Hybrid Styles in the late 19th Century
Between the Barlines · Maeve Berry
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Show Notes
Welcome back to Between the Barlines! I am your host, Dr. Maeve Berry! Today, we have a very interesting discussion about hybrid styles. You might be wondering what this means, and I think it actually revolves around one question: What happens when composers merge national traditions, older musical forms, and new harmonic languages all at once? Composers mentioned as hybrid composers: Franck, Fauré, Saint-Saëns, Chausson, D'Indy, Dvořák, Grieg, Tchaikovsky, and Borodin.
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Music mentioned in this podcast:
Franck Symphony in D minor
Franck Violin Sonata in A major
Franck Symphonic Variations
Franck String Quartet in D major
Fauré Requiem
Fauré Nocturnes
Fauré Pelléas et Mélisande Suite
Saint-Saëns Organ Symphony
Saint-Saëns Piano Concerto No. 2
Chausson Poème
Chausson Symphony in B-flat major
D'Indy Symphony on a French Mountain Air