Backstage Babble

Happy Holidays everyone! I can’t think of a better way to celebrate than listening to an in-depth interview with Broadway legend and 4-time Tony nominee Faith Prince. Tune in to hear her tell many of the fascinating stories of her career, including the failed Terrence McNally play that she worked on with Nathan Lane, the major Broadway revival she turned down, why a rehearsal with Arthur Laurents caused her to call her therapist, a short-lived feud with Jerome Robbins, how Terrence McNally got her into doing straight plays, why Bells Are Ringing couldn’t run as long as it should’ve, why she worked personally with Christopher Renshaw on The King and I, what she learned while touring with Billy Elliot, and more. You won’t want to miss this fascinating conversation.

Today, I am so excited to announce my episode with theater veteran Thom Sesma. Thom Sesma is currently appearing in A Man of No Importance at Classic Stage Company. You can find tickets to see him in that wonderful production here: https://www.classicstage.org/current-season/a-man-of-no-importance In the meantime, tune in today to hear some of the stories of his legendary career, including the show that "dares to have an idea as it’s main character,” how he figured out the secret to virtual theater, how he won the respect of Arthur Laurents, why he loves working with John Doyle, how Sondheim treated his works, the family that Twyla Tharp creates, the show he has a unique concept for, the offensiveness of Chu Chem, the direct line between him and Alfred Drake, and more.

Today, I am so happy to announce my episode with Tony-nominated director and actor Gabriel Barre. Gabriel Barre is the director of the December 12 performance YOUR OWN THING, which will benefit The Red Bull Theatre and feature an all-star cast including Santino Fontana and Lesli Margherita. You can find tickets to that here: https://www.redbulltheater.com/your-own-thing And meanwhile, tune in today to hear some of the stories of his legendary career, including the three-page letter he received from Hal Prince, why RAGS couldn’t succeed on Broadway, the art of performing as a mime, the inside story of THE WILD PARTY, the old-fashioned politeness of Eartha Kitt, why young writers are more reticent to cut material, the power of ALMOST, MAINE, the process of writing his new musical HERE YOU COME AGAIN, and so much more.

Today, I am so honored to announce my episode with Robert Viagas, author of Good Morning, Olive: Haunted Theatres of Broadway and Beyond, available here: https://www.amazon.com/Good-Morning-Olive-Theatres-Broadway/dp/1493064533/ref=asc_df_1493064533/?tag=hyprod-20&linkCode=df0&hvadid=564758369972&hvpos=&hvnetw=g&hvrand=4273849164588888770&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9067609&hvtargid=pla-1636952550220&psc=1 You can go back and hear my full interview with Robert from June 2021, but today, he joins me for a late Halloween celebration to talk about theater’s many ghosts! You won’t want to miss this fun-filled and spooky conversation.

Today, I am so honored to announce my episode with Tony-winning composer and lyricist Marc Shaiman, writer of the current Broadway smash hit Some Like it Hot. Tune in today to hear some of the stories of his long career, including the joy of working with Peter Allen, the disappointment of bringing Leader of the Pack to Broadway, the musical that started out as an adaptation of Stage Door, the bipolarity of working on Smash, what makes Bette Midler genius, starting out as an underage piano bar player, some of the small but important changes that Harvey Fierstein made to Hairspray, the inspiration behind Some Like it Hot, an unusual request from Rob Marshall, writing additional lyrics for The Music Man, the advice he would give to young writers, and more.

Today, I am so honored to announce my episode with Pulitzer Prize Winner Alfred Uhry. Alfred Uhry recently enjoyed great success with a revival of his musical Parade at Encores!, and he joins me today for a conversation about his legendary career, including what it was like being mentored by Frank Loesser, how he met Terrence McNally through John Steinbeck, when John Houseman introduced him to Patti LuPone, how figures from his childhood reacted to characters based on themselves, the art to writing a screenplay, why he admires A Strange Loop and Hamilton, the process of casting Driving Miss Daisy, why Alex Timbers is a brilliant director, the play that was about his parents, why Parade is relevant today, the dance piece that required a lot of research, and so much more. A Note: This interview was recorded in April 2022, so all viewpoints reflect that time.

Today, I am so happy to announce my interview with a Broadway legend I’ve been wanting to talk to since I started this podcast—Tony winner Hal Linden. Having recently completed a successful run in Two Jews Talking, Hal joins us today to tell many of the stories of his long career, including: the role that George Abbott let him pick, how he became a non-traditional Sid Sorokin in a non-traditional revival of The Pajama Game, the Alan Jay Lerner musical he turned down, why he’s never played Tevye, the promise Lucille Ball made to him, a lesson from Judy Holliday about upstaging, why The Rothschilds is a problematic show, the dialogue he wrote for The Education of H*Y*M*A*N K*A*P*L*A*N, why Louis Jourdan was not right for On a Clear Day, plus stories about Michael Kidd, Sheldon Harnick, Sam Mendes, Ossie Davis, and more. You won't want to miss this inside view into a bygone era of Broadway.

Today, I am so excited to announce my interview with four-time Tony winner Tovah Feldshuh, who is currently starring opposite Lea Michele as Rosie Brice in Funny Girl on Broadway. Tune in to hear some of the stories of her legendary career, including what her research process was like for her current role, the classic sitcom that she turned down, the time she was compared to Elizabeth Taylor, why Lea Michele is perfect for “the most extraordinary female role in musical theater history,” the advice she got from Sam Levene, the irony of Rodgers & Hart, the great actress who officiated her wedding, the song that Comden and Green wrote for her, the George Bernard Shaw play she’d like to star in, and what the process was like of penning her successful memoir Lilyville. Plus, she shares her Tallulah Bankhead impression! You won’t want to miss this fascinating and fun conversation with one of Broadway’s brightest lights.

Today, I am so happy to announce my interview with star of stage and screen Joyce Bulifant. On Saturday, October 8th, Joyce Bulifant will be performing her solo show, Remembering Helen Hayes with Love, in Rockland County. She will also be doing a conversation with Richard Skipper. You can find tickets to the event here: https://www.nyackartsfestival.com/helen-hayes-memorial And you can tune in today to hear some of the stories of her legendary career, including the upstaging techniques of Gypsy Rose Lee, how she got let go from The Brady Bunch, the hit movie that no one on the set was sure was funny, the directing style of Herman Shumlin, balancing dyslexia with a career in the arts, the magic of The Mary Tyler Moore Show, the dance she taught Fred Astaire, how she got her part in The Happiest Millionaire, the process of writing her memoir, why Lillian Gish was like a “fairy godmother” to her, and so much more.

NOTE: This interview was recorded in April 2022, so all mentions of time reflect that period. Today, I am so happy to annnounce my interview with veteran actor Simon Jones, star of The Real Thing, Trouble in Mind, Waiting in the Wings, The Gilded Age, and so many more shows. Tune in today to hear some of the stories of his long career, including: a murderous slip-of-the-tongue by Angela Lansbury, the role that Lauren Bacall refused to play correctly, an ungracious invite from Joan Collins, his family connection to Daniel Craig, the rivalry between Rex Harrison and Claudette Colbert, how he knocked his teeth out during My Fair Lady, an alcoholic backstage ritual during Farinelli and the King, the young actor that Lawrence Olivier wanted to punch, the oddness of rehearsing with Nicol Williamson, a cryptic answer from Tom Stoppard, running the theater company TACT, the many reunions involved in The Gilded Age, his strange experience with Covid, and so much more. You won’t want to miss this episode with a delightfully funny gentleman of the theater.

Today, I am so happy to announce the release of my interview with star of stage and screen, Mrs. Anna herself, Constance Towers. Tune in today to hear some of the stories of her legendary career including: the sage advice that John Wayne gave, the scene that George Abbott wouldn’t direct, why Yul Brynner insisted on brown dressing rooms, dealing with “The King” onstage and off, the song that was the hardest to memorize, the role that she turned down, the film director that would shoot off a gun to get attention, how she began her charitable organization Project Connie, why she didn’t think she was right for her role in Showboat, her relationship with Richard Rodgers, the role that she performed the most times, working with Lillian Gish, the genius of John Ford, and so much more. 54 Below: https://54below.com/events/charles-kirschs-backstage-babble-live/

I am so happy to announce my episode with veteran performer David Jackson. David Jackson will be headlining at 54 Below on August 23rd. Tickets to see his wonderful show are available here: https://54below.com/events/david-jackson/ Meanwhile, you can tune in today to hear some of the stories of David’s career, including: bearing witness to the start of the Easter Bonnet Competition, getting to perform onstage with Cyd Charisse, the two people who were supposed to headline La Cage on Broadway when it closed, the different ways that Grand Hotel can be interpreted, why Tommy Tune is a great collaborator, the reason he stopped dancing on Broadway, why his Broadway career made him a good salesman, the process of creating his upcoming show, and so much more! You won’t want to miss this conversation with a true man of the theater—and you won’t want to miss his show.

Today, I am so happy to announce my new episode with Broadway star Will Roland, who is currently appearing in the hilarious The Panic of ’29 at 59E59 Theaters. You can purchase tickets for that show here: The Panic of '29 Tune in today to hear some of the stories of Will’s career, including the changes in the tone of Dear Evan Hansen, the reason why Jeremy Heere is a universally relatable character, why all of social media is a “performance,” why adult audiences were pre-disposed against Be More Chill, the non-Cinderella story of The Black Suits, making a difference in the world through theater with The Bus, the type of comic role that he would like to play next, and more. You won’t want to miss this honest but humorous conversation about how social media and theatrical success intersect in the modern day, featuring someone who has been part of two fascinating examples. 54 Below

Today, I am so honored to announce my episode with legendary Broadway performer Sandy Duncan, the star of Peter Pan, The Boy Friend, Chicago, and so many more shows on stage and on screen. Tune in today for an in-depth interview featuring many of the stories of her legendary career, including the eerie dream she had before the Tony Awards, why she dubs Finding Neverland “Never Never Never Never Land,” the challenges of taking on the role of Peter Pan, the unusual audition song she used early on, her accident during the run of Chicago, a difficult demand from Agnes DeMille, the condition on which she agreed to take over Valerie, what it’s like partnering with Gene Kelly, and the type of role that would make her come back to Broadway. You won’t want to miss this conversation with one of the most talented triple threats in the industry. Trivia Link: https://www.youtube.com/watch?v=8O-Xnecg2ro

Today, I am so happy to announce my episode with veteran actor Jonathan Hadary, who starred on Broadway in Gypsy, Guys and Dolls, Torch Song Trilogy, and so many more shows. Jonathan can currently be seen in the wonderful play Epiphany at Lincoln Center, running through July 24. Tickets for that can be found here: Epiphany Tune in today to hear him tell some of the stories of his legendary career, including the varying reactions he got to the original Assassins, why his first trip to New York made him think he could be on Broadway, the long audition process for Torch Song Trilogy, a way that Gypsy could be re-imagined, why Epiphany took on more significance during the pandemic, and so many more.

Today, I am so thrilled to announce my episode with Company’s original Jenny, Teri Ralston, whose many other credits include A Little Night Music, The Baker’s Wife, and more. Tune in today to hear some of the stories of her legendary career, including the original problem with the pot scene in Company, why Michael Bennett was an unusual choreographer, the three shows she saw and knew she had to be in, the meaning of the Greek chorus in A Little Night Music, the perfect way to sing the ending of “Send in the Clowns,” how Peggy Lee decorated her apartment, the saga of The Baker’s Wife that ended in a physical fight, the director that made her cry, and so much more.

Today, I am so happy to announce my episode with my second guest this week to have starred in the original cast of Company: its original Sarah, Barbara Barrie, whose other credits include The Prisoner of Second Avenue, Torch Song Trilogy, and Signficant Other. Tune in to hear some of the fascinating stories of her long career, including the battle she had with Hal Prince and Equity over Original Cast Album: Company, the part she turned down but later got to replace as, the Neil Simon show in which she felt her part was undeveloped, the challenges of balancing motherhood and acting, the difference between Art Carney and Hector Elizondo as co-stars, how she landed her Broadway debut, the differences between starring on stage and screen, the “total disaster” that was The Selling of the President, how she almost got held in a mental asylum while researching a part, acting with Tony Randall on The Odd Couple: Together Again, working with Barbara Baxley on A Little Night Music, what would make her come back to Broadway now, and so much more. You won’t want to miss this fascinating look into the Golden Age of Broadway with one of its most skilled actresses.

Today, I am so happy to announce my episode with Broadway legend Donna McKechnie, star of A Chorus Line, On the Town, State Fair, Promises, Promises, and Company. Tune in today to hear her share some of the insights of her legendary career, including the difference between Bob Fosse and Michael Bennett, the replacement of the choreographer in How To Succeed, touring with Ethel Merman, the story of her iconic “Tick Tock” dance, the many versions of Cassie that were proposed along the way, the monologue she had that was cut from A Chorus Line, tricks for surviving New York in the 70s, choreographing Sondheim: A Musical Tribute, dancing on TV in Hullabaloo, and so much more. You won’t want to miss this fascinating conversation with a star whose dancing epitomizes the Golden Age of Broadway.

Today, I am so honored to announce my episode with a Broadway star who I’ve been a fan of as long as I’ve loved theater, the one and only Queen Lesli—Lesli Margherita. Lesli is currently appearing at BroadwayCon through July 10, Broadway’s fan convention featuring unmissable panels and performances. You can find tickets to it here: https://www.broadwaycon.com/ Tune in today to hear her tell some of the stories of her legendary career, including why Matthew Warchus is a great director, the challenges of developing a cabaret called All Hail the Queen, being a positive influence on social media, why Dames At Sea couldn’t attain the success it deserved, the upcoming revival of Dames At Sea, moving to NYC in 2013, auditioning for Kenny Ortega, her go-to audition songs, the Patti LuPone role she would love to play, and so much more.

Today, I am so happy to announce Part 2 of my celebration of the 50th Anniversary of Grease, featuring its producer, Ken Waissman. In addition to Grease, Ken Waissman’s other producing credits include Agnes of God, Torch Song Trilogy, and more. But before you listen, make sure to purchase Ken’s new book Grease: Tell Me More, Tell Me More: Stories from the Broadway Phenomenon, which can be found here: Purchase Tell Me More, Tell Me More But first, tune in today to here fascinating stories including: the theater on Broadway that Ken named, the strategies he used to launch Grease at the beginning, the process of persuading Harvey Fierstein to bring Torch Song to Broadway, firing Lee Remick, the ways in which The Andrews Sisters tortured each other, ridiculous demands from David Merrick, why Over Here couldn’t go on the road, why he decided to leave the business, and so much more! You won’t want to miss this episode with a true man of the theater.

Today, I am so excited to announce the first part of my celebration of the 50th Anniversary of Grease with it’s original director Tom Moore. In addition to Grease, Tom Moore’s Broadway credits include ‘Night, Mother, Over Here, and Frankenstein. If you want to hear even more about the creation of Grease, make sure to purchase the recently released book Grease, Tell Me More, Tell Me More: Stories from the Broadway Phenomenon That Started it All, coauthored by Tom Moore, Ken Waissman, and Adrienne Barbeau. You can find it here: Purchase the Book But first, tune in today to hear some of the stories of Tom’s amazing life and career, including: why Frankenstein never got its chance, the stars he thought were dead before he worked with them, his initial hesitance to accept Grease, the art to meeting with Jim Jacobs and Warren Casey, why he wanted to revive Once in a Lifetime, the show he feels was the best work he ever did, the idea he never used for the film of ‘Night, Mother, the two shows he thinks weren’t right for Broadway, the perfect pairing of stars for Moon Over Buffalo, and so much more. You won’t want to miss this masterclass in directing peppered with fantastic anecdotes.

Today, I am so thrilled to announce my interview with the executive director of the Shubert Organization Charles Flateman. Charles is also the chairman of the board of NYC and Company, the CEO of Audience Rewards, and the co-founder of Broadway Inbound. Tune in today to hear some of the insights of his great career, including how theaters are assigned to different shows, Bette Midler’s special dressing room demand, what Elaine Stritch was like to work with, the unfortunate case of The Scottsboro Boys, how Broadway ticket prices are set, the “lift-and-shift” process of ticketing The Music Man, how he first became aware of Covid, the reason behind the naming and renovation of the James Earl Jones Theatre, and so much more. You won’t want to miss this fascinating conversation with one of Broadway’s producing insiders.

Today, I am so honored to announce my episode with Tony Nominee Jill O’Hara, whose many stage credits include starring in the original productions of Promises, Promises, George M!, and Hair. She shares so many of the stories of her wonderful career, including standing her ground with David Merrick, a funny encounter with Kristin Chenoweth, giving a note to Tom Bosley, the differences between the off-Broadway and Broadway productions of Hair, growing up in a theatrical family, why every copy of The New York Times once had to be taken out of Stockbridge, the song that was cut from Promises, Promises, the new cabaret show she is developing, and so much more.

Today, I am so happy to announce my episode with Encores! Producing Creative Director and Tony-winning set designer Clint Ramos. Clint’s current project is Encores!’ newest production, Into the Woods, which runs now through May 15. You can find the remaining tickets here: Into the Woods You can tune in today to hear some of the stories of Clint’s amazing career, including the art of designing for a star, creating a program with the American Theater Wing for young costume designers, his extensive research process for Respect, why Slave Play had extra resonance after quarantine, how he helped create the new mission for Encores!, working with Henry Krieger and other original creatives on Encores! shows, putting together a virtual season, the concept for the new Into the Woods, and so much more.

Today, I am so happy to announce my episode with Chris Mouron and Anne Tournié, creators of The Little Prince. Chris is the narrator, adaptor, and co-director, and Anne is the co-director and choreographer. Tune in to hear them speak about the international success of the show, including the process of modernizing the book, the location where audiences had never read the book, what was added for the New York run and why, the place they’d like to perform the show next, how Broadway audiences are different, connecting with Antoine De Saint Exupery’s estate, the parts of the book that were hardest to adapt, and more. You won't want to miss this fascinating conversation with two ground-breaking artists.

Today, I am so honored to announce my interview with Jennifer Ashley Tepper, who has been Creative and Programming Director of 54 Below since 2013. Today, she’s here to celebrate the 10th Anniversary of the legendary cabaret room. On May 2nd, you can see a fabulous celebration called Ten Years of Musical Theater History at 54 Below: Tickets Here Tune in to hear some of the stories of her legendary career, including presenting the premiere of A Strange Loop, choosing concerts to present virtually, which Broadway stars she’d love to have perform there, creating the schedule, setting prices for shows, having the Real Housewives film there, the difference between 7 and 9:30 PM programming, how the club has changed over the years, what it’s like marketing a 54 Below show, finding the line between fan and producer, and so much more.

Today, I am so excited to announce my interview with Linda Cho, recorded in October of 2020. You can see her highly praised costume design in POTUS, currently running on Broadway, which you can find tickets for here: POTUS In the meantime, tune in to hear some of the stories of her career, including the influence of Ming Cho Lee, working with Broadway’s first all-female creative team on The Lifespan of a Fact, why Christy Altomare is an ideal star, the method in which she sketches, doing research as a costume designer, how her aesthetic sense affects her personal life, and more! Tune in today for this fascinating conversation with one of Broadway’s most in-demand artists.

Today, I am so happy to announce my new episode with Sam Pinkleton, movement director of the current Macbeth and choreographer of Amelie, Soft Power, and more. Tune in today to hear some of the stories of his career, including why he chose not to be a performer, the unusual Macbeth rehearsal process, adding a dance break to Natasha, Pierre, and the Great Comet of 1812, fighting his “musical theater demons” with Soft Power, the influence of Elizabeth Swados, creating a tango for Heisenberg, the changes he wants to see in the musical theater art form, and so much more. Make sure to tune in today for an inspiring conversation with one of the people leading the charge to change the face of American theater.

Today, I am so happy to announce my episode with legendary Broadway dancer and choreographer Baayork Lee, whose credits include A Chorus Line, My One and Only, The King and I, Flower Drum Song, and more. Tune in to hear some of the stories of her life and career, including the song for her and Ronald Dennis that was cut from A Chorus Line, the Broadway directing job she turned down, the process of saving Seesaw, being a dancing amoeba in Henry, Sweet Henry, befriending stage hands at 5 years old, founding the National Asian Artists Project, meeting Tommy Tune on A Joyful Noise, how Michael Bennett met John Raitt, and so much more. Make sure to tune in for an entertaining and informative conversation with one of Broadway’s greats.

Today, I am so happy to announce Part 2 of my episode with Broadway actress Beth Fowler, star of Sweeney Todd, Beauty and the Beast, The Boy From Oz, and more. Tune in today to hear more of the amazing stories of her career, including what it was like working with Whoopi Goldberg, her New York Times review for Inherit the Wind, the mistake with the revival of Bells are Ringing, her collaboration with Bob Gunton, why Take Me Along shouldn't have come to Broadway, plus anecdotes about Hugh Jackman, Jerry Zaks, Faith Prince, and more.

Today, I am so happy to announce my interview with two-time Tony Award nominee and television star Beth Fowler. Tune in today to hear some of the stories of her legendary career, including: choosing between two Broadway shows, meeting a real Roosevelt during Teddy and Alice, bonding over Leonard Bernstein with Patricia Routledge, performing the Andrews Sisters’ repertoire with Maxine Andrews, her fantasy Broadway debut, directing for Burt Reynolds, working with Nick Jonas, how she almost didn’t end up on Orange is the New Black, why the New York Times had too much influence, the reason A Little Night Music closed, a compliment from Hal Prince, and so much more. You won’t want to miss this conversation!

Today, I am so honored to announce the release of my newest episode, featuring Broadway and cabaret star Karen Mason. If you want to see Karen’s talents at work, you can buy tickets to her Birdland show, Kander and Ebb and All That Jazz on March 28 at this link: Birdland Link And you can find her new album, Let the Music Play, on Spotify and Amazon Music. In the meantime, tune in here to hear Karen tell some of the stoires of her legendary career, including: her disastrous audition for Sunset Boulevard, why Mamma Mia came along at just the right time, bonding with the cast of Rebecca, her first-day-of-rehearsal tradition, finding her own interpretations of Mama Rose and Norma Desmond, the unusual opening night party for Play Me a Country Song, and why she couldn’t be part of the original Torch Song Trilogy. You won’t want to miss this fun and entertaining conversation with a true legend of the theater.

I am so honored today to announce my episode with one of Broadway’s foremost musical directors adnd author of the new memoir Facing the Music David Loud. The memoir is available here: Facing the Music And you can see the Lyrics and Lyricists tribute to him through the ticket link here: Lyrics and Lyricists But meanwhile, tune in today to hear him tell some of the stories of his long career, including what Ann Reinking gained from the choreographers she worked with, an askew turntable at Les Miserables, his complicated history with The Secret Garden, why Sondheim is the perfect idol, working with Mike Nichols, his admiration for Burton Lane, delving back into his life to write his memoir, why he decided to retire, and so much more.

Today, I am so excited to announce Backstage Babble’s 100th Episode! I want to send a sincere thank you to everyone who has listened to this podcast: without you, I could never have reached this point. And beyond that, it is thrilling to be able to present my interview with a Broadway icon, Harvey Fierstein. Tune in today to hear some of the stories of his legendary career, including the musical that Warren Beatty pitched to him, the problems he has with the way La Cage Aux Folles is usually staged, hanging out with Marsha P. Johnson, his early days with Andy Warhol at La MaMa, the creation of the global phenomenon that is Torch Song Trilogy, performing Tevye for Sheldon Harnick and Jerry Bock, and more. And if you want more Harvey, remember to buy his newly published memoir I Was Better Last Night! And Happy 100th!

I am so happy to announce the release of Backstage Babble's 99th episode with Tony-winning musical director and orchestrator Ted Sperling. In addition to his Broadway career, Ted is also the artistic director of Mastervoices, under whose auspices he will be presenting an all-star concert of Anyone Can Whistle at Carnegie Hall this Thursday, March 10, starring Vanessa Williams and Elizabeth Stanley. It’s a must-see event for all theater fans, and tickets are available here: Anyone Can Whistle In the meantime, tune in today to hear Ted tell some of the stories of his illustrious career, including getting his start from Paul Gemignani, his long partnership with Victoria Clark, why he decided to leave Ragtime, the tense environment of Titanic, what it was like casting My Fair Lady, the uniqueness of William Finn, building his own circle of collaborators, the very strange experience of Roza, his collaboration with Stephen Sondheim, why Anyone Can Whistle is relevant today, and so much more.

Today, I am so happy to announce the release of my interview with Broadway choreographer Liza Gennaro, author of the new book Making Broadway Dance, available here: Purchase Making Broadway Dance Tune in now for an in-depth study of Broadway choreography, including many of the stories of Ms. Gennaro’s long career, including: what she remembers about seeing the original Oliver!, why Smile deserves a second look, assisting her father on the trouble-ridden Threepenny Opera, interviewing Donald Saddler and Gemze De Lappe, collaborating with Lee Theodore on American Dance Machine, being a dance captain at a young age, how she makes musical numbers evolve out of the script, why the revival of Once Upon a Mattress might have been a mistaken endeavor, recreating Jerome Robbins’ choreography, and so much more.

Today, I am so happy to announce the release of my episode with one of Broadway’s best living directors, the great James Lapine. Tune in today to hear him share some of the stories and wisdom of his legendary career, including what he wanted to fix about the original Into the Woods, why he chose to dramatize Act One, his influences in avant-garde theater, his collaboration with William Finn, what it’s been like to return with Flying Over Sunset, the unique take he had on Annie, collaborating with the late, great Stephen Sondheim, his advice to young directors, and more. You won’t want to miss this interview with a true master of the theatrical art form.

Today, I am so happy to announce the release of my episode with legendary stage and screen comedienne Jo Anne Worley, who has starred in such illustrious projects as Rowan and Martin’s Laugh-In, Hello, Dolly!, Grease, The Drowsy Chaperone, and more. Tune in to hear some of the wonderful stories of her long career, including the moment she knew Laugh-In was a success, vocalizing outside Carol Channing’s dressing room, Sandy Dennis’ special talent, the Broadway show that had a blackout on opening night, working with child actors, her signature audition song (a parody of The Music Man), auditioning for David Merrick, and more.

“Politics is like theater: if you can’t appreciate the little victories, you’ll never get the big ones.” Crystal Field has overseen victories large and small during her over 50 year tenure as Artistic Director of the Theater for the New City (https://theaterforthenewcity.net), and she details many of them on today’s episode of Backstage Babble. Among her fascinating stories: what it was like to work with Elia Kazan, the playwright who threw a stink bomb in the audience of his own play, the song in Promenade that was written about her, a deep dive into the many theories of acting she’s learned over the years, a mistake made by Joseph Papp, what she learned from Ellen Stewart, the mission of her theater and how it has changed, why boards are a vital aspect of any theater, and so much more. Crystal is truly an inspiration, and you won’t want to miss the chance to hear her words of wisdom.

Today, I am so happy to announce my episode with Broadway ensemblist and activist T. Oliver Reid. Tune in to hear some of the stories of T.’s long and legendary career, including his many auditions for Hadestown, how he founded the Black Theater Coalition and the work he hopes to do, working with Robert Goulet, working with children and animals in Once On This Island, the meaning behind Polly Bergen’s diamond, adapting to the styles of different choreographers, the many tricks he had to learn for Kiss Me, Kate, reimagining Cabaret, and so much more. T. Is an inspiration in so many ways, and hearing him speak is an extremely educational experience.

It is a true honor to announce Backstage Babble’s first episode of 2022-and what better way to start the New Year than with the legendary Bob Mackie, a man who has created iconic outfits for all of the greatest names in entertainment: everyone from RuPaul to Judy Garland. Tune in today as he talks about his storied career: hear about what it was like to be an openly gay man in ‘70s Hollywood, what he liked and disliked about the ‘50s movie musicals, why fashion doesn’t really exist today, the secret to a great awards show dress, what he learned from Edith Head, why The Best Little Whorehouse Goes Public didn’t work, Cher at the Oscars, the brilliance of Carol Burnett, how Ann-Margret is different from her on-screen persona, getting Lucille Ball into a harness, and so much more. Bob Mackie’s outfits have become synonymous with theatricality and grace, and you’ll find the man himself shares those very same characteristics. You won’t want to miss this conversation. You can find more of Bob Mackie’s designs and anecdotes in the recently published The Art of Bob Mackie, available here: https://www.simonandschuster.com/books/The-Art-of-Bob-Mackie/Frank-Vlastnik/9781982152116

There’s no better way to send off 2021 than by listening to Part 2 of my episode with amazing choreographer JoAnn M. Hunter. Tune in today for a revealing and fascinating conversation about her choreography career, which includes such shows as School of Rock, Disaster, On a Clear Day, and more. Stories and insights abound: what she looks for in auditions, why it’s hard to cast child actors, preparing the Tonys number for Spring Awakening, how she cast Prince Charming in Cinderella, why she never writes anything down, why Disaster didn’t find as much success as it could have, having a meeting with Jerry Lewis, what it’s like collaborating with Barry Manilow, and so much more.

Today, I am so happy to announce my episode with one of Broadway’s most in-demand director/choreographers, Joann M. Hunter. On this episode, she discusses her career as a Broadway dancer, including the prank she played on Jonathan Pryce, why she loves working with Susan Stroman, rehearsing for 6 months with Jerome Robbins, putting Bebe Neuwirth into Chicago, what it’s like performing on the Tonys, the two Broadway shows she got without auditioning, going on at the last minute in Kiss Me, Kate, having her pig kidnapped by Sergio Trujillo, her mishap-filled audition for Thoroughly Modern Millie, and much more!

I am so thrilled to announce my episode with one of Broadway’s best director/choreographers, Tony Nominee Randy Skinner. His work can currently be seen in the Irving Berlin Cheek to Cheek at the York Theater off-Broadway: Buy Tickets Here! And before you see the show, tune in today to hear him discuss getting advice from Ginger Rogers, the popular Broadway marketing idea that he had first, what was great about the Kenley Players, why he loved rehearsing with Nell Carter, star-spotting Eloise Kropp, the process of working at Encores, the lesson he learned from Angela Lansbury’s Mame, why movies are his first love, and so much more.

Today, I am so thrilled to announce the 2nd part of my episode with the great Austin Pendleton. Tune in today to hear him to tell more of the stories of his long and legendary career, including: being directed by Samuel Beckett’s assistant, why Barbra Streisand is a great scene partner, the number 1 mistake among actors at auditions, what he thinks it will be like to return to The Minutes, why he’s banned from doing any Neil Simon plays, how he had to be kept a secret from Tommy Tune, and so much more. You can't help but be inspired by Austin Pendleton: a true man of the theater who has collected countless insights and stories from his wide-ranging career.

I am so excited to announce my episode today with a true man of the theater, the great Austin Pendleton. With countless legendary stage and screen credits including Fiddler on the Roof, The Little Foxes, My Cousin Vinny, and others, Austin has achieved fame as an actor, singer, playwright, director, teacher, and more. He’s very much still part of the theater community, and you can go see him now in The Dark Outside at the Theater for the New City: The Dark Outside Tune in to hear some of the stories of his legendary career, including why Barbara Harris didn’t want to be a star, a frank conversation with Jerome Robbins, what it was like being friends with Lillian Hellman, how Fiddler on the Roof almost closed in Detroit, his long partnership with Gretchen Cryer and Nancy Ford, the role he asked Mike Nichols to play, directing his mother in The Glass Menagerie, conversations with Otto Preminger, and so many more.

Today, I am so happy to announce my episode with the amazing John Rubinstein. John is currently starring off-Broadway in the wonderful new production Morning’s At Seven alongside Tony Roberts, Alley Mills, and more. You can buy tickets here: Morning's At Seven Tune in today to hear him tell some of the stories of his legendary career, including playing “Soliloquy" for John Raitt, watching rehearsals of Funny Girl, advice from Laurence Olivier, early Shakespeare roles, a late night visit from Bob Fosse, how he almost got Cabaret—twice, what it was like to return to Pippin in 2013, and his advice for everyone else who plays the role. His wisdom and charm are part of what has made him one of theater’s top stars from the 1970s to today.

Today, I am so excited to announce my episode with artistic director of the Gingold Group David Staller. The Gingold Group is the only one in the world to have presented all 65 of George Bernard Shaw’s plays, and today is your last day to see their mounting of MRS. WARREN’S PROFESSION staring Karen Ziemba and Robert Cuccioli. Upcoming is a reading of Jay O. Sanders and MaryAnn Plunkett in VILLAGE WOOING. Tickets can be purchased here: Village Wooing Mrs. Warren's Profession Tune in to hear David tell some of the stories of his legendary career, including: an early shaw reading with Olivier, Fairbanks, Loos, and more, how he became friends with Pearl Bailey, turning down Hal Prince, the majesty of Rebecca Luker, why George Bernard Shaw was a pistol at 94, why he longs for the day when Shaw is no longer relevant, growing up around Hermoine Gingold, the art of editing Shaw, interviewing Rex Harrison, casting over Zoom, his advice to young performers and so much more.

I am so honored today to announce my episode with one of Broadway’s best leading men, Howard McGillin. In addition to being the longest running Phantom, his starring roles include Anything Goes, The Mystery of Edwin Drood, She Loves Me, Kiss of the Spiderwoman, and more. Tune in today to hear some of the stories of his career including auditioning for Stephen Sondheim, why the phantom’s mask is more comfortable than you might think, singing through Mack and Mabel with Jerry Herman, doing a dress rehearsal with a broken rib, why The Secret Garden resonated personally with him, the many changes of The Mystery of Edwin Drood, a fateful email from Charles Busch, learning to play piano, a backstage conversation with James Lapine, and so much more.

Today, I am so thrilled to announce my episode with Emmy Award Winner Sherman Yellen. On TV, his projects include Beauty and the Beast, An Early Frost, and The Adams Chronicles, and on stage he has written the book for Rex, The Rothschilds, and more. Tune in today to hear the many stories of his long career, including sitting under a piano with Marilyn Monroe, why he thought he caught tuberculosis from Harold Pinter, hiring Nicol Williamson, revising The Rothschilds, how he thinks theater has changed, his hit sketch for Oh, Calcutta!, analyzing Richard Rodgers, why he related to Sinclair Lewis, the antisemitism of Maureen O’Hara, why he thinks his newest plays are the best yet, and reflects on the world of opportunity in which he grew up. Mr. Yellen’s new book, Absent Friends, will be available soon.