1982)!

It’s the 40th Anniversary of THE WARRIORS, yet the film became a phenomenon as soon as it hit theaters in 1979. By not villainizing gang life, THE WARRIORS serves as a voice for 1970s youth culture. Chocked full of visual treats in an unrealistic, yet relatable world, the film easily achieved cult status. Community, comradery and survival mode kick in for this pulse-pounding adventure all the way from New York City to Coney Island. ▶️Synopsis: After being framed for the murder of a major gang leader, The Warriors attempt to clear their name and hustle 30 miles back to their home turf. ⏩⏩Discussions include: The original story behind THE WARRIORS, plus the script adaptation to screen; production, atmosphere and style of the film; costuming and fight choreography; behind-the-scenes tidbits; the exclusively New York cast; the glorified depiction of gang life; usage of violence in the film and how THE WARRIORS fits into director Walter Hill’s action-filled career. **Starring Michael Beck, Deborah Van Valkenburgh, James Remar, David Patrick Kelly. Directed by Walter Hill.** ▶️**PICKS OF THE WEEK** —Lindsay’s Pick, FOXFIRE (1996): Four high school girls are inspired by a female drifter to stand up against an abusive teacher and other wrongs in their world. **Starring Hedy Burress, Angelina Jolie, Jenny Lewis, Jenny Shimizu, Sarah Rosenberg. Directed by Annette Haywood-Carter.** —Justin’s Pick, SOUTHERN COMFORT (1981): After an ill-advised decision, a group of National Guardsmen are hunted down in an unfamiliar setting by a mysterious party. **Starring Powers Boothe, Keith Carradine, Fred Ward, Peter Coyote, T.K. Carter. Directed by Walter Hill.** ▶️MURRAYMOMENT: Billy’s involvement with Love Rocks NYC, a yearly benefit for the longstanding charity organization, God’s Love We Deliver. ▶️FINAL THOUGHTS: The alternate opening and music of THE WARRIORS. ▶️NEXT UP: THELMA AND LOUISE (1991)!

John Candy and John Hughes often brought a profound sense of warmth mixed with comedy to the silver screen. Out of the four times they worked together, UNCLE BUCK (1989) still serves as a timeless and sincere comedy, beloved by folks of all ages. A simple story about family, personal growth and a lot of laughs in between, Buck lives forever in our hearts as the endearing family member we long to have. ▶️Synopsis: When a family emergency arises, the bachelor life-having, non-committal Uncle Buck is called in to look after his nephew and two nieces. Buck and the rebellious teen in the family may not get along, but their time together turns into some much needed self-improvement. ⏩⏩Discussions include: The working relationship between Candy and Hughes; why UNCLE BUCK is a beloved, well-written movie, earnestly combining heartfelt comedy with family drama; character dynamics advancing the story; critical perception of the film when it was released; an overview of Candy’s career; the strength of the cast, along with favorite moments of this Candy/Hughes comedy sprinkled all throughout. **Starring John Candy, Jean Louisa Kelly, Macaulay Culkin, Gaby Hoffmann. Directed by John Hughes.** ▶️**PICKS OF THE WEEK** —Lindsay’s Pick, WHO’S HARRY CRUMB? (1989): A wildly comedic caper about a bumbling, yet well-known private investigator hired to find a kidnapped girl of a wealthy family. **Starring John Candy, Shawnee Smith, Annie Potts, Jeffrey Jones. Directed by Paul Flaherty.** —Justin’s Pick, NOW AND THEN (1995): In this coming of age tale, the significant summer of 1970 forever cements an everlasting friendship between four pre-teen girls. **Starring Thora Birch, Christina Ricci, Gaby Hoffmann, Ashleigh Ashton Moore, Demi Moore, Melanie Griffith, Rosie O’Donnell, Rita Wilson. Directed by Lesli Linka Glatter.** ▶️MURRAYMOMENT: How Billy took a fresh-faced John Candy under his wing while at Second City Chicago. ▶️FINAL THOUGHTS: Hughes’ non-traditional music choices for UNCLE BUCK. ▶️NEXT UP: THE WARRIORS (1979)!

The slasher film is one the biggest subgenres of horror films. But how did it come about and gain such popularity? This episode tracks the progression of (mostly) American slashers, focusing on how we got to the most formative years of the genre. ▶️Discussions include: How real-life influences and familiar settings were reflected in ‘60s and ‘70s films, thus inspiring the most popular slasher years; cementing slasher movie tropes; hooks, tonal changes, elevating intellectual and visual creativity as the years progressed; franchising; audience accessibility to slashers; recycling, resuscitation and reinvention of the genre, leading to the next evolutionary step to recapture the magic of the slasher movie trend. ▶️**PICKS OF THE WEEK** 1980s: “One heck of a final scene!” —Lindsay’s Pick, SLEEPAWAY CAMP (1983): A twisted summer camp story with a mysterious killer murdering foul-mouthed bullies. A deeper psychology behind this one. **Starring Felissa Rose, Jonathan Tiersten, Karen Fields, Katherine Kamhi. Directed by Robert Hiltzik.** —Justin’s Pick, JUST BEFORE DAWN (1981): A group of young hikers are hunted down by murderous, ruthless, inbred twins. **Starring George Kennedy, Gregg Henry, Chris Lemmon, Deborah Benson. Directed by Jeff Lieberman.** 1990s: “The one you’d never expect!” —Lindsay’s Pick, OFFICE KILLER (1997): After a repressed wallflower accidentally kills her jerk of a boss, she’s inspired to “correct” other problematic co-workers. **Starring Carol Kane, Jeanne Tripplehorn, Molly Ringwald. Directed by Cindy Sherman.** —Justin’s Pick, POPCORN (1991): An unknown killer seeks vengeance by picking off teenagers at an all-night horror movie marathon. **Starring Jill Schoelen, Dee Wallace, Tom Villard. Directed by Mark Herrier.** ▶️MURRAYMOMENT: Revisiting an adorable, unscripted scene in STRIPES (1981), featuring Billy and legendary scream queen, P.J. Soles. ▶️FINAL THOUGHTS: Hitting on a few influential/prominent Canadian slasher films, then how HALLOWEEN (2018) renews hope in the continuation of the slasher genre. ▶️NEXT UP: UNCLE BUCK (1989)!

In a world full of remakes and reboots, 1988’s THE BLOB holds strong as one of the best. Not only does the film pay homage to its source material, but also develops its own story and takes special effects to new, imaginative heights. This sci-fi, horror adventure easily absorbs you into its gooey greatness, bent on being a squirm-worthy crowd-pleaser! ▶️Synopsis: Three teens discover an ever-growing gelatinous mass that melts and absorbs anything living in its path. As the unstoppable Blob’s body count rises and a government conspiracy is revealed, it’s up to a cheerleader and high school rebel to save an entire town. ⏩⏩Discussions include: The extremely impressive special and visual effects; similarities and differences between this 1988 version and 1958’s THE BLOB; the smart and snappy vision Chuck Russell (writer/director) and Frank Darabont (writer) brewed up for this reinvention; dark humor, expertly integrated genre-blending and how the film breaks typical movie tropes; the strength of the main and supporting cast being woven into uncommon, crafty and concise character set-ups. **Starring Shawnee Smith, Kevin Dillon, Donovan Leitch. Directed by Chuck Russell.** ▶️**PICKS OF THE WEEK** —Justin’s Pick, A NIGHTMARE ON ELM STREET 3: DREAM WARRIORS (1987): Taking place in a mental health facility, Freddy Krueger is back to stalk the remaining offspring of the Elm Street kids in one the most inspired installments of the franchise. **Starring Heather Langenkamp, Robert Englund, Patricia Arquette, Laurence Fishburne. Directed by Chuck Russell.** —Lindsay’s Pick, Q: THE WINGED SERPENT (1982): An ex-junkie, small-time crook finds the nest of an ancient Aztec bird serpent which has been reigning terror and dropping body parts all over New York City. **Starring Michael Moriarty, Candy Clark, David Carradine, Richard Roundtree. Directed by Larry Cohen.** ▶️MURRAYMOMENT: How THE BLOB’s Del Close had a significant influence on Billy. ▶️FINAL THOUGHTS: THE BLOB’s synth-heavy, hip score and the under-seen sequel, BEWARE! THE BLOB (1972). ▶️NEXT UP: 80s VS 90s SLASHERS!

CANDYMAN (1992) is not your standard slasher film. While it evokes terror and a haunting feeling, it is also loaded with social commentary that goes beyond normal horror movies tropes. The admiration for film goes hand-in-hand with the emotionally-charged, enlightened story, and leaves us never forgetting the undying legend of CANDYMAN. We’ll be goin’ all Clive Barker for this episode! ▶️Synopsis: While researching urban legends for her graduate thesis, Helen (Virginia Madsen) becomes captivated by a story about a boogeyman named Candyman (Tony Todd). Dispelling rumors of his actual existence to terrified locals, Candyman surfaces to frame Helen for murders and slowly swallows her into his everlasting myth. ⏩⏩Discussions include: A brief history on Chicago’s Cabrini-Green, the setting for CANDYMAN and why the original Clive Barker story was adapted; the real-life intensity shooting on location, combined with atypical special effects and acting techniques used to develop on-screen realness; why it was necessary to have the most profound connection between actors; cultural fears, prejudice and how CANDYMAN relates to reality. **Starring Virginia Madsen, Tony Todd, Kasi Lemmons, Xander Berkeley. Directed by Bernard Rose.** ▶️**PICKS OF THE WEEK** —Justin’s Pick: LORD OF ILLUSIONS (1995): When a fanatic magical cult reincarnates their ruthless leader, a private investigator is sought out to protect a famous magician and his wife from certain evils headed their way. **Starring Scott Bakula, Famke Janssen, Kevin J. O’Connor, Daniel von Bargen. Directed by Clive Barker.** —Lindsay’s Pick: NIGHTBREED (1990): A troubled man seeks out Midian, a mythical world haunting his dreams, and inhabited by demon social outcasts known as the Nightbreed. Simultaneously, his serial killing psychiatrist seeks to set him up for murders and destroy all the Nightbreed. **Starring Craig Sheffer, David Cronenberg, Anne Bobby. Directed by Clive Barker.** ▶️MURRAYMOMENT: After reaching a low moment in life, Billy is pulled from the brink upon seeing an inspirational painting. ▶️FINAL THOUGHTS: Philip Glass’ uniquely atmospheric score and the immense appreciation for CANDYMAN’S final scenes. And please check out HORROR NOIRE: A HISTORY OF BLACK HORROR, which includes a section on CANDYMAN — Available now on Shudder! ▶️NEXT UP: THE BLOB (1988)!

As the 30th anniversary of THE ‘BURBS (1989) descends upon us, it’s astonishing how the film still feels so fresh. By intelligently poking fun at suburban life and the paranoia that can result from boredom, this underseen Joe Dante film continues to be charming and gain an increasingly large cult following. ▶️Synopsis: While having a stay-at-home vacation, one uptight suburbanite and his paranoid neighbors become convinced the new family in their quiet community are Satanic murderers. ⏩⏩Discussions include: How a solid, witty script and stylish look create a relatable world where the comedy never wears out. On top of the expertly-curated ensemble cast, we’ll discuss what the actors bring to the film and how ad-libbing came in handy during a Hollywood writer’s strike. We’ll dig into the themes of THE ‘BURBS, go behind the scenes of filming and director Joe Dante’s career and passion for moviemaking. **Starring Tom Hanks, Carrie Fisher, Bruce Dern, Rick Ducommun, Wendy Schaal, Corey Feldman. Directed by Joe Dante.** ▶️SCENE BREAKDOWN: Realism becomes another form of artificial style in THE ‘BURBS. Justin Hayward discusses how Joe Dante is able to create very calculated comedic moments within dramatic situations. ▶️**PICKS OF THE WEEK** —Lindsay’s Pick: THE MAN WITH ONE RED SHOE (1985): In this silly spy thriller, a clueless musician gets caught up in a game of espionage, while also falling for a woman who is spying on him. **Starring Tom Hanks, Carrie Fisher, Jim Belushi, Lori Singer, Dabney Coleman. Directed by Stan Dragoti.** —Justin’s Pick: MATINEE (1993): Harnessing the terror over impending nuclear war, a crafty filmmaker utilizes public fear to churn up excitement for the premiere of his newest, low-budget film, “Mant!” **Starring John Goodman, Cathy Moriarty, Kellie Martin. Directed by Joe Dante.** ▶️MURRAYMOMENT: Diving into Billy’s Carl Spackler character in CADDYSHACK, and why he’d fit in perfectly with neighborhood boys in THE ‘BURBS. ▶️FINAL THOUGHTS: A brief career retrospective of THE ‘BURBS co-star, Darla the Dog. ▶️NEXT UP: CANDYMAN (1992)!

ERASERHEAD (1977) may be the most well-made student film ever produced. As a brilliant piece of film history, it is forever cemented in as the ultimate cult film and perfect midnight movie. David Lynch was able to create a deeply personal and mesmerizingly quirky film which was the first of its kind. Strikingly bold visuals, an unnerving soundscape and oddball characters help create a grim, surrealist story wherein the viewer is submerged in a bizarre, yet mysteriously familiar world. ▶️Synopsis: Set in an industrial, dismal environment, Henry is confronted with meeting his girlfriend Mary’s off-kilter family, then discovering he is the father to a premature newborn, which appears to be inhuman. This is a richly nightmarish reality which feeds common anxieties concerning relationships, parenthood, regret, life and death. ⏩⏩Discussions include: Lynch’s relationship with The American Film Institute (AFI), the community effort which made ERASERHEAD possible and how Lynch’s underlying personal narrative flowed into the plot and themes. In addition, we’ll discuss how a direct story is told through surrealist, subconscious visions and very intentional sound design, leading to why the film is open for interpretation. We’ll further explain our favorite moments in the film, give a ton of behind-the-scenes information and how ERASERHEAD is connected to other subsequent Lynch projects. **Starring Jack Nance, Charlotte Stewart, Allen Joseph, Jeanne Bates. Directed by David Lynch.** ▶️**PICKS OF THE WEEK** Lindsay's Pick — BLUE VELVET (1986): This neo-noir mystery follows an innocently curious man discovering a disembodied ear, leading to a possible romance, but also a criminal underworld of drugs, violence and sexual trauma. An unreal, yet familiar world where voyeurism becomes addicting. **Starring Kyle MacLachlan, Isabella Rossellini, Dennis Hopper, Laura Dern, Dean Stockwell. Directed by David Lynch.** AVAILABLE ON TUBI NOW! Justin’s Pick — THE STRAIGHT STORY (1999): An elderly man embarks on a 240 mile journey to visit his ailing, estranged brother. Having no other way to travel, he uses his riding lawnmower to complete his quest. An unusual road trip film, which is also based on a true story. **Starring Richard Farnsworth, Sissy Spacek, Harry Dean Stanton. Directed by David Lynch.** ▶️MURRAYMOMENT: With all this talk concerning parenthood in ERASERHEAD, we’ll scrape the surface of Billy’s upbringing and his eventual turn into becoming a father of six boys. ▶️FINAL THOUGHTS: We need to talk about the newborn in ERASERHEAD... ▶️NEXT UP: THE ‘BURBS (1989)!

COMING TO AMERICA (1988) is a crowd favorite among romantic comedies and considered one of Eddie Murphy’s best films. It serves up a lighthearted, Cinderella-type story, non-stop laughs and gives us too many memorable (and quotable) scenes to count. Also, there’s a shrouded controversy and ton of backstory surrounding the film. For this Eddie Murphy-centered episode, we travel from Africa to New York to suss out the story behind COMING TO AMERICA! ▶️Synopsis: Prince Akeem of Zamunda wants nothing more than to marry a woman who loves him for who he is, not because of his immense wealth. After postponing his arranged marriage, Akeem travels to New York City to pose as an exchange student, work a regular job, and search for his future bride-to-be. ⏩⏩Discussions include: Murphy’s relationship with director John Landis and his first endeavor into makeup/prosthetics from special effects master, Rick Baker. Murphy vs. studio reaction to actors playing multiple characters. Cast breakdown, the intended vision for the fictional nation of Zamunda, followed up by the lawsuit concerning the original script. An overall view of Murphy’s career, the COMING TO AMERICA sequel and all our favorites moments sprinkled in between. **Starring Eddie Murphy, Arsenio Hall, Shari Headley, John Amos, James Earl Jones, Madge Sinclair. Directed by John Landis.** ▶️**PICKS OF THE WEEK** Justin’s Pick — LIFE (1999): Set in 1932, two men are framed for a crime they didn’t commit and sentenced to serving life in prison together. Though a comedy, the film’s tight script and solid performances lend to some serious realness, making for a sleeper of a truly great film. **Starring Eddie Murphy, Martin Lawrence, Bernie Mac, Ned Beatty. Directed by Ted Demme.** Lindsay’s Pick — GOLDEN CHILD (1986): In this fantasy-adventure film, a Los Angeles social worker is sought out and informed he is the only person that can rescue a kidnapped Tibetan boy who happens to be the savior of all humankind. **Starring Eddie Murphy, Charlotte Lewis, Charles Dance. Directed by Michael Ritchie.** ▶️MURRAY(Murphy)MOMENT: In this extra special Season 6 opening monologue of SNL, Eddie comes out to save a spastic Billy, as the two end up channeling another legendary comedy duo. ▶️FINAL THOUGHTS: COMING TO AMERICA’s connection to another Murphy film, TRADING PLACES; Who is Darla the dog?; Landis’ motivation behind putting Murphy in whiteface. ▶️NEXT UP: ERASERHEAD (1977)!

DELIVERANCE (1972) is a straightforward story about survival. Whether it’s human vs. human or vs. nature, primal instincts are tested in this gripping John Boorman film. Just shy of fifty years since its release, DELIVERANCE continues to leaves audiences looming with foreboding sense of realism, atop the beautiful landscape of the Chattanooga River.🛶 ▶️ Synopsis: Four friends go on a remote canoe adventure down a dangerous, soon-to-be-destroyed river. After being confronted by life-threatening locals and a murder in self-defense, the story becomes about emotional and physical self-preservation. ⏩⏩ Discussions include: Thematic elements, metaphors and significance of DELIVERANCE, Boorman’s unique direction style, the absence of special effects and stunt-related dangers encountered during filming. A breakdown of the memorable main characters/actors who played them, as well as James Dickey’s involvement in this film adaptation of his novel. The notorious rape scene will be hashed out, along with the overshadowing, double-standard effect it had on the film. **Starring Burt Reynolds, Jon Voight, Ned Beatty, Ronny Cox. Directed by John Boorman.**🛶 ▶️ **PICKS OF THE WEEK** 🎥Justin’s Pick — ZARDOZ (1974): This post-apocalyptic, science-fiction film is packed with classist social commentary, serving as a play on The Wizard of Oz. With a wildly incredible production quality, this story goes deep into an otherworldly fantasyland. **Starring Sean Connery, Charlotte Rampling, Sara Kestelman, John Alderton. Directed by John Boorman.** 🎥Lindsay’s Pick — BEST LITTLE WHOREHOUSE IN TEXAS (1982): Based on a true story, this musical comedy focuses on a beloved, small-town brothel faced with being shut down by a puritanical TV journalist. **Starring Dolly Parton, Burt Reynolds, Dom DeLuise, Charles Durning, Jim Nabors. Directed by Colin Higgins.**🛶 ▶️ MURRAYMOMENT: Billy makes a pop-in at Eric’s Canoe and Kayak Rental in Saint Croix Falls, WI., and Lindsay got a first-person recounting of the experience.🛶 ▶️ FINAL THOUGHTS: A hidden secret about the infamous “Dueling Banjos” scene and John Boorman’s use of disembodied hands in his films.🛶 ▶️ NEXT UP: COMING TO AMERICA (1988)!

MAGNOLIA (1999) is an opus character study film which exposes strange coincidences of life. While we may be through with the past, the past ain’t through with us. ▶️Synopsis: An intricately woven, relatable story of interconnected families stemming from a long-spanning quiz show. Within an intense 24 hours, multiple people experience life-altering situations, all of which move toward a cathartically-needed final release. ⏩⏩Discussions include: Breaking down MAGNOLIA’s very-involved, fast-paced plot points with a character-by-actor tree, as well as the film’s themes of coincidence, failure, loneliness, death, regret, trauma and dysfunctional family patterns. The film’s aesthetic, style and behind the scenes moments which shape this emotionally-charged story are discussed, as will the two most divisive scenes — the frogs and the cast singalong. Loose ends are also tied up by explaining a character and story which were both omitted from the theatrical release. This episode seeks to open up dialogue about MAGNOLIA’s subject matter and leave the film open to individual interpretation. **Starring Julianne Moore, Tom Cruise, Philip Seymour Hoffman, Jason Robards, Philip Baker Hall, William H. Macy, John C. Reilly, Melora Walters, Melinda Dillon, Jeremy Blackman, April Grace. Directed by Paul Thomas Anderson.** ▶️**PICKS OF THE WEEK** Lindsay’s Pick — CHICAGO CAB (1997): Taking place in one day, this is the episodic story of a Chicago cabbie experiencing a range of people, emotions and eye-opening situations. **Starring Paul Dillon, featuring John C. Reilly, Julianne Moore, April Grace, Gillian Anderson, John Cusack, Harry Lennix. Directed by Mary Cybulski, John Tintori.** Justin’s Pick — HARD EIGHT (1996): A down-on-his-luck, inexperienced gambler is helped out by seemingly very interested and kind, yet mysterious stranger. **Starring Philip Baker Hall, John C. Reilly, Gwyneth Paltrow, Samuel L. Jackson. Directed by Paul Thomas Anderson.** ▶️MURRAYMOMENT: Billy’s no stranger to many themes contained in Paul Thomas Anderson films. Here, we’ll dive deep into the various levels of loneliness found within the characters of Billy Murray. ▶️FINAL THOUGHTS: A little more on Aimee Mann’s involvement in MAGNOLIA. And remember, strange and unexpected things happen all the time — including the ending of this episode. ▶️NEXT UP: DELIVERANCE (1972)!!

🧪RE-ANIMATOR (1985) became a cult classic as a result of creative special effects geniuses and intellectual horror hounds. This truly wild H.P. Lovecraft adaptation went on to further expand the horror horizon of the mid-1980s’.🧪 ▶️ Herbert West is an extremely promising medical student who has unlocked the secret to bringing the dead back to life. However, such a thing requires experimentation, and also causes a creepy, dominating professor to want to claim West’s research as his own. ⏩⏩ Discussions include: An appreciation for RE-ANIMATOR as a whole, how this low-budget, well-researched, cross-genre film fits into horror cinema, the controversy behind the film’s musical score, how realism, absurdism, science-fiction, zombification, and the grotesque all work together as one, clinical bloodiness vs. exploitative gore, the overall evolution of the story and characters, and also how the film differs from the 1922 Lovecraft story, Herbert West — Reanimator. **Starring Jeffrey Combs, Bruce Abbott, Barbara Crampton, David Gale. Directed by Stuart Gordon.** ▶️ **PICKS OF THE WEEK** 🎥Lindsay’s Pick — HONEY, I SHRUNK THE KIDS (1989): When a scientist father’s experimental shrinking ray accidentally works, his children and two neighbors are shrunken down to size of insects and faced with traversing the dangers of the backyard. An action adventure flick for any age. **Starring Rick Moranis, Marcia Strassman, Matt Frewer, Kristine Sutherland, Amy O’Neill. Directed by Joe Johnston.** 🎥Justin’s Pick — THE STUFF (1985): This film takes a bite out of American consumerism when all of the country is obsessed with a suspiciously addictive, delicious dessert. And one investigator is on the case to figure out the sinister reason behind America’s communal craving. **Starring Michael Moriarty, Garrett Morris, Scott Bloom, Andrea Marcovicci, Paul Sorvino, Danny Aiello. Directed by Larry Cohen.** ▶️ MURRAYMOMENT: When the Marshmallow Man explodes in GHOSTBUSTERS (1984), its gooey goodness covers every outdoor surface and person, our ghostbustin’ heroes included. Except for one — Billy Murray. Find out why right here! ▶️ FINAL THOUGHTS: A few mentions of how Lovecraft’s 6-part serialized short story differs from the RE-ANIMATOR film. And Justin and Lindsay discuss Barbara Crampton’s awesomeness, as well as her most controversial scene in the film. ▶️ NEXT UP: MAGNOLIA (1999)!!

NEW JACK CITY (1991) raised the stakes for gangster films and put a spotlight on the rise of crack in inner cities. Cutting edge and concise, this film is a fast-paced crime thriller that is still relevant almost 30 years after its release. ▶️ (02:07) When a high-time crime lord rises to power and introduces crack to the surrounding city, a few rouge cops vow to take down the gangster-led drug ring destroying their community. Discussions include: The real-life inspiration behind NEW JACK CITY, how a first-time director, authentic actors and crisp storytelling came together for a truly larger-than-life movie, the film’s strong attitude towards drugs and gang life, resulting in an awareness of a powerful moral voice. Breakout roles for the cast will be discussed, as well as a NEW JACK CITY comparison to SCARFACE (1983) — breaking down the main characters, drug usage and the music in both films. *Starring Wesley Snipes, Allen Payne, Ice-T, Chris Rock, Mario Van Peebles, Judd Nelson, Bill Cobbs. Directed by Mario Van Peebles.* ▶️ (37:20) **PICKS OF THE WEEK** Lindsay’s Pick — DEMOLITION MAN (1993): After being cryogenically frozen in 1996, a 20th century criminal mastermind and risk-taking cop are reanimated only to find a very controlled society within a crime-free world and inept police force in this satirical, dystopian popcorn flick. *Starring Sylvester Stallone, Wesley Snipes, Sandra Bullock, Benjamin Bratt, Denis Leary, Bill Cobbs. Directed by Marco Brambilla.* Justin’s Pick — BAADASSSSS! (2003): In this behind-the-scenes, unapologetic, brash docudrama, Mario Van Peebles portrays his father, Melvin Van Peebles, during the fascinating and challenging production of his father’s film, SWEET SWEETBACK’S BAADASSSSS SONG (1971). *Starring: Mario Van Peebles, David Alan Grier Nia Long, Rainn Wilson, Terry Crews. Directed by: Mario Van Peebles.* ▶️ (53:12) MURRAYMOMENT: One difficult period in Billy’s life was the death of his friend, John Belushi. In this MurrayMoment, we’ll dive into Billy’s feelings about John’s drug addiction and how he was able to forever eulogize him in THE RAZOR’S EDGE (1984). ▶️ NEXT UP: RE-ANIMATOR (1985)!! Please rate us, review us, follow us, “like” our social media pages and posts, drop us a line, let us know you’re listening! We are grateful for your support!

As this is LGBTQ Pride month, here’s our contribution to the cause! Taking you back to 2000 for the bold, game-changing, positively-charged romantic satire that advanced queer cinema, BUT I’M A CHEERLEADER. ▶️ (02:40) After she’s accused of being a lesbian, a naive high school cheerleader is sent to a reprogramming boot camp for LGBTQ youths. However, intentions backfire when she begins to better understand herself and fall in love with a fellow female camper. Discussions include: the film’s placement in American culture and queer cinema history, usage of sexuality and gender stereotypes, the satirization of true-life struggles, the MPAA’s treatment of the film’s content, misconceptions about the film’s inspiration, the cast, director and interconnectedness in subsequent years. And why the casting of legends Mink Stole and Bud Cort? We have our theories. *Starring Natasha Lyonne, Clea DuVall, Cathy Moriarty, RuPaul Charles; Directed by Jamie Babbit. ▶️ (38:50) PICKS OF THE WEEK. Justin’s Pick — MY OWN PRIVATE IDAHO (1991):A gorgeous, poetic tale about two 20-something, male hustlers forever living in transit. This is a journey of self-realization and discovering a romantic relationship along the way. *Starring River Phoenix, Keanu Reeves; Directed by Gus Van Sant. Lindsay’s Pick — ALL OVER ME (1997): Submerged in a gritty, ‘90s teen world of drugs, body dysmorphia and homophobia, two friends’ worlds are forever changed after a sexual awakening and murderous hate crime. *Starring Alison Folland, Tara Subkoff, Leisha Hailey, Wilson Cruz; Directed by Alex Sichel. ▶️ (54:50) MURRAYMOMENT: Do Billy and classic Hollywood film star Cary Grant have some type of connection? We’ve got your answer right here! ▶️ (01:02:30) FINAL THOUGHTS: Check out BUT I’M A CHEERLEADER’s soundtrack, featuring Dressy Bessy, RuPaul and loads of other quirky tunes. ▶️ NEXT EPISODE: NEW JACK CITY (1991)! Please rate us, review us, follow us, “like” our social media pages, drop us a line, let us know you’re listening! We are grateful for your support!

SEASON TWO HAS LANDED! And there’s no better way to celebrate than with punk music and cult movies colliding in REPO MAN (1984)! ▶️(00:03:57) After a floundering punk kid turns into a Los Angeles repo man, he becomes one of many trying to track down a car worth a ton of cash, but also contains decomposing, radioactive extraterrestrials in the trunk. Starring Emilio Estevez and Harry Dean Stanton. Discussions include: punk culture in cinema, importance of casting, cinemaphotography, the story’s genre-blending origin, combining familiar pulp tropes with a fresh plot, the film’s influence and finale and the odd authenticity coming from first-time film director, Alex Cox. ▶️(00:53:56) PICKS OF THE WEEK: Justin goes for his favorite Stanton film, PARIS, TEXAS (1984) — After missing for many years, a man with a troubled soul wanders out of the desert and now must reconnect with his family. Lindsay churns up even more emotions for DANCER IN THE DARK (2000) — When a daydreaming, single mom with a rapidly degenerative eye condition tries to help her son, a close friend steals her savings, which spirals into the worst situation fathomable. Both films are connected to REPO MAN by way of cinemaphotographer, Robby Müller. ▶️(01:09:56) MURRAYMOMENT: Before Billy and Repo Man’s theme song punker, Iggy Pop, appeared in Jim Jarmusch’s THE DEAD DON’T DIE (which hits theaters June 14th), both iconic fellas appeared in Jarmusch’s film, COFFEE AND CIGARETTES (2003). Yup, we’re takin’ a trip back for another Billy bit role not to be missed! ▶️(01:17:14) FINAL THOUGHTS: REPO MAN’s on-set conflicts between Cox and Stanton, and a loving mention of LUCKY (2017), Stanton’s final performance before his death. “It’s all part of a cosmic unconsciousness...People get so hung up on specifics they miss out on seeing the whole thing.” ▶️NEXT UP: BUT I’M A CHEERLEADER (1999)! Please rate us, review us, follow us, “like” our social media pages, drop us a line, let us know you’re listening! We appreciate all your support!

Resurrecting a blockbuster for a One-Year Anniversary Show is a no-brainer. It’s time to go in-depth into the cultural impact that was GHOSTBUSTERS (1984). Though it’s a film that barely needs an introduction, there’s still a lot to unpack in this sensational story created by long-time creative friends. Indeed, this is a Season One celebration of Don’t Push Pause, but also a deep dive into the GHOSTBUSTERS sci-fi, dark comedy world which grew into a worldwide phenomenon. ▶️ Justin and Lindsay reflect on a year of Don’t Push Pause, discuss why Picks of the Week stray from format, why the MurrayMoment will return in Episode 30 and a brief podcast gag reel of muff-ups over the past year. ▶️ (00:12:22) GHOSTBUSTERS: Four men team up to battle an ever-expanding ghost problem taking over New York City, centering around a demonically-possessed woman and culminating in fight to stop an apocalypse. ▶️ Justin and Lindsay uncover the GHOSTBUSTERS’ origin story and the working-relationship timeline between director Ivan Reitman, writers/actors Dan Aykroyd, Harold Ramis and Bill Murray. Why the Ghostbusters’ reality is so easily digestible and the significance of the film will be deconstructed, along with a special spotlight on Ernie Hudson’s role and his complicated feelings about the film. The strength of the supporting cast, including Sigourney Weaver, Rick Moranis and Annie Potts, will be discussed, as well as the giant marketing campaign and still very-active franchise and sequels. And don’t worry, countless fun facts about the film will be sprinkled all throughout. ▶️ (01:00:40) PICKS OF THE WEEK: Lindsay goes for her favorite rainy day, action/adventure film, Robert Zemeckis’ ROMANCING THE STONE (1984). Kathleen Turner, Michael Douglas and Danny DeVito star in this swashbuckling story about a woman who sets out to save her sister, then gets mixed up in hunting down a treasure with a charmingly gruff grifter in South America. Justin finally gets to confess his love for his favorite Jean-Claude Van Damme film, LIONHEART (1991). After his brother is murdered, a solider abandons his assignment to financially assist his widowed sister-in-law by entering a high-stakes, yet high-paying, underground society of hand-to-hand combat fighting. ▶️ (01:22:05) Final thoughts: The special effects and artistry of GHOSTBUSTERS, along with personal reflections and a few more behind-the-scenes stories. ▶️ Thank you to everyone listening, subscribing, liking, following, all the things that keep this podcast flowing! Thank you to our Announcer-Mary Timmel, Musicman-Matt Pace, Artist-Beau Shoulders and Film Contributor-Justin Hayward, for all your assistance and support! We’re looking forward to Season 2, debuting on June 4th with REPO MAN! ▶️ Check out Don’t Push Pause’s social media (Facebook, Instagram, Twitter) for Justin and Lindsay hitting up GHOSTBUSTERS: IN CONCERT presented by the ST. LOUIS SYMPHONY ORCHESTRA on May 17th, 2019!

Cheap laughs are a dime a dozen, but truly witty comedies are something to be cherished. A FISH CALLED WANDA (1988) is so well-layered that it is nearly unflappable. While doused with inappropriate humor, this black comedy has something for nearly everyone. Keep up with this one, and you may be surprised at how a “comedy crime caper” can pack such a big wallop. ▶️ (02:20) A British gangster and his trusty, yet dim friend conspire with a shady lady and her scheming partner to pull off a bank heist. After succeeding, but the leader is pinched by the cops, the plot turns into seducing a defense lawyer and killing the only witness to the robbery. After that, it’s every thief for themselves. Monty Python’s John Cleese and Michael Palin team up with Jamie Lee Curtis and Kevin Kline for this extreme and fast-paced comedy blended with perfectly-timed curveballs. We’ll discuss how the charming, all-star cast gels together, and go behind the scenes into the formation of this original story. We’ll also touch on the repeated comical use animal violence, American vs. British styles of humor and the film’s mild sex-comedy swing. ▶️ (40:36) PICKS OF THE WEEK: Lindsay sticks to the comedy realm with WANDA’s Kevin Kline starring in SOAPDISH (1991). Jam-packed with a who’s who of Hollywood, SOAPDISH follows the cast of a failing soap opera and how real-life drama bleeds into the storyline of the fictional TV show. Justin opts for another star-studded cast in GRANDVIEW, U.S.A. (1984). Set in a Midwestern small town, WANDA’S Jamie Lee Curtis is a gruff, demolition derby owner who has secret affairs with a teenager and a married man. While this coming-of-age movie drifts in and out of characters’ lives, it is an inspiring peak into the budding careers of future big-name actors. ▶️ (55:40) MURRAYMOMENT: Ever hear of the Beatles parody film, The Rutles: All You Need is Cash (1978)? WANDA’s Michael Palin, countless Saturday Night Live players and Bill “Murray the K” amp up this mockumentary which predates Spinal Tap by six years. We know comedies are subjective. And in order for one to truly have a lasting effect on a mass audience, a comedy must stand the test of time. We dare say that A FISH CALLED WANDA has just that — a storyline so involved and delightful that it still has a spell-binding effect on audiences 30+ years later. You’ll surely never think of “fish and chips” the same way again.

Forty years ago, a terrifying and highly-praised science-fiction/horror story was birthed into America cinema. Not only did Ridley Scott’s ALIEN (1979) forever transform the science-fiction genre of the 50s, 60s and Star Wars era, it preyed on easily relatable human fears. The film’s perfect balance of blended-genre storytelling, stunning visuals and brilliantly deliberate pacing, ALIEN holds strong as one of the most masterfully-crafted films of the 20th century. ▶️ (04:00) Deep in space, the small crew of the spacecraft Nostromo find themselves facing a foreign, deadly and ever-growing monster of epic proportions. ALIEN’s tension-building guides the audience into feeling like a crew member. Through isolation, desperation and the feeling of ultimate fear, there is a reason ALIEN still grips a wide audience 40 years after its initial release. We’ll go behind-the scenes into the backstory and origin of the film, the immaculate production design, visionary director Ridley Scott and the outstandingly strong cast, the movie’s heroine and the “Mother Theory,” as well as touch on the entire ALIEN franchise. ▶️ (37:17) Picks of the Week: Both Justin and Lindsay chose Picks with Nostromo crew members who almost made it out alive. Justin explores Paul Schrader’s bold directorial debut with Yaphet Kotto co-starring in BLUE COLLAR (1978), alongside Richard Pryor and Harvey Keitel. Overworked and underpaid, three men blackmail the shady union for which they work after finding evidence of organized crime. Veronica Cartwright co-stars in Lindsay’s Pick, Lillian Hellman’s THE CHILDREN’S HOUR (1961), along with Shirley MacLaine and Audrey Hepburn. Cartwright plays a key figure in perpetuating a lie about two schoolteachers accused of being lesbians. ▶️ (51:44) Scene Breakdown: Filmmaker Justin Hayward gives his thoughts on telephoto vs. wide-angle camera lens shots. Hayward dives into reasons why some directors use one over the other, thus going into Ridley Scott’s telephoto lens usage in ALIEN. ▶️ (58:26) MurrayMoment: The same year as ALIEN’s release, Billy took center stage in a somewhat distasteful Saturday Night Live sketch about cancer, featuring Bea Arthur and Gilda Radner. Will you be just as offended as a 1979 American audience once was? ▶️ (01:07:34) Final thoughts: Lindsay explains the meaning behind the spacecraft’s name in ALIEN, Nostromo, while Justin confirms what is his most-lasting image from the film. Whether you’re familiar with ALIEN or not, we strongly urge you to revisit this marvelously beautiful, yet horrific piece of well-celebrated movie history. To have made it 40 years and still be referenced, rebooted, copied and even parodied, the impression the film has left is undeniable. In space, no one can hear you scream... but you’ll be safe listening to this episode... maybe.

Teen rebellion never looked as fierce as it does in 1985’s THE LEGEND OF BILLIE JEAN. This Joan of Arc-inspired, yet highly original movie manages to still leave audiences ready to fight every injustice. If you’ve seen this cult movie, you most likely love it. But if this legend has escaped your memory, prepare yourself for the totally rad, empowering feminist hero that is Billie Jean Davy. ▶️ A Texas teen seeks justice for her beaten up brother whose scooter been destroyed by a town bully. After being sexually assaulted and her plan going awry, Billie Jean, her brother and two friends go on the run, refusing to give up until the score has been settled. Thick with themes, THE LEGEND OF BILLIE JEAN touches on sexism, classism, media sensationalism, feminism, personal ethics and all the while remaining a fun and inspired ‘80s road movie. We’ll touch on the careers of the main players (Helen Slater, Christian Slater, Yeardley Smith and Peter Coyote), the film’s influence, Pat Benatar’s “Invincible” and why it’s a crime this film is so overlooked. ▶️ Picks of the Week: Teenage rebellion rages on with two films that dare to break society’s rules. In Justin’s Pick, 1990’s PUMP UP THE VOLUME, Christian Slater plays an introverted high-schooler with a pirate-radio station alter ego encouraging his classmates to question authority. Lindsay’s Pick confronts sexism, gender stereotypes and bullying in a wildly ridiculous teen comedy about gender-swapping to prove a point in 1985’s JUST ONE OF THE GUYS. ▶️ After the success of Ghostbusters, Billy felt his career may have hit its peak. So in 1985, he needed to escape the country to save his sanity. Your MurrayMoment finds our Billy living and re-centering himself in France. She may not look like a typical superhero, but Billie Jean is a warrior and a groundbreaking character for ladies in the ‘80s. Although this film went largely unnoticed in its day, we wanna set the record straight and we’re not giving up until you watch this legendary movie. FAIR IS FAIR!