Across the Movie Aisle

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) have questions about the Microsoft AI head’s understanding of Fair Use, as it relates to copyright. Then they review Horizon: An American Saga — Chapter One. Does Kevin Costner still have that old western magic? Or is this simply too sprawling and unfocused to work? Make sure to swing by Bulwark+ on Friday for our bonus episode on Bridgerton and Netflix’s foray into live events. And if you enjoyed this episode, please share it with a friend!

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss two new movies this week. First up is Inside Out 2, which is smashing box office records for an animated film. But is it any good? And then they discuss The Bikeriders, Jeff Nichols’s new picture that might be described as “Midwestern Motorcycle Club Goodfellas.” On this Friday’s bonus episode, we’re going to pay homage to Donald Sutherland, so we hope you swing by for that. And if you enjoyed this episode, we hope you share it with a friend!

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss Sony Pictures Entertainment’s purchase of the Alamo Drafthouse. Then they review Richard Linklater’s Hit Man, the new film starring (and cowritten by) Glen Powell. Is it a frothy romcom filled with sexy, silly fun? Or is there something a bit deeper? Make sure to swing by for our bonus episode on Friday for our Summer preview. And if you enjoyed this episode, share it with a friend!

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss the shuttering of a franchised chain of Alamo Drafthouses. What does this mean for the theatrical industry writ large? Then they reviewed Bad Boys: Ride or Die, a movie that will appeal greatly to anyone who likes boys who are bad. Make sure to swing by Friday for an in-depth discussion into Will Smith, a walking-talking nons and cons. And if you enjoyed this episode, please share it with a friend!

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) ask how we wound up in a future in which people pull out their cell phone cameras to tape Chipotle’s burrito artisans in order to get a little extra rice and beans. Is the burrito panopticon the future we signed up for? And then they review The Last Stop in Yuma County, Francis Galluppi’s shockingly great debut noir. It’s on VOD now, they all hope you check it out. Make sure to swing by Bulwark+ Friday for our bonus chat on nepo babies. And if you enjoyed this episode, please share it with a friend!

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) debate OpenAI’s use of a voice that sounds suspiciously like Scarlett Johansson.Then they head into the Wasteland to review Furiosa: A Mad Max Saga.Make sure to swing by Friday for an apocalyptic bonus episode. And if you liked this episode, please share it with a friend!

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss the rise of YouTube as a serious vector for televisual consumption. Then they review The Idea of You, a movie that doesn’t really work on any level yet has put up bonkers numbers for Prime Video. If you enjoyed the episode, please share it with a friend! A programming note: No bonus episode this Friday thanks to the upcoming holiday, but that just gives you more reason to check out last Friday’s episode on the late, great Roger Corman.

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss Apple’s disastrous new iPad ad. But did people overreact to the image of creative tools being turned into a wafer-thin iPad? And then they reviewed Kingdom of the Planet of the Apes, a movie with lots of ideas, though one that also doesn’t dive into them deeply enough. Make sure to swing by Friday for our bonus episode, a tribute to Roger Corman and the world he helped spawn. And if you enjoyed this episode, please share it with a friend!

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discussed whether or not steamy movie scenes are back (per the New York Times) or on their way to extinction (per the Economist). Then they reviewed The Fall Guy, an imperfect movie that’s still a perfectly good time to watch. Make sure to swing by Bulwark+ on Friday for our bonus episode on the rise of mid-TV. And if you enjoyed this episode, share it with a friend!

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) asked if Jerry Seinfeld was right about the state of comedy. (You can read his full interview with David Remnick here.) Then they review Challengers, an erotically charged relationship movie set in the world of professional tennis. Make sure to swing by Friday for a bonus episode on the cinematic soundscapes of Trent Reznor and Atticus Ross. And if you enjoyed this episode, share it with a friend!

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discussed whether or not the stars of The Blair Witch Project should get back-residuals for services already rendered. (You can read the full story here.) Then they discussed Civil War, Alex Garland’s travelogue through a war-torn America. Is it a treatise on war, politics, or journalism? All of these? None of these? Most importantly: does it work as a tense war drama? (Since we mentioned it in this episode, make sure to check out our old, pre-Bulwark episode on Garland’s great FX show Devs.) Swing by Friday for a bonus episode in which Peter unfairly attacks Sonny about Zack Snyder’s Rebel Moon movies, very nasty stuff. And if you enjoyed this episode, share it with a friend!

Very special episode this week, as Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss Denis Villeneuve’s 2016 film, Arrival, live from the Alamo Drafthouse in Washington, D.C. This was a very fun episode to tape and I hope everyone who showed up had a good time; we certainly had a great time meeting everyone. No bonus episode this week, as Alyssa is out of the country; we’ll be back next Tuesday with our episode on Civil War. If you enjoyed this, please share it with a friend!

Before we get started: a handful of tickets are left for Across the Movie Aisle live tonight. If you’ve never seen (or, almost as importantly, heard) Arrival on the big screen, you’re not going to want to miss tonight’s screening on the Dolby Atmos Big Show screen at the Bryant Street Drafthouse in DC. It’s going to be a fun show, I can’t wait to see everyone there. On today’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss Dwayne ‘The Rock’ Johnson’s non-endorsement of Biden. Or Trump. Or anyone. What does it mean that wrestling’s biggest weather vane is sitting this one out? Then they review Monkey Man, Dev Patel’s directorial debut. Is the action-revenge movie “Indian John Wick,” or something different? Make sure to swing by Bulwark+ for our bonus episode on Friday about Tokyo Vice and Curb Your Enthusiasm. And if you enjoyed this episode, please share it with a friend!

Before we get started: you’re running out of time to pick up tickets to the live show at the Bryant Street Alamo Drafthouse in DC. Tuesday, April 9. We’re talking Arrival. It’s gonna be great! Tickets are just seven bucks, you really have no excuse not to be there. Yes, Godzilla x Kong: The New Empire is dumb. But is it fun dumb or dumb dumb? That’s the question Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) endeavor to answer this week. Before that, they talk about the Entertainment Strategy Guy’s suggestion that we’re all being a little too hard on the traditional studios and their forays into streaming and a little too easy on the tech giants and their forays into streaming. Make sure to swing by Bulwark+ on Friday for the bonus episode, in which we suggest some silly franchise crossovers. And if you enjoyed this episode, share it with a friend!

Before we get started: make sure to pick up your tickets for Arrival at the DC Bryant Street Drafthouse on Tuesday, April 9. We’re doing a live taping after the movie, so it’s a great chance to come and say hi. Tickets are only $7! For a screening on the Alamo’s Big Show! It’s going to be fun, can’t wait to see you there. On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss the use of an AI-generated image in the indie horror flick Late Night with the Devil. Then they review Road House, the remake of the 1989 basic cable classic now streaming on Amazon Prime. Make sure to swing by Bulwark+ this Friday for our bonus episode on Patrick Swayze and the evolution of the male action star. And if you enjoyed this episode, please share it with a friend!

Tickets to our screening of Arrival and live-taping of an episode of the show are going fast! It’s Tuesday, April 9, at 7PM in Washington, D.C., at the Alamo Drafthouse’s Bryant Street location on their Big Show screen. Tickets are just seven bucks! Pick them up now before they’re gone for good. — This week, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss the viewing habits of Kids These Days™ and whether or not the rise of streaming and the decline of cable/video stores have changed what gets watched and why. Then they review Spaceman, Adam Sandler’s space travel/spider therapy movie. (Trust us, it makes sense in context.) Make sure to swing by Bulwark+ for our bonus episode on sad sci-fi movies, a weirdly prolific genre. And if you enjoyed this episode, make sure to share it with a friend!

Before we get started, some fun news: Peter, Alyssa, and Sonny are going to be at the DC Bryant Street Drafthouse on Tuesday, April 9 for a screening of Arrival and a live show. Should be a fun time; make sure to get your tickets now, as we sold out the last one of these we did in Crystal City. (If you click above and see “no showtimes available,” make sure to click the “Tuesday 4/9” link.) And now, on to the show! It’s the Oscars episode, so in cons and nons we talk Kimmel vs. Trump before discussing the ceremony and the winners. Was this the best show in ages? Did the right nominees win? How great was that "I'm Just Ken" performance? How cool were those Godzilla shoes worn by FX artists on Godzilla Minus One? All that and more on this Tuesday’s episode. Make sure to swing by Bulwark+ on Friday for our chat about best supporting actor winner Robert Downey Jr.’s career. And if you enjoyed this episode, please share it with a friend!

On this week’s episode Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss Ian Bogost’s essay at The Atlantic suggesting the 4K revolution is a bit of a scam. Then they review Dune: Part Two, the second half of Denis Villeneuve’s adaptation of Frank Herbert’s classic novel. Make sure to swing by Friday for our bonus episode on Vulture’s ranking of the 100 greatest action sequences. And if you enjoyed this episode, share it with a friend!

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss Ted Gioia’s breakdown of how the culture has moved from art to entertainment, into a world of distraction, and is now veering toward addiction. (Or, how we moved from Kubrick and Coppola to TikTok and IG Stories in several easy steps.) Then they reviewed Drive-Away Dolls, the new lesbian neo-noir from Ethan Coen and Tricia Cooke. Is it an instant cult classic or something less impressive? Make sure to swing by Friday for our bonus episode on the Criterion Channel’s Razzies program. And if you enjoyed this episode, share it with a friend!

On this week’s episode of Across the Movie Aisle, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) debated the emergence of AI video and whether it would be a net positive or a net negative for society. Then they reviewed True Detective: Night Country, which just wrapped its season up this weekend. Is it a worthy successor to season one, or something lesser? Make sure to swing by Bulwark+ for our bonus episode on Madame Web. (I know, I know: comic book movies, ugh. But you’re really going to enjoy this episode, I think.) And if you enjoyed this episode, share it with a friend!

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) talked Super Bowl trailers (which you can watch here). Then they turned to The Zone of Interest, the last of the best picture nominees they have to review. (If you want to hear their take on every best picture nominee, here’s the lineup in the order we reviewed them, from most recently to least recently: Anatomy of a Fall, The Holdovers, American Fiction,Maestro, Poor Things, Killers of the Flower Moon, Barbie, Oppenheimer, and Past Lives.) Make sure to swing by Bulwark+ for our discussion of the state of film criticism. And if you enjoyed this episode, share it with a friend!

This week Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) asked whether Nikki Haley should be persona non grata from Saturday Night Live. Then they reviewed Argylle, which is a strange combination of distressingly empty and absurdly overstuffed. Make sure to swing by Friday for our bonus episode, in which we will offer up some suggestions of stuff to see since the multiplex is letting us all down. And if you enjoyed this episode, please share it with a friend!

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) asked the most pressing question in the history of awards season: Was Barbie snubbed? Or was this, in fact, one of the best crops of nominees in decades? Then they reviewed one of the best picture nominees, Anatomy of a Fall. Make sure to swing by Bulwark+ on Friday for our bonus episode about the biggest move Netflix has made in years. And if you enjoyed this episode, share it with a friend!

A programming note: We tape on Monday afternoons, which means you will have to wait until next week for our Oscar hot takes. I know, you are quivering with anticipation! Quiver a moment or two longer. On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss the decline of Pitchfork, which was gutted by Conde Nast and moved under the GQ banner. What happened to the once-storied indie-rock website? Then they review The Holdovers, one of the nicest movies of the year. Make sure to swing by Bulwark+ for our bonus episode on Friday about the Oscar-nominated Paul Giamatti. And if you enjoyed this episode, please share it with a friend!

Apologies, got sent the wrong file this morning, which necessitated me, Sonny, doing an emergency edit to get this to you ASAP. So when you listen to this and you hear how much worse it sounds, know that’s the difference between getting a professional Jonathan Siri edit and a quick-and-dirty Sonny Bunch edit. Sorry for the mixup! On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) talk about the NFL’s decision to give the Peacock streaming service exclusive rights to a single playoff game for the low-low price of more than $100 million. Then they review The Beekeeper, the delightful new Jason Statham action film from director David Ayer. Is it a cathartic action-revenge romp, or something less than that? Make sure to swing by Bulwark+ for our bonus episode on the joys of Jason Statham. And if you enjoyed this episode, share it with a friend!

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (the Washington Post), and Peter Suderman (Reason) talked about the TikTok-ification of The Sopranos. Clever marketing, or grotesque desecration? Then they reviewed American Fiction, which is going wide this week after a relatively limited run. Does it effectively skewer its targets in the publishing-industrial complex? Or is it simply a satisfying comedy? Make sure to swing by Bulwark+ for our bonus episode on directorial debuts. And if you enjoyed this episode, share it with a friend!

On this week’s episode, Sonny Bunch (The Bulwark), Peter Suderman (Reason), and Alyssa Rosenberg (The Washington Post) discussed their ten (or so!) favorite movies of the year. You may have already seen Sonny’s list, but who knows how much things have changed in the weeks between its publication and the taping of this episode. One thing that’s definitely true: there’s more divergence this year than in years past. Many different movies get a shoutout and only a few share positions. If you want to win an argument against the friends you talk movies with, by sharing your favorite ATMA host’s list, please forward this to a friend!

Merry Christmas! Peter, Alyssa, and I hope everyone out there is having a happy holidays. As you try to figure out what to watch with the family in this down week, we took a look at Netflix’s awards season favorite, Maestro. Before that, we dove into Marvel’s Jonathan Majors mess and asked if they made the right call in dropping him following his criminal convictions. Swing back by Bulwark+ on Friday for our bonus episode about what we’re looking forward to at the multiplex in 2024. Our annual best-of episode is coming next week, though it may be a day late owing to New Year’s travel schedules. And if you enjoyed this episode, please share it with a friend! We had a great 2023, hope you did the same.

On this week’s show, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) talked about Netflix’s big data release. What plays? What doesn’t? What are they trying to signal to talent? Then they reviewed Poor Things, the latest confection from Yorgos Lanthimos. Does this feminist Frankenstein starring Emma Stone have something to teach us about the world? Or is it an amusing trifle? Make sure to swing by for Friday’s bonus episode on studios’ recurrent desire to hide that musicals are in fact musicals. And if you enjoyed this episode, share it with a friend!

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss the Golden Globes and the odd fact that the same company owns not only the Globes but also the three biggest trade publications in Hollywood, meaning that studios will feel pressured to pay the press that covers them hefty For Your Consideration spots in exchange for awards consideration. Seems bad! Then they review what is, supposedly, Japanese animation giant Hayao Miyazaki’s final film, The Boy and the Heron, the number one movie at the box office last weekend. Make sure to swing by Bulwark+ on Friday for our bonus episode on subtitles, dubbing, and one good thing AI might be able to do. And if you enjoyed this episode please share it with a friend!

This week, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss Bob Iger’s decision to slam Disney’s “messaging” in recent movies. Does he really think the company is going broke because it went woke? Or is he simply trying to distract from the structural problems Disney has made for itself with its streaming service? Then the gang discusses May December, the new Todd Haynes movie starring Julianne Moore and Natalie Portman that just hit Netflix and is earning tons of Oscar buzz. Make sure to swing by this Friday for our bonus episode on the epic new John Woo movie, Silent Night, in theaters now. And if you enjoyed this episode, share it with a friend!

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss the removal of Melissa Barrera from the forthcoming Scream sequel in the wake of comments deemed antisemitic by the film’s producers. Then they review Ridley Scott’s epic, comic take on Napoleon, aptly titled Napoleon. Make sure to swing by Friday for our bonus episode on great directors who do not consistently make great films. And if you enjoyed this episode please share it with a friend!

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) talked about Ridley Scott’s riotous press tour and his disdain for historical nitpicking while also reckoning with the responsibility, if any, popular fiction has to represent the reality of the world. Then they reviewed The Hunger Games: The Ballad of Songbirds and Snakes, the prequel everyone was begging for. No bonus episode this Friday: enjoy your Thanksgiving, everyone. If you enjoyed this episode, please share it with a friend!

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss Warner Bros.’s plan to indefinitely shelve Coyote vs. Acme for tax purposes and what that says about the streaming business writ large. Then they review The Marvels, which recently had the worst opening ever for a Marvel Cinematic Universe movie and continues the studio’s cold streak. Make sure to swing by Friday for our bonus episode on AI provisions in the new SAG-AFTRA contract. And if you enjoyed this episode, share it with a friend!

On this Tuesday’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) have a fine time highlighting Marvel’s myriad problems, from the serious (a star facing criminal charges) to the hilarious (a version of the character Blade in which Blade is the fourth lead in his own movie, taking a backseat to a quartet of ladies who teach him life lessons). Then they review Priscilla, the new film from Sofia Coppola about Elvis Presley’s wife. Make sure to swing by Friday for our bonus episode on Sofia Coppola and her brand of upper-class ennui. And if you enjoyed this episode, share it with a friend!

On this Tuesday’s show, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss the fall’s surprise breakout at the box office: Five Nights at Freddy’s, a property you’ve almost certainly never heard of if you’re over the age of 35 but almost certainly love if you’re under the age of 18. How did Universal turn this into a monster hit despite putting it on Peacock and in theaters simultaneously? And then we review The Killer, David Fincher’s latest for Netflix starring Michael Fassbender as the titular killer. Is it a slick exercise in style, a sly comment on the whole hitman subgenre, or a scathing indictment of modernity’s detachment of labor and laborer? Maybe all three, wrapped up in a little techno-critical ribbon, a perfect gift for Fincher’s Netflix overlords. Make sure to swing by Friday for our bonus episode on the meaning of the explosion of hitmen on film in recent years and what it all might mean. And make sure to share this episode with a friend if you enjoyed it!

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss the cancellation of Jon Stewart’s show by Apple. Was it driven by fear of criticizing China, or, possibly, something far more prosaic? Then we set our sights on Killers of the Flower Moon, Martin Scorsese’s new film starring Martin Scorsese and his two most frequent onscreen collaborators, Leonardo DiCaprio and Robert De Niro. There’s much to discuss about Scorsese’s epic, which focuses on the murders of the Osage people in Oklahoma in the 1920s and asks who can tell their story. Make sure to swing by Bulwark+ on Friday for our bonus episode, a Martin Scorsese movie draft. And if you enjoyed this episode, share it with a friend!

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss the state of the AMPTP/SAG-AFTRA talks and why this strike might drag out longer than anyone expected. Then they review the much-anticipated Taylor Swift: The Eras Tour, which is definitely a 165-or-so-minute movie that recreates most of a Taylor Swift concert! But is it any more than that? And does it need to be? Make sure to swing by Bulwark+ on Friday for our bonus episode on great movie books tied to The Hollywood Reporter’s list of 100 greatest movie books. And if you enjoyed this episode—or are a Swiftie outraged by our lack of faith in your pop overlord—make sure to share it with a friend!

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) break down the business sense of Universal paying $400 million for the rights to a movie trilogy that just saw its first entry open to $27 million. (The streaming wars are wild, you guys.) Then they review the initial fruits of another big rights purchase: Wes Anderson’s four short films for Netflix based on short stories written by Roald Dahl. Make sure to swing by Bulwark+ on Friday for our bonus episode on some of our favorite short films. And if you enjoyed this episode, share it with a friend!

On this week’s episode, award-winning Washington Post writer Alyssa Rosenberg reports live from New York City on Toy Fair and all the hot AI trends coming to kids’ toys. And then Alyssa, Sonny Bunch (The Bulwark), and Peter Suderman (Reason) discuss the AI-loving sci-fi original, The Creator. Spoiler alert: we talk about the things that happen in the movie, including some stuff near the end! If you haven’t seen it and want to and are worried about that sort of thing, listen to the show in a couple of days! Make sure to swing back to Bulwark+ on Friday for our bonus episode on robot movies and the decline of original sci-fi features. And if you enjoyed this episode, share it with a friend!

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) celebrate the end of the writers strike and ask a very important question: what the heck took so long for the studio execs to sit down and work out a deal with the writers? Then they review Dumb Money, Craig Gillespie’s look at the pandemic-era bubble surrounding meme stock AMC. As an underdog-beating-the-big-guys story, it’s … eh. But as a pandemic movie and an examination of the ways in which it made us all go a little nuts, it’s really quite interesting. Make sure to swing by Bulwark+ on Friday for our bonus episode about the end of prestige TV and the retrenchment to more populist fare. And if you enjoyed this episode, make sure to share it with a friend!

This week, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss Drew Barrymore’s aborted decision to bring her show back sans writers before the WGA strike ends and how social media pressure is helping enforce solidarity. Then they review A Haunting in Venice, the latest adventure of Agatha Christie’s Hercule Poirot directed by and starring Kenneth Branagh. Make sure to swing by Bulwark+ on Friday for our bonus episode about Hasan Minhaj and the duty, if any, standup comedians have to the truth. And if you enjoyed this episode make sure to share it with a friend!

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) look at the last-minute deal that brought ESPN back to Spectrum cable customers just in time for Monday Night Football. Is this deal a game-changer, or simply a delay of the inevitable diminishment of cable TV? Then the gang reviews You Are SO Not Invited to My Bat Mitzvah, the latest production from Adam Sandler’s shingle featuring not only Adam but also two of his daughters. Make sure to swing by Bulwark+ for the bonus episode on Friday; we’re going deep on the ways in which digital piracy can be used as a preservation tool instead of simply a means of theft. Many thanks to Jonathan Siri for producing this, and every other, episode of the show. If you enjoyed it, make sure to send it to a friend!

This week, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) ask if Taylor Swift and AMC got the better of the studios by agreeing to a direct distribution deal for her forthcoming Eras Tour movie concert. Given the way studios are messing with the release calendar in response to the ongoing strikes, was this a smart short-term play to fill a revenue gap for AMC, or something that augurs a whole new business opportunity? Most importantly: Will Alyssa browbeat Sonny into seeing the movie? We’ll have to see. Then the gang discusses The Equalizer 3, director Antoine Fuqua’s concise cinematic case for Just War Theory. Make sure to swing by Friday for our bonus episode on old-man action movies. And if you enjoyed this episode, share it with a friend!

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss the sticking points between the AMPTP and the WGA, and why the stickiest may wind up being data divulging. Streamers don’t want to give it up; the union doesn’t want to give up a golden opportunity to force success-based residuals. What might a compromise look like? Then they review Gran Turismo, which is either a perfectly generic sports movie or a terribly generic sports movie. It all depends on your point of view. Make sure to swing by Bulwark+ for our bonus episode on Friday. And if you enjoyed this episode, please share it with a friend!

On this week’s show, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss fraud at the Korean box office and why rumors of studios and distributors inflating receipts are regular fodder for the conspiratorially minded. Then they review Strays, a movie that made some of them laugh despite themselves. Make sure to swing by Bulwark+ for our bonus episode Friday about the sad state of the R-rated comedy. And if you enjoyed this episode, share it with a friend!

This week, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) look at Disney’s shaky economic and creative output and discuss how it serves as a sort of canary in the entertainment industry’s coal mine. Then they review Full Circle, the entertaining-but-convoluted new show on Max (formerly, HBO Max) from Steven Soderbergh and Ed Solomon. Make sure to swing by Friday for a bonus episode on the Barbie culture wars. And if you enjoyed this episode, please share it with a friend!

This week, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) discuss the controversial (or nontroversial?) practice of digitizing extras. Setting aside issues of informed consent: Is this an existential threat to the Screen Actors Guild, or simply a necessity in the world of spiraling production costs and the risks of Covid-era shutdowns? Then the gang reviews They Cloned Tyrone, Juel Taylor’s They Live-inspired sci-fi satire. Is the Netflix film a hit or a miss? Make sure to swing by Bulwark+ on Friday for a tribute to William Friedkin, one of Hollywood’s great directors. And if you enjoyed this episode, share it with a friend!

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) ask if you’re ready for the nascent Mattel Cinematic Universe (as chronicled by the New Yorker here) currently being developed by Hollywood. If you enjoyed Barbie, you’re gonna love Uno! Speaking of: did we love Barbie? It’s the hit of the summer—and could wind up being the highest-grossing movie of the year—but is it any good? If you enjoyed this episode, please share it with a friend!

On this week’s episode, Sonny Bunch (The Bulwark), Alyssa Rosenberg (The Washington Post), and Peter Suderman (Reason) ask if movie theaters could wind up being the biggest casualty of the ongoing actor’s strike despite this weekend’s huge box office returns for Barbenheimmer. Then they review Oppenheimer, which is a clear frontrunner for best picture of the year. Make sure to swing by Bulwark+ on Friday for our Nolan Draft. And if you enjoyed this episode, share it with a friend!