Culture Gabfest

On this week’s show, the panel begins by dissecting Longlegs, director Osgood Perkin’s viral horror movie starring Nicolas Cage that’s sweeping the box office. Aided by a clever marketing campaign, Longlegs is undoubtedly the summer’s “you gotta see it” horror flick, but does the Silence of the Lambs copycat live up to the hype? Then, the three jump (or is it herkie?) into Greg Whiteley’s latest docuseries, America’s Sweethearts: Dallas Cowboys Cheerleaders, which follows the Texan squad from auditions through the grueling NFL season, revealing a quietly devastating portrait of worker exploitation and modern femininity along the way. Finally, the trio is joined by Slate critic Laura Miller to parse through an extreme controversy in the literary world: Last week, Alice Munro’s daughter, Andrea Skinner, published an Op-Ed in the Toronto Star detailing the sexual abuse she suffered as a young girl at the hands of her stepfather – abuse that the Nobel Prize-winning author had known about, but chose to ignore. (Read Laura’s essay for Slate; check out the Star’s reported piece.)In the exclusive Slate Plus segment, the panel rips into Longlegs and all of its glorious plot holes in a classic spoiler special. Email us at [email protected]. Endorsements:Stephen: Dodie Smith’s I Capture the Castle and this essay by Anna Leskiewicz for The New York Review: “The Small-Girl’s Proust.”Dana: In honor of Shelley Duvall (who passed away last week), a two-part endorsement: (1) Austin Film Society’s tribute to Duvall, which premiered at the 2020 Texas Film Awards. (2) Watching a Shelley Duvall movie that’s new to you! (Dana suggests Brewster McCloud directed by Robert Altman.)Julia: A special Scandi-Candy report: (1) Norway’s national candy, Kvikk Lunsj, which carries the reputation of a Snickers bar in that part of the world and sports the Fjellvettreglene (Norwegian for “the mountain code”) on the wrapper’s back. (2) Fredag Slik, or “Friday sweets,” a Danish tradition where families head to the candy store together at the end of the week.Podcast production by Jared Downing. Production assistance by Kat Hong. Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, June Thomas (co-host of Slate’s Working podcast and the author of A Place of Our Own) sits in for Julia Turner. The panel first explores The Bear, now in its third season, and questions whether Christopher Storer’s beast has become too self-aware. Then, they discuss Fancy Dance, a profoundly moving film by Native writer-director Erica Tremblay starring Lily Gladstone that’s equal parts road movie, crime procedural, and family drama. Finally, the trio dives deep into their personal relationships with app culture, inspired by Mark Hill’s essay for Slate, “I’m Tired of Using An App For Everything.”In the exclusive Slate Plus segment, the panel answers a listener question from James: “As you get older, how do you keep yourself open to new interests, experiences, and ideas? To put it negatively, how do you avoid becoming an old crank?”Email us at [email protected]. Endorsements:June: A particularly moving video that's making the rounds on social media, in which a large crowd of supporters gather at Carmarthen Railway in Wales to send off Plaid's Anne Davies and sing her the Welsh national anthem. Steve: "I Know It's Over" by The Smiths. Dana: Patti Smith reading Fernando Pessoa (or to be more precise, Álvaro de Campos) at the Casa Fernando Pessoa museum in Lisbon. Podcast production by Jared Downing. Production assistance by Kat Hong. HostsDana Stephens, June Thomas, Stephen Metcalf Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, Dan Kois (author of Vintage Contemporaries and the upcoming Hampton Heights) and Laura Miller (Slate’s books and culture columnist and author of The Magician’s Book) fill in for Julia and Dana. The panel is first joined by Carl Wilson, Slate’s music critic and the author of Let’s Talk About Love, to parse through I Am: Celine Dion, a new documentary on Prime Video. Directed by Oscar-nominated director Irene Taylor, I Am: Celine Dion chronicles the French Canadian singer’s private battle with Stiff Person Syndrome, an illness that has stripped away Dion’s ability to sing – and with it, her identity. Then, the three explore A Family Affair, Netflix’s wish fulfillment rom-com for middle-aged women starring Zac Efron, Joey King, and Nicole Kidman (plus a whole lot of Plasticine.) Finally, they dive into the world of aesthetics, inspired by Erin Schwartz’s essay for The Cut, “In Defense of Calling Everything an Aesthetic.” In the exclusive Slate Plus segment, the panel looks into “The Vexing Problem of the ‘Medium Friend’” by Lisa Miller for The New York Times. Email us at [email protected]. Endorsements:Dan: All Fours by Miranda July. Laura: The Ministry of Time by Kaliane Bradley. Stephen: “Art and Memory” by Julian Barnes for London Review of Books. Podcast production by Jared Downing. Production assistance by Kat Hong. HostsStephen Metcalf, Dan Kois, Laura Miller Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, Isaac Butler (co-host of Slate’s Working podcast and the author of The Method: How the Twentieth Century Learned to Act) sits in for Julia Turner. The panel first turns their attention to Ren Faire, HBO’s three-part documentary chronicling the surreal power struggle at the heart of America’s largest renaissance festival. Director Lance Oppenheim (Spermworld, Some Kind of Heaven) presents an extraordinary window into the fantastical world, capturing a very specific moment in late-stage capitalism in which society returns to feudalism. Then, the three inspect Janet Planet, Pulitzer Prize-winning American playwright Annie Baker’s film debut. Like Baker’s theater work, Janet Planet–a loosely autobiographical tale revolving around an 11-year-old girl named Lacy (played by Zoe Ziegler) and her mother, Janet (played by Julianne Nicholson)–pushes naturalism to the extreme, an approach that some critics love and others, some even on this very panel, abhor. Finally, the great Canadian actor Donald Sutherland died this past week at the age of 88. His career spanned over six decades, but his immense talents weren’t always immediately obvious. To honor Sutherland and his body of work, each host re-watched a favorite film of theirs: Don’t Look Now, Invasion of the Body Snatchers, and Six Degrees of Separation. In the exclusive Slate Plus segment, the panel reflects on their relationship to giving and receiving criticism, inspired by Arthur C. Brooks’s article for The Atlantic, “How to Take–And Give–Criticism Well.”Email us at [email protected]. It’s the last week to submit songs for Summer Strut! The final deadline is July 1st. Send your struttiest songs to [email protected]. Endorsements:Stephen: I, Claudius and Claudius the God by Robert Graves. Isaac: Any Person Is the Only Self: Essays by Elisa Gabbert.Dana: Inspired by Janet Planet: The Roche’s 1979 self-titled album and specifically, “Hammond Song.”Podcast production by Jared Downing. Production assistance by Kat Hong. HostsDana Stephens, Isaac Butler, Stephen Metcalf Hosted on Acast. See acast.com/privacy for more information.

On this week’s episode, the hosts excavate the psyche and begin by exploring Inside Out 2, a sophisticated children’s movie that tackles the question on every kid’s mind: How does one go about crafting a highly integrated ego? A bevy of new emotions join the motley crew living inside of our teenage protagonist Riley’s mind, most notably Anxiety, voiced brilliantly by Maya Hawke. The film, a sequel to Pixar’s 2015 Academy Award-winner, is filled with wisdom about developmental psychology, but finds itself in murky waters when indirectly tackling issues of free will and the power of the unconscious mind. Then, the panel probes the mind of Andrew McCarthy, whose recent documentary Brats (not to be confused with the new Charli XCX joint) reveals the inner workings of the “Brat Pack,” a term coined by David Blum in a New York Magazine cover story published in 1985. A lifelong member of the “Brat Pack,” McCarthy attempts to reconcile his relationship to the infamous label alongside others who fell under it, including Demi Moore, Rob Lowe, and Emilio Estevez, in a surprisingly personal and peculiar documentary that’s quite revealing of McCarthy – either intentionally or not. Finally, the trio considers Google, the tech giant and the subject of Kyle Chayka’s piece for The New Yorker, “Is Google S.E.O. Gaslighting the Internet?” Chayka’s article sparks a larger conversation about the oversized role search engines have played in our lives and in our understanding of the internet, and comes at a time when Google plans to further integrate A.I. into Search Engine Optimization (S.E.O.) and eliminate the need for writers, journalists, and news organizations.In the exclusive Slate Plus segment, the panel answers an excellent listener request from Rachael: “Discuss your favorite content from the early Internet days, before it became a toxic wasteland.” Email us at [email protected]. We’re also accepting Summer Strut submissions until July 1st! Send your strut-worthy songs to [email protected]. Endorsements:Dana: The wonderful documentary Being Mary Tyler Moore, which you can stream on Max, Hulu, and Prime Video, among others.Julia: Sam Anderson’s new podcast, Animal. Stephen: A callback to last week’s episode – the song was “Ballad of the Runaway Horse” performed by Emmylou Harris and written by… Leonard Cohen! (Under the original name, “Ballad of the Absent Mare.”) He also endorses Stereophonic, which just won the 2024 Tony Award for Best Play. Podcast production by Jared Downing. Production assistance by Kat Hong.HostsDana Stephens, Julia Turner, Stephen Metcalf Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, Dan Kois (writer at Slate and author of Hampton Heights: One Harrowing Night in the Most Haunted Neighborhood in Milwaukee, Wisconsin) fills in for Dana Stevens. The hosts begin by exploring the latest addition to the Star Wars canon, The Acolyte, created by Leslye Headland (Russian Doll). Amandla Sternberg and Lee Jung-jae lead the who-dunnit mystery, and while there is a lot to admire about the show’s visuals and depiction of the Master Jedi, The Acolyte often sags under the baggage of the vast Star Wars mythology and suffers from fundamental pacing problems. Then, the three tackle Godzilla Minus One, a genius and emotionally rich parable about wounded masculinity and the national trauma felt in a post-WWII Japan. The kaiju film, released at the end of last year, won the Academy Award for Best Visual Effects in 2023, and immediately shot to No. 1 on Netflix when it hit the streaming service last week. Finally, the panel is joined by Dan Charnas (author of Dilla Time and The Big Payback) to discuss Sabrina Carpenter’s “Espresso” and his very sharply framed piece for Slate, “The Musical History Lesson Buried Beneath the Song of the Summer.” In the exclusive Slate Plus segment, the panel tackles: children’s birthday parties. To plan, or not to plan, that is the question! Email us at [email protected]. We’re taking Summer Strut submissions! Send your strutty-est songs to [email protected]. Endorsements:Dan: The quick-witted, joke-packed pleasures of Girls5eva season 3. Julia: (1) Ambition Monster: A Memoir by Jennifer Romolini; (2) Dan Charna’s playlist, “The Genre With No Name.” Stephen: (1) Who wrote this song?; (2) Abdullah Ibrahim’s "Solotude."Podcast production by Kevin Bendis. Production assistance by Kat Hong. Hosts:Dan Kois, Julia Turner, Stephen Metcalf Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, the hosts begin by asking the question: What even is Garfield? Jim Davis’ overfed, Monday-hating (even though he’s jobless) cultural figure first appeared in comic strips in the late 1970s, and since then, has been surprisingly resilient, most recently conquering the summer box-office with The Garfield Movie. But who is Garfield, and more perhaps more importantly, why is he a thing? To answer these questions, each host watched (or endured) a different Garfield entity, including Garfield: The Movie (2004), Garfield: A Tail of Two Kitties (2006), and the latest film starring Chris Pratt as the titular cat. Then, the three discuss suspense and its nature in relation to fiction, inspired by Kathryn Schulz’s essay for The New Yorker, “The Secrets of Suspense.” It’s a curious, fantastic essay that questions the human impulse to know what happens next. Finally, it’s a visit from the Gabfest’s oldest and closest Friend of the Pod, June Thomas, who speaks with the panel about her essential new book, A Place of Our Own: Six Spaces That Shaped Queer Women’s Culture. In the exclusive slate Plus segment, the hosts answer a listener question from Evana: “What is a cultural reference that really bugs Steve/Julia/Dana when they see/hear it being misused or misinterpreted?”We’re taking submissions for Summer Strut 2024! Send up to three songs that you find particularly strut-worthy to [email protected]. Email us at [email protected]. Endorsements:Dana: A wonderful documentary on Apple TV+, From Caligari to Hitler: German Cinema in the Age of the Masses. Julia: Koeze’s Cream-Nut All-Natural Peanut Butter (with no added sugar!)Stephen: The musical stylings of Gillian Welch and David Rawlings. Read a profile on the duo: “How Gillian Welch and David Rawlings Held Onto Optimism” by Hanif Abdurraqib for The New York Times. Listen to their songs, “Beautiful Boy” and “Picasso,” and check out the YouTube video, “Getting Started with Licks & Fills in the style of Dave Rawlings.” Podcast production by Jared Downing. Production assistance by Kat Hong. HostsDana Stephens, Julia Turner, Stephen Metcalf Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, the hosts begin by jumping into Furiosa: A Mad Max Saga, a prequel to George Miller’s 2015 Fury Road, in which Anya Taylor-Joy stars as Furiosa, an arachnid beauty who’s stolen as a child and becomes a wasteland road warrior. She’s a “strong, silent type,” typical of the action film genre, but does that trope mean something different with a female protagonist in 2024? The panel discusses. (Read Dana’s review of Furiosa!) Then, the three chat Hit Man, Richard Linklater’s latest starring Glen Powell as Gary Johnson, a college professor who moonlights as a fake gunman for hire. It’s a delightful rom-com tucked within a thriller—a romantic thriller, if you will–that manages to feel like a hangout film despite its ridiculous premise. (Read Dana’s review of Hat Man!) Finally, ScarJo or FauxJo? Tech journalist and author of Blood in the Machine: The Origins of the Rebellion Against Big Tech Brian Merchant joins the panel to parse through Silicon’s Valley’s latest scandal: Scarlett Johansson accusing ChatGPT of stealing her voice for its new interface program. (Read Brian’s newsletter about it!)In the exclusive slate Plus segment, the hosts answer an excellent listener question from Michael Schulman: What fictional works of art-within-the-art would you most want to see on their own?Email us at [email protected]. Endorsements:Dana: An interview between Richard Linklater and Skip Hollandsworth, whose stories Linklater adapted in the films Bernie and Hit Man, for Texas Monthly. Julia: Monopoly Deal, a well-designed family card game. Stephen: A poem by Janet Frame, “Scarlet Tanager, Saratoga Springs” which was featured on the Yumi Zouma song, “Lie Like You Want Me Back - Alternative Version.”Podcast production by Jessamine Molli. Production assistance by Kat Hong. Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, the hosts begin by reviewing Babes, Pamela Adlon’s (Better Things, Louie) directorial feature debut starring Ilana Glazer and Michelle Buteau. Through raunch-comedy and body horror, Babes explores childbirth and pregnancy through a refreshingly unromanticized lens, but does it succeed as a drama? Then, the three switch gears and turn to Interview With the Vampire, AMC’s Anne Rice adaptation that’s now in its second season. What a weird show! The series–starring Jacob Anderson as Louis de Pointe du Lac and Eric Bogosian as the titular cynical interviewer–brings the novel’s queer subtext to the surface, and is camp in every sense of the word. Finally, the trio is joined by Mikael Wood, the Los Angeles Times’ pop music critic to discuss Billie Eilish’s latest album, Hit Me Hard and Soft. (You can read Wood’s review here.) Produced with her brother Finneas, Hit Me Hard and Soft offers a new way of thinking about the 22-year-old, and features songs like “Birds of a Feather” and “Lunch,” a fun, lusty track about being into girls. In the exclusive Slate Plus segment, the panel answers a question from long-time listener, James: “What things that you love have you been introduced to by advertising?”Email us at [email protected]. Endorsements:Dana: This week’s endorsement comes with a brag: Dana’s daughter is going to Julliard! Through that, they discovered the wonderful documentary, Creating a Character: The Moni Yakim Legacy. Julia: Two clarifications and an extremely sumptuous sweater recommendation. First, the fashion Substacks mentioned on a previous episode were I Want to be Her!, Girls of a Certain Age, and Blackbird Spyplane. Second, a wool sweater from Dana Lee Brown. Stephen: The Time of the Last Persecution, an album by the English singer-songwriter Bill Fay, released in 1971. Podcast production by Jessamine Molli. Production assistance by Kat Hong. Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, the hosts begin by dissecting The Kingdom of the Planet of the Apes, the fourth chapter in the Apes franchise. Set “many generations” in the future, the latest installment (directed by Wes Ball and starring Owen Teague) is an undeniably well-crafted summer blockbuster – but does it achieve the level of complexity and thought its predecessors did? (Read Dana’s review for Slate for further analysis.) Then, it’s onto John Mulaney Presents: Everybody’s in LA, a six-part live Netflix special that aired during the streaming giant’s comedy festival. The conceit is thus: Netflix is a Joke attracts the best comedians in the world to LA, John Mulaney interviews them. But the final product is much stranger than that description, both a rejection and reinvention of the tired late-night talk show format, in which Mulaney interviews celebrities and non-celebrities, airs sketches, and delivers long monologues on the character of LA. Is Everybody’s in LA chaotic and sloppy, or a ragged delight? Our panel discusses. Finally, the trio is joined by Slate’s music critic, Carl Wilson, to eulogize the legendary musician and “producing engineer” (his preferred title) Steve Albini. Known for recording albums with Joanna Newsom, Nirvana, and the Pixies, among others, Albini considered himself a documentarian of sound and a technical expert, and brought his punk-rock ethic to everything he did. Read Steve Albini’s essay, “The Problem with Music” and his letter to Nirvana.In the exclusive Slate Plus segment, the panel discusses cultural arbitrage with Slate’s music critic, Carl Wilson, inspired by W. David Marx’s essay for The Atlantic, “The Diminishing Returns of Having Good Taste.” Email us at [email protected]. Endorsements:Dana: “Who’s Afraid of Judith Butler?” – a profile of the philosopher and gender theorist by Parul Sehgal for The New Yorker.Julia: “Espresso” by Sabrina Carpenter.Stephen: The delightful, catchy, and exuberant (with a tincture of melancholy) music of New Zealand band, Yumi Zuma. (Check out Steve’s playlist here.) Podcast production by Jared Downing. Production assistance by Kat Hong. HostsDana Stephens, Julia Turner, Stephen Metcalf Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, the hosts begin by diving head-first into The Fall Guy, director David Leitch’s love letter to stunts and stunt people. It’s a rom-com starring action set pieces, in which stuntman Colt Seavers (Ryan Gosling) falls for his director and ex-flame, Jody (Emily Blunt). The film is very telling about the work that goes into making an action flick… but does The Fall Guy ever achieve liftoff? Then, they debate I Saw the TV Glow, Jane Schoenbrun’s impressive second feature that chronicles the friendship between Owen and Maddy, and their fascination with the fictional show The Pink Opaque. I Saw the TV Glow obsesses over what’s real and not real–and is said to be an allegory for being trans–in a way that’s brave and admirable, but often depressing to watch. Finally, the panel is joined by Lydia Polgreen, Opinion columnist for The New York Times and co-host of the Matter of Opinion podcast, to discuss her reporting on the student protests unfolding in New York City. A few of the media mentioned: “Columbia, Free Speech and the Coddling of the American Right” and “The Student-Led Protests Aren’t Perfect. That Doesn’t Mean They’re Not Right.” by Polgreen; “The Takeover,” an on-the-ground report by the staff of the Columbia Daily Spectator for New York Magazine; the Columbia Revolt documentary. In the exclusive Slate Plus segment, the panel discusses the question that’s been roiling TikTok: For women, would you rather be alone in the woods with a man or a bear? Email us at [email protected]. Endorsements:Dana: “Kindness,” a poem by Naomi Shihab Nye, which she read on the On Being podcast. You can explore more of Shihab Nye’s poetry here.Julia: (1) A congratulations to former Los Angeles Times film critic Justin Chang for his Pulitzer Prize. (2) The Work of Art: How Something Comes From Nothing by Adam Moss. Stephen: Saxophonist Frank Morgan, specifically, his album Listen to the Dawn. And you can listen to Steve’s playlist for Julia here.Podcast production by Jared Downing. Production assistance by Kat Hong. HostsDana Stephens, Julia Turner, Stephen Metcalf Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, the hosts begin by discussing Challengers, Luca Guadagnino’s sexy tennis flick in which Zendaya stars as Tashi Duncan, the muse and lover of two male players, Art (Mike Faist) and Patrick (Josh O’Connor). It’s a smart but silly movie, one that paints a beautifully nested portrait of friendship and rivalry, and explores the complexities of desire. Then, the three dissect Baby Reindeer, an incredibly constructed and emotionally intense psychodrama–and a true-ish tale–by creator and star Richard Gadd. The seven-part series is currently dominating Netflix and explores themes including masculinity, sexuality, and abuse. Finally, what is a magazine now? The hosts consider this question, inspired by Jessica Testa’s article for The New York Times profiling Highsnobiety, a store-website-production agency-clothing line hybrid that recently won a National Magazine Award for general excellence, the publication’s first nomination and win at the “Oscars of the magazine world.” In the exclusive Slate Plus segment, the panel jumps into a classic spoiler special and discusses the final scene of Challengers. Email us at [email protected]. Outro music: "The Red Light Special" by Matt LargeEndorsements:Dana: A piece of Britain everyone can access: Mr Bates vs The Post Office on Hulu. Julia: Samin Nosrat’s recipe for Clam Pasta, which can be found in her book, Salt, Fat, Acid, Heat. Steve: “How Penelope Fitzgerald became a late blooming novelist.” By Henry Oliver. HostsDana Stephens, Julia Turner, Stephen Metcalf Hosted on Acast. See acast.com/privacy for more information.

On this week’s episode, the panel is first joined by Slate’s music critic, Carl Wilson, to puzzle over The Tortured Poets Department, Taylor Swift’s much-anticipated 11th studio album. Stuffed with 31 tracks, the two-part album is a departure from the billionaire pop star’s otherwise perfectly crafted oeuvre: it’s messy and drippy, and at times, manic and frenetic. Is this secretly a cry for help? And more importantly, when did she find the time to record this thing? Then, the three explore Fallout, a post-apocalyptic drama series adapted from the extremely popular role-playing video game of the same name. Executive produced by Jonathan Nolan (Westworld, Person of Interest) and streaming on Prime Video, Fallout certainly achieves a high level of immersive world-building, but do the stories and characters fare the same? Finally, Becca Rothfeld, the Washington Post’s non-fiction book critic, joins to discuss her triumphant first book, All Things Are Too Small: Essays in Praise of Excess, in which she rebukes the culture’s affinity for minimalism and makes the case for living in a maximalist world. In the exclusive Slate Plus segment, it’s part two of the Ambition versus Contentment discussion (courtesy of a listener question from Gretel): How should a parent approach cultivating ambition in a child, if at all? The hosts discuss. Email us at [email protected]. Outro music: "Ruins (Instrumental Version)" by OrigoEndorsements:Dana: The Teacher’s Lounge, a film by German-Turkish director Ilker Çatak. It was a Best International Film nominee at the 96th Academy Awards. (Also, Ebertfest in Champaign, Illinois!)Julia: Kristen Wiig’s Jumanji sketch on Saturday Night Live, inspired by Dana. Stephen: The British band Jungle, introduced to him by his daughter. A few favorite songs: “Back on 74,” “Dominoes,” and “All of the Time.” Podcast production by Jared Downing. Production assistance by Kat Hong. HostsDana Stevens, Julia Turner, Stephen Metcalf Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, Slate culture writer (and Very, Very Good Friend of the Show, a.k.a. VVGFOP) Nadira Goffe sits in for Dana Stevens. The three begin with Civil War, writer-director Alex Garland’s (Ex Machina, Annihilation, Men) dystopian travelog starring Kirsten Dunst, Cailee Spaeny, and Wagner Moura that imagines a burned out, bombed out America in the throes of a raging internal conflict. But who is fighting whom? Our panel discusses. Then, they examine Jerrod Carmichael Reality Show, an eight-part series on Max depicting a very different civil war. Here, the exemplary sit-down stand-up comedian goes to war with himself, his public image, and the very nature of “reality.” It’s “Seinfeld meets reality TV meets Sylvia Plath,” and is a painfully naked confessional that begs the question: “Is Jerrod Carmichael trolling us?” (Read Nadira’s fantastic piece, “Who Did People Think Jerrod Carmichael Is?” Finally, the trio turns to “gaslighting,” the pop psychology term up for debate in Leslie Jamison’s essay for The New Yorker, “So You Think You’ve Been Gaslit.” Merriam-Webster’s Word of the Year in 2022, is “gaslighting” a handy term used to describe harmful behavior? Or has “gaslighting” become so ubiquitous, it’s lost all meaning? The panel gets into it. In the exclusive Slate Plus segment, the hosts explore stuffed animals (including but not limited to: Squishmallows, Jelly Cats, and “lovies”), the difference between a blanket and blankie, and the joys of embracing one’s inner child, inspired by Valerie Trapp’s essay for The Atlantic, “Welcome to Kidulthood.” Email us at [email protected]. Outro music: "200 Dont's" by ConditionalEndorsements:Nadira: (1) The Wiz revival on Broadway. (2) Costco! (3) Willow Smith’s new song, “b i g f e e l i n g s” off of her upcoming album, empathogen. Julia: G. T. Karber’s book of puzzles, Murdle: 100 Simple to Impossible Mysteries to Solve Using Logic, Skill, and the Power of Deduction. “It’s a cross between an LSAT logic puzzle and a murder mystery.” Stephen: Becca Rothfeld’s debut essay collection, All Things Are Too Small: Essays in Praise of Excess. (Becca will be on the show next week to discuss! For extra credit, grab a copy of her book and come prepared.)Podcast production by Jared Downing. Production assistance by Kat Hong. HostsNadira Goffe, Julia Turner, Stephen Metcalf Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, the panel is first joined by Slate business and culture writer Nitish Pahwa to discuss Monkey Man, Dev Patel’s dazzling but muddled directorial debut. The ultra-violent action flick stars Patel as Kid, a young man who works his way into a secret brothel for the super rich, hell-bent on finding the police chief who murdered his mother and exacting his revenge. It’s clearly a political statement of a film, rife with references to real-world controversies and corrupt political, religious, and pedagogical practices (all of which Nitish covers in his piece for Slate, “Monkey Man Has a Bold New Vision”). Then, the three jump into Ripley, a new eight-part Netflix series based on Patricia Highsmith’s master novel, The Talented Mr. Ripley, starring 47-year-old Andrew “Hot Priest” Scott as the titular seductive psychopath. Directed by Steven Zaillian (The Night Of, Schindler’s List, All the King’s Men) and with cinematography by Robert Elswith (Boogie Nights, There Will Be Blood, Good Night, and Good Luck), the series is shot in spectacular black-and-white and co-stars Dakota Fanning as Marge Sherwood and Johnny Flynn as Dickie Greenleaf. Finally, Julia Louis-Dreyfus (of Veep, Saturday Night Live, and Seinfeld fame, obviously) has a podcast, Wiser Than Me, which just entered its second season. On it, she interviews iconic older women like Jane Fonda, Carol Burnett, Bonnie Raitt, and Sally Field about the wisdom they’ve accrued and asks the question: “Well, how should I live?” While the show doesn’t fully avoid the pitfalls of the celebrity interview, secrets and things emerge within the course of a conversation and the framework itself gets to the very core of human existence. In the exclusive Slate Plus segment, the panel answers a fittingly existential question from listener Gretel: “Wondering how you, high achievers all, balance ambition with contentment. Do you consider yourselves competitive or is your drive innate? I vacillate between pushing myself harder, striving to achieve more, and being grateful for what I have and where I am. Is contentment a noble endgame in your opinions?”Email us at [email protected]. Outro music: “Bollywood Star” by Jhukane Bada.Endorsements:Dana: Andrew Scott’s performance as Hamlet in 2017. (The full three-hour production can be watched on YouTube.) Julia: Worn: A People’s History of Clothing by Sofi Thanhauser. An absolutely beautiful and fascinating book about the centrality of textile production throughout history. Stephen: “Lowell, Plath, and Sexton in the Same Room” by Steve Moyer for the National Endowment for the Humanities (Spring 2024, Volume 45.) Podcast production by Jared Downing. Production assistance by Kat Hong. HostsDana Stephens, Julia Turner, Stephen Metcalf Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, the panel is first joined by Slate culture writer (and the Gabfest’s Senior Beyoncé Correspondent) Nadira Goffe to dissect Beyoncé’s latest album, Cowboy Carter. Released on March 29th, Cowboy Carter is a 27-track behemoth with a country soul, packed with archival footage and songs that span multiple genres. To call it a country album would be too simplistic, so we’ll stick with Queen Bey’s own words: Cowboy Carter is a Beyoncé album. Then, the three jump into Do Not Expect Too Much From the End of the World, an avant-garde film from Romanian director Radu Jude that perfectly captures life in the 21st century. Finally, the trio examine Steve! (martin): a documentary in 2 pieces, a new two-part series directed by Morgan Neville (Will You Be My Neighbor?), which analyzes the legendary Steve Martin, an inscrutable human being and American icon. In the exclusive Slate Plus segment, the panel discusses their personal relationships to hotels. Email us at [email protected]. Outro music: "I Can Still Dance" by Tigerblood JewelEndorsements:Dana: Critic Nicolas Rapold’s interview with Radu Jude, the director of Do Not Expect Much From the End of the World, on his podcast, The Last Thing I Saw. It’s a great companion piece to listen to after watching the film. Julia: The Fraud by Zadie Smith, a historical novel set in Victorian England. If you’ve read this book and have strong feelings, please email Julia at [email protected] to dissect the work and discuss. Stephen: Penelope Fitzgerald, the Booker Prize-winning novelist, poet, and essayist. Specifically, her 1995 novel, the Blue Flower. Podcast production by Jared Downing. Production assistance by Kat Hong. HostsDana Stephens, Julia Turner, Stephen Metcalf Hosted on Acast. See acast.com/privacy for more information.

On this week's show, Slate’s Dan Kois (author of Vintage Contemporaries, How to Be a Family, The World Only Spins Forward, and Facing Future) sits in for Julia Turner. The panel first begins with a reboot: In 1999, when Jon Stewart took over, rather indifferently, the helm of Comedy Central’s The Daily Show, he changed the media landscape with his comedic chops, serious outrage, and penchant for pointing out politicians' hypocrisies. He’s since left and returned back to the show (which he hosts once a week), but how effective are he and his trademark bag of tricks in 2024? We discuss. Then, the three dive into Problemista, writer-director-star Julio Torres’ first feature film that can only be described as “a lot.” Torres (Los Espookys, My Favorite Shapes, Saturday Night Live) plays Alejandro, a sweet but naive aspiring Salvadoran toymaker who must navigate the Kafka-esque purgatory known as the U.S. immigration system. He meets Elizabeth, played by Tilda Swinton, a nightmare boss with fuschia-colored hair and a looming presence that often overwhelms the film… but perhaps that’s exactly what it needs? Finally, the trio is joined by The Sporkful host Dan Pashman to discuss his cookbook, Anything’s Pastable: 81 Inventive Pasta Recipes for Saucy People. In 2021, Pashman created the cascatelli, a new pasta shape that went viral, with Time calling it “one of the best inventions of the year.” Anything’s Pastable aims to revolutionize our concept of what pasta sauces can be, with recipes for unique and non-traditional dishes like “Kimchi Carbonara” and “Cacio e Pepe e Chili Crisp.” In the exclusive Slate Plus segment, the panel explores Dana’s book review, “Rejecting the Binary” for Slate. She reviews American philosopher and theorist Judith Butler’s latest book–the first of theirs published with a nonacademic press–Who’s Afraid of Gender. Butler served as Dana’s dissertation adviser at the University of California in the late 1990s. Email us at [email protected]. Outro music: “Funny Jam” by Gloria Tells.Endorsements:Dana: A feat of artistry and interpretation, nineteen-year-old American Ilia Malinin’s free skate to the Succession theme (composed, of course, by Nicholas Britell). Malinin scored a record 227.79, winning his first world title and executed the best collection of jumps in one program in figure skating history. Dan: The Big Ears Festival held in Knoxville, Tennessee. Stephen: Falling into a Cat Stevens rabbit hole. He recommends starting with “The First Cut is the Deepest” and Stevens’ 2014 Tiny Desk performance. Podcast production by Jared Downing. Production assistance by Kat Hong. HostsDana Stephens, Dan Kois, Stephen Metcalf Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, Slate culture writers Nadira Goffe and Dan Kois fill in for Julia and Stephen. First up, the panel dissects Love Lies Bleeding with What’s Next producer Madeline Ducharme. Writer-director Rose Glass’ second feature stars Kristen Stewart and Katy O’Brian as beefed up, star-crossed lovers, in a twisted and gory love story about two unhealthily enmeshed women. (You can read Madeline Ducharme and Christina Cauterucci’s detailed review of the sex scenes in Love Lies Bleeding here!) Then, the trio explores The Regime, a weird and tonally bizarre Max limited series by showrunner Will Tracy (The Menu, Succession), in which Kate Winslet–in a commanding performance–plays the fictional dictator of an unnamed European country. Finally, can a book published posthumously do more harm than good? The panel discusses renowned author Gabríel Garcia Márquez’s latest novella, Until August, which was published ten years after his death–and without his consent. In the exclusive Slate Plus segment, Nadira, Dan, and Dana chew over the rise and fall of food trends, inspired by Kim Severson’s piece for The New York Times, “The Coolest Menu Item at the Moment Is… Cabbage?” Recipes mentioned by Dan: Gilgeori Toast (Korean Street Toast with Cabbage and Egg) by Darun Kwak for The New York Times. Vegan Bunny Chow by Meera Sodha for The Guardian. Somen Salad by Sheldon Simeon.Email us at [email protected]. Outro music: "Funk Wife Punk Life" by L. M. StylesEndorsements:Dana: Extreme Friend of the Pod (EFOP) Isaac Butler’s Substack, Complete Works. Specifically, his most recent post: “It Ain’t Me, Babe: Complicity and consequences, from sitcoms to Gaza.” Nadira: Two albums – World Wide Whack by Philadelphia rapper, Tierra Whack, and Brittany Howard’s What Now.Dan: Radiant: The Life and Line of Keith Haring by Brad Gooch. A beautiful chronicle of the artist’s life. Podcast production by Jared Downing. Production assistance by Kat Hong. HostsDana Stephens, Nadira Goffe, Dan Kois Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, the panel is first joined by Mark Harris, cultural historian and the author of Pictures at a Revolution: Five Movies and the Birth of the New Hollywood, to discuss the 96th Academy Awards: a fun, glitzy return to form filled with surprisingly political moments. Then, the three review FX’s Shōgun, a massive epic set in 17th century Japan that many are calling “the new Game of Thrones.” But does it live up to the hype? Finally, the trio examines “Behind F1’s Velvet Curtain,” Kate Wagner’s spellbinding 5,000-word piece about the world of Formula 1 racing that Road & Track published then promptly yanked from the internet without explanation. Although Wagner’s piece is no longer live on Road & Track, you can still read it on Wayback Machine’s internet archive.In the exclusive Slate Plus segment, Mark Harris returns to talk about his New York Times essay, “How Bad Can It Get for Hollywood?” which details what we can expect from movies in 2024 (spoiler alert: it’s not looking good). Email us at [email protected]. Outro music: “8-Bit Hop” by Ash SculpturesEndorsements:Dana: HINT.FM’s Wind Map, which illustrates “the delicate tracery of wind flowing over the US.” Julia: Tejal Rao’s recipe for Kale Sauce Pasta, adapted from Joshua McFadden. Steve: “What Physicists Have Been Missing” by theoretical physicist Sabine Hossenfelder. Podcast production by Jared Downing. Production assistance by Kat Hong. Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, the panel returns to Arrakis! First up, the trio reviews Dune: Part Two, the (as the title suggests) second part of Denis Villeneuve’s adaptation of Frank Herbert’s 1965 science fiction epic. In it, Timothée Chalamet plays Paul Atreides, the supposed “messiah” of Arrakis, a hostile desert planet rich in spice, in a fantastic feat of world building and worm-riding. Then, they examine God Save Texas, a three-part docu-series streaming on Max that follows three Texan filmmakers (Richard Linklakter, Alex Stapleton, and Iliana Sosa) as they return to their respective hometowns and chronicle the state’s complex history with the prison system, oil business, and border laws. Finally, the panel is joined by Paul Schnee, an acclaimed casting director whose credits include Spotlight, Winter’s Bone, and The Help, to discuss the Academy Awards’ most recent addition: an Oscar for Casting. In the exclusive Slate Plus segment, the panel answers a listener question from Eliot: What are some pieces of culture that your children have introduced to you? Email us at [email protected]. Outro music: “Last Sunday” by OTEEndorsements:Dana: Werner Herzog’s 2011 documentary, Into the Abyss. The film examines America’s capital punishment system. Julia: The Lady and the Tramp, which is still great and bizarre, and somehow, makes the dogs… hot? Steve: Australian novelist Helen Garner’s 2014 non-fiction book The House of Grief, which follows a man and his broken life, a community wracked by tragedy, and the long and torturous road to closure. Podcast production by Jared Downing. Production assistance by Kat Hong. HostsDana Stephens, Julia Turner, Stephen Metcalf Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, the panel is first joined by Wesley Morris, New York Times’ critic at large, to dissect This Is Me… Now: A Love Story, Jennifer Lopez’s bizarre, nutty, yet utterly delicious self-funded vanity project that cost the singer $20 million to produce. (Wesley wrote a brilliant piece about it for the Times.) Then, the three explore 20 Days in Mariupol, the Oscar-nominated documentary by Ukrainian journalist Mstyslav Chernov that depicts the atrocities of the Russia-Ukraine war through on-the-ground footage and harrowing accounts of civilians. Finally, in a new oral history of the Village Voice, entitled The Freaks Came Out to Write: The Definitive History of the Village Voice, the Radical Paper That Changed American Culture, author Tricia Romano tells the iconic alt-weekly newspaper’s history through 200 interviews with its legendary writers, editors, and photographers. We discuss.In the exclusive Slate Plus segment, we share an impromptu conversation between the hosts and Wesley Morris.Email us at [email protected]. Outro music: "Zero Gravity" by ELFLEndorsements:Cameron: Longtime Culture Gabfest producer, Cameron Drews, is moving onto his next project but came on one last time to endorse! He endorses movie theater subscriptions and is a big fan of Alamo Drafthouse’s season pass. Dana: The Criterion Channel’s new “Gothic Noir” series. Julia: An algorithm-recommended bop, UNTZ UNTZ by Inji. Steve: The Milk Carton Kids’ cover of Pink Floyd’s “Wish You Were Here” and a performance of their song, “All of the Time in the World to Kill,” featuring some lovely on-stage banter. Podcast production by Jared Downing. Production assistance by Kat Hong. HostsDana Stephens, Julia Turner, Stephen Metcalf Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, the panel begins by dissecting Mr. & Mrs. Smith, the episodic remake of Brangelina’s 2005 espionage film. The Prime Video series stars Donald Glover and Maya Erskine as the titular Smiths, spies who become “married” as a part of the job, and explores partnership in the gig economy in a quieter, smaller, and less glamorous version of the original. Then, they review The Color Purple, a movie-musical adapted from Alice Walker’s seminal novel. The film stars Fantasia Barrino and Taraji P. Henson, as well as Danielle Brooks, who was nominated for Best Supporting Actress for her role as Sofia. Finally, it’s the viral scam that rocked the internet: “The Day I Put $50,000 in a Shoe Box and Handed It to a Stranger” is a first-hand account written by The Cut’s financial-advice columnist, Charlotte Cowles, about the time she fell for an Amazon scam call. Our panel reviews the piece and explores its ethics. In the exclusive Slate Plus segment, Julia discusses her big life changes, including a new fellowship at USC Annenberg School for Communication and Journalism. Email us at [email protected]. Outro music: “Pull Me Out” by Mike StringerEndorsements:Dana: Dance Life on Prime Video, a five-episode series that follows the students at Brent Street Academy, the southern hemisphere’s most prestigious dance academy. Julia: The Hobonichi Techo Planner Book, a planner that’s descended from the heavens. The book uses thin and light yet durable paper and employs the same thread-stitch binding as a dictionary, allowing it to lay flat open for glorious, comfortable writing. Steve: A two-part endorsement: Listen to his playlist of cover songs, Let’s Dance, while making hand-made pasta with a Marcato hand-crank machine. Podcast production by Jared Downing. Production assistance by Kat Hong. HostsDana Stephens, Julia Turner, Stephen Metcalf Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, the panel returns to 1985 and reviews The Greatest Night in Pop, Netflix’s star-studded documentary about how “We Are the World” (a charity single performed by USA for Africa, a supergroup comprised of the most popular artists not only of the time, but arguably, ever) came to be and the legendary night it was recorded. Although it features cameos from Michael Jackson, Lionel Richie, Diana Ross, Paul Simon, Tina Turner, Cyndi Lauper, and more, the documentary manages to be quite modest in its ambition. Then, the three discuss Rustin, director George C. Wolfe’s biopic about Bayard Rustin, an advisor to Martin Luther King Jr. whose legacy has often been glossed over. Rustin stars a fantastic Colman Domingo as its titular lead and is a celebratory example of the importance of telling gay/queer stories with queer creatives above and below the line of production. Finally, it’s the Slate True-Crime Canon! Cheyna Roth, contributor to the Canon and author of Between Two Wars: A True Crime Collection: Mysterious Disappearances, High-Profile Heists, Baffling Murders, and More joins to break down the monstrous endeavor. (Roth’s other book is Cold Cases: A True Crime Collection)In the exclusive Slate Plus segment, the panel discusses Super Bowl LVIII and analyzes the advertisements, Usher’s half-time performance, and the Taylor Swift and Travis Kelce love story at the center of it all. Email us at [email protected]. Outro music: "Self Made Woman" by Katharine AppletonEndorsements:Dana: Her perfect plane movie, Dumb Money, which features a superstar cast that’s always in-sync. Julia: Small Mercies by Dennis Lehane, an “all-consuming tale of revenge, family love, festering hate, and insidious power, set against one of the most tumultuous episodes in Boston’s history.” Steve: A liquidus piano album by Mary Lou Williams, Zodiac Suite. The 1945 album seamlessly mixes classical and jazz influences throughout 12 pieces, each named for a different astrological sign. Podcast production by Jared Downing. Production assistance by Kat Hong. HostsDana Stephens, Julia Turner, Stephen Metcalf Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, Extreme Friends of the Pod and co-authors of The World Only Spins Forward, Isaac Butler and Dan Kois, fill in for Dana Stevens and Julia Turner. The hosts begin by dissecting The Zone of Interest, filmmaker Jonathan Glazer’s audacious movie about the Holocaust that’s told through the lens of Nazi commandant Rudolf Höss and his wife Hedwig as they live their somewhat ordinary lives in a compound outside of Auschwitz. The film has garnered both praise and severe critique from critics, many of whom are split on Glazer’s detached aesthetic and imaginative approach to depicting genocide. The Zone of Interest has racked up five Oscar nominations, including Best Picture and Best Director. Then, the three dive into Nyad, the (maybe?) true story of marathon swimmer Diana Nyad, as she attempts to swim unassisted from Cuba to Florida. Annette Bening stars in the titular role alongside Jodie Foster, both of whom are up for Oscars (Best Actress and Best Supporting Actress, respectively). Finally, what is a good director, anyway? What does it look like, what does it mean, and is there a difference between producing, screenwriting, and directing – or is it some strange amalgamation of all three? These questions come from a listener, Emily, and the panel attempts to answer them. In the exclusive Slate Plus segment, the panel discusses their film preferences while airborne, inspired by David Mack’s essay for Slate, “What Makes a Perfect ‘Plane Movie’?”Email us at [email protected]. Outro music: "Pull Me Out" by Mike Stringer.Endorsements:Isaac: Dheepan (2015), an exquisitely directed movie from filmmaker Jacques Audiard. In it, three Tamil refugees must pose as a family to flee war-torn Sri Lanka but land in a Paris suburb blighted by drugs. Dan: For anyone in or heading to New York, check out Cole Escola’s play “Oh Mary!” The comedian stars as a miserable, suffocated Mary Todd Lincoln and takes place in the weeks leading up to Abraham Lincoln’s assassination. (You can also find Escola’s episode of Slate’s Working podcast here.) Steve: Rebecca Solnit’s meditation on the Bay Area, loneliness, and the human impulse towards succession: “In the Shadow of Silicon Valley” for the London Review of Books. Podcast production by Cameron Drews and Jared Downing. Production assistance by Kat Hong. HostsIsaac Butler, Dan Kois, Stephen Metcalf Hosted on Acast. See acast.com/privacy for more information.

From our friends at Life and Art, a culture podcast of the Financial Times:This week, we return to an old comfort classic: the 2003 Nancy Meyers romcom Something’s Gotta Give, starring Diane Keaton and Jack Nicholson. In it, two middle-aged people fall in love, but only after one heart attack, two younger lovers, some unexpected midnight pancakes and ample bickering. Does the movie still work today? How has the way we depict aging in film changed? And do we miss Nancy Meyers movies? Joining host Lilah Raptopoulos is comedian Negin Farsad, host of the podcast Fake the Nation, and FT senior corporate finance correspondent Eric Platt. This is one of his favourite movies.https://podcasts.apple.com/lu/podcast/life-and-art-from-ft-weekend/id1179847741 Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, Slate culture writer Nadira Goffe and Sam Sanders, host of Vibe Check fill in for Dana Stevens and Julia Turner. The hosts begin with a subversively brilliant Oscar contender, American Fiction, which is Cord Jefferson’s adaptation of Percival Everett’s 2001 novel Erasure. The filmmaker’s debut racked up five Oscar nominations, including Best Picture, and stars Jeffrey Wright as Thelonius “Monk” Ellis, a frustrated writer, in this heartfelt family melodrama encased in biting satire. (Catch Sam’s conversation with Cord Jefferson here.) Then, the three tread into familiar territory and dissect In the Know, Mike Judge’s (Beavis and Butthead, Silicon Valley, King of the Hill) latest show on Peacock which satirizes the world of public radio, specifically NPR, through the stop-motion animated lens of its third most-popular host, Lauren Caspian (voiced by Zach Woods). Finally, Oscar season is officially upon us, and with Oscar nominations, comes invariably, Oscar snubs. The panel explores this year’s nominees, and who may or may not have gotten the short end of the stick. In the exclusive Slate Plus segment, the panel discusses a fun interactive from The New York Times, “The Menu Trends That Define Dining Right Now.” Email us at [email protected]. Outro music: “Bloody Hunter” by Paisley PinkEndorsements:Sam: An album he loves and owns on vinyl, Chameleon (1976) by the American singing trio Labelle. It’s pure R&B funk dazzle. Nadira: A threefold music endorsement: Midnight Dancer (1979) by the Philly soul group Silk, Spotify’s “create radio” function, and a compilation of Barbara Ackland’s greatest hits. Steve: A gorgeous, lofi home recording of Sandy Denny singing her classic, “Who Knows Where the Time Goes.” Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, Jamelle Bouie (Opinion columnist at The New York Times) sits in for Julia Turner. The hosts first begin with a trip to Ennis, a fictional Alaskan town at the heart of True Detective: Night Country, and review the fourth installment of the HBO Max anthology series. There’s a new showrunner at the helm, Issa López, who brings a desperately needed fresh take on the Lovecraftian True Detective format, along with the series’ two leads, played by Jodie Foster and Kali Reis. Then, the three dissect Origin, director Ava DuVernay’s ambitious feature film adapted from the nonfiction book Caste: The Origins of Our Discontents by the American journalist Isabel Wilkerson. In the film, we accompany Wilkerson (played by Aunjanue Ellis-Taylor) as she develops her theory of formalized subordination based on race in America through the lens of the caste system. Finally, Pitchfork, the rockstar’s digital paradise and essential music review site, announced that it would be laying off most of its senior staff and be folded into fellow Condé Nast publication, GQ. What does that mean for both Pitchfork and the future of music criticism? Slate’s music critic, Carl Wilson, joins to discuss. In the exclusive Slate Plus segment, it’s the 25th anniversary of The Sopranos, and the panel discusses the series’ incredible legacy along with what it means for the stories of Tony, Dr. Melfi, Carmela, and more, to hit a quarter of a century. Email us at [email protected]. Outro music: “Ruins” by Origo.Endorsements:Dana: Blood in the Machine: The Origins of the Rebellion Against Big Tech by Brian Merchant, a nonfiction book about the “all-but-forgotten class struggle that brought nineteenth-century England to its knees.”Jamelle: G-Man: J. Edgar Hoover and the Making of the American Century, historian Beverly Gage’s biography of FBI director J. Edgar Hoover.Steve: Two reviews of Elon Musk, Walter Isaacson’s biography of the SpaceX/Tesla CEO: “Ultra Hardcore” by Ben Tarnoff for The New York Review and “Very Ordinary Men” by Sam Kriss for The Point. Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, Nadira Goffe sits in for Julia Turner. The hosts first begin by exploring an updated cult classic: Mean Girls, the movie musical version of the Broadway show based on the iconic 2004 film. The 2024 iteration stars Reneé Rapp as Regina George and Angourie Rice as Cady Heron. Then the three head to 17th century Edo-era Japan and review Blue Eye Samurai, an animated Netflix series about an ambiguously gendered, half-Japanese, half-white samurai (voiced by Maya Erskine) hell-bent on exacting revenge on the man responsible for their “monstrous” existence. Finally, consider the plight of January, a recent New York Times essay implores. The panel debates the merits of America's least-loved month and whether they agree with the assertion that the first 31 days of the year are the best. In the exclusive Slate Plus segment, the panel discloses what books to read for self-reinvention, including Letters to a Young Poet and Nadira’s favorite Toni Morrison work. The conversation is based on Chelsea Leu’s piece for The Atlantic, “What to Read If You Want to Reinvent Yourself.” Email us at [email protected]. Outro music: “Lonely Calling” by Arc De SoleilEndorsements:Nadira: Embracing her tradition of endorsing music favorites, Nadira’s been loving Depression Cherry by Beach House, the indie duo’s 2015 studio album that’s dreamy, surreal, and comforting, and Cynthia Erivo’s sensational cover of “Alfie,” performed live at the Kennedy Center Honors for 2023 honoree Dionne Warwick. Dana: At the onset of every year, Dana chooses a mammoth book assignment for herself, and in 2024, that book was Middlemarch by George Eliot. She especially enjoys listening to the audiobook while hiking, which is narrated by the English actress Juliet Stevenson. Steve: Steve learned to Travis pick on the guitar! Thanks to a wonderful YouTube tutorial by Mike’s Music Method for the song “Blues Run the Game” by Jackson C. Frank. (And maybe if enough listeners request it, he might perform it for us…)Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, the hosts are first joined by Slate’s Heather Schwedel to discuss Anyone But You, a paper-thin adaptation of Shakespeare’s Much Ado About Nothing, starring Sydney Sweeney and Glen Powell, whose combined good looks and star wattage aren’t enough to save the flimsily written rom-com. (Although, despite the film’s rocky start, it’s become a sleeper smash at the box-office.) Then, the panel explores Hayao Miyazaki’s The Boy and the Heron (which premiered under the name, How Do You Live?, in Japan), a beautiful and astoundingly thematic film made by one of the world’s greatest living animators, as he reflects on his life, work, and the nature of creation. Finally, the Golden Globes returned on Sunday, January 7th. The hosts ask: with a beefed up voting body and new network home, did the disgraced awards show manage to overcome its many scandals and untarnish its reputation? In the exclusive Slate Plus segment, the panel answers a listener question from Scott: are there any movies, TV shows, novels, books, albums, etc., that impacted you at a pivotal time in your life (not necessarily childhood) that you will not revisit due to the fact that it may not hold up? Email us at [email protected]. Outro music: “I Want a Change” by The Big Let DownEndorsements:Dana: Inspired by his incredible essay in The Intelligencer last week, Dana endorses Tom Scocca’s Substack, Indignity, which covers internet culture, the distortions of fame and identity, nature, the weather, daily news, and more. Julia: Do you use the right salt when you cook? The best fancy salt, according to Julia, is Carmargue Fleur de Sel, an exceptional French salt that comes in a sweet little tub with a cork lid. Steve: The earlier works of Dave Brubeck, one of the greatest jazz artists of all time, particularly the albums Interchanges ‘54 and Jazz Goes to College. Steve made a short playlist of his favorites, which can be found here. Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, the hosts begin by jumping into the fantastical world of Wonka, a prequel to Roald Dahl’s enduring novel that explores the origins of its famously impish character, Willy Wonka, portrayed here by a wide-eyed, sugary sweet Timothée Chalamet. The musical film, directed by Paul King (Paddington, Paddington 2) isn’t the kind of movie you want to pick on–it undoubtedly has a warm heart–but has the effect of watching a lucrative homework assignment. Then, the three switch gears and review Maestro, a biopic (if you can even call it that) about one of America’s greatest cultural luminaries and public educators, Leonard Bernstein. Directed by and starring Bradley Cooper as “Lenny,” the film explores Bernstein’s complicated marriage with Felicia Montealegre (played spectacularly by Carey Mulligan) and the couple’s struggle to balance Lenny’s public genius with his life as a closeted gay man. (For more on Cooper’s prosthetic nose, read Mark Harris’ comprehensive essay for Slate, “The Bradley Cooper ‘Jewface’ Controversy Isn’t Really About That Nose.”) Finally, the panel is led by ringmaster extraordinaire, Dana Stevens, through Slate’s 2023 Movie Club, an annual digital roundtable featuring conversations between prominent film critics and writers as they look back through a year in film. This year, Bilge Ebiri (film critic for New York Magazine and Vulture), entertainment writer Esther Zuckerman, and film historian Mark Harris contribute, along with features from Nadira Goffe, Sam Adams, and the project’s editor, Dan Kois. In the exclusive Slate Plus segment, the panel embraces a post-holiday theme and discusses memorable gifts: their favorites and the ones that got away, inspired by a recent episode from the podcast Scriptnotes. Email us at [email protected] music: “Spinning the Wheels” by Dusty Decks Hosted on Acast. See acast.com/privacy for more information.

This week, we revisit one of our favorite episodes of 2023! The panel begins by examining Barbie, Greta Gerwig’s hot pink, record-breaking movie about the iconic Mattel doll. Then, the trio dives into Christopher Nolan’s Oppenheimer, which chronicles the life of the “Father of the Atomic Bomb,” and explores whether the film achieves its aims. Finally, they are joined by Slate’s Chris Molanphy to discuss the controversy behind country singer Jason Aldean’s latest song, “Try That In A Small Town.”In the exclusive Slate Plus segment, the panel is once again joined by Chris Molanphy to discuss all things Summer Strut. With the annual show just weeks away, the four pull back the curtain to detail their processes, weird observations, and more.Email us at [email protected]:Dana: In line with her theme of the week, “Yay movies and go, go, go to the theater,” Dana highly recommends Theater Camp, a delightful film by Ben Platt and Molly Gordon.Julia: Yotam Ottolenghi’s recipe for zucchini pasta with crispy capers and pistachios isn’t the sort of thing Julia would normally endorse (for one, it’s extremely laborious and you will need to fry individual basil leaves), but it’s vegan, a showstopper, and completely worth it.Stephen: In honor of the late singer, Stephen recommends two Tony Bennett albums: “The Tony Bennett/Bill Evans Album” (1975) and “Tony Bennett at Carnegie Hall” (1962).Outro music: “Last Sunday” by OTE.Podcast production by Cameron Drews. Production assistance by Kat Hong.If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

This week, it’s the yearly call-in episode! Steve, Dana, and Julia dive into questions submitted by Culture Gabfest listeners. Outro music: “Forbidden Love” by OTEPodcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

This week, the panel is joined by Slate writer and senior editor Sam Adams to dissect Poor Things, director Yorgos Lanthimos' horny, steampunk Frankenstein tale about Bella Baxter (played by Emma Stone), a pregnant woman who commits suicide then is brought back to life by a brilliant scientist (Willem Dafoe), with an eccentric caveat: She now has the brain of her unborn fetus. Then, the three remember Norman Lear, the late television pioneer and American icon who died at the age of 101 and who was responsible for ushering in a new era of character-driven, comedic, topical, and morally serious TV with hit sitcoms like All in the Family, The Jeffersons, Maude, and One Day at a Time. Finally, they are joined by Slate’s books and culture columnist, Laura Miller, who shares her top ten books of the year, and along with Dana, discusses the joys and challenges of year-end listmaking. In the exclusive Slate Plus segment, the panel reunites with Sam Adams to spoil Poor Things, detailing what is arguably the film’s weakest portion: the final ten minutes. We’re also accepting submissions to our yearly call-in show, where Dana, Julia, and Stephen answer questions from Culture Gabfest listeners. Get in touch! Submit a question by calling (260) 337-8260 or emailing us at [email protected]. The deadline to submit is Wednesday, December 13. Outro music: “The Red Light Special” by Matt LargeEndorsements:Dana: It’s clear that Norman Lear was working in the heyday of television title sequences. And although Dana may have been born a bit late to catch All in the Family in real time, what she remembers are the theme songs. So, go on YouTube and call yourself up some of the most indelible introductory sequences (All in the Family, Good Times, One Day at a Time, The Jeffersons, etc.) and you’ll have a good time. Julia: An endorsement that doubles as a one-item gift guide. If you would like to give someone a fancy, overpriced, but delicious-smelling body wash, Julia has found the best one: NO Green by Corpus, a luxurious plant-based cleanser with notes of bergamot, pink lemon, orange blossom, and cardamom. Snap it up if you have some last-minute gifts to buy. Steve: A quote by Søren Kierkegaard, gifted to Stephen by his eldest daughter: “Should philosophy, among its other conceits, imagine that someone might actually want to follow its precepts in practice, a curious comedy would emerge.” (Fear and Trembling, 1843.) Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

This week, the panel begins by exploring Renaissance: A Film by Beyoncé with Slate culture writer (and Beyhive stan) Nadira Goffe. The renowned pop diva’s theatrical debut works both as a well-oiled concert documentary as well as a surprisingly heartfelt deconstruction of Knowles’ previously impenetrable image of perfection. Then, the three consider Todd Haynes’ May December, an emotionally curious, tonally dissonant study of life’s gray areas starring Natalie Portman, longtime collaborator Julianne Moore, and Charles Melton. Loosely based on the real-life relationship between Mary Kay Letourneau and Vili Fualaau, Haynes (and screenwriter Samy Burch) questions Hollywood’s penchant for sensationalizing tragedy and the ways humans interact with each other. Finally, they are joined by EEFOP (Exceedingly Exceptional Friend of the Pod), Slate writer Dan Kois to discuss Dr. Seuss’s How the Grinch Lost Christmas!, a posthumous sequel to Theodor Geisel’s iconic 1957 children’s book, How the Grinch Stole Christmas! The original IP has been marketed and re-imagined within an inch of its life – but does new author Alastair Heim invoke any of the source materials’ sincerity or deeper meaning? In the exclusive Slate Plus segment, the panel answers a listener question from Timothy: “When reading for pleasure, how do you choose what to read next?” We’re also accepting submissions to our yearly call-in show, where Dana, Julia, and Stephen answer questions from Culture Gabfest listeners. Get in touch! Submit a question by calling (260) 337-8260 or emailing us at [email protected] music: “Spinning the Wheels” by Dusty DecksEndorsements:Dana: A two-part endorsement that goes together like wine and cheese: If I Should Fall from Grace with God, the third studio album by Irish folk-rock band The Pogues, and “Shane MacGowan Leaves the Astral Plane,” a wonderful essay by Amanda Petrusich at The New Yorker, which memorializes the late frontman. Don’t know where to start with The Pogues’ catalog? Dana recommends “A Rainy Night in Soho.” Julia: Drawing inspiration from this episode’s children’s book segment, Julia endorses the Little Blue Truck series (written by Alice Schertle and illustrated by the late Jill McElmurry) alongside her favorite Theodor Geisel work, Hunches and Bunches. “It’s the Beyoncé of Dr. Seuss books.” Steve: Paris is Burning, which pairs beautifully with Beyoncé’s Renaissance. Jennie Livingston’s landmark 1990 documentary is one of the most moving films Stephen has ever seen, and provides a vibrant snapshot of New York City’s drag-ball scene in the ‘80s. Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

This week, Dana and Julia are joined by Jamelle Bouie, Opinion columnist at The New York Times and co-host of Unclear and Present Danger. The panel begins by diving into Ridley Scott’s Napoleon, a visually sumptuous biopic starring Joaquin Phoenix that attempts to chronicle the legendary historical figure’s life and reduce him to human size, yet fails to do so within its 2 ½ hour runtime. Then, the three jump into Scott Pilgrim Takes Off, a new eight-part animated Netflix series that offers an alternate version of its protagonist, Scott Pilgrim (who was first depicted in Bryan Lee O'Malley’s series of graphic novels then later in Edgar Wright’s cult classic film, Scott Pilgrim vs. The World), and reunites much of the movie’s brilliant original cast. Finally, they discuss André 3000’s New Blue Sun, a transcendent ambient album laced with flute-base soundscapes that on its face seems like a complete departure from the rapper’s previous work in Outkast, but actually depicts a piece of him that’s been present in his music all along. In the exclusive Slate Plus segment, the panel takes advantage of Jamelle’s baking prowess and discusses best practices and tips in the kitchen, before turning to the eternal, all-important question: When you bake, do you use a measuring scale? And if so, why? We’re also accepting submissions to our yearly call-in show, where Dana, Julia, and Stephen answer questions from Culture Gabfest listeners. Get in touch! Submit a question by calling (260) 337-8260 or emailing us at [email protected] music: “By the Riverside” by Lindsey AbrahamEndorsements:Jamelle: The 4K restoration of one of his favorite movies, The Fugitive (1993), starring Tommy Lee Jones and Harrison Ford. It’s an underrated and beautiful Chicago movie. Julia: A deep cut from her personal Summer Strut playlist: Bob Dylan’s 1997 song “Not Dark Yet,” which appeared on the album Time Out of Mind. Dana: Inspired by their discussion of André 3000’s new album, Dana endorses a different avant-garde flute enthusiast: Eric Dolphy, the American multi-instrumentalist and bandleader. Specifically, his fantastic 1964 jazz album, Out to Lunch. Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

This week, the panel begins by reviewing The Curse, a cringe-worthy Showtime series co-produced by Nathan Fielder and Benny Safdie. Fielder and Emma Stone star as Asher and Whitney Siegel, a newlywed couple at the center of a reality HGTV show built on narcissism, gentrification, and lies. Then, the three jump into Alexander Payne’s The Holdovers, which Dana describes as a “sadsack Christmas classic,” starring Paul Giamatti as a curmudgeonly misanthrope professor alongside newcomer Dominic Sessa and Da’Vine Joy Randolph. The three play misfits being held over at a prep school during the winter break of 1970. Finally, the trio is joined by Dwight Garner, book critic for The New York Times, to discuss his delightful new memoir, The Upstairs Delicatessen: On Eating, Reading, Reading About Eating, and Eating While Reading. In the exclusive Slate Plus segment, the panel commemorates Jezebel, the now-shuttered women-focused news and cultural commentary site, and reflects on their relationships with media geared towards women overall. Email us at [email protected]. Endorsements:Dana: Life on Our Planet on Netflix, a nature documentary narrated by Morgan Freeman that tells the four-billion-year story of life on Earth. It’s perfect for at-home family viewing over the holidays. Julia: A hilarious bit Nathan Fielder and Emma Stone did on Jimmy Kimmel Live! while promoting The Curse. In response to a less-than-glowing review of his acting skills in The New York Times, Fielder shows up in-character as a nonchalant, totally not stilted bad boy alongside Stone’s non-acted self. Stephen: “Camus on Tour,” an excellent tour de force essay by Vivian Gornick in The New York Review of Books, in which she covers Camus’ Travels in the Americas: Notes and Impressions of a New World. Podcast production by Jessamine Molli. Production assistance by Kat Hong. HostsDana Stevens, Julia Turner, Stephen Metcalf Hosted on Acast. See acast.com/privacy for more information.

This week, Dana and Stephen are joined by Supreme Friend of the Pod, Isaac Butler, who co-hosts Slate’s Working podcast and is the author of The Method: How the Twentieth Century Learned to Act (which is now available in paperback!). The panel begins by pondering Dream Scenario, a provocative new film from Norwegian writer-director Kristoffer Borgli. The nightmarish social satire stars Nicolas Cage as Paul Matthews, a hapless middle-aged biology professor who begins appearing randomly in people’s dreams in a tale about anonymity and the cycle of virality. Then, the three speak with the brilliant author and classicist Emily Wilson about her recent translation of Homer’s the Iliad, and her unique approach to metered verse and how she came to access the interior lives of Hector, Patroclus, Achilles, and more. Finally, the trio discusses Coyote vs. Acme, a completed film based on Ian Frazier’s 1990 comic in The New Yorker, that was shelved last week by Warner Bros. (reportedly in favor of a $30 million tax write-off) then un-shelved when the studio received backlash for being “anti-art.” In the exclusive Slate Plus segment, the panel descends into a different kind of nightmare: The Beatles’ music video for “Now and Then.” Has director Peter Jackson created a touching CGI tribute to the legendary band? Or has he engineered something truly evil?Email us at [email protected]. Endorsements:Dana: The Public Domain Review, an online journal and not-for-profit project dedicated to “the exploration of curious and compelling works from the history of art, literature, and ideas.” She’s only just begun to scratch the site’s surface, but recommends starting with “W.E.B. Du Bois’ Hand-Drawn Infographics of African-American Life.”Isaac: Deadloch, an Australian feminist noir comedy set in a fictional working class fishing village that’s been, as he describes, “gentrified by the most granola crunchy lesbians on earth.” Stephen: The song “New Romantic” by British folk singer-songwriter Laura Marling, specifically her extraordinary 2006 live performance of it when she was quite young at a now-closed music venue in West London. Outro music: “Any Other Way” by Particle HousePodcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

This week, the panel is joined first by Isaac Butler, co-host of Slate’s Working podcast and author of The Method: How the Twentieth Century Learned to Act, to debate the merits of David Fincher’s The Killer and whether the director’s latest “thriller” (which stars Michael Fassbender) is a masterful example of craft or simply a logic-free time-suck. Then, Dana, Julia, and Stephen explore the world of Letterboxd, the self-proclaimed “Goodreads of movies” that may be the only positive social media platform left. Finally, the trio is joined by Extreme Friend of the Pod Chris Molanphy to discuss his wonderful new book, Old Town Road, which considers Lil Nas X's debut single as pop artifact, chart phenomenon, and cultural watershed.In the exclusive Slate Plus segment, the panel asks: what’s the deal with long movies? Are today’s films getting longer or is it just a figment of our imagination? Email us at [email protected]. Endorsements:Dana: A hometown endorsement of Slate’s excellent coverage of the Sam Bankman-Fried trial, specifically a piece by Nitish Pahwa entitled “The Days the Chips Fell,” which chronicles what Pahwa witnessed in the courtroom the day Bankman-Fried was found guilty.Julia: The Last Waltz, Martin Scorsese’s iconic 1978 concert documentary that captures the Band’s legendary farewell performance in San Francisco. It depicts a very specific image of the male rockstar era, highlighting both the vanity and vulnerability of its stars. Dana also wrote about The Last Waltz for Slate in 2012! Stephen: Taken by the retro-feel of The Holdovers’ trailer, Stephen endorses the song featured in it, “Silver Joy” by Damien Jurado. Outro music: “Go Slow” by Daniel FridellPodcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

This week, the panel begins by discussing Priscilla, Sofia Coppola’s new film starring Cailee Spaeny and Jacob Elordi that’s based on Priscilla Presley’s memoir, Elvis and Me, and features an otherworldly courtship, gilded cages, and whole lot of mumbling. Then, the three review Anatomy of a Fall, an excellent French movie directed and co-written by Justine Triet that, on the surface, looks like a courtroom drama, but dives deep into the discrepancies and lies that make up a marriage. Finally, they conclude with a spicy topic: Hot Ones, the viral celebrity interview show that forces guests to eat increasingly hot chicken wings while answering surprisingly well-researched questions. In the exclusive Slate Plus segment, the panel gets into spoiler territory and discusses the dramatic, twist-y ending of Anatomy of a Fall. Email us at [email protected]. Endorsements:Dana: The French History Podcast hosted by Gary Girod, which covers unique and interesting aspects of French culture. She recommends starting with the episode “Thomas Jefferson’s Paris.” Julia: Owen Gleiberman’s essay for Variety, “In ‘Killers of the Flower Moon,’ Is Leonardo DiCaprio Playing a Dumb Hick, a Pitiless Sociopath… or a Muddle?” Also, in light of actor Matthew Perry’s recent passing, she’s bumping his memoir, Friends, Lovers, and the Big Terrible Thing up on her must-read list.Stephen: Naples ‘44 written by Normal Lewis, a landmark novel that highlights the author’s dry wit and ability to detail the extent of human suffering. Outro music: “Backwards” by Staffan CarlenPodcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

This week, the panel begins by reviewing Killers of the Flower Moon, Martin Scorsese’s film based on David Grann’s 2017 non-fiction book about the plot of white Americans to steal the Osage Nation’s headrights in the 1920s, starring Leonardo DiCaprio and Lily Gladstone. Then, the three are joined by Dan Kois, writer and editor at Slate and author of Vintage Contemporaries, to puzzle over Slayers: A Buffyverse Story, a scripted audio series based on Buffy: The Vampire Slayer that’s written and performed by many of the original cast, with one glaring omission: creator and showrunner Joss Whedon. Finally, the trio asks: Why is the internet no longer fun? The once utopian dream of democracy has turned into a hellscape, according to Kyle Chayka’s essay in The New Yorker, “Why the Internet Isn’t Fun Anymore.” In the exclusive Slate Plus segment, the panel shares their relationships (or lack thereof) with audiobooks, inspired by Paul Grimstad’s essay “Confessions of an Audiobook Addict for The New Yorker.” Email us at [email protected]. Endorsements:Dana: The Genius Behind Hollywood’s Most Indelible Sets, a profile of Jack Fisk, the master production designer behind Killers of the Flower Moon and many other films. Julia: While watching Sleepless in Seattle with her husband, Julia discovered her new favorite sound clip: When Meg Ryan dishes with Rosie O’Donnell about her budding romance with Tom Hanks, O’Donnell responds comically while chomping a bite of egg salad into her mouth, in a way that deserves to become a meme.Stephen: The little-known, up-and-coming writer Shakespeare (according to Stephen, he’s “very good” if not “a little antique-y”), specifically in the context of Killers of the Flower Moon. The film’s final scenes recall The Tempest in many ways. Outro music: “Back to Silence” by OTE.Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

This week, the panel begins by diving into Taylor Swift: The Eras Tour, a glittery and extremely fun concert movie starring the singer-songwriter-producer-mogul that’s already become the highest grossing concert documentary of all time. Then, they discuss Beckham, a surprisingly candid four-part docu-series on Netflix directed by Fisher Stevens that chronicles the footballer’s meteoric rise to stardom and paints an intimate portrait of his home life with Victoria Adams, a.k.a. Posh Spice. Finally, the three dissect “Why Culture Has Come to a Standstill,” a provocative essay authored by Jason Farago, the New York Times critic at large. In the exclusive Slate Plus segment, the panel embraces sweater weather with a discussion inspired by Amanda Mull’s essay for The Atlantic, “Your Sweaters Are Garbage.” Email us at [email protected]. Endorsements:Dana: One of Dana’s favorites from the New York Film Festival this year is Anatomy of a Fall (which won the Palme d’Or at Cannes!) Directed by Justine Triet, this murder mystery thriller becomes a psychological study of a marriage when a suspicious tragedy strikes a family living in the French Alps. “It’s the kind of film you want to see then immediately debate over drinks with friends.”Julia: A fantastic piece of writing on Insider, “The Great Zelle Pool Scam” by Devin Friedman, that uses the funny personal essay form–some reporting, a few confessions, observational humor, and the occasional insight–to levy an attack on Zelle, a massive, poorly regulated major part of our financial infrastructure. Stephen: “Picasso’s Transformations” an essay by the art critic Jed Perl, published in The New York Review of Books (which is celebrating its 60th anniversary). Outro music: “Lonely Calling” by Arc De SoleilPodcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

This week, the panel begins by reviewing The Wonderful World of Henry Sugar, Wes Anderson’s faithful adaptation of a 1977 Roald Dahl short story, that doubles as a sumptuous meta-commentary on the director’s exacting approach to his craft. Then, the three discuss The Super Models, Apple TV+’s docu-series that glossily chronicles the lives and careers of Naomi Campbell, Cindy Crawford, Christy Turlington, and Linda Evangelista, a.k.a. The It Girls of ‘90s fashion. Finally, they puzzle through a controversy sweeping the behavioral science community: What happens when so-called “lying experts” falsify their own data? Recent allegations against well-known thought leaders in the field, Francesca Gino and her frequent collaborator, Dan Ariely, have unleashed a host of ethical issues and questions within the academic sphere.In the exclusive Slate Plus segment, the panel honors Spooky Season by sharing their first encounters with terrifying movies. Email us at [email protected]. Endorsements:Dana: Joni Mitchell, the celebrated singer-songwriter, recently released Archives – Volume 3: The Asylum Years (1972-1975), a five-CD box set of archival treasures: never-before-heard demos, unearthed session outtakes, and recordings of live performances. (Also, if you’re not a Mitchell fan, what are you even doing here?) Julia: Julia has doubled down and listened raptly to every episode of Strike Force Five, the late-night host podcast from Stephen Colbert, Jimmy Fallon, Jimmy Kimmel, Seth Meyers, and John Oliver. Apparently, the men eventually found their groove! It’s an unusual product that reveals much about their respective talents. Stephen: Lydia Loveless, an amazing alt-country songwriter, and her superlatively strong sixth album, Nothing’s Gonna Stand in My Way Again. Stephen endorses Loveless so enthusiastically, he’s even created a playlist of his favorite songs of hers: https://open.spotify.com/playlist/3vAPq5ZGCRB3kJLOFzZ4rF?si=4a4d5619bb6e40c0&nd=1Outro music: “Break The Line” by Coma SvenssonPodcast production by Cameron Drews. Production assistance by Kat Hong.If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

This week, the panel begins by dissecting The Golden Bachelor, the latest spin-off of the classic reality TV series starring a 72-year-old bachelor searching for love amongst a group of women in their 60s, 70s, and 80s. Sincerity ensues… or does it? Then, the three return to the ‘80s to discuss A24’s re-release of Stop Making Sense, Jonathan Demme’s seminal 1984 Talking Heads concert movie that’s widely regarded as the apex of the genre. Finally, they investigate the celebrity apology video aesthetic, an artform that’s been attempted—and by no means, perfected—by Mila Kunis, Ashton Kutcher, Russell Brand, and Drew Barrymore recently, as an unusual document of the times.In the exclusive Slate Plus segment, the panel discusses the meme and viral TikTok trend, “How often do you think about the Roman Empire?” and the ways it encourages a faux-performance of gender on the internet. Email us at [email protected]. Endorsements:Dana: In the spirit of revelatory live shows, Dana endorses The Bengsons, a folk-rock duo (by married couple Abigail and Shaun Bengson) whose recent concert she describes as “performance art.”Julia: “Stop Talking” by Miya Folick, one Julia’s favorite songs from the 2023 Summer Strut Mega-mix, that exasperatedly laments about a friend whose brain space has been eaten up by some boy–and Folick doesn’t want to hear about it anymore! Stephen: Lucky in Paris by saxophonist Lucky Thompson, a relatively under-the-radar record that has become one of Stephen’s top five jazz albums of all time. Outro music: “On the Keys of Steel” by Dusty Decks.Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

This week, Dana and Stephen are once again joined by Kat Chow, author of the memoir Seeing Ghosts. The panel begins by jumping into the ring with Cassandro, the oddly conflict-adverse biopic about the lucha libre superstar and exótico gay icon, Saúl Armendáriz, who is played terrifically by Gael García Bernal in a provocative, tour-de-force performance. Then, the trio wades into comedian–and future Daily Show host hopeful–Hasan Minhaj’s thorny web of lies with Slate staff writer, Nitish Pahwa, who detailed the devastating impact of Minhaj’s many falsehoods in his essay, “Hasan Minhaj Meant Something to Brown Americans. Was It All an Act?” Finally, the three react to “The 40 Greatest Stand-Alone TV Episodes of All Time,” written by the Slate Staff, a massive labor of love and fun thought experiment that spans The Sopranos, Atlanta, The Larry Sanders Show, Black Mirror, and High Maintenance. In the exclusive Slate Plus segment, the panel discusses the impact the last few years have had on their lives, inspired by Katy Schneider’s essay for The Cut, “The Pandemic Skip.”Email us at [email protected]. Endorsements:Dana: Dana sent this to everyone she knows–family, friends, etc. It’s a new interview with Martin Scorsese, written by Zach Baron for GQ entitled “Martin Scorsese: ‘I Have To Find Out Who The Hell I Am.’” In addition to films and moviemaking (his latest, Killers of the Flower Moon, is set to be released in October), the legendary director, now 80, also speaks candidly about life, its inevitable end, and his own mortality. It’s a dream of an interview and absolutely sublime. Kat: Small Things Like These, a beautifully written historical fiction novel by Claire Keegan about the horrific conditions women and children endured at Magdalene Laundries in Ireland. Stephen: “Quantum poetics,” an essay in Aeon written by William Egginton, a professor of humanities at James Hopkins University. In it, Egginton describes the ways Argentine short story author, Jorge Luis Borges, and German theoretical physicist Werner Heisenberg “converged on the notion that language both enables and interferes with our grasp of reality.” Outro music: “Forbidden Love” by OTEPodcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

This week, Stephen and Dana are joined by long-time friend of the pod and co-host of Slate’s Working podcast, June Thomas. The panel begins by puzzling over the return of Kenneth Branagh’s Hercule Poirot in A Haunting in Venice, the actor-director’s third Agatha Christie whodunit adaptation. Then, they dig into Jann Wenner’s disastrous New York Times interview with David Marchese in which the Rolling Stone co-founder manages to disgrace himself in almost every conceivable way. Finally, the trio concludes by discussing Naomi Klein’s new book, Doppelganger: A Trip Into the Mirror World, which captures the strange ways selfhood is performed in the internet age. In the exclusive Slate Plus segment, the panel reveals their cleaning playlists and audio accompaniments, inspired by Lindsay Zoladz’ essay for The New York Times, “A 20-Minute Cleaning Playlist.”Email us at [email protected]. Endorsements:Dana: The wonderful world of Better Call Saul table reads (which can be found on YouTube), specifically, the one for “Switch,” Season 2, Episode 1. June: As someone who enjoys reading biographies of unpleasant people, June endorses A Thread of Violence by Mark O’Connel, which chronicles the gripping tale of one of the most scandalous murders in modern Irish history. Stephen: The West Cork podcast, a non-fiction series reported and hosted by Sam Bungey and Jennifer Forde about the 1996 murder of Sophie Toscan du Plantier. Outro music: “Mother” by The Big Let Down.Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

This week, Stephen and Dana are joined by guest host Kat Chow, journalist and author of the 2021 memoir Seeing Ghosts. The panel begins by wading through HELL, Chris Fleming’s new hour-long comedy special that’s both puzzling and delightfully goofy. Then, the three consider Astrakan, a deeply dark and unsettling first feature from director David Depesseville, and attempt to parse through the film’s (intentionally?) ambiguous messages. Finally, they conclude by discussing Rotten Tomatoes, the widely used critical review aggregation site and subject of the recent Vulture exposé by Lane Brown, “The Decomposition of Rotten Tomatoes,” which details a “gaming of the system” by Hollywood PR teams. In the exclusive Slate Plus segment, the panel dives into the 2023 U.S. Open, specifically the effect of extreme heat on gameplay and how the sport will need to contend with climate change going forward. Email us at [email protected]. Endorsements:Kat: C Pam Zhang’s brilliant upcoming novel The Land of Milk and Honey. Dana: One of the best novels she’s read in years, Idlewild by James Frankie Thomas.Stephen: The Guest by Emma Cline, a novel that serves as a “carefully observed ethnography of the super rich.” Outro music: “On the Keys of Steel” by Dusty Decks.Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

This week, the panel jumps into Bottoms, the chaotic second feature from director and co-writer Emma Seligman that satirizes… something (what that thing is, they have yet to discover). They then discuss Telemarketers, a Michael Moore-style documentary that exposes the telemarketing industry’s dark underbelly in a weirdly captivating tour de force. Finally, the trio takes on Strike Force Five, a new Spotify podcast hosted by late-night veterans Jimmy Kimmel, Jimmy Fallon, Stephen Colbert, John Oliver, and Seth Meyers that deals with the ins and outs of the trade and raises money for their striking writing staffs. In the exclusive Slate Plus segment, the panel considers the joys of trains and sleeper cars, inspired by Bryn Stole’s essay for Slate, “Wake on a Train.” Email us at [email protected]. Endorsements:Dana: A very funny, investigative piece in The Guardian by Elif Batuman: “Proust, ChatGPT and the case of the forgotten quote.” Julia: In a wonderfully kismet moment, Julia stumbled upon Hilltown Hot Pies, a neapolitan-ish pizzeria in the Berkshires run by chef Rafi Bildner, who previously owned one of Stephen’s favorite pizza spots in Ghent. Stephen: “The Inheritance Case That Could Unravel an Art Dynasty” by Rachel Corbett for The New York Times Magazine, an essay that lays bare an empire built on shell companies, weird art depots, and paintings sequestered in vaults.Outro music: “Break The Line” by Coma SvenssonPodcast production by Cameron Drews. Production assistance by Kat Hong.If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

This week, Julia is joined by Slate associate culture writer Nadira Goffe and Jamelle Bouie, opinion columnist at The New York Times. The panel begins by test driving Gran Turismo, a sports movie that is essentially a Playstation commercial based on popular intellectual property and “real life.” Then, they explore Mask Girl, a visually stylish K-drama that tackles men, capital letters, systemic violence, Korean beauty standards, and fame through smart social satire. Finally, the three discuss the virtues, or lack thereof, found in Oliver Anthony’s number one hit song “Rich Men North of Richmond” (which Jamelle also covered in his essay “The Irony in the ‘Rich Men North of Richmond’”).In the exclusive Slate Plus segment, the panel considers prep, preppy style, and their relationships to the American art form, inspired by Natalia Mehlman Petrzela’s piece for The New Republic, “We’re All Preppy Now.” Email us at [email protected]. Endorsements:Jamelle: The films of Satoshi Kon, the legendary Japanese film director, animator, and screenwriter. Jamelle particularly enjoys Perfect Blue and Millennium Actress, which he calls a “love letter to mid-century Japanese filmmaking.” Julia: A recent tomato sandwich devotee, Julia endorses Eric Kim’s furikake tomato sandwich recipe for The New York Times. It calls for Wonder Bread, a bit of mayonnaise, heirloom tomatoes, and a sprinkling of the dry Japanese condiment. Nadira: British neo-funk electronic collective, Jungle, and the dance-based music videos for their latest album, Volcano, specifically “Candle Flame,” “Dominoes,” and viral sensation “Back on 74,” brilliantly choreographed by Shay Latukolan. Outro music: "Warefare" by Sandra BjurmanPodcast production by Cameron Drews. Production assistance by Kat Hong. HostsJulia Turner, Nadira Goffe, Jamelle Bouie Hosted on Acast. See acast.com/privacy for more information.

This week, Dana is joined by Slate’s books and culture columnist, Laura Miller, and senior editor Rebecca Onion (who are filling in for Julia and Stephen). The panel begins by unraveling Passages, the sexy but also, at times, repelling feature from director Ira Sachs about a complicated love triangle. The film received a controversial NC-17 rating from the Motion Picture Association. Then, they head to Detroit to discuss Justified: City Primeval, FX’s revival of the Raylan Givens cult classic that ran for six seasons. Finally, the three consider Michael Oher’s recent legal allegation that the Tuohy family (immortalized in the 2009 Oscar-winning movie The Blind Side) never really adopted him but instead, placed him in a conservatorship. It’s a scandal at the fascinating convergence of exploitation, fame, race, and adoption. In the exclusive Slate Plus segment, the panel examines nature writing and their relationship to the form, inspired by Jonathan Franzen’s essay for The New Yorker, “The Problem with Nature Writing.” Email us at [email protected]. Endorsements:Laura: Her quest for a new detective series (that isn’t stupid or cliché) is over: Laura endorses Deadloch, a Prime Video comedy set in Tasmania that’s equal parts genuine mystery and delicious social satire. Rebecca: Anya Liftig’s memoir, Holler Rat, beautifully recounts her upbringing where she often felt caught between two worlds: the comfortable, upper-middle-class life in Connecticut where she lived, and the summers spent in Appalachia, her mother’s home. Dana: A behind-the-scenes video for, what could potentially be the song of the summer, “I’m Just Ken” has just been released. In it, we see Ryan Gosling rehearsing and cameos from Greta Gerwig, Simu Liu and co-writer Mark Ronson, and it’s just super fun. Outro music: “I Want a Change” by The Big Let Down. Podcast production by Cameron Drews. Production assistance by Kat Hong. This episode is sponsored by the podcast About the Journey. Learn more here: https://traveler.marriott.com/about-the-journey/If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

This week, the panel begins by dissecting Teenage Mutant Ninja Turtles: Mutant Mayhem, a zany piece of intellectual property that’s been taken off the shelf by Jeff Rowe, Seth Rogan, and a slew of animators and turned into a critical darling. Then, the trio reviews The Retrievals, a five-part narrative podcast hosted by Susan Burton for The New York Times and Serial Productions that chronicles the systematic ways American healthcare continually denies, discounts, and ignores women’s pain through a series of events that unfolded at the Yale Fertility Clinic. Finally, they are joined by Wesley Morris, critic at large at The New York Times, to discuss his tour de force essay, “How Hip-Hop Conquered the World,” and how the history of the radical art form is as porous and complex as the nation itself. In the exclusive Slate Plus segment, the panel commemorates hip-hop’s 50th anniversary with a lightning round of personal accounts about their first encounters with the form. Email us at [email protected]. Endorsements:Dana: Since their conversation about Sinéad O’Connor a few weeks ago, Dana has dived even deeper into the late Irish singer/songwriter’s oeuvre. One gem she found was The Year of the Horse, a concert documentary recorded live in 1990 at Forest National, Brussels. It’s a fantastic snapshot of a live performance at a very specific time in O’Connor’s life. Julia: Taylor Swift fans! Julia recently attended Swift’s concert in Los Angeles and was struck by the overall kind, positive, and good vibes of the crowd. Fans of all ages and body types exchanged bracelets with one another, trading “Hi Barbie!” greetings, which made the concert-going experience feel even more special. Stephen: It may be difficult to convince a teenage girl in 2023 to listen to Tom Waits’ catalog, but Stephen has done exactly that: he created a playlist for his daughter called “Broken Bicycles,” which highlights Waits’ extraordinary ability to write a pop melody. Outro music: “Spinning Wheels” by Dusty Decks.Podcast production by Cameron Drews. Production assistance by Kat Hong. This episode is sponsored by the podcast About the Journey. Learn more here: https://traveler.marriott.com/about-the-journey/If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.