Artblog Radio

Artbog contributor Matt Kalasky speaks with Josh Graupera-- Philadelphia based organizer, artist, educator, and printmaker-- to learn about their recent (now closed) exhibition, “Blockadia.” Tune into this 25 minute long podcast, brought to us by The Galleries at Moore (TGMR), to learn how Josh’s practice redefines the term “Blockadia,” a word originally coined by activist Naomi Klein.

Artblog contributor Matt Kalasky speaks with Daniel Park and Arianna Gass (via telephone!) of the team of "Obvious Agency," a multi-media game and interactive experience group. The "Obvious" team comes from theater and performance backgrounds and works to immerse people in fun activities in galleries and museums. The podcast comes to us through the courtesy of The Galleries at Moore's radio station, TGMR. The interview is 26 minutes long.

Allan Edmunds is a founder and Director of the Brandywine Workshop and Archives. This great but under-known art and education organization located at 728-30 South Broad St. Founded in 1972, Brandywine's 47-year history makes for a lot great material to talk about and in this podcast Roberta speaks with Allan in "The Printed Image" Gallery, where they currently present the bold and provocative relief wood prints of John T. Scott. The interview is 36 minutes long.

Roberta speaks with Mark Thomas Gibson, a new arrival in Philadelphia, about his powerful show of Sumi ink drawings and collages at Rosenwald-Wolf Gallery, University of the Arts. Among other things, the artist, who is an Assistant Professor, Tenure-Track, at Tyler School of Art, talks about his ability to use narratives from American history channeled in old masters’ paintings to subvert the story telling and tell tales from our times. His works are filled with humor and passion tinged with anger. Mark talks about Philadelphia and is very happy to be in our community. He's a great speaker with a lot of big thoughts about history, contemporary art, teaching art and more. Take a listen. Mark’s show at Rosenwald-Wolf Gallery is up through March 8, 2019. The podcast was recorded on Friday, Feb. 8, 2019. Thanks to Morgan Nitz for the great audio editing!

In one of her last podcast interviews for Artblog Radio, Imani Roach speaks with Yolanda Wisher, poet, educator, community advocate and Curator of Spoken Word at Philadelphia Contemporary (PC). Wisher talks about her beginnings as a writer, fueled by a mother who was a voracious reader and forceful advocate for her as a writer when she was in elementary school. The wide-ranging conversation explores why Wisher has a studio at Cherry St. Pier; how she figured out that poetry could be used for social change; her (not widely known) work as a singer and her upcoming podcast series for PC, which will enlist Philadelphia poets and DJs and include poetry recitation and music, and not so much conversation. This great conversation was recorded at Moore College of Art and Design's TGMR Radio, and is 38 minutes long.

New contributor and friend of Artblog, Wit López speaks with multi-disciplinary artist Heather Raquel Phillips about documenting people of color in the leather community and turning the camera on herself.

Imani speaks with Philly-bred, Baltimore-based artist Rosa Leff about her chosen medium of cut paper and her affinity for the urban landscape.

Matt Kalasky speaks with artist Jerry Kaba about his Arts Wrestling Federation Urban League (AWFUL Wrestling). What started as a joke between friends has become a genuine cultural phenomenon, taking Philadelphia’s DIY arts scene by nostalgic storm.

Listen to this great podcast captured from WURD radio and appearing here with permission. WURD talk show host Stephanie Renee speaks with Imani Roach about the Artblog Art Writing Contest in this peppy ten-minute audio. Then click the links in the post for information on how to apply and get details about the cash prizes! C'mon, apply! Contest ends at Midnight, Oct. 31, 2018.

Imani speaks with emerging artist, curator and poet Malachi Lily about shape-shifting, leadership and making space for nuanced representations of blackness.

Founded in 2017, YallaPunk is an intersectional, trans-affirming performance festival and conference which celebrates the creative achievements of Middle Eastern and North African people in Philly and beyond. Here Imani Roach chats with YallaPunk’s founder, DJ and journalist Rana Fayez, about what to expect from this year’s festival (August 31 - September 2).

Matt Kalasky speaks with artist Li Sumpter and educators Charlie McGeehan and Sam Reed about “Survival Guide for the Future” — an emergency preparedness, Afrofuturist and post-apocalyptic inspired curriculum conducted this spring at the U School High School in collaboration with The Galleries at Moore College of Art & Design. Culminating in both a student-created zine and an exhibition at The Galleries at Moore (opening tomorrow, Friday, Aug. 3, 2018), this project gave students a platform to reflect on their current lives and imagine a vibrant teen-centric Philadelphia of the future.

This week on Artblog Radio we’re featuring audio from the Blue Note Salon, an April 21st panel curated by Black Quantum Futurism at the Icebox Project Space. This interactive discussion covers a wide range of topics from the role of jazz musicians and jazz culture in paving the way for the Civil Rights Movement to current efforts by local artists to connect their work to social change movements addressing gentrification, displacement and cultural heritage preservation.

Imani Roach visits local artist Frances Beaver at her Fishtown studio to chat about her recent video project, Sex of the Earth, and her evolving relationship to narrative and performance.

The Women’s Mobile Museum is a year-long project by the Philadelphia Photo Arts Center which brings renowned South African Photographer, Zanele Muholi to Philadelphia to engage with a group of ten local women who are interested in media arts and museum studies but have not had significant access to formal training in these areas. Imani sat down with Muholi and two of the program’s apprentices, Shasta Bady and “Muffy” Ashley Torres, to discuss their hopes for the project and their journey thus far.

"Activist Songbook," a collection of 53 contemporary protest songs derived from community interviews, launches Thursday May 3rd at Asian Arts. Composer Byron Au Yong and Lyricist Aaron Jafferis speak with Imani Roach about collective action and how Asian American narratives complicate the American racial landscape.

Sueyeun Juliette Lee speaks with Imani Roach about her site-specific installation and performance piece, Piece Light, which premieres on Thursday May 3rd as a part of the Asian Arts Initiative’s 25th anniversary celebration weekend. They talk collaboration, the future of the Korean peninsula, and the boundless imagination that peace requires.

For years, multidisciplinary performer Martha Stuckey has commanded stages in a brightly-colored wig and stilettos as the lead singer of Red 40 and the Last Groovement, Philadelphia’s premier clown-funk-cabaret band. Now she is preparing to strike a more personal note in her upcoming commissioned show, Due to Sensitive Nature, on view April 12th-14th at the Kimmel Center’s SEI Innovation Studio. She speaks with Imani Roach about taking risks, growing up singing in Lutheran church, and what it means to be a woman in charge. How did kettle corn and Sister Act 2: Back in the Habit help to shape her performance trajectory? Listen to find out. Imani interviewed Martha at Moore College of Art and Design's TGMR radio station on April 3rd, 2018; the podcast is 51 minutes long.

When multi-media artists Lucia Alber and Katie Rauth first met as interns at Vox Populi Gallery, they recognized in each other a shared interest in the performance of gender and an attraction to similar forms and materials. Since their earliest collaborations in 2016, they have continued to build a powerful friendship both inside and outside of the studio — a friendship which served as an important source of support during Lucia’s recent experience being stalked by a man who serviced her car at a local Jiffy Lube. Here they speak with Matt Kalasky, about Leave Worry Behind, the body of work that emerged from that harrowing experience, on display at Practice Gallery beginning Friday, April 6th. This work, created by Alber and curated by Rauth, uses French boudoir aesthetics to examine the sexual politics of car culture. What is a “sulking room” and how much self-care is too much self care? Listen to find out. Matt interviewed Lucia and Katie at Moore College of Art and Design's TGMR radio station on April 4th, 2018; the podcast is 20 minutes long.

Though still in her early-30s, local renaissance woman Lauren NeFesha has already lived many lives. Now this former fashion student (and nationally-ranked boxing champion) is making a name for herself as a songwriter and mosaic artist. She chats with Artblog’s Imani Roach about speaking up for the most marginalized among us and allowing curiosity to be her guide without judgement. What do a mosaic and a boxing match have in common? Listen to find out. Imani interviewed Lauren at Moore College of Art and Design's TGMR radio station on March 16th, 2018; the podcast is 33 minutes long.

Kara Springer works at the intersection of sculpture, photography and language to activate bodies in space. Born in Barbados and raised in Ontario, Canada, this former industrial designer grounds her minimalist aesthetic with careful attention to history and geography. Springer speaks with Artblog’s Imani Roach about diaspora, legibility and her current installation at The Galleries at Moore — Ten Days Before Freedom, a Hymnal. What can perilous landscapes teach us about the nature of built space? Listen to find out. Imani interviewed Kara at Moore College of Art and Design's TGMR radio station on February 26th, 2018; the podcast is 34 minutes long.

As a Chinese-born artist making a life for herself in Philadelphia, Yixuan Pan thinks a lot about translation and the limitations of language. In fact, since earning her MFA from the glass department at Tyler School of Art last year, she has built a rich and varied practice around the insights gained from living with confusion. Here she speaks with Matt Kalasky, ahead of her February 28th collaborative performance at Vox Populi Gallery, about starting with wonder and chasing art across media. Can a conversation where no questions are allowed qualify as studio time? Listen to find out. Matt interviewed Pan at Moore College of Art and Design's TGMR radio station on February 13th, 2018; the podcast is 21 minutes long.

The Fabric Workshop and Museum, founded in 1977 by arts visionary Marion “Kippy” Boulton Stroud, is celebrating its 40th birthday with a major retrospective exhibit. Process and Practice: 40 Years of Experimentation hilights archived ephemera from the institution’s famed artist-in-residence program that has been preserved for decades in “artist boxes.” Artblog’s Imani Roach spoke with Susan Lubowsky Talbott, the Museum’s Executive Director, about exhibiting “failures,” engaging the public, and her legacy. What was the most surprising thing she discovered in those artist boxes? Listen to find out. Imani interviewed Susan at the Fabric Workshop and Museum on January 9th, 2018; the podcast is 30 minutes long.

You’ve probably seen Kelli Morgan around town, presenting her research, working with students, moderating conversations with artists, and generally staying busy as PAFA’s first Winston & Carolyn Lowe Curatorial Fellow for Diversity in the Fine Arts. Now she’s heading off on a new adventure as Associate Curator of American Art at the Indianapolis Museum of Art at Newfields. Artblog’s Imani Roach spoke with the Detroit native on the eve of her departure about her unconventional path to museum work and her fresh vision for curating the American canon. Listen to hear her advice for aspiring young curators and much more. Imani interviewed Kelli at Moore College of Art and Design's TGMR radio station on January 3rd, 2018; the podcast is 39 minutes long.

Wit Lopez is a fiber artist, performer and independent curator whose work encourages audiences to touch, manipulate and even wear it. Artblog’s Imani Roach spoke with this former theater kid about accessibility, performing for the camera and confronting their body as a spectacle. Can marginalized artists use humor to subvert their relationship to art institutions? Listen to find out. Imani interviewed Wit at Moore College of Art and Design's TGMR radio station on December 12th, 2017; the podcast is 34 minutes long.

Carolyn Lazard uses the experience of chronic illness to explore themes of intimacy, labor and living in relation to others. With a background in video art, Lazard develops her ideas across a range of media including photo, performance, sculpture and the written word. Artblog’s Imani Roach spoke with her about returning to her Southeastern PA roots and how disabled artists are changing the pace of institutions. Is there such a thing as JOMO (Joy Of Missing Out)? Listen to find out. Imani interviewed Carolyn at Moore College of Art and Design's TGMR radio station on October 12th, 2017; the podcast is 41 minutes long.

Artblog recently hosted a lively panel discussion on the Future of Art Writing in conjunction with our 3rd annual New Art Writing Challenge. Our dynamic panelists included artist and Bmore Art contributor, Alexandra Oehmke, performer organizer and writer, Catherine Rush and writer and theater-maker Carlos Roa. The panel was held on Wednesday, October 4th, 2017 at the Galleries at Moore and moderated by Matt Kalasky; the podcast is 76 minutes long.

Artblog’s Imani Roach spoke with artist Lane Speidel about their experiences as an early childhood educator and curator of Make A Space For Me, a performance series for trans, non-binary, and gender non-conforming artists, makers, thinkers and audiences. In their own artistic practice, Lane uses performance to re-establishing control over their body in the face of personal trauma and the daily demands of life under capitalism. Across all platforms of their work, safety is a paramount concern— proper grammar, less so. Find out why! Imani interviewed Lane at Moore College of Art and Design's TGMR radio station on Sept. 21st, 2017; the podcast is 50 minutes long.

Artblog's Imani Roach and Roberta Fallon talked with Taji Ra'oof Nahl about his complex art practice that includes collaboration at its core. Nahl ran his own gallery in Old City from the late 1980s to 2010, where he showed, among others, Terry Adkins' work. Taji was a friend of Adkins, and their practices both involve music, found objects, and researching under-known African American historical figures. In the interview Nahl tells Imani and Roberta about discovering the Colonial-era polymath, Benjamin Banneker, who became the subject of his installation in 'Unlisted,' the big multi-curator, multi-artist show at Icebox Project Space in 2016. We interviewed Taji Nahl at Moore College of Art and Design's TGMR radio station on Sept. 14, 2017, and the podcast is 37 minutes long.

Carl(os) Roa is bringing Andean Mountains, his Fringe Festival solo performance, to Taller Puertorriqueño Sept. 7-15, 2017. Roa tells Roberta and Imani that Andean Mountains is about a generational displacement between Latin youth who love anime and manga and their elders' who love telenovelas. How can the children of immigrants reconcile the various streams of culture coming at them? By repurposing familial culture and making it your own, says Roa. Andean Mountains will have digital elements, movement, and storytelling, in English and Spanish. Get your tickets now, this is going to be great!

Earlier this year, Karen Chernick wrote about the missing Royal Theater mural, a history mural on South Street commemorating the legacy of the Royal Theater, a once-thriving black theater where Billie Holiday, among many others, gave concerts. The mural, painted by Eric Okdeh depicted jazz greats who played at the Royal, and neighborhood greats, like Ron Washington, of Ron's Ribs, a restaurant landmark at 1627 South St., across from the theater. In this podcast, Roberta and Imani Roach (Artblog Managing Editor) speak with Brandon Washington, son of Ron. Brandon talks about the neighborhood, his father's important role as a community leader and of his own and his brother's hope to revive Ron's Ribs in the future in a Ron's Ribs food truck.

In this podcast interview, Matt Kalasky talks with Amanda Buck and Alexa Smith, two of the editors of Apiary Magazine, a beautiful Philadelphia literary publication in print and online, started in 2009 and publishing a wide variety of community voices, in a variety of genres including poetry, fiction and non-fiction. Apiary also includes visual art.

Ron Klein is an artist, a sculptor who thinks big, travels the world to research and find materials, and whose works evoke the cosmos and thoughts about the place of humans in a bigger context. Ron's got an installation at Abington Art Center now through June 23. Don't miss it.

In the gig economy many artists work multiple jobs. Grimaldi Baez works about seven, most of them in the community art realm, where he teaches and leads projects. For the Yabucoa, Puerto Rico-born, US-raised artist committed to idea of social justice, it makes for an exhausting but fulfilling life. Among other things in this wide-ranging interview, Grimaldi tell us how he relaxes.

Enjoy this podcast with Douglas Witmer, in which he talks about his community project, "Neighbor Who," and about his love of art and music, and his family's roots in the Mennonite community in Lancaster County, where he grew up, although not, he says, driving around in a horse-drawn carriage.

Betty Leacraft has been making art with fibers since she was young and learned how to sew from her maternal grandmother. Respectful of those early teachings and thirsty for learning about her ancestors, Betty has studied the fibers practices of her African ancestors and traveled to Ghana. She and her work have traveled to South Africa, as part of the Women of Color Quilters Network, to participate in an international exhibition there. Outside of the art school traditions and acting as what she calls a "cultural custodian," the artist teaches workshops in fiber art in her West Philadelphia neighborhood and many other places in Philadelphia and has been recognized five times by the Leeway Foundation. Betty participated in the Mural Arts Program's 2015 Neighborhood Time Exchange program and is part of the PMA's Philadelphia Assembled project that will debut this Spring.

Rose Luardo is a performer, singer, comedy sketch artist and artist. You may have seen her with Andrew Jeffrey Wright in the New Dreamz or as a singer with Sweatheart, the alternative rock band. In her first solo exhibition at Practice Gallery (over Feb. 26), she has created a theatrical tableau with several big elements, one of which involves the viewers climbing into a psychedelic-patterned coffin in the middle of the gallery space.

Playwright, performer, theater and dance critic, and co-founder of Curate This, Julius Ferraro is a multi-tasker par excellence. Julius has a new play, "Parrot Talk" that will be performed at DaVinci Art Alliance at the end of March. The show will take place over two weekends, a month apart, where the second staging may (or may not) look and feel very different than the first. The interview with Julius took place Feb. 17 and it's 31-minutes long.

In Jonathan Lyndon Chase's paintings, faces go from cartoony (masks, he says) to realistic. The subject is the body, the black male body, the black queer body. Jonathan, who got his MFA from PAFA in 2016, is soft-spoken but intense. Easy to talk with and direct in his answers, no BS. Four of his works are in the current Fleisher-Ollman exhibit, up to Jan. 28. Among other things in this conversation, Jonathan talks about his materials. His works are filled with materials-brio.

Lanré, who is Yoruba, works with recycled materials and his art communicates a message about our fragile globe being overwhelmed by waste. His sculptures are labor intensive, and here in Philadelphia he worked with North Philadelphia community members in "sewing circles" to fabricate the individual components (he refers to them as "bricks" to build a skyscraper) that will go into his big new sculpture, which debuts on Friday. The piece is a memorial to loss, which is experienced in a personal way by all.

After a nine-month residency at the SPACES program at the Village of Arts and Humanities, two international artists, Kwasi Ohene-Ayeh, who is from Ghana, and Olanrewaju (Lanré) Tejuoso, who is from Nigeria, are preparing for their projects' culminating exhibition and Open Mic session, this Friday, Dec. 9, 6PM - 10 PM.

Michelle Marcuse flirted with sculpture-making for a long while, but only when she started channeling her memories of childhood in suburban Capetown, South Africa, did she find her 3D voice. Marcuse, who along with her partner, Henry Bermudez, runs House Gallery also found her materials -- recycled cardboard, glue -- and aesthetic that is primal and playful, combining both pieces of her childhood experience.

The art activist group We Are Watching was organized by Amanda Silberling and her friends at the University of Pennsylvania, where they are undergraduates. Propelled to action by an email sent by a fraternity to incoming Penn freshmen girls to come to a party and be ready to, basically, put out, Silberling and her colleagues blanketed the campus with flyers outing the fraternity for its crass invitation, with its implied embrace of rape culture.

Will Owen is an artist working primarily with design, interactive media, sound...and FOOD! He's a Little Berlin member who I met in 2014 for a show he curated at that space. He's a bit of a nomad, living between Philadelphia and New York, where he is an artist in residence at Flux Factory in Queens. So it's kind of no surprise that some of his curating involves transit, especially subways (he did an audio piece for the Copenhagen subway system) and buses (he's curated exhibitions on the Chinatown buses between New York, Philadelphia, Boston and Baltimore).

Irish artist Elaine Byrne makes work that uses Dante, James Joyce and other heady source material for her works with political and social commentary on contemporary issues. In one case she is calling out an Irish bank scandal, using Dante's Purgatorio and a pilgrimage location in Ireland called St. Patrick's Purgatory; in another she's raising issues about anti-Semitism in the context of Joyce's Cyclops section of Ulysses. The videos are captivating, and give so very much to chew over. Elaine's Irish accent is part of the treat of this 38-minutes long podcast.

Artist, Pew Fellow, and 2016 Guggenheim Grantee Eileen Neff makes photographs and prints them large, small, framed or unframed, and, recently, shaped–like her photo of a leaf is shaped like a leaf, which appeared in her 2015 solo show at Bridgette Mayer Gallery, which represents her.

Before arriving at PAFA, Jodi Throckmorton was Curator of Modern and Contemporary Art at Wichita State University. Prior to that, she lived in the new media mecca of Silicon Valley, where she was Associate Curator at the San Jose Museum of Art for eight years. Now at PAFA, Throckmorton is bringing her considerable energy and wide-ranging interest in contemporary art to integrating edgy contemporary art with PAFA's traditional strong suits of figuration and realism.

Perhaps you stopped by Reading Terminal last Friday and saw the pop up bookstore on Filbert Street? Ulises is the name of the store, and Gee Wesley and collaborators are the founders. The alternative/experimental bookstore project will open a more permanent home in October in a converted garage space at 31 E. Columbia Ave. Phila 19125.

Clint Takeda and Scott Hewicker met 15 years ago when Takeda was head preparator at the ICA and Hewicker was a featured artist in Alex Baker's East Meets West exhibition. This month the two meet again in an exhibition at Grizzly Grizzly.

José Ortiz-Pagán grew up in a small town in Southern Puerto Rico where he was a skater and a fledgling grafitti artist. Fast forward a few and now, he's been in Philadelphia for seven years. The Tyler MFA in printmaking and sculpture talks about being an activist and about the political roots of his current work at the new Latino art commercial gallery, RACSO.