Critical Readings

The panel discusses the Ahab's representation as a wrathful, inhuman avatar of anti-nature, the hellish nature of the Pequod, the sorcerous conniving of the captain and crew, and the abandonment of every comfort and sentiment in search of Moby Dick.Continue reading

The panel discusses chapters 91–101, with attention given to the cross-ship conduct between the Pequod and the Samuel Enderby, and to the psychological effects of sea life (and its attendant disasters) upon Ishmael, Ahab, and the rest of the ship's crew.Continue reading

The panel discusses chapters 82–90, with attention given to humour as a potential coping mechanism for Ishmael, before considering again the evidence for his identity, given his familiarity with significant legal works including Bracton and Blackstone.Continue reading

The panel discuss chapters 72–81 and focus particularly upon Ishmael's connexion (literal and figurative) to Queequeg, and the analogous, fated and willed relationships between the Pequod, the crew, Captain Ahab, and across humanity more generally.Continue reading

The panel reads some excellent listener questions, and then discusses chapters 60–71, with special attention to the studied ambiguity of the text, Ahab's identification and contrast with Moby Dick, and the 'problematisation of the hierarchy' (ding-ding).Continue reading

The panel discusses chapters 52-59, with special attention given to how the structure of the narrative both anticipates and surpasses post-structuralist critiques whilst challenging the genre of the novel and changing the attitudes of its readers.Continue reading

The panel discusses chapters 43-51, examining the presence of Romanticism in the text and character of Ishmael, and highlighting how the text's rapid shifts in perspective and narrative focus may further structuralist and poststructuralist readings.Continue reading

The panel discusses chapters 35-42, exploring Melville's purpose in adopting a multigeneric style, and paying special attention to Ahab's motivations, including his conception of malice and universal evil, and his understanding of justice and vengeance.Continue reading

The panel discusses chapters 26-34, with a particular focus on the effect of genre considerations in framing the novel, its shift into Shakespearean tonality and structure, and Melville's use of humour amidst grave and existential subject matter.Continue reading

The panel discusses chapters 16-25, with a particular attention to characterisation beyond Ishmael and Queequeg--particularly that of Peleg, Bildad, Elijah, and Bulkington--and to the overarching Old Testament Biblical influences upon the narrative.Continue reading

The panel reads chapters 5-15, with a special focus on the description and narrative use of religious symbolism and devotional practice, contrasting the Christian Ishmael and the pagan Queequeg to illustrate Ishmael's welcoming, fraternal worldview.Continue reading

The panel reads the prologues and first four chapters of Moby Dick, provides an overview of the publication history of the text, and discusses the character and reliability of the jocular, circuitous narrator, who commands the reader to 'Call me Ishmael.'Continue reading

The panel concludes with an examination of Lucrece's central role as a Shakespearean protagonist, addressing her attitude towards the conflict between Roman shame and the natural law, and how her speech is situated across historical contexts.Continue reading

The panel reads the second third of Shakespeare's Lucrece, with particular attention to the paradoxical presentation of light and darkness, and to the dual nature of guilt and shame in the poem, as situated within a putatively historical Roman context.Continue reading

In the first of a three-part series on Shakespeare's Lucrece, the panel explores the Roman history and sources for the poem, before reading and examining its metaphors with a focus on Sextus Tarquinius' internal debate and final, abhorrent resolution.Continue reading

The panel reads three poems by the courtier, soldier, privateer, and poet, Sir Walter Raleigh, examining their formal (and informal) qualities, and discussing their connexions to other poetic endeavours and movements, and to contemporary events.Continue reading

The panel reads and discusses the connexions between three poems by Seamus Heaney: "Blackberry Picking", "Three-Piece", and "Mycenae Nightwatch", with attention to their formal aspects, and their use of highly emotive imagery and references to the past.Continue reading

The panel reviews the work of "The People's Poet", Edgar A. Guest, national best-seller, sole Poet Laureate of Michigan, host of the A Guest in Your House radio programme, and author of innumerable verses filled with indefatigable, homespun optimism.Continue reading

The panel reads three poems by Rupert Brooke, a poet of the Georgian movement of the early twentieth century, whose poetry of the early Great War period suggests sentiments and ideals which were about to be transformed by modernised warfare.Continue reading

The panel reads three poems by Wilfred Owen, perhaps the greatest poet of the Great War, including his "Dulce et Decorum Est", "Anthem for Doomed Youth", and "Spring Offensive", with attention to their arresting imagery and formal characteristics.Continue reading

The panel, joined by special guest Lane Haygood, reads H. P. Lovecraft's Polaris, and discusses its rich symbolism, use of metaphor, deliberately archaic language, ambiguous resolution, and how its formal structure mirrors its narrative content.Continue reading

The panel reads Alexander Pope's "Epistle to Dr. Arbuthnot" and discusses its moral and ethical instruction alongside its waspish skewering of eighteenth-century "dunces", including Colley Cibber, Lord Hervey, and Lady Mary Wortley Montague.Continue reading

The panel reads Alfred, Lord Tennyson's "Locksley Hall" and discusses its connexion to the real Loxley Hall in Staffordshire, as well as the poem's formal qualities, and its depiction of nineteenth-century British social, imperial, and military culture.Continue reading

The panel closely reads four poems by Edna St. Vincent Millay, focusing primarily on her sonnets, and evaluates their formal structure and potential metaphysical and theological implications, whilst connecting each poem to the others in turn.Continue reading

The panel reads the entirety of Thomas Babington Macaulay's "Horatius" from his collection Lays of Ancient Rome, and discusses the Horatian nature of the work as a narrative which both edifies and delights, along with the formal aspects of the poem.Continue reading

The panel reviews selections from James Joyce's inaugural work, the poetry collection titled Chamber Music, the first-published of his substantial works, giving attention to the formal metrics, structure, and interrelated symbolism of the poems.Continue reading

The panel reads four poems by Lewis Carroll and discusses the importance of poetic form in nonsense poetry, along with several potentially complicated readings that go beyond straight-forward narrative and verge upon social commentary.Continue reading

The panel reads "The Quest of the Sangraal" by the nineteenth-century parson and poet, Robert Stephen Hawker, with special attention to the use of differing Arthurian traditions and the fusion of mediæval and modern poetic forms, syntax, and vocabulary.Continue reading

The panel reads three poems by Thomas Traherne, a late seventeenth-century English poet of imaginative, reflective, and speculative verse, whose manuscripts were discovered by happenstance and saved from the refuse pit in the late nineteenth century.Continue reading

The panel reads Washington Irving's Christmas sequence from The Sketch Book of Geoffrey Crayon, Gent., and examines how its portrayal of an old-fashioned, English Christmas served to influence attitudes towards the ideal of Christmas in the United States.Continue reading

The panel concludes a three-week reading of The Lay of the Children of Hurin, examining the connexion between the history, geography, and cosmology of Tolkien's imagined Middle-Earth and that of our own, very real, terrestrial middle-earth.Continue reading

The panel reads the second part of The Lay of the Children of Hurin, which relates the tale of Beleg Strongbow, and the doom of Turin Turambar, giving special attention to how the text connects to other mythological and Anglo-Saxon poems and narratives.Continue reading

The panel begins a three-week reading and analysis of the first version of J. R. R. Tolkien's "The Lay of the Children of Hurin", a poetic account of Turin Turambar, written between 1918 and 1925, and first published in The Lays of Beleriand (1985).Continue reading

The panel examines three poems by Delmore Schwartz, with a particular focus on his language and themes, including a poetic biography of Lincoln, a metaphysical examination of Narcissus, and a portrayal of time as a frightening, existential inferno.Continue reading

In Critical Reading's first episode dedicated to a work of prose, the panel reads Nathaniel Hawthorne's short story, Young Goodman Brown, and examines its allegorical structure, considering what it might suggest about both human nature and the modern era.Continue reading

The panel concludes its series on American Civil War poetry with Whitman's Drum Taps and Sequel to Drum-Taps, focusing in particular upon the structure, symbolism, and historical details of Whitman's three poems on the death of President Lincoln.Continue reading

The panel reads a selection of the poems added to the 1860-61 edition of Walt Whitman's Leaves of Grass, focusing on what the poetry suggests about human nature, political life, and the people of the United States on the eve of the Civil War.Continue reading

The panel reads two poems from Longfellow's Tales of a Wayside Inn (1863): 'Torquemada' and 'The Birds of Killingworth', examining the role of zeal, dogma, and radical conduct in the poems, and what it may suggest about the war between the states.Continue reading

In the first of a two-part reading of selections from Longfellow's Tales of a Wayside Inn, the panel reads the beginning of the Prelude and then examines "Paul Revere's Ride" in detail, with attention to the structure of the text and its formal aspects.Continue reading

The panel concludes a two-part survey of Melville's reading of the Civil War as viewed through his Battle-Pieces and Aspects of the War (1866) by discussing poems on Stonewall Jackson, the Surrender at Appomattox, and post-war America.Continue reading

In this first episode of a two-part examination of Melville's poetic response to the Civil War, the panel reads two poems from his first poetry collection, Battle-Pieces and Aspects of the War (1866): 'The Conflict of Convictions' and 'Gettysburg'.Continue reading

The panel performs a thorough close readings of two well-anthologised poems by E.E. Cummings--'i sing of Olaf glad and big' and 'the Cambridge ladies who live in furnished souls'--examining how their structure and formal aspects reflect their content.Continue reading

In celebration of King Charles III, the panel reads two poems written to celebrate the reigns of his predecessors, King Charles I and King Charles II, including a New Year's Gift by Thomas Carew and a coronation panegyric by John Dryden, respectively.Continue reading

The panel reads poetry celebrating the life and reign of Queen Elizabeth II, including Philip Larkin and Ted Hughes for the Silver Jubilee, Hughes for the 40th anniversary, Simon Armitage for the Platinum Jubilee, and his newly-written Floral Tribute.Continue reading

The panel reads three stirring poems by the American diplomat, activist, author, poet, and professor James Weldon Johnson, examining the theological symbolism and social commentary in "The Creation", "Listen, Lord", and "Lift Every Voice and Sing".Continue reading

The panel reads the first book of William Wordsworth's "The Prelude", discussing the intention of the overall work, with special attention to the presentation of childhood freedom, the intellectual work of writing poetry, and existential dread.Continue reading

The panel attempts to read Canto LXXIV from The Cantos of Ezra Pound, but finds even this one poem too dense to complete in a single episode, with its use of a vast array of literary and personal references fused into a challenging composite work.Continue reading

The panel concludes the series on Idylls of the King with a full reading of "The Passing of Arthur" and the epilogue "To the Queen", considering Gawain's warning, the last battle, Bedivere's treachery, and Arthur's departure with the three queens.Continue reading

The panel reads the penultimate idyll, "Guinevere", last of the original 1859 collection, and focuses on the redemptive arc of the queen, passing from recognition of her sin and fear of shame into pursuit of the pure and the good for its own sake.Continue reading

The panel reads the second part of the story of Sir Pelleas, "The Last Tournament", with its contrast between white innocence and red blood, its manifold inversions of the Arthurian court, and its connexion to the real-life Eglinton Tournament of 1839.Continue reading