Back To One

As the annual Sundance Film Festival begins again this week, legendary actor/director Tom Noonan takes us back 27 years to a very different Sundance, where his film "What Happened Was…" won the Grand Jury Prize. It's the ultimate "actor's film," just two people, Noonan and the incredible Karen Sillas, in one room, real time, on a first date like no other. He talks about the circumstances that led him to Sillas, the extensive rehearsal process they had, the production, and the ups and downs of its ultimately triumphant reception. Plus Noonan tells the story of the first big lesson that formed his craft, why he's not (at the moment) pursing acting, and lots more. A gorgeous restoration of "What Happened Was…" is being released on Friday January 29th by Oscilloscope in select virtual theaters.

Some actors go through a transformation to the point where the word "performance" feels inadequate. "Embodiment" is more apt. Nicole Beharie transforms into Turquoise Jones in Channing Godfrey People's film "Miss Juneteenth." It's a wonder to behold. On this episode, she talks about the immersive preparation work that went into her Gotham Award-winning performance, how the opportunity to take her time and "own the space" affected her work in a deep way, and the substitutions necessary to create the motherly bond so central to the film. Plus we discuss the benefits and drawbacks of unanswered questions in a performance, and how simply loving people and life actually helps the work. Follow Back To One on Instagram

The only thing that makes this a "Special Holiday Episode" of Back To One is a brief mention of Hanukkah, but the talented Nat Wolff brings plenty of joy to make up for it. He talks about playing Lloyd Henreid in the new version of "The Stand" on CBS All Access, and one scene in particular that worried him until an 11th hour "cloak of inspiration" fell upon him in the form of a song. I ask about his directorial debut, a short called "Youngest" that just might be the film that has affected me the most of all the films I've viewed during the pandemic. He shares why auditioning isn't getting easier, his journey from insecure cockiness to actual confidence, how he keeps his head in this maddening business, plus much more! Follow Back To One on Instagram

Willa on "Succession," Astrid on "The Marvelous Mrs. Maisel," Jade on "Younger," Holly on "Mr. Mercedes," all characters brought to life by the great actor Justine Lupe, with all their quirks and nuances rooted in a reality that makes them seem to go on living outside the frame. On this episode, she takes us back to her time at Juilliard where she enjoyed the bootcamp-like training that suited her all-in approach to the work. She talks about growing to appreciate all kinds of directors, the importance of bonding with the camera operator, and shares her incomprehensible, hieroglyphic-like script marking technique that just might be the secret to her awesomeness. Plus much more!

English actor Tuppence Middleton is on a steady, slow rise and that seems to suit her just fine. On this side of the pond she's perhaps best known for playing Riley Blue on the Netflix Sci-fi series "Sense8" and Lucy Smith in the "Downton Abbey" movie, but you'd be foolish not to seek out her work in "Trap For Cinderella" and "War and Peace." Now she's part of the impressive ensemble in David Fincher's latest film "Mank." She plays "Poor Sara" Mankiewicz, wife of the alcoholic co-writer of Citizen Kane, played by Gary Oldman. I ask her about working with Fincher, whom actors (many of whom have been on this show) seem to adore, despite not necessarily having the traditional "actor's director" traits. We also talk about an under-appreciated film she starred in last year called "Disappearance at Clifton Hill," and what to say (or not to say) to an actor when they access their pain for the betterment for the film. Plus much more! Follow Back To One on Instagram

From "Parks And Recreation" to "Legion," from indie film queen to "Happiest Season," Aubrey Plaza is not done surprising us. Everybody's favorite late night talk show guest and hilarious awards show host rarely gets to show off the serious roots of her acting chops. Enter "Black Bear." The Sundance hit from Lawrence Michael Levine stars Plaza as a former actress on a writing retreat opposite Christopher Abbott and Sarah Gadon. Further description is not only pointless, it can be detrimental to your enjoyment of the film. Let's just say it's worth your time, in large part because of the emotional territory Aubrey Plaza gets to dive into. In this half hour, she talks about how the difficult circumstances of that shoot actually helped her process, she takes us back to her formative years with one teacher in particular that spoke her language, and she talks about how auditioning still sucks, why she never wants to shoot a movie with an iPhone, and much much more. Follow Back To One on Instagram

It's become a tradition to have actor's actor Kevin Corrigan on the show every year. This is his third visit (his first two episodes are #1 an #67). Sitting down with the wise sage of indie film always ends up being both a reset and recharge. He has a way of speaking about this art that helps bring us back to the root of what it's all about: connection, empathy, being alive. In this hour, he tells us about a life-changing event that happened right after wrapping work on the Showtime series "Ray Donovan," and how the effects reverberate throughout his dealing with the pandemic. We talk about a scene in "The Godfather Part II," and try to wrap our arms around the brilliant work of the young actor Jack Dylan Grazer, star of "We Are Who We Are." I ask him about working on "The Exorcist III" thirty years ago, and Onur Tukel's latest film this past Summer. As always, there are Brando quotes, plus much, MUCH more.

With mesmerizing performances in such series as "Luther," "Mrs. Wilson," and "The Affair," Ruth Wilson has established herself as one of our great actors. Her latest is the deliciously sinister Marisa Coulter on the hit fantasy series "His Dark Materials." In this episode she explains the fascinating way she's been able to build the multi-dimensional aspects of that character, and the challenge of hitting the proper balance when playing such a larger than life villain. She talks about the meditative aspect to her process, the invigorating power she gets from the theater, and how the energy of the audience affects her performance on the stage. Plus lots more! Follow Back To One on Instagram

English actor Ṣọpẹ Dìrísù has two major releases happening in the States this month, the intense and compelling "Gangs of London" on AMC+, and the profound and unsettling horror film "His House" on Netflix. Taken together, they offer an apt representation of the impressive range of this great actor. We talk about his approach to the physicality required for the instantly famous epic fight scenes in "Gangs of London," and what on-set elements helped his process. He takes us back to his time at the Royal Shakespeare Company and how being seeped in that material affects his approach to other work. Plus he details two big auditions in his past, one filled with self-inflicted disappointment, the other—revelation. Follow Back To One on Instagram

You know Matthew Del Negro from "Scandal," "Goliath," "The West Wing," or as Cousin Brian on season four of "The Sopranos," or maybe, like me, you were wowed by his comedic tour de force as Jason Allen Ross in Netflix's "Huge In France." He's currently filming his second season as Detective Chris Caysen on Showtime's "City on a Hill." He also hosts a great podcast called "10,000 NOs" where he has deep conversations with people who've overcome rejection on the way to success in their field. He's just written a book of the same name which draws on his own story of survival as an actor, and it's a gold-filled "must read." In this hour he talks about his journey as a working actor, the benefit and drawback of having an athlete's mindset when approaching the work, how a low point in his recent past led directly to an enrichment of his performance, the importance of connecting the role to your own story, and lots more! Find more info about "10,000 NOs: How to Overcome Rejection On The Way To Your Yes" here Follow Back To One on Instagram

Dylan Gelula brings a captivating authenticity to her characters that makes them seem like they go on living outside the frame. Look at her work in "Flower," "Support The Girls," and "First Girl I Loved," to name a few. Her latest performance as Maggie in the SXSW winner "Shithouse" is a revelation. It snuck up on me and left me moved and in awe. On this episode she talks about her instinctual, untrained approach to this craft that she claims she hasn't fully wrapped her arms around yet. I ask her about some specific moments from "Shithouse," and about working with first time director and co-star Cooper Raiff. She professes her love of Mike Leigh, and tells us something good that's come from quarantine time. Plus lots more! Follow Back To One on Instagram

Cooper Raiff is the writer, director, producer, editor and star of one of my favorite films of the year, "Shithouse," which won the Grand Jury Prize at the SXSW Film Festival this year. The 23 year old has filmmaking instincts and a sophisticated perception of people, and himself, that belies his years. In this episode, he tells a miraculous story of getting Jay Duplass to watch his short film, and how he became instrumental in getting "Shithouse" made. He talks extensively about his time at the Dallas Young Actors Studio and how that foundational work instilled him with the tools he needs to tell his story on both sides of the camera. Plus why it was important for him to inject a specific kind of love, comfort, and caring into the film, the brilliance of his co-star Dylan Gelula, why he's not afraid of losing his voice in the film business, and lots more. ("Shithouse" opens Friday October 16th) Follow Back To One on Instagram

Some actors steal scenes, Harry Melling's scenes steal movies. The limb-less thespian in "The Ballad of Buster Scruggs," the sinister Zuckerberg-like villain in "The Old Guard," and now the "spider preacher" Roy Laferty in "The Devil All The Time," are just some of the characters he's brought to life, who all feel like they continue to exist beyond their short time on screen. In this episode he talks about his early acting education performing in the Harry Potter films, the importance of "forgetting it all" in order to be in the moment, getting the "invitation" to "play," and not getting down in Covid time, plus much more!

Carrie Coon has quietly built a reputation as an acting powerhouse though a collection of phenomenal performances in television shows like "The Leftovers," "Fargo," and "The Sinner," and movies such as "Gone Girl," "The Post," and her latest, "The Nest." In this episode, she talks about the paramount importance of breath work, using "touchstones" for emotional connection, her first experience on the New York stage in "Who's Afraid of Virginia Woolf," the quarantine film education she's getting with her husband, Tracy Letts, and much more!

Katherine Waterston is one of our most brilliant and committed actors. She brings superstar power to indies like "Queen of Earth" and "State Like Sleep," and a captivating authenticity to franchises like "Fantastic Beasts" and "Alien." It was "Inherent Vice" that first brought her to my attention. In this episode, she talks about why she was "a pig in shit" making that film, why having lots and lots of time to live with a script is ideal for her, becoming "comfortable being uncomfortable," the "best feeling I can experience without breaking the law," and her exciting new multi-part project "The Third Day," starting September 14th on HBO. Plus much more! Follow Back To One on Instagram (Photo by Tung Walsh)

When one has the opportunity to listen to an actor with the amount of experience as Rosalind Chao has, one must seize it. From the legendary final episode of "M.A.S.H" to "Black-ish," from "The Joy Luck Club" to Disney's eagerly anticipated live action "Mulan," Chao has seen it all! On this episode, the once "professional guest star" opens up about how she's happier when working and happiest on a happy set. She talks about why it's important to get to the fitting early in her process, adding years to her age to get her first job, learning from Peggy Feury, appreciating Robin Williams, gaining something from every character, and much more!

Ramy Youssef won the Golden Globe for lead actor in a comedy series for his work in "Ramy," the Hulu series he co-created. The second season came out in May, and the struggles of being a devout young Muslim man in America that fueled the first season, deepen, grow and expand out to peripheral characters in the second, highlighted by the addition of Mahershala Ali as Ramy's wise and loving sheikh. Youssef directed more episodes this season (he's nominated for an Emmy for directing as well as acting). We talk about that and the overall collaborative effort at work behind the scenes, the origins of the Ramy character, and about how the fear connected to what's being depicted helps him play that stripped-down version of himself. Plus he shares some surprising reactions to the show from Egyptian Muslims to American Christians, and much more! Follow Back To One on Instagram

Irish actor Niamh Algar has been making her mark in the UK of late portraying women dealing with their intense pasts, like Dinah in Shane Meadows' "The Virtues" and Ursula in "Calm With Horses" (which just opened in the states as "The Shadow of Violence"). The intensity continues with her latest project, "Raised By Wolves," Ridley Scott's sci-fi series for HBO MAX (which drops on September 3th). In this episode, she talks about following her gut, why she asks questions early, adapting to the director, the importance of not taking yourself too seriously, and much more! Follow Back To One on Instagram

Kevin Alejandro is finishing his fifth season playing Detective Dan Espinoza on Netflix's "Lucifer." He's also graced your small screen in such series as "The Returned," "Southland," and "True Blood." In 2017 he graduated from the Warner Brothers television director's workshop and directed an episode of "Lucifer." Since then he started his own production company and has turned into a multi-hyphenate, churning out award winning shorts, including the absolutely hilarious "Adult Night." He's back in the director's chair on "Lucifer's" fifth season (part 1), which drops August 21st on Netflix. On this episode, he talks about how the need to create between jobs perpetuated that desire to direct, how learning how your body works opens up avenues in your mind, and he tells a great story about selling all his possessions as a young man to put on a production of "True West" to fundraise his transition to Los Angeles to begin his career, plus much more! Follow Back To One on Instagram

The brilliant young British actor Paapa Essiedu speaks about the work with wisdom that belies his years. He plays Kwame on Michaela Coel's groundbreaking new HBO series "I May Destroy You." In 2016, his "Hamlet" at the Royal Shakespeare Company received great acclaim. In this episode he compares those two characters, who are each facing defining moments in their lives, and talks about the "conscious unconsciousness" necessary to embody them. He discusses the various ways curiosity is useful, and why it's so important to immerse yourself in the world of the story. Plus lots more! Follow Back To One on Instagram

Part of Stacy Martin's performance, in her wonderful new film "Archive," involves essentially playing robots at various stages of development. She talks about the challenge that posed for her as an actor, and how director Gavin Rothery's complete command of his vision helped her process. She takes me back to her days at the Actors' Temple in London, and how an intensive workshop there changed her life and prepared her for the remarkable experience of her first film, Lars von Trier's "Nymphomaniac." She shares an important bit of direction that Lars gave her that blows my mind. We swap stories about Anne Wiazemsky and Anna Karina, and an appreciation for Carroll Baker, plus (*warning*) we spoil the hell out of "Archive," so please check it out on VOD.

Mireille Enos made a splash on Broadway in "Who's Afraid of Virginia Woolf," then her big break in television came with "The Killing," where she played Sarah Linden to much acclaim for four seasons. "World War Z" opposite Brad Pitt followed, and now the second season of the action-drama hit series "Hanna" premiered on Amazon this month. Enos talks about how exceptional writing helps multi-season work, learning about story-craft from Tom Stoppard, the importance of being open to intuition, and how empathy helps you build yourself as an actor. Plus much more!

She claims she doesn't know how to talk about her process, but on this episode, Cristin Milioti eloquently lifts the hood and let's us peek in on the engine fueling her incredibly varied work, across all genres on the stage and screen, like the Broadway musical "Once," "How I Met Your Mother," "The Wolf of Wall Street," the "USS Callister" episode of "Black Mirror," this year's "Modern Love" and the huge Sundance hit "Palm Springs," which just dropped on Hulu and in drive-ins across the nation. She talks about feeling protective of her characters, why it's necessary to let go of the "death grip," and the importance of trust, which leads to a powerful testimony for the appreciation of Elizabeth Berkley. Plus much more! Follow Back To One on Instagram

Ron Cephas Jones won a Emmy for his work on the hit series "This Is Us." His latest series, "Truth Be Told," just got picked up for a second season on Apple TV. In this episode, he takes us back to his early days at LAByrinth theater in New York City, starring in Stephen Adly Guirgis' "Jesus Hopped The A Train," and explains how Philip Seymour Hoffman, who was directing, forever changed his approach to work. He also talks about the importance of collaboration for the actor, why the script never leaves him in the days leading up to production, and how the three words "work begets work" removes all worries, plus much more!

Eve Lindley enjoys puzzles, so you can imagine her delight at finding out that she was recently a crossword puzzle clue. The breakout star of AMC's "Dispatches From Elsewhere" sat down with me (outside, with physical distancing, and following strict safety protocols) to talk about why she loves auditioning, her belief that "it's all in the text," how picking the brain of Jason Segel (creator and star of "Dispatches") helped her find her character, and much more! Plus we get deep about hopes and hurts as we gaze at the New York City skyline.

She's barely in her 20's, yet Daisy Edgar-Jones has given us a 12-part acting technique masterclass in the form of her portrayal of Marianne in Hulu's hit series "Normal People." Every state of emotion, every point of transformation is reached with striking authenticity stemming from this complex character. It's a timeless performance for the ages. In this episode, she breaks down some of that work, talks about her love of acting with accents, the importance of creative chemistry, how she manages her acting insecurities, and much more. Follow Back To One Podcast on Instagram

Few actors in recent memory have made a bigger impact with their very first performance in a television series. Paul Mescal's assured and quietly masterful portrayal of Connell in "Normal People" feels like the work of a veteran. He talks extensively about the "chemistry reads" portion of his audition process, before and after connecting so brilliantly with his equally gifted co-star, Daisy Edgar-Jones. He also goes into detail about the struggle filming one of the most talked-about and emotionally affecting scenes in the series. Plus he tells us why the "light and fun side" of all the attention on his costume accessories "has definitely come and gone." And much more!

Tom Pelphrey is getting accolades from both critics and viewers for his performance as Ben (brother of Laura Linney's character Wendy) on the third season of Netflix's hit series "Ozark." In Pelphrey's hands Ben's vulnerability and explosiveness both seem to have deep-seated roots; there is a vast world behind his piercing eyes. On this episode he talks about how the atmosphere on the set of Ozark helped him bring that character to life, how his early success on daytime television prepped him for other aspects of the work, and why endless takes with David Fincher was heaven. Plus much more!

British actor James Norton gives an affecting and haunting performance in Agnieszka Holland's important new film "Mr. Jones," which opens June 19th. Last year he played James Brooke (Meg's love interest) in Greta Gerwig's "Little Women." The discussion in this episode comes back often to those two directors, as Norton generously takes us on a deep dive into his stage and screen work, lets us peek under the hood of his process, and talks about why he's not consumed by his expanding "leading man status."

In these last 10 years, stage and screen veteran Peter Friedman has enjoyed a steady flow of work, more than the first 30 years of his career. Recently, he got raves for his Polonius in Sam Gold's production of "Hamlet" at the Public Theater, had a recurring role on the Hulu series "The Path," and now plays Frank Vernon on the hit HBO show "Succession." On this episode, he talks about how being the "new kid in class" as a day-player on set makes him nervous, why it's ok to dismiss work that doesn't speak to you, how performing with The Muppets messed with his acting training, and much more! Follow Back To One on Instagram

He was an acting legend before "Succession," but Brian Cox's brilliant portrayal of Logan Roy on the smash hit HBO series just might put him in the pantheon. He gets deep into the psychology of that iconic character on this episode, and takes us back to his early days of discovering Shakespeare, creating the role of Hannibal Lecter in "Manhunter," learning the importance of cultivating mystery in a character, freeing himself in the work, and not taking his characters home with him. Plus much more!

You might know Hong Chau from "Watchmen," or maybe "Downsizing," where her astounding performance opposite Matt Damon was recognized with a Golden Globe nomination. I first took note of her in "Inherent Vice," where she left an indelible impression as "Jade." Now she stars in Andrew Ahn's delicate and touching new film "Driveways," which is currently in "virtual" theaters. I ask her about her very first play, Annie Baker's masterpiece "John." She gives fascinating examples of just how much her body wouldn't let that performance go. She also talks about finding tiny clues in the minute details of a script or the director's wardrobe selection for a character. And she leaves us with a wonderful tribute to her "Driveways" co-star, the late Brian Dennehy, plus much more!

She had never even attempted acting before Eliza Hittman cast her in "Never Rarely Sometimes Always," but Sidney Flanigan's quietly devastating performance feels like a revelation, something truly miraculous. On this episode she talks about bravely stepping into the role, giving herself over to instinct, and dipping into the well of her own emotional life to power Autumn's journey. Hers is a heroic story of release and acceptance all actors can find inspiration in.

Talia Ryder gives a remarkable performance opposite Sidney Flanigan in her very first feature film, Eliza Hittman's "Never Rarely Sometimes Always." It's the kind of subtle, assured, measured work you wouldn't expect from a teenager. She talks about the benefits of getting vulnerable with Flanigan before shooting, and how being deliriously tired actually came in handy when shooting all night in Port Authority. Plus she explains what's up with that suitcase, and much more! Later this year you can see her in Steven Spielberg's highly anticipated remake of "West Side Story." Follow Back To One on Instagram

Mega-talented multi-hyphenate Hannah Marks started writing "Banana Split" when she was still a teenager. It was loosely based on her real life. She rewrote it with her writing partner Joey Power as her acting credits piled up in stuff like "The Runaways," "The Amazing Spider-Man," and "Dirk Gently's Holistic Detective Agency." Then, after she co-directed her first feature (with Power), "After Everything," she was able to get "Banana Split" made with herself in the staring role, directed by Benjamin Kasulke. In this half hour, she talks about the ups and downs of standing her ground and seeing the dream of making this hilarious and smart teen comedy come true, what directing has taught her about acting, why she refuses to get bitter about this business again, and much more! Follow Back To One on Instagram

Miriam Shor is unrecognizable as Lorraine Ela in the powerful new Netflix film "Lost Girls." It's the kind of performance that doesn't feel performed, that doesn't get recognized often because it's invisible. We talk about that phenomenon this half hour, and break down a hilarious moment from the show "Younger," where Shor played the beloved character Diana Trout. She talks about the importance of feeling like she is in collaboration with a director, and how being cast in a role you don't think you're "right for" can help you grow. Plus much more!

Haley Bennett has given us some great work in films like "The Woman On The Train" and "The Magnificent Seven," but her performance in Carlo Mirabella-Davis' "Swallow" is so fully-realized, so ground-shaking, so important, it feels like an artistic re-birth. In this half-hour, she talks about facing the doubts and fears she had with revealing herself in the role of Hunter, the importance of the fruitful and freeing collaboration process with Mirabella-Davis, and how this truly emancipating experience changed her approach to the work. Plus much more!

He got his big Hollywood break with "Pitch Perfect," but Skylar Astin had already made it to Broadway in the musical sensation "Spring Awakening." Lately, it seems he's been in every television show that features people breaking into song -- "Glee," "My Crazy Ex-Girlfriend," and now the NBC hit "Zoey's Extraordinary Playlist" where he plays Max, Zoey's best friend who is secretly in love with her. On this episode, he talks about the hard work that goes into making that show, being bribed into his first audition as a kid, and how his stage experience continues to pay dividends in front of the camera, plus much more!

I remember when I first saw Zach Woods. It was in the Armando Iannucci film "In The Loop." His comedic sensibilities matched so perfectly with what I demanded as a consumer of comedy—bold choices, molded in subtlety, grounded in reality. He has continued to morph and advance his style with unforgettable roles on "The Office," "Silicon Valley," and now again for Iannucci on "Avenue 5," where he plays cheerful nihilist Matt Spencer, Head of Customer Relations. In this episode we have a far-reaching conversation on his approach to the craft. Summary: the greatest comedic actors take the work VERY seriously, work hard, and still have fun.

It's time we stop taking the preternaturally gifted British actor Andrea Riseborough for granted. She transforms so completely into her characters (appearance, accent, posture, mannerisms) that it's easy to just believe she is the character and hard to measure her talents because we don't know what "default Andrea Riseborough" is like. One thing is crystal clear though—she's simply one of the best we have. On this, the 100th episode of "Back To One," she talks about being surprised by the reactions to her chameleon-like abilities, how she uses the shooting environment (no matter how difficult) to fuel her work, why she pours her money back into funding female-made films, and much more! (She stars in the new Amazon series "ZeroZeroZero.")

The brilliant British actor Lesley Manville has given us two of the truly great cinematic performances of the last decade, Mary in "Another Year" and Cyril in "Phantom Thread" (which landed her an Oscar Nomination). But those are just two in a long list of living, breathing characters she has inhabited with subtlety, nuance and depth, both on the stage and screen. In this episode, she talks about her latest--Joan in "Ordinary Love," her formative years with Mike Leigh, the necessity of director input, why she doesn't want to take her characters home, and much more!

Zora Howard is a juggernaut. She stars in "Premature" and co-wrote the script with director Rashaad Ernesto Green. Her performance has an assured authenticity and a new brand of quiet desperation that is remarkable for a first feature. She's been an award-winning creator for years though. Plays, poems, spoken word performances. Her play "Stew" just closed off-broadway to great acclaim. I gush about it and ask where her love of words began, and which of these various paths of creation she's anxious to continue down. She talks about the necessary step of taking off the writer's hat in order to perform in the present moment, and much more.

Acting wunderkind Zoey Deutch returns to the podcast on the occasion of the release of "Buffaloed," the raucous indie she stars in (and produced) where she gets to flex her high octane comedy chops. We get into the weeds discussing comedy performance, she talks about striving to make her characters relatable, and about her love for auditioning (despite the hiccups). I delicately ask her what makes up the bulk of her now legendary script binder and she graciously explains. Plus much much more! Follow Back To One on Instagram

Scottish actor Richard Rankin plays Roger Mackenzie Wakefield on the Starz hit series "Outlander" (Season 5 premieres on Sunday, February 16th). On this episode, he talks about the process of stepping back into playing Roger after being on hiatus. We have a very clinical discussion about sex scenes, chemistry, and the importance of genuine depth in on-screen romance. I ask if he's looking for roles where he can use his American accent. A listener question leads to a discussion about the effects of time travel. Plus he (very objectively) talks about why he's the reason season 5 of "Outlander" is the best yet.

On a very special episode, the stars of "Portrait Of A Lady On Fire," Noémie Merlant and Adèle Haenel, and their director, Céline Sciamma, sit down with Peter Rinaldi to discuss gazes, play, Noh, breathing, joy, and the collaboration process at the heart of the French cinematic masterwork.

Deirdre O'Connell is a legend of the New York stage and brings true depth and authenticity to every moment she has in front of the camera, but make no mistake, she doesn't have this "down" yet. In this hour, she talks about why she likes to travel to the place her character resides and why it's important that she believes her character is smarter than her. I ask about her incredible performance in "Diane," one scene in particular, and how on earth she's able to lip sync every single line in the brand new production "Dana H" at the Vineyard theater in New York City. Plus she muses on the "real" reason why she pursued this whole acting endeavor in the first place, what happened when that reason went away, and what, if anything, replaces it. (Photo by Maria Baranova) Back To One on Instagram

Marsha Stephanie Blake destroyed me. Not just once, a few times. Her devastating portrayal of Linda McCray in "When They See Us" was justifiably recognized with an Emmy nomination last year. She talks extensively about one line in particular that really got to me in that incredible limited series. She also "kills" with comedy too. Like in "The Merchant Of Venice" on Broadway. She talks about obsessively studying Al Pacino during that run, and relishing her time with Viola Davis in this season of "How To Get Away With Murder." She was on her way toward a career in medicine when she got into acting, but she doesn't remember getting bitten by any bug. The world lost a doctor but we gained something more precious—a great actor.

He's been called the "sidekick to the stars," but a more apt, yet slightly less elegant description of Adrian Martinez is "scene-stealer from the stars." Some recent thefts occur in "The Secret Life of Walter Mitty," "Focus," and "Casa De Mi Padre." You can also see him in the hit ABC show "Stumptown." Now he wrote, produced, directed and stars in the brilliant, timely, and deeply impacting new film "iGilbert." On this episode, he talks about going "all in" to make that labor of love, how the psychological gesture plays a big part in his craft, the work ethic Philip Seymore Hoffman instilled in him that he still thinks about when the curtain goes up, and he gives us a Sesame Street-like lesson in the importance of the letter 'R' in acting: Reveal, Relax, Remember, Rip, and Risk. Plus much more!

On this special episode, I spend a few days with the cast of "A City Of Refuge" as they rehearse this powerful new play by Evan Cuyler-Louison for Primitive Grace Theater Ensemble in New York City. Having had no experience with theatrical rehearsal, I pose lots of questions to Louison (who also directed the production) and his incredible actors, Ylfa Edelstein, Wilton Guzman, Miah Kane, Hailey Marmolejo, Gregg Prosser, and Luke Edward Smith. If, like me, your experience is limited to film production or you just have gaps in your knowledge regarding rehearsal in general, or you're just curious about specific approaches, I think you'll get a lot out of this fly-on-the-wall-style episode. New York theater legends Paul Calderon and David Zayas are the co-artistic directors of Primitive Grace. Check out their episodes of Back To One from last year, and go to primitivegrace.org for more info.

The incomparable Chris Eigeman is probably best known for the three films he made with Whit Stillman—"Metropolitan" (which was his very first film), "Barcelona," and "The Last Days of Disco." The singular style of performance he delivered in those films led to great work with filmmakers and showrunners such as Noah Baumbach, Amy Sherman-Palladino, and John Frankenheimer. Lately he's been writing and directing his own films. In this episode he talks about the importance of knowing your role in the story, the harmful effects of the disappearing table read, loving those monologues, the freedom of it NOT being game day, and much more. Recently he's put acting on the back burner to raise a family, but he talks about getting back in front of the camera soon. Oh and, no, he still won't play Robert Chambers.