
#014 with Natalie Elliot
This week we bring Natalie Elliot into the Zone to discuss how art relates to science in the wake of a truly significant paradigm shift, and how Shakespeare grappled with such shifts throughout his career, and across many if not most of his plays. We speak a bit about Stalker, detecting lifeforms out in the universe, and speculate on how life emerged from lifelessness here on Earth, and elsewhere. Perhaps a clue lies in Natalie’s Alien artifact. Natalie is a tutor at St. John’s College in Santa Fe, where she teaches cross-disciplinary courses in classics, history of science, mathematics, literature, philosophy, and music. She is a story teller, a science writer, a frequent contributor to SFI’s parallax newsletter, short-story fiction writer and novelist. She is specifically interested in the intersection of literature and science, as we in the InterPlanetary project are, and she co-authors the Atlantis Dispatch series with me.
Alien Crash Site · Caitlin McShea, Natalie Elliot, Santa Fe Institute
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Show Notes
Learn more about everything referenced in this episode by clicking the links below:Herschel Moon History
- Natalie Elliot’s Homepage
- Alexander Pope’s “The Rape of Lock”
- Shakespeare’s
- Claudius Ptolemy
- Nicolaus Copernicus
- Tycho Brahe
- Aristophanes’s
- Fermilab Bison
- Antikythera Mechanism
- “Origin Story” for Aeon
- And two recently published papers on universal life detection that we are WAY TOO EXCITED about: